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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06561D it is the complementary color #F9A9E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06561D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06561D shade: #0B5618, #1C682B, #2D7A3E, #3E8C51 and #4F9E64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06561D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06561D shade: #06561D, #00440A, #003200, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06561D shade: #05551C, #055507, #1A5505, #2F5505 and #455505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06561D shade: #05551C, #055532, #055548, #054E55 and #053855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06561D shade matches the following richer shades: #05551C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06561D shade: #05551C, #0D4E20, #144623, #1C3F26 and #233829

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06561D shade: #195505, #055507, #05551C, #055531 and #055547

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06561D shade: #000802, #032F0F, #05551C, #087C29 and #0BA236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06561D shade: #06561D, #052F55 and #55050F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06561D shade: #06561D, #1C0555 and #551C05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06561D shade: #06561D, #052F55, #55053F and #552C05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06561D shade: #06561D, #051755, #55053F and #554405

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 66 / 66

HEX #06561D

RGB 6 86 29

HSL 137.25, 0.87%, 0.18%

LAB 31.31, -35.61, 26.43

 

Complementary color

CMYK 0 / 32 / 9 / 2

HEX #F9A9E2

RGB 249 169 226

HSL 317.25, 0.87%, 0.82%

LAB 78.47, 37.77, -16.73

 

CMYK 87 / 0 / 72 / 66

HEX #0B5618

RGB 11 86 24

HSL 130.4, 0.77%, 0.19%

LAB 31.33, -35.62, 28.98

 

CMYK 73 / 0 / 59 / 59

HEX #1C682B

RGB 28 104 43

HSL 131.84, 0.58%, 0.26%

LAB 38.41, -36.96, 27.51

 

CMYK 63 / 0 / 49 / 52

HEX #2D7A3E

RGB 45 122 62

HSL 133.25, 0.46%, 0.33%

LAB 45.39, -37.48, 25.92

 

CMYK 56 / 0 / 42 / 45

HEX #3E8C51

RGB 62 140 81

HSL 134.62, 0.39%, 0.4%

LAB 52.26, -37.6, 24.43

 

CMYK 50 / 0 / 37 / 38

HEX #4F9E64

RGB 79 158 100

HSL 135.95, 0.33%, 0.46%

LAB 59.01, -37.5, 23.04

 

CMYK 93 / 0 / 66 / 66

HEX #06561D

RGB 6 86 29

HSL 137.25, 0.87%, 0.18%

LAB 31.31, -35.61, 26.43

 

CMYK 100 / 0 / 85 / 73

HEX #00440A

RGB 0 68 10

HSL 128.82, 1%, 0.13%

LAB 24.18, -32.41, 27.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 94 / 0 / 67 / 67

HEX #05551C

RGB 5 85 28

HSL 137.25, 0.89%, 0.18%

LAB 30.91, -35.52, 26.49

 

CMYK 94 / 0 / 92 / 67

HEX #055507

RGB 5 85 7

HSL 121.5, 0.89%, 0.18%

LAB 30.75, -37.57, 35.03

 

CMYK 69 / 0 / 94 / 67

HEX #1A5505

RGB 26 85 5

HSL 104.25, 0.89%, 0.18%

LAB 31.18, -33.87, 36.26

 

CMYK 45 / 0 / 94 / 67

HEX #2F5505

RGB 47 85 5

HSL 88.5, 0.89%, 0.18%

LAB 32.06, -26.98, 37.37

 

CMYK 19 / 0 / 94 / 67

HEX #455505

RGB 69 85 5

HSL 72, 0.89%, 0.18%

LAB 33.51, -17.33, 39.16

 

CMYK 94 / 0 / 67 / 67

HEX #05551C

RGB 5 85 28

HSL 137.25, 0.89%, 0.18%

LAB 30.91, -35.52, 26.49

 

CMYK 94 / 0 / 41 / 67

HEX #055532

RGB 5 85 50

HSL 153.75, 0.89%, 0.18%

LAB 31.25, -31.42, 14.34

 

CMYK 94 / 0 / 15 / 67

HEX #055548

RGB 5 85 72

HSL 170.25, 0.89%, 0.18%

LAB 31.8, -25.41, 1.37

 

CMYK 94 / 8 / 0 / 67

HEX #054E55

RGB 5 78 85

HSL 185.25, 0.89%, 0.18%

LAB 29.76, -17.33, -9.96

 

CMYK 94 / 34 / 0 / 67

HEX #053855

RGB 5 56 85

HSL 201.75, 0.89%, 0.18%

LAB 22, -3.78, -21.95

 

CMYK 94 / 0 / 67 / 67

HEX #05551C

RGB 5 85 28

HSL 137.25, 0.89%, 0.18%

LAB 30.91, -35.52, 26.49

 

CMYK 94 / 0 / 67 / 67

HEX #05551C

RGB 5 85 28

HSL 137.25, 0.89%, 0.18%

LAB 30.91, -35.52, 26.49

 

CMYK 83 / 0 / 59 / 69

HEX #0D4E20

RGB 13 78 32

HSL 137.54, 0.71%, 0.18%

LAB 28.48, -31.11, 21.5

 

CMYK 71 / 0 / 50 / 73

HEX #144623

RGB 20 70 35

HSL 138, 0.56%, 0.18%

LAB 25.71, -25.71, 16.31

 

CMYK 56 / 0 / 40 / 75

HEX #1C3F26

RGB 28 63 38

HSL 137.14, 0.38%, 0.18%

LAB 23.48, -19.39, 11.55

 

CMYK 38 / 0 / 27 / 78

HEX #233829

RGB 35 56 41

HSL 137.14, 0.23%, 0.18%

LAB 21.38, -12.27, 6.77

 

CMYK 71 / 0 / 94 / 67

HEX #195505

RGB 25 85 5

HSL 105, 0.89%, 0.18%

LAB 31.15, -34.12, 36.22

 

CMYK 94 / 0 / 92 / 67

HEX #055507

RGB 5 85 7

HSL 121.5, 0.89%, 0.18%

LAB 30.75, -37.57, 35.03

 

CMYK 94 / 0 / 67 / 67

HEX #05551C

RGB 5 85 28

HSL 137.25, 0.89%, 0.18%

LAB 30.91, -35.52, 26.49

 

CMYK 94 / 0 / 42 / 67

HEX #055531

RGB 5 85 49

HSL 153, 0.89%, 0.18%

LAB 31.23, -31.65, 14.92

 

CMYK 94 / 0 / 16 / 67

HEX #055547

RGB 5 85 71

HSL 169.5, 0.89%, 0.18%

LAB 31.77, -25.72, 1.96

 

CMYK 100 / 0 / 75 / 97

HEX #000802

RGB 0 8 2

HSL 135, 1%, 0.02%

LAB 1.61, -2.93, 1.53

 

CMYK 94 / 0 / 68 / 82

HEX #032F0F

RGB 3 47 15

HSL 136.36, 0.88%, 0.1%

LAB 15.94, -23.2, 16.11

 

CMYK 94 / 0 / 67 / 67

HEX #05551C

RGB 5 85 28

HSL 137.25, 0.89%, 0.18%

LAB 30.91, -35.52, 26.49

 

CMYK 94 / 0 / 67 / 51

HEX #087C29

RGB 8 124 41

HSL 137.07, 0.88%, 0.26%

LAB 45.12, -47.02, 36.15

 

CMYK 93 / 0 / 67 / 36

HEX #0BA236

RGB 11 162 54

HSL 137.09, 0.87%, 0.34%

LAB 58.21, -57.54, 44.81

 

CMYK 93 / 0 / 66 / 66

HEX #06561D

RGB 6 86 29

HSL 137.25, 0.87%, 0.18%

LAB 31.31, -35.61, 26.43

 

CMYK 94 / 45 / 0 / 67

HEX #052F55

RGB 5 47 85

HSL 208.5, 0.89%, 0.18%

LAB 18.89, 2.52, -26.89

 

CMYK 0 / 94 / 82 / 67

HEX #55050F

RGB 85 5 15

HSL 352.5, 0.89%, 0.18%

LAB 15.87, 34.88, 18.11

 

CMYK 93 / 0 / 66 / 66

HEX #06561D

RGB 6 86 29

HSL 137.25, 0.87%, 0.18%

LAB 31.31, -35.61, 26.43

 

CMYK 67 / 94 / 0 / 67

HEX #1C0555

RGB 28 5 85

HSL 257.25, 0.89%, 0.18%

LAB 9.09, 33.78, -42.81

 

CMYK 0 / 67 / 94 / 67

HEX #551C05

RGB 85 28 5

HSL 17.25, 0.89%, 0.18%

LAB 19.11, 25.28, 26.4

 

CMYK 93 / 0 / 66 / 66

HEX #06561D

RGB 6 86 29

HSL 137.25, 0.87%, 0.18%

LAB 31.31, -35.61, 26.43

 

CMYK 94 / 45 / 0 / 67

HEX #052F55

RGB 5 47 85

HSL 208.5, 0.89%, 0.18%

LAB 18.89, 2.52, -26.89

 

CMYK 0 / 94 / 26 / 67

HEX #55053F

RGB 85 5 63

HSL 316.5, 0.89%, 0.18%

LAB 17.45, 39.29, -13.55

 

CMYK 0 / 48 / 94 / 67

HEX #552C05

RGB 85 44 5

HSL 29.25, 0.89%, 0.18%

LAB 22.81, 15.93, 30.45

 

CMYK 93 / 0 / 66 / 66

HEX #06561D

RGB 6 86 29

HSL 137.25, 0.87%, 0.18%

LAB 31.31, -35.61, 26.43

 

CMYK 94 / 73 / 0 / 67

HEX #051755

RGB 5 23 85

HSL 226.5, 0.89%, 0.18%

LAB 11.28, 20.64, -39.23

 

CMYK 0 / 94 / 26 / 67

HEX #55053F

RGB 85 5 63

HSL 316.5, 0.89%, 0.18%

LAB 17.45, 39.29, -13.55

 

CMYK 0 / 20 / 94 / 67

HEX #554405

RGB 85 68 5

HSL 47.25, 0.89%, 0.18%

LAB 29.6, 0.74, 36.63

 

Description

Color code: HEX #06561D | qconv.com Color code: HEX #06561D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 86 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 86 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 66 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 66% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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