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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05DA2C it is the complementary color #FA25D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05DA2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05DA2C shade: #0ADA27, #1BEC3A, #2CFE4D, #3DFF60 and #4EFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05DA2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05DA2C shade: #05DA2C, #00C819, #00B606, #00A400 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05DA2C shade: #04DB2B, #17DB04, #51DB04, #8BDB04 and #C5DB04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05DA2C shade: #04DB2B, #04DB66, #04DBA0, #04DBDA and #04A3DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05DA2C shade matches the following richer shades: #04DB2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05DA2C shade: #04DB2B, #16C937, #28B742, #3AA54E and #4D9359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05DA2C shade: #53DB04, #1ADB04, #04DB28, #04DB61 and #04DB9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05DA2C shade: #028B1B, #03B323, #04DB2B, #0FFA3A and #37FA5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05DA2C shade: #05DA2C, #048CDB and #DB0436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05DA2C shade: #05DA2C, #2804DB and #DB2804

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05DA2C shade: #05DA2C, #048CDB, #DB04B8 and #DB5304

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05DA2C shade: #05DA2C, #044CDB, #DB04B8 and #DB9404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 80 / 15

HEX #05DA2C

RGB 5 218 44

HSL 130.99, 0.96%, 0.44%

LAB 76.29, -74.94, 66.67

 

Complementary color

CMYK 0 / 85 / 16 / 2

HEX #FA25D3

RGB 250 37 211

HSL 310.99, 0.96%, 0.56%

LAB 58.37, 87.98, -39.3

 

CMYK 95 / 0 / 82 / 15

HEX #0ADA27

RGB 10 218 39

HSL 128.37, 0.91%, 0.45%

LAB 76.29, -75.04, 68.01

 

CMYK 89 / 0 / 75 / 7

HEX #1BEC3A

RGB 27 236 58

HSL 128.9, 0.85%, 0.52%

LAB 82.13, -78, 68.14

 

CMYK 83 / 0 / 70 / 0

HEX #2CFE4D

RGB 44 254 77

HSL 129.43, 0.99%, 0.58%

LAB 87.95, -80.29, 67.62

 

CMYK 76 / 0 / 62 / 0

HEX #3DFF60

RGB 61 255 96

HSL 130.82, 1%, 0.62%

LAB 88.62, -76.88, 61.04

 

CMYK 69 / 0 / 55 / 0

HEX #4EFF73

RGB 78 255 115

HSL 132.54, 1%, 0.65%

LAB 89.1, -72.19, 53.48

 

CMYK 98 / 0 / 80 / 15

HEX #05DA2C

RGB 5 218 44

HSL 130.99, 0.96%, 0.44%

LAB 76.29, -74.94, 66.67

 

CMYK 100 / 0 / 88 / 22

HEX #00C819

RGB 0 200 25

HSL 127.5, 1%, 0.39%

LAB 70.44, -71.14, 65.94

 

CMYK 100 / 0 / 97 / 29

HEX #00B606

RGB 0 182 6

HSL 121.98, 1%, 0.36%

LAB 64.54, -66.76, 63.83

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 98 / 0 / 80 / 14

HEX #04DB2B

RGB 4 219 43

HSL 130.88, 0.96%, 0.44%

LAB 76.6, -75.31, 67.23

 

CMYK 89 / 0 / 98 / 14

HEX #17DB04

RGB 23 219 4

HSL 114.7, 0.96%, 0.44%

LAB 76.59, -75.75, 73.91

 

CMYK 63 / 0 / 98 / 14

HEX #51DB04

RGB 81 219 4

HSL 98.51, 0.96%, 0.44%

LAB 77.53, -67.53, 75.06

 

CMYK 37 / 0 / 98 / 14

HEX #8BDB04

RGB 139 219 4

HSL 82.33, 0.96%, 0.44%

LAB 79.71, -50.76, 77.7

 

CMYK 10 / 0 / 98 / 14

HEX #C5DB04

RGB 197 219 4

HSL 66.14, 0.96%, 0.44%

LAB 83.2, -28.37, 81.91

 

CMYK 98 / 0 / 80 / 14

HEX #04DB2B

RGB 4 219 43

HSL 130.88, 0.96%, 0.44%

LAB 76.6, -75.31, 67.23

 

CMYK 98 / 0 / 53 / 14

HEX #04DB66

RGB 4 219 102

HSL 147.35, 0.96%, 0.44%

LAB 77.07, -69.35, 44.77

 

CMYK 98 / 0 / 27 / 14

HEX #04DBA0

RGB 4 219 160

HSL 163.53, 0.96%, 0.44%

LAB 78.01, -58.37, 16.66

 

CMYK 98 / 0 / 0 / 14

HEX #04DBDA

RGB 4 219 218

HSL 179.72, 0.96%, 0.44%

LAB 79.47, -43.06, -12.09

 

CMYK 98 / 26 / 0 / 14

HEX #04A3DB

RGB 4 163 219

HSL 195.63, 0.96%, 0.44%

LAB 62.79, -15.31, -38.16

 

CMYK 98 / 0 / 80 / 14

HEX #04DB2B

RGB 4 219 43

HSL 130.88, 0.96%, 0.44%

LAB 76.6, -75.31, 67.23

 

CMYK 98 / 0 / 80 / 14

HEX #04DB2B

RGB 4 219 43

HSL 130.88, 0.96%, 0.44%

LAB 76.6, -75.31, 67.23

 

CMYK 89 / 0 / 73 / 21

HEX #16C937

RGB 22 201 55

HSL 131.06, 0.8%, 0.44%

LAB 71.02, -68.53, 58.01

 

CMYK 78 / 0 / 64 / 28

HEX #28B742

RGB 40 183 66

HSL 130.91, 0.64%, 0.44%

LAB 65.52, -60.11, 47.8

 

CMYK 65 / 0 / 53 / 35

HEX #3AA54E

RGB 58 165 78

HSL 131.21, 0.48%, 0.44%

LAB 60.21, -49.16, 36.03

 

CMYK 48 / 0 / 39 / 42

HEX #4D9359

RGB 77 147 89

HSL 130.29, 0.31%, 0.44%

LAB 55.24, -35.11, 24.06

 

CMYK 62 / 0 / 98 / 14

HEX #53DB04

RGB 83 219 4

HSL 97.95, 0.96%, 0.44%

LAB 77.59, -67.08, 75.13

 

CMYK 88 / 0 / 98 / 14

HEX #1ADB04

RGB 26 219 4

HSL 113.86, 0.96%, 0.44%

LAB 76.61, -75.54, 73.94

 

CMYK 98 / 0 / 82 / 14

HEX #04DB28

RGB 4 219 40

HSL 130.05, 0.96%, 0.44%

LAB 76.58, -75.47, 68.02

 

CMYK 98 / 0 / 56 / 14

HEX #04DB61

RGB 4 219 97

HSL 145.95, 0.96%, 0.44%

LAB 77.01, -70.06, 47.04

 

CMYK 98 / 0 / 29 / 14

HEX #04DB9B

RGB 4 219 155

HSL 162.14, 0.96%, 0.44%

LAB 77.91, -59.5, 19.15

 

CMYK 99 / 0 / 81 / 45

HEX #028B1B

RGB 2 139 27

HSL 130.95, 0.97%, 0.28%

LAB 50.17, -53.52, 46.93

 

CMYK 98 / 0 / 80 / 30

HEX #03B323

RGB 3 179 35

HSL 130.91, 0.97%, 0.36%

LAB 63.66, -64.64, 57.32

 

CMYK 98 / 0 / 80 / 14

HEX #04DB2B

RGB 4 219 43

HSL 130.88, 0.96%, 0.44%

LAB 76.6, -75.31, 67.23

 

CMYK 94 / 0 / 77 / 2

HEX #0FFA3A

RGB 15 250 58

HSL 130.98, 0.96%, 0.52%

LAB 86.39, -82.47, 72.28

 

CMYK 78 / 0 / 64 / 2

HEX #37FA5B

RGB 55 250 91

HSL 131.08, 0.95%, 0.6%

LAB 86.97, -76.62, 61.22

 

CMYK 98 / 0 / 80 / 15

HEX #05DA2C

RGB 5 218 44

HSL 130.99, 0.96%, 0.44%

LAB 76.29, -74.94, 66.67

 

CMYK 98 / 36 / 0 / 14

HEX #048CDB

RGB 4 140 219

HSL 202.05, 0.96%, 0.44%

LAB 55.98, -2.29, -48.88

 

CMYK 0 / 98 / 75 / 14

HEX #DB0436

RGB 219 4 54

HSL 346.05, 0.96%, 0.44%

LAB 46.2, 72.06, 36.15

 

CMYK 98 / 0 / 80 / 15

HEX #05DA2C

RGB 5 218 44

HSL 130.99, 0.96%, 0.44%

LAB 76.29, -74.94, 66.67

 

CMYK 82 / 98 / 0 / 14

HEX #2804DB

RGB 40 4 219

HSL 250.05, 0.96%, 0.44%

LAB 28.52, 70.3, -93.68

 

CMYK 0 / 82 / 98 / 14

HEX #DB2804

RGB 219 40 4

HSL 10.05, 0.96%, 0.44%

LAB 47.73, 65.69, 59.55

 

CMYK 98 / 0 / 80 / 15

HEX #05DA2C

RGB 5 218 44

HSL 130.99, 0.96%, 0.44%

LAB 76.29, -74.94, 66.67

 

CMYK 98 / 36 / 0 / 14

HEX #048CDB

RGB 4 140 219

HSL 202.05, 0.96%, 0.44%

LAB 55.98, -2.29, -48.88

 

CMYK 0 / 98 / 16 / 14

HEX #DB04B8

RGB 219 4 184

HSL 309.77, 0.96%, 0.44%

LAB 50.22, 82.59, -36.91

 

CMYK 0 / 62 / 98 / 14

HEX #DB5304

RGB 219 83 4

HSL 22.05, 0.96%, 0.44%

LAB 53.23, 50.63, 62.41

 

CMYK 98 / 0 / 80 / 15

HEX #05DA2C

RGB 5 218 44

HSL 130.99, 0.96%, 0.44%

LAB 76.29, -74.94, 66.67

 

CMYK 98 / 65 / 0 / 14

HEX #044CDB

RGB 4 76 219

HSL 219.91, 0.96%, 0.44%

LAB 38.39, 38.26, -77.34

 

CMYK 0 / 98 / 16 / 14

HEX #DB04B8

RGB 219 4 184

HSL 309.77, 0.96%, 0.44%

LAB 50.22, 82.59, -36.91

 

CMYK 0 / 32 / 98 / 14

HEX #DB9404

RGB 219 148 4

HSL 40.19, 0.96%, 0.44%

LAB 66.71, 17.64, 70.92

 

Description

Color code: HEX #05DA2C | qconv.com Color code: HEX #05DA2C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 218 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 218 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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