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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06D30B it is the complementary color #F92CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06D30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06D30B shade: #0BD306, #1CE519, #2DF72C, #3EFF3F and #4FFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06D30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06D30B shade: #06D30B, #00C100, #00AF00, #009D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06D30B shade: #06D40B, #39D406, #70D406, #A8D406 and #D4C906

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06D30B shade: #06D40B, #06D443, #06D47A, #06D4B2 and #06BFD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06D30B shade matches the following richer shades: #06D40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06D30B shade: #06D40B, #18C21C, #2AB12D, #3B9F3E and #4D8D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06D30B shade: #71D406, #3AD406, #06D40A, #06D440 and #06D477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06D30B shade: #048407, #05AC09, #06D40B, #0DF712 and #35F839

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06D30B shade: #06D30B, #06A8D4 and #D40655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06D30B shade: #06D30B, #0A06D4 and #D40A06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06D30B shade: #06D30B, #06A8D4, #D406D1 and #D43306

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06D30B shade: #06D30B, #066AD4, #D406D1 and #D47106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 95 / 17

HEX #06D30B

RGB 6 211 11

HSL 121.46, 0.94%, 0.43%

LAB 73.97, -74.28, 71.05

 

Complementary color

CMYK 0 / 82 / 2 / 2

HEX #F92CF4

RGB 249 44 244

HSL 301.46, 0.94%, 0.57%

LAB 60.31, 90.97, -54.8

 

CMYK 95 / 0 / 97 / 17

HEX #0BD306

RGB 11 211 6

HSL 118.54, 0.94%, 0.43%

LAB 73.98, -74.18, 71.57

 

CMYK 88 / 0 / 89 / 10

HEX #1CE519

RGB 28 229 25

HSL 119.12, 0.8%, 0.5%

LAB 79.82, -77.66, 74.11

 

CMYK 82 / 0 / 82 / 3

HEX #2DF72C

RGB 45 247 44

HSL 119.7, 0.93%, 0.57%

LAB 85.64, -80.39, 75.43

 

CMYK 76 / 0 / 75 / 0

HEX #3EFF3F

RGB 62 255 63

HSL 120.31, 1%, 0.62%

LAB 88.4, -79.6, 72.87

 

CMYK 69 / 0 / 68 / 0

HEX #4FFF52

RGB 79 255 82

HSL 121.02, 1%, 0.65%

LAB 88.82, -75.55, 66.87

 

CMYK 97 / 0 / 95 / 17

HEX #06D30B

RGB 6 211 11

HSL 121.46, 0.94%, 0.43%

LAB 73.97, -74.28, 71.05

 

CMYK 100 / 0 / 100 / 24

HEX #00C100

RGB 0 193 0

HSL 120, 1%, 0.38%

LAB 68.12, -69.89, 67.45

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 97 / 0 / 95 / 17

HEX #06D40B

RGB 6 212 11

HSL 121.46, 0.94%, 0.43%

LAB 74.29, -74.55, 71.31

 

CMYK 73 / 0 / 97 / 17

HEX #39D406

RGB 57 212 6

HSL 105.15, 0.94%, 0.43%

LAB 74.81, -69.92, 72.45

 

CMYK 47 / 0 / 97 / 17

HEX #70D406

RGB 112 212 6

HSL 89.13, 0.94%, 0.43%

LAB 76.4, -56.88, 74.4

 

CMYK 21 / 0 / 97 / 17

HEX #A8D406

RGB 168 212 6

HSL 72.82, 0.94%, 0.43%

LAB 79.29, -36.88, 77.89

 

CMYK 0 / 5 / 97 / 17

HEX #D4C906

RGB 212 201 6

HSL 56.8, 0.94%, 0.43%

LAB 79.49, -13.23, 79.48

 

CMYK 97 / 0 / 95 / 17

HEX #06D40B

RGB 6 212 11

HSL 121.46, 0.94%, 0.43%

LAB 74.29, -74.55, 71.31

 

CMYK 97 / 0 / 68 / 17

HEX #06D443

RGB 6 212 67

HSL 137.77, 0.94%, 0.43%

LAB 74.53, -71.43, 57.13

 

CMYK 97 / 0 / 42 / 17

HEX #06D47A

RGB 6 212 122

HSL 153.79, 0.94%, 0.43%

LAB 75.16, -63.71, 32.54

 

CMYK 97 / 0 / 16 / 17

HEX #06D4B2

RGB 6 212 178

HSL 170.1, 0.94%, 0.43%

LAB 76.28, -51.17, 4.63

 

CMYK 97 / 10 / 0 / 17

HEX #06BFD4

RGB 6 191 212

HSL 186.12, 0.94%, 0.43%

LAB 70.91, -31.96, -21.77

 

CMYK 97 / 0 / 95 / 17

HEX #06D40B

RGB 6 212 11

HSL 121.46, 0.94%, 0.43%

LAB 74.29, -74.55, 71.31

 

CMYK 97 / 0 / 95 / 17

HEX #06D40B

RGB 6 212 11

HSL 121.46, 0.94%, 0.43%

LAB 74.29, -74.55, 71.31

 

CMYK 88 / 0 / 86 / 24

HEX #18C21C

RGB 24 194 28

HSL 121.41, 0.78%, 0.43%

LAB 68.65, -68.08, 63.78

 

CMYK 76 / 0 / 75 / 31

HEX #2AB12D

RGB 42 177 45

HSL 121.33, 0.62%, 0.43%

LAB 63.45, -59.9, 53.99

 

CMYK 63 / 0 / 61 / 38

HEX #3B9F3E

RGB 59 159 62

HSL 121.8, 0.46%, 0.43%

LAB 58.11, -48.8, 41.31

 

CMYK 45 / 0 / 44 / 45

HEX #4D8D4F

RGB 77 141 79

HSL 121.88, 0.29%, 0.43%

LAB 53.16, -34.06, 26.8

 

CMYK 47 / 0 / 97 / 17

HEX #71D406

RGB 113 212 6

HSL 88.83, 0.94%, 0.43%

LAB 76.44, -56.57, 74.45

 

CMYK 73 / 0 / 97 / 17

HEX #3AD406

RGB 58 212 6

HSL 104.85, 0.94%, 0.43%

LAB 74.82, -69.76, 72.47

 

CMYK 97 / 0 / 95 / 17

HEX #06D40A

RGB 6 212 10

HSL 121.17, 0.94%, 0.43%

LAB 74.28, -74.57, 71.41

 

CMYK 97 / 0 / 70 / 17

HEX #06D440

RGB 6 212 64

HSL 136.89, 0.94%, 0.43%

LAB 74.51, -71.71, 58.26

 

CMYK 97 / 0 / 44 / 17

HEX #06D477

RGB 6 212 119

HSL 152.91, 0.94%, 0.43%

LAB 75.11, -64.25, 34

 

CMYK 97 / 0 / 95 / 48

HEX #048407

RGB 4 132 7

HSL 121.41, 0.94%, 0.27%

LAB 47.68, -52.3, 49.69

 

CMYK 97 / 0 / 95 / 33

HEX #05AC09

RGB 5 172 9

HSL 121.44, 0.94%, 0.35%

LAB 61.27, -63.68, 60.75

 

CMYK 97 / 0 / 95 / 17

HEX #06D40B

RGB 6 212 11

HSL 121.46, 0.94%, 0.43%

LAB 74.29, -74.55, 71.31

 

CMYK 95 / 0 / 93 / 3

HEX #0DF712

RGB 13 247 18

HSL 121.28, 0.94%, 0.51%

LAB 85.33, -83.44, 79.7

 

CMYK 79 / 0 / 77 / 3

HEX #35F839

RGB 53 248 57

HSL 121.23, 0.93%, 0.59%

LAB 86.1, -79.08, 72.4

 

CMYK 97 / 0 / 95 / 17

HEX #06D30B

RGB 6 211 11

HSL 121.46, 0.94%, 0.43%

LAB 73.97, -74.28, 71.05

 

CMYK 97 / 21 / 0 / 17

HEX #06A8D4

RGB 6 168 212

HSL 192.82, 0.94%, 0.43%

LAB 64, -20.4, -32.4

 

CMYK 0 / 97 / 60 / 17

HEX #D40655

RGB 212 6 85

HSL 336.99, 0.94%, 0.43%

LAB 45.34, 71.67, 15.74

 

CMYK 97 / 0 / 95 / 17

HEX #06D30B

RGB 6 211 11

HSL 121.46, 0.94%, 0.43%

LAB 73.97, -74.28, 71.05

 

CMYK 95 / 97 / 0 / 17

HEX #0A06D4

RGB 10 6 212

HSL 241.17, 0.94%, 0.43%

LAB 26.59, 67.78, -92.88

 

CMYK 0 / 95 / 97 / 17

HEX #D40A06

RGB 212 10 6

HSL 1.17, 0.94%, 0.43%

LAB 44.56, 68.85, 56.68

 

CMYK 97 / 0 / 95 / 17

HEX #06D30B

RGB 6 211 11

HSL 121.46, 0.94%, 0.43%

LAB 73.97, -74.28, 71.05

 

CMYK 97 / 21 / 0 / 17

HEX #06A8D4

RGB 6 168 212

HSL 192.82, 0.94%, 0.43%

LAB 64, -20.4, -32.4

 

CMYK 0 / 97 / 1 / 17

HEX #D406D1

RGB 212 6 209

HSL 300.87, 0.94%, 0.43%

LAB 50.37, 84.59, -51.25

 

CMYK 0 / 76 / 97 / 17

HEX #D43306

RGB 212 51 6

HSL 13.11, 0.94%, 0.43%

LAB 47.47, 60.58, 58.12

 

CMYK 97 / 0 / 95 / 17

HEX #06D30B

RGB 6 211 11

HSL 121.46, 0.94%, 0.43%

LAB 73.97, -74.28, 71.05

 

CMYK 97 / 50 / 0 / 17

HEX #066AD4

RGB 6 106 212

HSL 210.87, 0.94%, 0.43%

LAB 45.77, 16.08, -61.29

 

CMYK 0 / 97 / 1 / 17

HEX #D406D1

RGB 212 6 209

HSL 300.87, 0.94%, 0.43%

LAB 50.37, 84.59, -51.25

 

CMYK 0 / 47 / 97 / 17

HEX #D47106

RGB 212 113 6

HSL 31.17, 0.94%, 0.43%

LAB 57.87, 33.35, 64.3

 

Description

Color code: HEX #06D30B | qconv.com Color code: HEX #06D30B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 211 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 211 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 95 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 95% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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