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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05E3EE it is the complementary color #FA1C11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05E3EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05E3EE shade: #0AE3E9, #1BF5FC, #2CFFFF, #3DFFFF and #4EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05E3EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05E3EE shade: #05E3EE, #00D1DB, #00BFC8, #00ADB5 and #009BA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05E3EE shade: #04E4EF, #04A5EF, #0466EF, #0426EF and #2204EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05E3EE shade: #04E4EF, #04A5EF, #0466EF, #0426EF and #0404EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05E3EE shade matches the following richer shades: #04E4EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05E3EE shade: #04E4EF, #18D2DC, #2CC0C8, #40AFB4 and #549DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05E3EE shade: #04EF7A, #04EFB9, #04E8EF, #04A9EF and #046AEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05E3EE shade: #03979F, #04BEC7, #04E4EF, #23F0FA and #4BF3FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05E3EE shade: #05E3EE, #3B04EF and #EF9904

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05E3EE shade: #05E3EE, #EF04E8 and #E8EF04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05E3EE shade: #05E3EE, #3B04EF, #EF0C04 and #B9EF04

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05E3EE shade: #05E3EE, #8204EF, #EF0C04 and #72EF04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 5 / 0 / 7

HEX #05E3EE

RGB 5 227 238

HSL 182.83, 0.96%, 0.48%

LAB 82.46, -40.65, -18.24

 

Complementary color

CMYK 0 / 89 / 93 / 2

HEX #FA1C11

RGB 250 28 17

HSL 2.83, 0.96%, 0.52%

LAB 53.16, 76.4, 62.28

 

CMYK 96 / 3 / 0 / 9

HEX #0AE3E9

RGB 10 227 233

HSL 181.61, 0.92%, 0.48%

LAB 82.32, -42.03, -15.8

 

CMYK 89 / 3 / 0 / 1

HEX #1BF5FC

RGB 27 245 252

HSL 181.87, 0.97%, 0.55%

LAB 88.24, -43.88, -16.88

 

CMYK 83 / 0 / 0 / 0

HEX #2CFFFF

RGB 44 255 255

HSL 180, 1%, 0.59%

LAB 91.36, -46.48, -13.75

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 5 / 0 / 7

HEX #05E3EE

RGB 5 227 238

HSL 182.83, 0.96%, 0.48%

LAB 82.46, -40.65, -18.24

 

CMYK 100 / 5 / 0 / 14

HEX #00D1DB

RGB 0 209 219

HSL 182.74, 1%, 0.43%

LAB 76.51, -38.36, -17.08

 

CMYK 100 / 5 / 0 / 22

HEX #00BFC8

RGB 0 191 200

HSL 182.7, 1%, 0.39%

LAB 70.48, -35.92, -15.87

 

CMYK 100 / 4 / 0 / 29

HEX #00ADB5

RGB 0 173 181

HSL 182.65, 1%, 0.35%

LAB 64.34, -33.44, -14.64

 

CMYK 100 / 4 / 0 / 36

HEX #009BA2

RGB 0 155 162

HSL 182.59, 1%, 0.32%

LAB 58.09, -30.92, -13.38

 

CMYK 98 / 5 / 0 / 6

HEX #04E4EF

RGB 4 228 239

HSL 182.81, 0.97%, 0.48%

LAB 82.78, -40.82, -18.29

 

CMYK 98 / 31 / 0 / 6

HEX #04A5EF

RGB 4 165 239

HSL 198.89, 0.97%, 0.48%

LAB 64.3, -9.17, -46.81

 

CMYK 98 / 57 / 0 / 6

HEX #0466EF

RGB 4 102 239

HSL 214.98, 0.97%, 0.48%

LAB 46.66, 29.19, -75.13

 

CMYK 98 / 84 / 0 / 6

HEX #0426EF

RGB 4 38 239

HSL 231.32, 0.97%, 0.48%

LAB 33.23, 65.72, -97.29

 

CMYK 86 / 98 / 0 / 6

HEX #2204EF

RGB 34 4 239

HSL 247.66, 0.97%, 0.48%

LAB 31.02, 75.03, -100.96

 

CMYK 98 / 5 / 0 / 6

HEX #04E4EF

RGB 4 228 239

HSL 182.81, 0.97%, 0.48%

LAB 82.78, -40.82, -18.29

 

CMYK 98 / 31 / 0 / 6

HEX #04A5EF

RGB 4 165 239

HSL 198.89, 0.97%, 0.48%

LAB 64.3, -9.17, -46.81

 

CMYK 98 / 57 / 0 / 6

HEX #0466EF

RGB 4 102 239

HSL 214.98, 0.97%, 0.48%

LAB 46.66, 29.19, -75.13

 

CMYK 98 / 84 / 0 / 6

HEX #0426EF

RGB 4 38 239

HSL 231.32, 0.97%, 0.48%

LAB 33.23, 65.72, -97.29

 

CMYK 98 / 98 / 0 / 6

HEX #0404EF

RGB 4 4 239

HSL 240, 0.97%, 0.48%

LAB 30.27, 74.76, -102.24

 

CMYK 98 / 5 / 0 / 6

HEX #04E4EF

RGB 4 228 239

HSL 182.81, 0.97%, 0.48%

LAB 82.78, -40.82, -18.29

 

CMYK 98 / 5 / 0 / 6

HEX #04E4EF

RGB 4 228 239

HSL 182.81, 0.97%, 0.48%

LAB 82.78, -40.82, -18.29

 

CMYK 89 / 5 / 0 / 14

HEX #18D2DC

RGB 24 210 220

HSL 183.06, 0.8%, 0.48%

LAB 76.95, -37.76, -16.93

 

CMYK 78 / 4 / 0 / 22

HEX #2CC0C8

RGB 44 192 200

HSL 183.08, 0.64%, 0.48%

LAB 71.15, -34.03, -14.82

 

CMYK 64 / 3 / 0 / 29

HEX #40AFB4

RGB 64 175 180

HSL 182.59, 0.48%, 0.48%

LAB 65.78, -29.27, -11.83

 

CMYK 48 / 2 / 0 / 37

HEX #549DA0

RGB 84 157 160

HSL 182.37, 0.31%, 0.48%

LAB 60.37, -21.92, -8.65

 

CMYK 98 / 0 / 49 / 6

HEX #04EF7A

RGB 4 239 122

HSL 150.13, 0.97%, 0.48%

LAB 83.53, -72.58, 43.23

 

CMYK 98 / 0 / 23 / 6

HEX #04EFB9

RGB 4 239 185

HSL 166.21, 0.97%, 0.48%

LAB 84.62, -60.03, 12.85

 

CMYK 98 / 3 / 0 / 6

HEX #04E8EF

RGB 4 232 239

HSL 181.79, 0.97%, 0.48%

LAB 83.95, -42.61, -16.52

 

CMYK 98 / 29 / 0 / 6

HEX #04A9EF

RGB 4 169 239

HSL 197.87, 0.97%, 0.48%

LAB 65.46, -11.39, -44.98

 

CMYK 98 / 56 / 0 / 6

HEX #046AEF

RGB 4 106 239

HSL 213.96, 0.97%, 0.48%

LAB 47.71, 26.63, -73.42

 

CMYK 98 / 5 / 0 / 38

HEX #03979F

RGB 3 151 159

HSL 183.08, 0.96%, 0.32%

LAB 56.74, -29.83, -13.71

 

CMYK 98 / 5 / 0 / 22

HEX #04BEC7

RGB 4 190 199

HSL 182.77, 0.96%, 0.4%

LAB 70.16, -35.65, -15.8

 

CMYK 98 / 5 / 0 / 6

HEX #04E4EF

RGB 4 228 239

HSL 182.81, 0.97%, 0.48%

LAB 82.78, -40.82, -18.29

 

CMYK 86 / 4 / 0 / 2

HEX #23F0FA

RGB 35 240 250

HSL 182.79, 0.96%, 0.56%

LAB 86.79, -41.85, -18.01

 

CMYK 70 / 3 / 0 / 2

HEX #4BF3FB

RGB 75 243 251

HSL 182.73, 0.96%, 0.64%

LAB 88.24, -39.41, -16.3

 

CMYK 98 / 5 / 0 / 7

HEX #05E3EE

RGB 5 227 238

HSL 182.83, 0.96%, 0.48%

LAB 82.46, -40.65, -18.24

 

CMYK 75 / 98 / 0 / 6

HEX #3B04EF

RGB 59 4 239

HSL 254.04, 0.97%, 0.48%

LAB 32.37, 75.58, -98.68

 

CMYK 0 / 36 / 98 / 6

HEX #EF9904

RGB 239 153 4

HSL 38.04, 0.97%, 0.48%

LAB 70.28, 23.54, 74.47

 

CMYK 98 / 5 / 0 / 7

HEX #05E3EE

RGB 5 227 238

HSL 182.83, 0.96%, 0.48%

LAB 82.46, -40.65, -18.24

 

CMYK 0 / 98 / 3 / 6

HEX #EF04E8

RGB 239 4 232

HSL 301.79, 0.97%, 0.48%

LAB 56.35, 92.32, -54.5

 

CMYK 3 / 0 / 98 / 6

HEX #E8EF04

RGB 232 239 4

HSL 61.79, 0.97%, 0.48%

LAB 91.19, -23.39, 89.02

 

CMYK 98 / 5 / 0 / 7

HEX #05E3EE

RGB 5 227 238

HSL 182.83, 0.96%, 0.48%

LAB 82.46, -40.65, -18.24

 

CMYK 75 / 98 / 0 / 6

HEX #3B04EF

RGB 59 4 239

HSL 254.04, 0.97%, 0.48%

LAB 32.37, 75.58, -98.68

 

CMYK 0 / 95 / 98 / 6

HEX #EF0C04

RGB 239 12 4

HSL 2.04, 0.97%, 0.48%

LAB 50.24, 75.4, 63.03

 

CMYK 23 / 0 / 98 / 6

HEX #B9EF04

RGB 185 239 4

HSL 73.79, 0.97%, 0.48%

LAB 88, -42.23, 85.2

 

CMYK 98 / 5 / 0 / 7

HEX #05E3EE

RGB 5 227 238

HSL 182.83, 0.96%, 0.48%

LAB 82.46, -40.65, -18.24

 

CMYK 46 / 98 / 0 / 6

HEX #8204EF

RGB 130 4 239

HSL 272.17, 0.97%, 0.48%

LAB 39.69, 79.59, -86.31

 

CMYK 0 / 95 / 98 / 6

HEX #EF0C04

RGB 239 12 4

HSL 2.04, 0.97%, 0.48%

LAB 50.24, 75.4, 63.03

 

CMYK 52 / 0 / 98 / 6

HEX #72EF04

RGB 114 239 4

HSL 91.91, 0.97%, 0.48%

LAB 84.65, -66.04, 81.15

 

Description

Color code: HEX #05E3EE | qconv.com Color code: HEX #05E3EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 227 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 227 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 5 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 5% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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