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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #064DA7 it is the complementary color #F9B258. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #064DA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #064DA7 shade: #0B4DA2, #1C5FB5, #2D71C8, #3E83DB and #4F95EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #064DA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #064DA7 shade: #064DA7, #003B94, #002981, #00176E and #00055B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #064DA7 shade: #064DA7, #0621A7, #1506A7, #4106A7 and #6C06A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #064DA7 shade: #064DA7, #0621A7 and #0606A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #064DA7 shade matches the following richer shades: #064DA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #064DA7 shade: #064DA7, #144E99, #22508B, #30527D and #3E536F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #064DA7 shade: #06A4A7, #0679A7, #064EA7, #0623A7 and #1306A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #064DA7 shade: #032857, #043A7F, #064DA7, #075FCF and #0972F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #064DA7 shade: #064DA7, #7F06A7 and #8FA706

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #064DA7 shade: #064DA7, #A7064E and #4EA706

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #064DA7 shade: #064DA7, #7F06A7, #A75E06 and #2EA706

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #064DA7 shade: #064DA7, #A7069F, #A75E06 and #06A70E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

Complementary color

CMYK 0 / 29 / 65 / 2

HEX #F9B258

RGB 249 178 88

HSL 33.54, 0.93%, 0.66%

LAB 77.69, 17.2, 55.1

 

CMYK 93 / 52 / 0 / 36

HEX #0B4DA2

RGB 11 77 162

HSL 213.77, 0.87%, 0.34%

LAB 33.96, 15.18, -51.17

 

CMYK 85 / 48 / 0 / 29

HEX #1C5FB5

RGB 28 95 181

HSL 213.73, 0.73%, 0.41%

LAB 40.84, 12.01, -51.31

 

CMYK 78 / 44 / 0 / 22

HEX #2D71C8

RGB 45 113 200

HSL 213.68, 0.63%, 0.48%

LAB 47.67, 9.52, -51.33

 

CMYK 72 / 40 / 0 / 14

HEX #3E83DB

RGB 62 131 219

HSL 213.63, 0.69%, 0.55%

LAB 54.42, 7.55, -51.31

 

CMYK 67 / 37 / 0 / 7

HEX #4F95EE

RGB 79 149 238

HSL 213.58, 0.82%, 0.62%

LAB 61.07, 5.96, -51.27

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 100 / 60 / 0 / 42

HEX #003B94

RGB 0 59 148

HSL 216.08, 1%, 0.29%

LAB 27.48, 21.26, -53.22

 

CMYK 100 / 68 / 0 / 49

HEX #002981

RGB 0 41 129

HSL 220.93, 1%, 0.25%

LAB 20.72, 25.98, -52.49

 

CMYK 100 / 79 / 0 / 57

HEX #00176E

RGB 0 23 110

HSL 227.45, 1%, 0.22%

LAB 14.05, 30.58, -51.3

 

CMYK 100 / 95 / 0 / 64

HEX #00055B

RGB 0 5 91

HSL 236.7, 1%, 0.18%

LAB 7.8, 34.1, -49.08

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 96 / 80 / 0 / 35

HEX #0621A7

RGB 6 33 167

HSL 229.94, 0.93%, 0.34%

LAB 23.39, 45.55, -71.54

 

CMYK 87 / 96 / 0 / 35

HEX #1506A7

RGB 21 6 167

HSL 245.59, 0.93%, 0.34%

LAB 20.36, 56.29, -76.58

 

CMYK 61 / 96 / 0 / 35

HEX #4106A7

RGB 65 6 167

HSL 261.99, 0.93%, 0.34%

LAB 23.82, 58.12, -70.73

 

CMYK 35 / 96 / 0 / 35

HEX #6C06A7

RGB 108 6 167

HSL 278.01, 0.93%, 0.34%

LAB 29.68, 62.17, -60.85

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 96 / 80 / 0 / 35

HEX #0621A7

RGB 6 33 167

HSL 229.94, 0.93%, 0.34%

LAB 23.39, 45.55, -71.54

 

CMYK 96 / 96 / 0 / 35

HEX #0606A7

RGB 6 6 167

HSL 240, 0.93%, 0.34%

LAB 19.88, 56.08, -77.4

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 87 / 49 / 0 / 40

HEX #144E99

RGB 20 78 153

HSL 213.83, 0.77%, 0.34%

LAB 33.77, 11.36, -46.05

 

CMYK 76 / 42 / 0 / 45

HEX #22508B

RGB 34 80 139

HSL 213.71, 0.61%, 0.34%

LAB 33.86, 5.91, -37.36

 

CMYK 62 / 34 / 0 / 51

HEX #30527D

RGB 48 82 125

HSL 213.51, 0.45%, 0.34%

LAB 34.28, 1.83, -28.04

 

CMYK 44 / 25 / 0 / 56

HEX #3E536F

RGB 62 83 111

HSL 214.29, 0.28%, 0.34%

LAB 34.72, 0.04, -18.6

 

CMYK 96 / 2 / 0 / 35

HEX #06A4A7

RGB 6 164 167

HSL 181.12, 0.93%, 0.34%

LAB 61.12, -33.39, -11.65

 

CMYK 96 / 28 / 0 / 35

HEX #0679A7

RGB 6 121 167

HSL 197.14, 0.93%, 0.34%

LAB 47.63, -10.91, -32.35

 

CMYK 96 / 53 / 0 / 35

HEX #064EA7

RGB 6 78 167

HSL 213.17, 0.93%, 0.34%

LAB 34.55, 16.35, -53.2

 

CMYK 96 / 79 / 0 / 35

HEX #0623A7

RGB 6 35 167

HSL 229.19, 0.93%, 0.34%

LAB 23.77, 44.46, -70.91

 

CMYK 89 / 96 / 0 / 35

HEX #1306A7

RGB 19 6 167

HSL 244.84, 0.93%, 0.34%

LAB 20.28, 56.25, -76.72

 

CMYK 97 / 54 / 0 / 66

HEX #032857

RGB 3 40 87

HSL 213.57, 0.93%, 0.18%

LAB 16.63, 8.39, -31.87

 

CMYK 97 / 54 / 0 / 50

HEX #043A7F

RGB 4 58 127

HSL 213.66, 0.94%, 0.26%

LAB 25.52, 13.2, -43.38

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 97 / 54 / 0 / 19

HEX #075FCF

RGB 7 95 207

HSL 213.6, 0.93%, 0.42%

LAB 42.36, 21.28, -63.96

 

CMYK 96 / 54 / 0 / 4

HEX #0972F6

RGB 9 114 246

HSL 213.42, 0.93%, 0.5%

LAB 50.39, 24.35, -72.96

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 24 / 96 / 0 / 35

HEX #7F06A7

RGB 127 6 167

HSL 285.09, 0.93%, 0.34%

LAB 32.77, 64.66, -55.68

 

CMYK 14 / 0 / 96 / 35

HEX #8FA706

RGB 143 167 6

HSL 68.94, 0.93%, 0.34%

LAB 64.56, -26.1, 65.82

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 0 / 96 / 53 / 35

HEX #A7064E

RGB 167 6 78

HSL 333.17, 0.93%, 0.34%

LAB 35.78, 60.58, 5.48

 

CMYK 53 / 0 / 96 / 35

HEX #4EA706

RGB 78 167 6

HSL 93.17, 0.93%, 0.34%

LAB 61.02, -50.3, 61.53

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 24 / 96 / 0 / 35

HEX #7F06A7

RGB 127 6 167

HSL 285.09, 0.93%, 0.34%

LAB 32.77, 64.66, -55.68

 

CMYK 0 / 44 / 96 / 35

HEX #A75E06

RGB 167 94 6

HSL 32.8, 0.93%, 0.34%

LAB 47.28, 24.5, 54.2

 

CMYK 72 / 0 / 96 / 35

HEX #2EA706

RGB 46 167 6

HSL 105.09, 0.93%, 0.34%

LAB 60.1, -57.93, 60.39

 

CMYK 96 / 54 / 0 / 35

HEX #064DA7

RGB 6 77 167

HSL 213.54, 0.93%, 0.34%

LAB 34.27, 17.03, -53.67

 

CMYK 0 / 96 / 5 / 35

HEX #A7069F

RGB 167 6 159

HSL 302.98, 0.93%, 0.34%

LAB 39.32, 69.73, -39.93

 

CMYK 0 / 44 / 96 / 35

HEX #A75E06

RGB 167 94 6

HSL 32.8, 0.93%, 0.34%

LAB 47.28, 24.5, 54.2

 

CMYK 96 / 0 / 92 / 35

HEX #06A70E

RGB 6 167 14

HSL 122.98, 0.93%, 0.34%

LAB 59.62, -62.08, 58.64

 

Description

Color code: HEX #064DA7 | qconv.com Color code: HEX #064DA7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 77 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 77 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 54 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 54% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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