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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #065178 it is the complementary color #F9AE87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #065178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #065178 shade: #0B5173, #1C6386, #2D7599, #3E87AC and #4F99BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #065178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #065178 shade: #065178, #003F65, #002D52, #001B3F and #00092C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #065178 shade: #065179, #063279, #061379, #170679 and #360679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #065178 shade: #065179, #063279, #061379 and #060679

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #065178 shade matches the following richer shades: #065179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #065178 shade: #065179, #104E6E, #1B4B64, #25485A and #2F444F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #065178 shade: #067962, #067179, #065279, #063479 and #061579

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #065178 shade: #021C2A, #043751, #065179, #086CA0 and #0A86C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #065178 shade: #065178, #430679 and #797106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #065178 shade: #065178, #790652 and #527906

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #065178 shade: #065178, #430679, #792C06 and #3B7906

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #065178 shade: #065178, #650679, #792C06 and #197906

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 33 / 0 / 53

HEX #065178

RGB 6 81 120

HSL 200.53, 0.9%, 0.25%

LAB 32.44, -5.28, -27.93

 

Complementary color

CMYK 0 / 30 / 46 / 2

HEX #F9AE87

RGB 249 174 135

HSL 20.53, 0.9%, 0.75%

LAB 77.38, 23.01, 30.99

 

CMYK 90 / 30 / 0 / 55

HEX #0B5173

RGB 11 81 115

HSL 199.62, 0.83%, 0.25%

LAB 32.24, -6.95, -25.11

 

CMYK 79 / 26 / 0 / 47

HEX #1C6386

RGB 28 99 134

HSL 199.81, 0.65%, 0.32%

LAB 39.4, -8.85, -25.58

 

CMYK 71 / 24 / 0 / 40

HEX #2D7599

RGB 45 117 153

HSL 200, 0.55%, 0.39%

LAB 46.42, -10.16, -25.97

 

CMYK 64 / 22 / 0 / 33

HEX #3E87AC

RGB 62 135 172

HSL 200.18, 0.47%, 0.46%

LAB 53.31, -11.1, -26.31

 

CMYK 59 / 20 / 0 / 25

HEX #4F99BF

RGB 79 153 191

HSL 200.36, 0.47%, 0.53%

LAB 60.07, -11.79, -26.63

 

CMYK 95 / 33 / 0 / 53

HEX #065178

RGB 6 81 120

HSL 200.53, 0.9%, 0.25%

LAB 32.44, -5.28, -27.93

 

CMYK 100 / 38 / 0 / 60

HEX #003F65

RGB 0 63 101

HSL 202.57, 1%, 0.2%

LAB 25.24, -2.04, -27.28

 

CMYK 100 / 45 / 0 / 68

HEX #002D52

RGB 0 45 82

HSL 207.07, 1%, 0.16%

LAB 17.86, 2, -26.54

 

CMYK 100 / 57 / 0 / 75

HEX #001B3F

RGB 0 27 63

HSL 214.29, 1%, 0.12%

LAB 10.13, 6.62, -25.87

 

CMYK 100 / 80 / 0 / 83

HEX #00092C

RGB 0 9 44

HSL 227.73, 1%, 0.09%

LAB 3.41, 7.94, -22.82

 

CMYK 95 / 33 / 0 / 53

HEX #065179

RGB 6 81 121

HSL 200.87, 0.91%, 0.25%

LAB 32.49, -4.86, -28.47

 

CMYK 95 / 59 / 0 / 53

HEX #063279

RGB 6 50 121

HSL 217.04, 0.91%, 0.25%

LAB 22.66, 16.47, -44.24

 

CMYK 95 / 84 / 0 / 53

HEX #061379

RGB 6 19 121

HSL 233.22, 0.91%, 0.25%

LAB 14.87, 37.29, -57.05

 

CMYK 81 / 95 / 0 / 53

HEX #170679

RGB 23 6 121

HSL 248.87, 0.91%, 0.25%

LAB 13.79, 43.62, -58.84

 

CMYK 55 / 95 / 0 / 53

HEX #360679

RGB 54 6 121

HSL 265.04, 0.91%, 0.25%

LAB 16.96, 45.73, -53.47

 

CMYK 95 / 33 / 0 / 53

HEX #065179

RGB 6 81 121

HSL 200.87, 0.91%, 0.25%

LAB 32.49, -4.86, -28.47

 

CMYK 95 / 59 / 0 / 53

HEX #063279

RGB 6 50 121

HSL 217.04, 0.91%, 0.25%

LAB 22.66, 16.47, -44.24

 

CMYK 95 / 84 / 0 / 53

HEX #061379

RGB 6 19 121

HSL 233.22, 0.91%, 0.25%

LAB 14.87, 37.29, -57.05

 

CMYK 95 / 95 / 0 / 53

HEX #060679

RGB 6 6 121

HSL 240, 0.91%, 0.25%

LAB 12.92, 43.13, -60.31

 

CMYK 95 / 33 / 0 / 53

HEX #065179

RGB 6 81 121

HSL 200.87, 0.91%, 0.25%

LAB 32.49, -4.86, -28.47

 

CMYK 95 / 33 / 0 / 53

HEX #065179

RGB 6 81 121

HSL 200.87, 0.91%, 0.25%

LAB 32.49, -4.86, -28.47

 

CMYK 85 / 29 / 0 / 57

HEX #104E6E

RGB 16 78 110

HSL 200.43, 0.75%, 0.25%

LAB 31.08, -6.61, -23.79

 

CMYK 73 / 25 / 0 / 61

HEX #1B4B64

RGB 27 75 100

HSL 200.55, 0.57%, 0.25%

LAB 29.88, -7.1, -19.32

 

CMYK 59 / 20 / 0 / 65

HEX #25485A

RGB 37 72 90

HSL 200.38, 0.42%, 0.25%

LAB 28.81, -6.75, -14.52

 

CMYK 41 / 14 / 0 / 69

HEX #2F444F

RGB 47 68 79

HSL 200.63, 0.25%, 0.25%

LAB 27.58, -4.97, -9.24

 

CMYK 95 / 0 / 19 / 53

HEX #067962

RGB 6 121 98

HSL 168, 0.91%, 0.25%

LAB 45.07, -34.37, 4.62

 

CMYK 95 / 7 / 0 / 53

HEX #067179

RGB 6 113 121

HSL 184.17, 0.91%, 0.25%

LAB 43.11, -23.29, -12.06

 

CMYK 95 / 32 / 0 / 53

HEX #065279

RGB 6 82 121

HSL 200.35, 0.91%, 0.25%

LAB 32.82, -5.5, -27.95

 

CMYK 95 / 57 / 0 / 53

HEX #063479

RGB 6 52 121

HSL 216, 0.91%, 0.25%

LAB 23.25, 15.03, -43.27

 

CMYK 95 / 83 / 0 / 53

HEX #061579

RGB 6 21 121

HSL 232.17, 0.91%, 0.25%

LAB 15.25, 36.18, -56.42

 

CMYK 95 / 33 / 0 / 84

HEX #021C2A

RGB 2 28 42

HSL 201, 0.91%, 0.09%

LAB 9.08, -3.98, -12.37

 

CMYK 95 / 32 / 0 / 68

HEX #043751

RGB 4 55 81

HSL 200.26, 0.91%, 0.17%

LAB 21.4, -4.95, -20.24

 

CMYK 95 / 33 / 0 / 53

HEX #065179

RGB 6 81 121

HSL 200.87, 0.91%, 0.25%

LAB 32.49, -4.86, -28.47

 

CMYK 95 / 33 / 0 / 37

HEX #086CA0

RGB 8 108 160

HSL 200.53, 0.9%, 0.33%

LAB 43.23, -5.83, -35.14

 

CMYK 95 / 33 / 0 / 22

HEX #0A86C7

RGB 10 134 199

HSL 200.63, 0.9%, 0.41%

LAB 53.21, -6.17, -41.99

 

CMYK 95 / 33 / 0 / 53

HEX #065178

RGB 6 81 120

HSL 200.53, 0.9%, 0.25%

LAB 32.44, -5.28, -27.93

 

CMYK 45 / 95 / 0 / 53

HEX #430679

RGB 67 6 121

HSL 271.83, 0.91%, 0.25%

LAB 18.82, 47.13, -50.35

 

CMYK 0 / 7 / 95 / 53

HEX #797106

RGB 121 113 6

HSL 55.83, 0.91%, 0.25%

LAB 46.83, -7.87, 51.4

 

CMYK 95 / 33 / 0 / 53

HEX #065178

RGB 6 81 120

HSL 200.53, 0.9%, 0.25%

LAB 32.44, -5.28, -27.93

 

CMYK 0 / 95 / 32 / 53

HEX #790652

RGB 121 6 82

HSL 320.35, 0.91%, 0.25%

LAB 26.17, 50.06, -12.47

 

CMYK 32 / 0 / 95 / 53

HEX #527906

RGB 82 121 6

HSL 80.35, 0.91%, 0.25%

LAB 46.29, -29.71, 49.69

 

CMYK 95 / 33 / 0 / 53

HEX #065178

RGB 6 81 120

HSL 200.53, 0.9%, 0.25%

LAB 32.44, -5.28, -27.93

 

CMYK 45 / 95 / 0 / 53

HEX #430679

RGB 67 6 121

HSL 271.83, 0.91%, 0.25%

LAB 18.82, 47.13, -50.35

 

CMYK 0 / 64 / 95 / 53

HEX #792C06

RGB 121 44 6

HSL 19.83, 0.91%, 0.25%

LAB 29.11, 31.93, 38.13

 

CMYK 51 / 0 / 95 / 53

HEX #3B7906

RGB 59 121 6

HSL 92.35, 0.91%, 0.25%

LAB 45.11, -38.28, 48.23

 

CMYK 95 / 33 / 0 / 53

HEX #065178

RGB 6 81 120

HSL 200.53, 0.9%, 0.25%

LAB 32.44, -5.28, -27.93

 

CMYK 17 / 95 / 0 / 53

HEX #650679

RGB 101 6 121

HSL 289.57, 0.91%, 0.25%

LAB 24.57, 52.04, -40.72

 

CMYK 0 / 64 / 95 / 53

HEX #792C06

RGB 121 44 6

HSL 19.83, 0.91%, 0.25%

LAB 29.11, 31.93, 38.13

 

CMYK 79 / 0 / 95 / 53

HEX #197906

RGB 25 121 6

HSL 110.09, 0.91%, 0.25%

LAB 44.08, -46.72, 46.96

 

Description

Color code: HEX #065178 | qconv.com Color code: HEX #065178 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 81 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 81 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 33 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 33% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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