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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #066648 it is the complementary color #F999B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #066648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #066648 shade: #0B6643, #1C7856, #2D8A69, #3E9C7C and #4FAE8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #066648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #066648 shade: #066648, #005435, #004222, #00300F and #001E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #066648 shade: #056547, #05652D, #056514, #116505 and #2B6505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #066648 shade: #056547, #056561, #054F65, #053565 and #051C65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #066648 shade matches the following richer shades: #056547

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #066648 shade: #056547, #0E5C44, #175340, #1F4B3D and #28423A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #066648 shade: #056514, #05652D, #056547, #056560 and #055065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #066648 shade: #011710, #033E2B, #056547, #088C62 and #0AB37E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #066648 shade: #066648, #051165 and #652005

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #066648 shade: #066648, #470565 and #654705

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #066648 shade: #066648, #051165, #650524 and #655A05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #066648 shade: #066648, #170565, #650524 and #536505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 29 / 60

HEX #066648

RGB 6 102 72

HSL 161.25, 0.89%, 0.21%

LAB 37.86, -33.11, 9.99

 

Complementary color

CMYK 0 / 39 / 27 / 2

HEX #F999B7

RGB 249 153 183

HSL 341.25, 0.89%, 0.79%

LAB 73.77, 39.61, -0.18

 

CMYK 89 / 0 / 34 / 60

HEX #0B6643

RGB 11 102 67

HSL 156.92, 0.81%, 0.22%

LAB 37.8, -33.92, 12.93

 

CMYK 77 / 0 / 28 / 53

HEX #1C7856

RGB 28 120 86

HSL 157.83, 0.62%, 0.29%

LAB 44.73, -34.94, 11.26

 

CMYK 67 / 0 / 24 / 46

HEX #2D8A69

RGB 45 138 105

HSL 158.71, 0.51%, 0.36%

LAB 51.56, -35.45, 9.84

 

CMYK 60 / 0 / 21 / 39

HEX #3E9C7C

RGB 62 156 124

HSL 159.57, 0.43%, 0.43%

LAB 58.28, -35.65, 8.59

 

CMYK 55 / 0 / 18 / 32

HEX #4FAE8F

RGB 79 174 143

HSL 160.42, 0.38%, 0.5%

LAB 64.9, -35.69, 7.48

 

CMYK 94 / 0 / 29 / 60

HEX #066648

RGB 6 102 72

HSL 161.25, 0.89%, 0.21%

LAB 37.86, -33.11, 9.99

 

CMYK 100 / 0 / 37 / 67

HEX #005435

RGB 0 84 53

HSL 157.86, 1%, 0.16%

LAB 30.87, -30.88, 11.97

 

CMYK 100 / 0 / 48 / 74

HEX #004222

RGB 0 66 34

HSL 150.91, 1%, 0.13%

LAB 23.71, -27.88, 14.24

 

CMYK 100 / 0 / 69 / 81

HEX #00300F

RGB 0 48 15

HSL 138.75, 1%, 0.09%

LAB 16.25, -24.44, 16.48

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 95 / 0 / 30 / 60

HEX #056547

RGB 5 101 71

HSL 161.25, 0.91%, 0.21%

LAB 37.47, -33.03, 10.05

 

CMYK 95 / 0 / 55 / 60

HEX #05652D

RGB 5 101 45

HSL 145, 0.91%, 0.21%

LAB 36.98, -38.69, 24.6

 

CMYK 95 / 0 / 80 / 60

HEX #056514

RGB 5 101 20

HSL 129.38, 0.91%, 0.21%

LAB 36.72, -41.9, 36.27

 

CMYK 83 / 0 / 95 / 60

HEX #116505

RGB 17 101 5

HSL 112.5, 0.91%, 0.21%

LAB 36.81, -41.4, 41.01

 

CMYK 57 / 0 / 95 / 60

HEX #2B6505

RGB 43 101 5

HSL 96.25, 0.91%, 0.21%

LAB 37.54, -35.32, 41.91

 

CMYK 95 / 0 / 30 / 60

HEX #056547

RGB 5 101 71

HSL 161.25, 0.91%, 0.21%

LAB 37.47, -33.03, 10.05

 

CMYK 95 / 0 / 4 / 60

HEX #056561

RGB 5 101 97

HSL 177.5, 0.91%, 0.21%

LAB 38.2, -25.32, -4.82

 

CMYK 95 / 22 / 0 / 60

HEX #054F65

RGB 5 79 101

HSL 193.75, 0.91%, 0.21%

LAB 30.79, -11.79, -18.57

 

CMYK 95 / 48 / 0 / 60

HEX #053565

RGB 5 53 101

HSL 210, 0.91%, 0.21%

LAB 22.01, 5.39, -32.43

 

CMYK 95 / 72 / 0 / 60

HEX #051C65

RGB 5 28 101

HSL 225.63, 0.91%, 0.21%

LAB 14.41, 23.82, -44.79

 

CMYK 95 / 0 / 30 / 60

HEX #056547

RGB 5 101 71

HSL 161.25, 0.91%, 0.21%

LAB 37.47, -33.03, 10.05

 

CMYK 95 / 0 / 30 / 60

HEX #056547

RGB 5 101 71

HSL 161.25, 0.91%, 0.21%

LAB 37.47, -33.03, 10.05

 

CMYK 85 / 0 / 26 / 64

HEX #0E5C44

RGB 14 92 68

HSL 161.54, 0.74%, 0.21%

LAB 34.32, -28.92, 7.5

 

CMYK 72 / 0 / 23 / 67

HEX #175340

RGB 23 83 64

HSL 161, 0.57%, 0.21%

LAB 31.2, -24.32, 5.62

 

CMYK 59 / 0 / 19 / 71

HEX #1F4B3D

RGB 31 75 61

HSL 160.91, 0.42%, 0.21%

LAB 28.54, -19.18, 3.76

 

CMYK 39 / 0 / 12 / 74

HEX #28423A

RGB 40 66 58

HSL 161.54, 0.25%, 0.21%

LAB 25.72, -12.12, 1.72

 

CMYK 95 / 0 / 80 / 60

HEX #056514

RGB 5 101 20

HSL 129.38, 0.91%, 0.21%

LAB 36.72, -41.9, 36.27

 

CMYK 95 / 0 / 55 / 60

HEX #05652D

RGB 5 101 45

HSL 145, 0.91%, 0.21%

LAB 36.98, -38.69, 24.6

 

CMYK 95 / 0 / 30 / 60

HEX #056547

RGB 5 101 71

HSL 161.25, 0.91%, 0.21%

LAB 37.47, -33.03, 10.05

 

CMYK 95 / 0 / 5 / 60

HEX #056560

RGB 5 101 96

HSL 176.88, 0.91%, 0.21%

LAB 38.17, -25.65, -4.25

 

CMYK 95 / 21 / 0 / 60

HEX #055065

RGB 5 80 101

HSL 193.13, 0.91%, 0.21%

LAB 31.14, -12.39, -18.04

 

CMYK 96 / 0 / 30 / 91

HEX #011710

RGB 1 23 16

HSL 160.91, 0.92%, 0.05%

LAB 5.93, -8.67, 1.71

 

CMYK 95 / 0 / 31 / 76

HEX #033E2B

RGB 3 62 43

HSL 160.68, 0.91%, 0.13%

LAB 22.44, -23.28, 6.74

 

CMYK 95 / 0 / 30 / 60

HEX #056547

RGB 5 101 71

HSL 161.25, 0.91%, 0.21%

LAB 37.47, -33.03, 10.05

 

CMYK 94 / 0 / 30 / 45

HEX #088C62

RGB 8 140 98

HSL 160.91, 0.89%, 0.29%

LAB 51.48, -42.28, 13.66

 

CMYK 94 / 0 / 30 / 30

HEX #0AB37E

RGB 10 179 126

HSL 161.18, 0.89%, 0.37%

LAB 64.81, -50.88, 16.52

 

CMYK 94 / 0 / 29 / 60

HEX #066648

RGB 6 102 72

HSL 161.25, 0.89%, 0.21%

LAB 37.86, -33.11, 9.99

 

CMYK 95 / 83 / 0 / 60

HEX #051165

RGB 5 17 101

HSL 232.5, 0.91%, 0.21%

LAB 11.78, 31.17, -49.16

 

CMYK 0 / 68 / 95 / 60

HEX #652005

RGB 101 32 5

HSL 16.88, 0.91%, 0.21%

LAB 23.04, 29.84, 31.6

 

CMYK 94 / 0 / 29 / 60

HEX #066648

RGB 6 102 72

HSL 161.25, 0.89%, 0.21%

LAB 37.86, -33.11, 9.99

 

CMYK 30 / 95 / 0 / 60

HEX #470565

RGB 71 5 101

HSL 281.25, 0.91%, 0.21%

LAB 17.4, 43.39, -39.64

 

CMYK 0 / 30 / 95 / 60

HEX #654705

RGB 101 71 5

HSL 41.25, 0.91%, 0.21%

LAB 32.45, 7.04, 39.69

 

CMYK 94 / 0 / 29 / 60

HEX #066648

RGB 6 102 72

HSL 161.25, 0.89%, 0.21%

LAB 37.86, -33.11, 9.99

 

CMYK 95 / 83 / 0 / 60

HEX #051165

RGB 5 17 101

HSL 232.5, 0.91%, 0.21%

LAB 11.78, 31.17, -49.16

 

CMYK 0 / 95 / 64 / 60

HEX #650524

RGB 101 5 36

HSL 340.63, 0.91%, 0.21%

LAB 20.05, 40.76, 9.87

 

CMYK 0 / 11 / 95 / 60

HEX #655A05

RGB 101 90 5

HSL 53.13, 0.91%, 0.21%

LAB 38, -4.45, 43.98

 

CMYK 94 / 0 / 29 / 60

HEX #066648

RGB 6 102 72

HSL 161.25, 0.89%, 0.21%

LAB 37.86, -33.11, 9.99

 

CMYK 77 / 95 / 0 / 60

HEX #170565

RGB 23 5 101

HSL 251.25, 0.91%, 0.21%

LAB 10.78, 38.19, -50.78

 

CMYK 0 / 95 / 64 / 60

HEX #650524

RGB 101 5 36

HSL 340.63, 0.91%, 0.21%

LAB 20.05, 40.76, 9.87

 

CMYK 18 / 0 / 95 / 60

HEX #536505

RGB 83 101 5

HSL 71.25, 0.91%, 0.21%

LAB 39.84, -19.34, 44.75

 

Description

Color code: HEX #066648 | qconv.com Color code: HEX #066648 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 102 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 102 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 29 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 29% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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