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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05EE19 it is the complementary color #FA11E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05EE19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05EE19 shade: #0AEE14, #1BFF27, #2CFF3A, #3DFF4D and #4EFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05EE19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05EE19 shade: #05EE19, #00DC06, #00CA00, #00B800 and #00A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05EE19 shade: #04EF19, #30EF04, #6FEF04, #AEEF04 and #EEEF04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05EE19 shade: #04EF19, #04EF58, #04EF97, #04EFD7 and #04C9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05EE19 shade matches the following richer shades: #04EF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05EE19 shade: #04EF19, #18DC29, #2CC839, #40B44A and #54A05A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05EE19 shade: #6EEF04, #2FEF04, #04EF18, #04EF57 and #04EF95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05EE19 shade: #039F10, #04C714, #04EF19, #23FA35 and #4BFB5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05EE19 shade: #05EE19, #04ADEF and #EF044F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05EE19 shade: #05EE19, #1804EF and #EF1804

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05EE19 shade: #05EE19, #04ADEF, #EF04DC and #EF4704

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05EE19 shade: #05EE19, #0466EF, #EF04DC and #EF8D04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 89 / 7

HEX #05EE19

RGB 5 238 25

HSL 125.15, 0.96%, 0.48%

LAB 82.51, -81.15, 76.37

 

Complementary color

CMYK 0 / 93 / 8 / 2

HEX #FA11E6

RGB 250 17 230

HSL 305.15, 0.96%, 0.52%

LAB 58.45, 92.97, -49.92

 

CMYK 96 / 0 / 92 / 7

HEX #0AEE14

RGB 10 238 20

HSL 122.63, 0.92%, 0.49%

LAB 82.52, -81.13, 77.11

 

CMYK 89 / 0 / 85 / 0

HEX #1BFF27

RGB 27 255 39

HSL 123.16, 1%, 0.55%

LAB 87.92, -84.24, 78.54

 

CMYK 83 / 0 / 77 / 0

HEX #2CFF3A

RGB 44 255 58

HSL 123.98, 1%, 0.59%

LAB 88.14, -81.96, 74.04

 

CMYK 76 / 0 / 70 / 0

HEX #3DFF4D

RGB 61 255 77

HSL 124.95, 1%, 0.62%

LAB 88.47, -78.68, 68.23

 

CMYK 69 / 0 / 62 / 0

HEX #4EFF60

RGB 78 255 96

HSL 126.1, 1%, 0.65%

LAB 88.92, -74.39, 61.46

 

CMYK 98 / 0 / 89 / 7

HEX #05EE19

RGB 5 238 25

HSL 125.15, 0.96%, 0.48%

LAB 82.51, -81.15, 76.37

 

CMYK 100 / 0 / 97 / 14

HEX #00DC06

RGB 0 220 6

HSL 121.64, 1%, 0.43%

LAB 76.8, -76.99, 73.84

 

CMYK 100 / 0 / 100 / 21

HEX #00CA00

RGB 0 202 0

HSL 120, 1%, 0.4%

LAB 71.04, -72.31, 69.79

 

CMYK 100 / 0 / 100 / 28

HEX #00B800

RGB 0 184 0

HSL 120, 1%, 0.36%

LAB 65.18, -67.45, 65.1

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 98 / 0 / 90 / 6

HEX #04EF19

RGB 4 239 25

HSL 125.36, 0.97%, 0.48%

LAB 82.82, -81.44, 76.63

 

CMYK 80 / 0 / 98 / 6

HEX #30EF04

RGB 48 239 4

HSL 108.77, 0.97%, 0.48%

LAB 83.11, -78.97, 79.28

 

CMYK 54 / 0 / 98 / 6

HEX #6FEF04

RGB 111 239 4

HSL 92.68, 0.97%, 0.48%

LAB 84.55, -66.85, 81.03

 

CMYK 27 / 0 / 98 / 6

HEX #AEEF04

RGB 174 239 4

HSL 76.6, 0.97%, 0.48%

LAB 87.36, -46.39, 84.44

 

CMYK 0 / 0 / 98 / 6

HEX #EEEF04

RGB 238 239 4

HSL 60.26, 0.97%, 0.48%

LAB 91.65, -20.91, 89.57

 

CMYK 98 / 0 / 90 / 6

HEX #04EF19

RGB 4 239 25

HSL 125.36, 0.97%, 0.48%

LAB 82.82, -81.44, 76.63

 

CMYK 98 / 0 / 63 / 6

HEX #04EF58

RGB 4 239 88

HSL 141.45, 0.97%, 0.48%

LAB 83.16, -77.14, 58.1

 

CMYK 98 / 0 / 37 / 6

HEX #04EF97

RGB 4 239 151

HSL 157.53, 0.97%, 0.48%

LAB 83.96, -67.43, 29.46

 

CMYK 98 / 0 / 10 / 6

HEX #04EFD7

RGB 4 239 215

HSL 173.87, 0.97%, 0.48%

LAB 85.33, -52.41, -1.82

 

CMYK 98 / 16 / 0 / 6

HEX #04C9EF

RGB 4 201 239

HSL 189.7, 0.97%, 0.48%

LAB 74.84, -28.09, -30.38

 

CMYK 98 / 0 / 90 / 6

HEX #04EF19

RGB 4 239 25

HSL 125.36, 0.97%, 0.48%

LAB 82.82, -81.44, 76.63

 

CMYK 98 / 0 / 90 / 6

HEX #04EF19

RGB 4 239 25

HSL 125.36, 0.97%, 0.48%

LAB 82.82, -81.44, 76.63

 

CMYK 89 / 0 / 81 / 14

HEX #18DC29

RGB 24 220 41

HSL 125.2, 0.8%, 0.48%

LAB 77.01, -74.78, 68.19

 

CMYK 78 / 0 / 72 / 22

HEX #2CC839

RGB 44 200 57

HSL 125, 0.64%, 0.48%

LAB 70.97, -65.87, 57.3

 

CMYK 64 / 0 / 59 / 29

HEX #40B44A

RGB 64 180 74

HSL 125.17, 0.48%, 0.48%

LAB 65.14, -53.99, 43.88

 

CMYK 48 / 0 / 44 / 37

HEX #54A05A

RGB 84 160 90

HSL 124.74, 0.31%, 0.48%

LAB 59.68, -38.67, 29.34

 

CMYK 54 / 0 / 98 / 6

HEX #6EEF04

RGB 110 239 4

HSL 92.94, 0.97%, 0.48%

LAB 84.51, -67.12, 80.99

 

CMYK 80 / 0 / 98 / 6

HEX #2FEF04

RGB 47 239 4

HSL 109.02, 0.97%, 0.48%

LAB 83.1, -79.09, 79.26

 

CMYK 98 / 0 / 90 / 6

HEX #04EF18

RGB 4 239 24

HSL 125.11, 0.97%, 0.48%

LAB 82.82, -81.47, 76.78

 

CMYK 98 / 0 / 64 / 6

HEX #04EF57

RGB 4 239 87

HSL 141.19, 0.97%, 0.48%

LAB 83.15, -77.25, 58.5

 

CMYK 98 / 0 / 38 / 6

HEX #04EF95

RGB 4 239 149

HSL 157.02, 0.97%, 0.48%

LAB 83.93, -67.82, 30.43

 

CMYK 98 / 0 / 90 / 38

HEX #039F10

RGB 3 159 16

HSL 125, 0.96%, 0.32%

LAB 56.93, -59.89, 55.95

 

CMYK 98 / 0 / 90 / 22

HEX #04C714

RGB 4 199 20

HSL 124.92, 0.96%, 0.4%

LAB 70.12, -70.88, 66.59

 

CMYK 98 / 0 / 90 / 6

HEX #04EF19

RGB 4 239 25

HSL 125.36, 0.97%, 0.48%

LAB 82.82, -81.44, 76.63

 

CMYK 86 / 0 / 79 / 2

HEX #23FA35

RGB 35 250 53

HSL 125.02, 0.96%, 0.56%

LAB 86.5, -81.64, 73.86

 

CMYK 70 / 0 / 64 / 2

HEX #4BFB5B

RGB 75 251 91

HSL 125.45, 0.96%, 0.64%

LAB 87.6, -74.11, 62.02

 

CMYK 98 / 0 / 89 / 7

HEX #05EE19

RGB 5 238 25

HSL 125.15, 0.96%, 0.48%

LAB 82.51, -81.15, 76.37

 

CMYK 98 / 28 / 0 / 6

HEX #04ADEF

RGB 4 173 239

HSL 196.85, 0.97%, 0.48%

LAB 66.63, -13.58, -43.14

 

CMYK 0 / 98 / 67 / 6

HEX #EF044F

RGB 239 4 79

HSL 340.85, 0.97%, 0.48%

LAB 50.69, 77.8, 27.5

 

CMYK 98 / 0 / 89 / 7

HEX #05EE19

RGB 5 238 25

HSL 125.15, 0.96%, 0.48%

LAB 82.51, -81.15, 76.37

 

CMYK 90 / 98 / 0 / 6

HEX #1804EF

RGB 24 4 239

HSL 245.11, 0.97%, 0.48%

LAB 30.67, 74.91, -101.55

 

CMYK 0 / 90 / 98 / 6

HEX #EF1804

RGB 239 24 4

HSL 5.11, 0.97%, 0.48%

LAB 50.7, 74.07, 63.22

 

CMYK 98 / 0 / 89 / 7

HEX #05EE19

RGB 5 238 25

HSL 125.15, 0.96%, 0.48%

LAB 82.51, -81.15, 76.37

 

CMYK 98 / 28 / 0 / 6

HEX #04ADEF

RGB 4 173 239

HSL 196.85, 0.97%, 0.48%

LAB 66.63, -13.58, -43.14

 

CMYK 0 / 98 / 8 / 6

HEX #EF04DC

RGB 239 4 220

HSL 304.85, 0.97%, 0.48%

LAB 55.69, 90.7, -48.77

 

CMYK 0 / 70 / 98 / 6

HEX #EF4704

RGB 239 71 4

HSL 17.11, 0.97%, 0.48%

LAB 54.93, 62.18, 65.21

 

CMYK 98 / 0 / 89 / 7

HEX #05EE19

RGB 5 238 25

HSL 125.15, 0.96%, 0.48%

LAB 82.51, -81.15, 76.37

 

CMYK 98 / 57 / 0 / 6

HEX #0466EF

RGB 4 102 239

HSL 214.98, 0.97%, 0.48%

LAB 46.66, 29.19, -75.13

 

CMYK 0 / 98 / 8 / 6

HEX #EF04DC

RGB 239 4 220

HSL 304.85, 0.97%, 0.48%

LAB 55.69, 90.7, -48.77

 

CMYK 0 / 41 / 98 / 6

HEX #EF8D04

RGB 239 141 4

HSL 34.98, 0.97%, 0.48%

LAB 67.58, 29.84, 72.7

 

Description

Color code: HEX #05EE19 | qconv.com Color code: HEX #05EE19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 238 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 238 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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