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Color name
HEX #06392A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06392A it is the complementary color #F9C6D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06392A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06392A shade: #0B3925, #1C4B38, #2D5D4B, #3E6F5E and #4F8171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06392A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06392A shade: #06392A, #002717, #001504 and #000300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06392A shade: #053728, #05371B, #05370E, #0A3705 and #183705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06392A shade: #053728, #053736, #052B37, #051D37 and #051037

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06392A shade matches the following richer shades: #053728 and #003C2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06392A shade: #053728, #0A3226, #0F2D24, #142822 and #192320

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06392A shade: #05370E, #05371B, #053728, #053735 and #052B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06392A shade: #06392A, #050A37 and #371405

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06392A shade: #06392A, #280537 and #372805

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06392A shade: #06392A, #050A37, #370514 and #373205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06392A shade: #06392A, #0F0537, #370514 and #2D3705

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 26 / 78

HEX #06392A

RGB 6 57 42

HSL 162.35, 0.81%, 0.12%

LAB 20.57, -20.59, 4.78

 

Complementary color

CMYK 0 / 20 / 14 / 2

HEX #F9C6D5

RGB 249 198 213

HSL 342.35, 0.81%, 0.88%

LAB 84.65, 20.39, -0.54

 

CMYK 81 / 0 / 35 / 78

HEX #0B3925

RGB 11 57 37

HSL 153.91, 0.68%, 0.13%

LAB 20.56, -21.06, 8.13

 

CMYK 63 / 0 / 25 / 71

HEX #1C4B38

RGB 28 75 56

HSL 155.74, 0.46%, 0.2%

LAB 28.29, -21.3, 6.6

 

CMYK 52 / 0 / 19 / 64

HEX #2D5D4B

RGB 45 93 75

HSL 157.5, 0.35%, 0.27%

LAB 35.78, -21.2, 5.36

 

CMYK 44 / 0 / 15 / 56

HEX #3E6F5E

RGB 62 111 94

HSL 159.18, 0.28%, 0.34%

LAB 43.06, -21, 4.3

 

CMYK 39 / 0 / 12 / 49

HEX #4F8171

RGB 79 129 113

HSL 160.8, 0.24%, 0.41%

LAB 50.16, -20.78, 3.37

 

CMYK 89 / 0 / 26 / 78

HEX #06392A

RGB 6 57 42

HSL 162.35, 0.81%, 0.12%

LAB 20.57, -20.59, 4.78

 

CMYK 100 / 0 / 41 / 85

HEX #002717

RGB 0 39 23

HSL 155.38, 1%, 0.08%

LAB 12.69, -18.67, 6.81

 

CMYK 100 / 0 / 81 / 92

HEX #001504

RGB 0 21 4

HSL 131.43, 1%, 0.04%

LAB 4.92, -9.34, 5.56

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 91 / 0 / 27 / 78

HEX #053728

RGB 5 55 40

HSL 162, 0.83%, 0.12%

LAB 19.71, -20.37, 4.92

 

CMYK 91 / 0 / 51 / 78

HEX #05371B

RGB 5 55 27

HSL 146.4, 0.83%, 0.12%

LAB 19.41, -23.77, 13.1

 

CMYK 91 / 0 / 75 / 78

HEX #05370E

RGB 5 55 14

HSL 130.8, 0.83%, 0.12%

LAB 19.21, -26.12, 20.59

 

CMYK 82 / 0 / 91 / 78

HEX #0A3705

RGB 10 55 5

HSL 114, 0.83%, 0.12%

LAB 19.26, -26.03, 24.54

 

CMYK 56 / 0 / 91 / 78

HEX #183705

RGB 24 55 5

HSL 97.2, 0.83%, 0.12%

LAB 19.79, -21.74, 25.29

 

CMYK 91 / 0 / 27 / 78

HEX #053728

RGB 5 55 40

HSL 162, 0.83%, 0.12%

LAB 19.71, -20.37, 4.92

 

CMYK 91 / 0 / 2 / 78

HEX #053736

RGB 5 55 54

HSL 178.8, 0.83%, 0.12%

LAB 20.17, -15.71, -3.93

 

CMYK 91 / 22 / 0 / 78

HEX #052B37

RGB 5 43 55

HSL 194.4, 0.83%, 0.12%

LAB 15.67, -7.96, -11.44

 

CMYK 91 / 47 / 0 / 78

HEX #051D37

RGB 5 29 55

HSL 211.2, 0.83%, 0.12%

LAB 10.46, 2.1, -19.63

 

CMYK 91 / 71 / 0 / 78

HEX #051037

RGB 5 16 55

HSL 226.8, 0.83%, 0.12%

LAB 6.13, 11.84, -26.6

 

CMYK 91 / 0 / 27 / 78

HEX #053728

RGB 5 55 40

HSL 162, 0.83%, 0.12%

LAB 19.71, -20.37, 4.92

 

CMYK 100 / 0 / 30 / 76

HEX #003C2A

RGB 0 60 42

HSL 162, 1%, 0.12%

LAB 21.58, -23.15, 6.18

 

CMYK 91 / 0 / 27 / 78

HEX #053728

RGB 5 55 40

HSL 162, 0.83%, 0.12%

LAB 19.71, -20.37, 4.92

 

CMYK 80 / 0 / 24 / 80

HEX #0A3226

RGB 10 50 38

HSL 162, 0.67%, 0.12%

LAB 17.85, -17.36, 3.66

 

CMYK 67 / 0 / 20 / 82

HEX #0F2D24

RGB 15 45 36

HSL 162, 0.5%, 0.12%

LAB 16.03, -13.95, 2.47

 

CMYK 50 / 0 / 15 / 84

HEX #142822

RGB 20 40 34

HSL 162, 0.33%, 0.12%

LAB 14.3, -9.93, 1.41

 

CMYK 29 / 0 / 9 / 86

HEX #192320

RGB 25 35 32

HSL 162, 0.17%, 0.12%

LAB 12.69, -5.25, 0.56

 

CMYK 91 / 0 / 75 / 78

HEX #05370E

RGB 5 55 14

HSL 130.8, 0.83%, 0.12%

LAB 19.21, -26.12, 20.59

 

CMYK 91 / 0 / 51 / 78

HEX #05371B

RGB 5 55 27

HSL 146.4, 0.83%, 0.12%

LAB 19.41, -23.77, 13.1

 

CMYK 91 / 0 / 27 / 78

HEX #053728

RGB 5 55 40

HSL 162, 0.83%, 0.12%

LAB 19.71, -20.37, 4.92

 

CMYK 91 / 0 / 4 / 78

HEX #053735

RGB 5 55 53

HSL 177.6, 0.83%, 0.12%

LAB 20.13, -16.07, -3.31

 

CMYK 91 / 22 / 0 / 78

HEX #052B37

RGB 5 43 55

HSL 194.4, 0.83%, 0.12%

LAB 15.67, -7.96, -11.44

 

CMYK 89 / 0 / 26 / 78

HEX #06392A

RGB 6 57 42

HSL 162.35, 0.81%, 0.12%

LAB 20.57, -20.59, 4.78

 

CMYK 91 / 82 / 0 / 78

HEX #050A37

RGB 5 10 55

HSL 234, 0.83%, 0.12%

LAB 4.74, 14.8, -28.84

 

CMYK 0 / 64 / 91 / 78

HEX #371405

RGB 55 20 5

HSL 18, 0.83%, 0.12%

LAB 11.44, 16.3, 15.41

 

CMYK 89 / 0 / 26 / 78

HEX #06392A

RGB 6 57 42

HSL 162.35, 0.81%, 0.12%

LAB 20.57, -20.59, 4.78

 

CMYK 27 / 91 / 0 / 78

HEX #280537

RGB 40 5 55

HSL 282, 0.83%, 0.12%

LAB 7.55, 27.15, -24.13

 

CMYK 0 / 27 / 91 / 78

HEX #372805

RGB 55 40 5

HSL 42, 0.83%, 0.12%

LAB 17.18, 2.88, 22.89

 

CMYK 89 / 0 / 26 / 78

HEX #06392A

RGB 6 57 42

HSL 162.35, 0.81%, 0.12%

LAB 20.57, -20.59, 4.78

 

CMYK 91 / 82 / 0 / 78

HEX #050A37

RGB 5 10 55

HSL 234, 0.83%, 0.12%

LAB 4.74, 14.8, -28.84

 

CMYK 0 / 91 / 64 / 78

HEX #370514

RGB 55 5 20

HSL 342, 0.83%, 0.12%

LAB 8.75, 25.5, 4.26

 

CMYK 0 / 9 / 91 / 78

HEX #373205

RGB 55 50 5

HSL 54, 0.83%, 0.12%

LAB 20.46, -3.77, 26.71

 

CMYK 89 / 0 / 26 / 78

HEX #06392A

RGB 6 57 42

HSL 162.35, 0.81%, 0.12%

LAB 20.57, -20.59, 4.78

 

CMYK 73 / 91 / 0 / 78

HEX #0F0537

RGB 15 5 55

HSL 252, 0.83%, 0.12%

LAB 4.39, 19.47, -29.38

 

CMYK 0 / 91 / 64 / 78

HEX #370514

RGB 55 5 20

HSL 342, 0.83%, 0.12%

LAB 8.75, 25.5, 4.26

 

CMYK 18 / 0 / 91 / 78

HEX #2D3705

RGB 45 55 5

HSL 72, 0.83%, 0.12%

LAB 21.21, -12.18, 27.27

 

Description

Color code: HEX #06392A | qconv.com Color code: HEX #06392A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 57 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 57 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 26 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 26% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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