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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06D942 it is the complementary color #F926BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06D942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06D942 shade: #0BD93D, #1CEB50, #2DFD63, #3EFF76 and #4FFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06D942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06D942 shade: #06D942, #00C72F, #00B51C, #00A309 and #009100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06D942 shade: #05DA42, #05DA08, #3BDA05, #75DA05 and #AEDA05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06D942 shade: #05DA42, #05DA7B, #05DAB5, #05C6DA and #058DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06D942 shade matches the following richer shades: #05DA42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06D942 shade: #05DA42, #17C84A, #29B651, #3CA459 and #4E9261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06D942 shade: #3ADA05, #05DA09, #05DA42, #05DA7A and #05DAB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06D942 shade: #038A29, #04B236, #05DA42, #10F852 and #38F96F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06D942 shade: #06D942, #0573DA and #DA051E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06D942 shade: #06D942, #4205DA and #DA4205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06D942 shade: #06D942, #0573DA, #DA059E and #DA6C05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06D942 shade: #06D942, #0533DA, #DA059E and #DAAC05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 70 / 15

HEX #06D942

RGB 6 217 66

HSL 137.06, 0.95%, 0.44%

LAB 76.1, -72.96, 59.19

 

Complementary color

CMYK 0 / 85 / 24 / 2

HEX #F926BD

RGB 249 38 189

HSL 317.06, 0.95%, 0.56%

LAB 57.27, 84.95, -28.41

 

CMYK 95 / 0 / 72 / 15

HEX #0BD93D

RGB 11 217 61

HSL 134.56, 0.9%, 0.45%

LAB 76.09, -73.23, 61.02

 

CMYK 88 / 0 / 66 / 8

HEX #1CEB50

RGB 28 235 80

HSL 135.07, 0.84%, 0.52%

LAB 81.97, -75.78, 60.07

 

CMYK 82 / 0 / 61 / 1

HEX #2DFD63

RGB 45 253 99

HSL 135.58, 0.98%, 0.58%

LAB 87.83, -77.72, 58.84

 

CMYK 76 / 0 / 54 / 0

HEX #3EFF76

RGB 62 255 118

HSL 137.41, 1%, 0.62%

LAB 88.85, -74.11, 51.76

 

CMYK 69 / 0 / 46 / 0

HEX #4FFF89

RGB 79 255 137

HSL 139.77, 1%, 0.65%

LAB 89.39, -68.94, 43.6

 

CMYK 97 / 0 / 70 / 15

HEX #06D942

RGB 6 217 66

HSL 137.06, 0.95%, 0.44%

LAB 76.1, -72.96, 59.19

 

CMYK 100 / 0 / 76 / 22

HEX #00C72F

RGB 0 199 47

HSL 134.17, 1%, 0.39%

LAB 70.21, -69.64, 59.91

 

CMYK 100 / 0 / 85 / 29

HEX #00B51C

RGB 0 181 28

HSL 129.28, 1%, 0.35%

LAB 64.27, -65.75, 59.78

 

CMYK 100 / 0 / 94 / 36

HEX #00A309

RGB 0 163 9

HSL 123.31, 1%, 0.32%

LAB 58.24, -61.42, 58.21

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 98 / 0 / 70 / 15

HEX #05DA42

RGB 5 218 66

HSL 137.18, 0.96%, 0.44%

LAB 76.42, -73.29, 59.52

 

CMYK 98 / 0 / 96 / 15

HEX #05DA08

RGB 5 218 8

HSL 120.85, 0.96%, 0.44%

LAB 76.19, -76.24, 73.16

 

CMYK 73 / 0 / 98 / 15

HEX #3BDA05

RGB 59 218 5

HSL 104.79, 0.96%, 0.44%

LAB 76.73, -71.41, 74.11

 

CMYK 46 / 0 / 98 / 15

HEX #75DA05

RGB 117 218 5

HSL 88.45, 0.96%, 0.44%

LAB 78.42, -57.6, 76.18

 

CMYK 20 / 0 / 98 / 15

HEX #AEDA05

RGB 174 218 5

HSL 72.39, 0.96%, 0.44%

LAB 81.38, -37.21, 79.75

 

CMYK 98 / 0 / 70 / 15

HEX #05DA42

RGB 5 218 66

HSL 137.18, 0.96%, 0.44%

LAB 76.42, -73.29, 59.52

 

CMYK 98 / 0 / 44 / 15

HEX #05DA7B

RGB 5 218 123

HSL 153.24, 0.96%, 0.44%

LAB 77.04, -65.57, 34.48

 

CMYK 98 / 0 / 17 / 15

HEX #05DAB5

RGB 5 218 181

HSL 169.58, 0.96%, 0.44%

LAB 78.18, -52.83, 5.76

 

CMYK 98 / 9 / 0 / 15

HEX #05C6DA

RGB 5 198 218

HSL 185.63, 0.96%, 0.44%

LAB 73.21, -33.41, -21.54

 

CMYK 98 / 35 / 0 / 15

HEX #058DDA

RGB 5 141 218

HSL 201.69, 0.96%, 0.44%

LAB 56.23, -3.23, -47.93

 

CMYK 98 / 0 / 70 / 15

HEX #05DA42

RGB 5 218 66

HSL 137.18, 0.96%, 0.44%

LAB 76.42, -73.29, 59.52

 

CMYK 98 / 0 / 70 / 15

HEX #05DA42

RGB 5 218 66

HSL 137.18, 0.96%, 0.44%

LAB 76.42, -73.29, 59.52

 

CMYK 89 / 0 / 63 / 22

HEX #17C84A

RGB 23 200 74

HSL 137.29, 0.79%, 0.44%

LAB 70.86, -66.28, 50.25

 

CMYK 77 / 0 / 55 / 29

HEX #29B651

RGB 41 182 81

HSL 137.02, 0.63%, 0.44%

LAB 65.37, -57.74, 40.72

 

CMYK 63 / 0 / 46 / 36

HEX #3CA459

RGB 60 164 89

HSL 136.73, 0.46%, 0.44%

LAB 60.1, -46.62, 30.24

 

CMYK 47 / 0 / 34 / 43

HEX #4E9261

RGB 78 146 97

HSL 136.76, 0.3%, 0.44%

LAB 55.11, -32.9, 19.47

 

CMYK 73 / 0 / 98 / 15

HEX #3ADA05

RGB 58 218 5

HSL 105.07, 0.96%, 0.44%

LAB 76.71, -71.57, 74.09

 

CMYK 98 / 0 / 96 / 15

HEX #05DA09

RGB 5 218 9

HSL 121.13, 0.96%, 0.44%

LAB 76.19, -76.22, 73.07

 

CMYK 98 / 0 / 70 / 15

HEX #05DA42

RGB 5 218 66

HSL 137.18, 0.96%, 0.44%

LAB 76.42, -73.29, 59.52

 

CMYK 98 / 0 / 44 / 15

HEX #05DA7A

RGB 5 218 122

HSL 152.96, 0.96%, 0.44%

LAB 77.03, -65.75, 34.96

 

CMYK 98 / 0 / 18 / 15

HEX #05DAB3

RGB 5 218 179

HSL 169.01, 0.96%, 0.44%

LAB 78.13, -53.34, 6.76

 

CMYK 98 / 0 / 70 / 46

HEX #038A29

RGB 3 138 41

HSL 136.89, 0.96%, 0.28%

LAB 49.93, -51.91, 41.39

 

CMYK 98 / 0 / 70 / 30

HEX #04B236

RGB 4 178 54

HSL 137.24, 0.96%, 0.36%

LAB 63.45, -62.78, 50.47

 

CMYK 98 / 0 / 70 / 15

HEX #05DA42

RGB 5 218 66

HSL 137.18, 0.96%, 0.44%

LAB 76.42, -73.29, 59.52

 

CMYK 94 / 0 / 67 / 3

HEX #10F852

RGB 16 248 82

HSL 137.07, 0.94%, 0.52%

LAB 85.93, -79.95, 63.56

 

CMYK 78 / 0 / 55 / 2

HEX #38F96F

RGB 56 249 111

HSL 137.1, 0.94%, 0.6%

LAB 86.87, -73.85, 52.53

 

CMYK 97 / 0 / 70 / 15

HEX #06D942

RGB 6 217 66

HSL 137.06, 0.95%, 0.44%

LAB 76.1, -72.96, 59.19

 

CMYK 98 / 47 / 0 / 15

HEX #0573DA

RGB 5 115 218

HSL 209.01, 0.96%, 0.44%

LAB 48.71, 12.67, -59.97

 

CMYK 0 / 98 / 86 / 15

HEX #DA051E

RGB 218 5 30

HSL 352.96, 0.96%, 0.44%

LAB 45.78, 71.09, 48.89

 

CMYK 97 / 0 / 70 / 15

HEX #06D942

RGB 6 217 66

HSL 137.06, 0.95%, 0.44%

LAB 76.1, -72.96, 59.19

 

CMYK 70 / 98 / 0 / 15

HEX #4205DA

RGB 66 5 218

HSL 257.18, 0.96%, 0.44%

LAB 30.23, 70.68, -90.21

 

CMYK 0 / 70 / 98 / 15

HEX #DA4205

RGB 218 66 5

HSL 17.18, 0.96%, 0.44%

LAB 50.47, 57.26, 60.57

 

CMYK 97 / 0 / 70 / 15

HEX #06D942

RGB 6 217 66

HSL 137.06, 0.95%, 0.44%

LAB 76.1, -72.96, 59.19

 

CMYK 98 / 47 / 0 / 15

HEX #0573DA

RGB 5 115 218

HSL 209.01, 0.96%, 0.44%

LAB 48.71, 12.67, -59.97

 

CMYK 0 / 98 / 28 / 15

HEX #DA059E

RGB 218 5 158

HSL 316.9, 0.96%, 0.44%

LAB 48.86, 79.28, -23.68

 

CMYK 0 / 50 / 98 / 15

HEX #DA6C05

RGB 218 108 5

HSL 29.01, 0.96%, 0.44%

LAB 57.7, 38.34, 64.8

 

CMYK 97 / 0 / 70 / 15

HEX #06D942

RGB 6 217 66

HSL 137.06, 0.95%, 0.44%

LAB 76.1, -72.96, 59.19

 

CMYK 98 / 77 / 0 / 15

HEX #0533DA

RGB 5 51 218

HSL 227.04, 0.96%, 0.44%

LAB 32.84, 52.94, -85.94

 

CMYK 0 / 98 / 28 / 15

HEX #DA059E

RGB 218 5 158

HSL 316.9, 0.96%, 0.44%

LAB 48.86, 79.28, -23.68

 

CMYK 0 / 21 / 98 / 15

HEX #DAAC05

RGB 218 172 5

HSL 47.04, 0.96%, 0.44%

LAB 72.51, 4.38, 74.78

 

Description

Color code: HEX #06D942 | qconv.com Color code: HEX #06D942 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 217 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 217 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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