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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05D0AA it is the complementary color #FA2F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05D0AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05D0AA shade: #0AD0A5, #1BE2B8, #2CF4CB, #3DFFDE and #4EFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05D0AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05D0AA shade: #05D0AA, #00BE97, #00AC84, #009A71 and #00885E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05D0AA shade: #05D0AA, #05D073, #05D03D, #05D006 and #3BD005

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05D0AA shade: #05D0AA, #05C0D0, #0589D0, #0552D0 and #051BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05D0AA shade matches the following richer shades: #05D0AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05D0AA shade: #05D0AA, #16BF9F, #28AE95, #399C8A and #4A8B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05D0AA shade: #05D03B, #05D071, #05D0A8, #05C3D0 and #058DD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05D0AA shade: #038068, #04A889, #05D0AA, #06F8CB and #2FF9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05D0AA shade: #05D0AA, #0505D0 and #D05605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05D0AA shade: #05D0AA, #A805D0 and #D0A805

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05D0AA shade: #05D0AA, #0505D0, #D0052E and #D0D005

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05D0AA shade: #05D0AA, #4205D0, #D0052E and #93D005

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

Complementary color

CMYK 0 / 81 / 66 / 2

HEX #FA2F55

RGB 250 47 85

HSL 348.77, 0.95%, 0.58%

LAB 55.09, 74.68, 29.93

 

CMYK 95 / 0 / 21 / 18

HEX #0AD0A5

RGB 10 208 165

HSL 166.97, 0.91%, 0.43%

LAB 74.76, -52.77, 9.42

 

CMYK 88 / 0 / 19 / 11

HEX #1BE2B8

RGB 27 226 184

HSL 167.34, 0.79%, 0.5%

LAB 80.79, -54.42, 7.94

 

CMYK 82 / 0 / 17 / 4

HEX #2CF4CB

RGB 44 244 203

HSL 167.7, 0.9%, 0.56%

LAB 86.78, -55.71, 6.58

 

CMYK 76 / 0 / 13 / 0

HEX #3DFFDE

RGB 61 255 222

HSL 169.79, 1%, 0.62%

LAB 90.68, -53.88, 2.39

 

CMYK 69 / 0 / 5 / 0

HEX #4EFFF1

RGB 78 255 241

HSL 175.25, 1%, 0.65%

LAB 91.46, -47.07, -6.29

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 100 / 0 / 21 / 25

HEX #00BE97

RGB 0 190 151

HSL 167.68, 1%, 0.37%

LAB 68.8, -49.47, 8.48

 

CMYK 100 / 0 / 23 / 33

HEX #00AC84

RGB 0 172 132

HSL 166.05, 1%, 0.34%

LAB 62.65, -47.09, 10.19

 

CMYK 100 / 0 / 27 / 40

HEX #009A71

RGB 0 154 113

HSL 164.03, 1%, 0.3%

LAB 56.39, -44.64, 11.99

 

CMYK 100 / 0 / 31 / 47

HEX #00885E

RGB 0 136 94

HSL 161.47, 1%, 0.27%

LAB 50, -42.11, 13.88

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 98 / 0 / 45 / 18

HEX #05D073

RGB 5 208 115

HSL 152.51, 0.95%, 0.42%

LAB 73.79, -63.66, 34.31

 

CMYK 98 / 0 / 71 / 18

HEX #05D03D

RGB 5 208 61

HSL 136.55, 0.95%, 0.42%

LAB 73.21, -70.87, 58.03

 

CMYK 98 / 0 / 97 / 18

HEX #05D006

RGB 5 208 6

HSL 120.3, 0.95%, 0.42%

LAB 73, -73.6, 70.75

 

CMYK 72 / 0 / 98 / 18

HEX #3BD005

RGB 59 208 5

HSL 104.04, 0.95%, 0.42%

LAB 73.58, -68.4, 71.57

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 98 / 8 / 0 / 18

HEX #05C0D0

RGB 5 192 208

HSL 184.73, 0.95%, 0.42%

LAB 71.07, -33.74, -19.35

 

CMYK 98 / 34 / 0 / 18

HEX #0589D0

RGB 5 137 208

HSL 200.99, 0.95%, 0.42%

LAB 54.53, -4.68, -45

 

CMYK 98 / 61 / 0 / 18

HEX #0552D0

RGB 5 82 208

HSL 217.24, 0.95%, 0.42%

LAB 38.93, 30.16, -70.13

 

CMYK 98 / 87 / 0 / 18

HEX #051BD0

RGB 5 27 208

HSL 233.5, 0.95%, 0.42%

LAB 27.76, 61.07, -88.59

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 88 / 0 / 17 / 25

HEX #16BF9F

RGB 22 191 159

HSL 168.64, 0.79%, 0.42%

LAB 69.42, -46.91, 5.03

 

CMYK 77 / 0 / 14 / 32

HEX #28AE95

RGB 40 174 149

HSL 168.81, 0.63%, 0.42%

LAB 64.07, -40.8, 2.84

 

CMYK 63 / 0 / 12 / 39

HEX #399C8A

RGB 57 156 138

HSL 169.09, 0.46%, 0.42%

LAB 58.49, -33.09, 0.95

 

CMYK 47 / 0 / 9 / 45

HEX #4A8B7F

RGB 74 139 127

HSL 168.92, 0.31%, 0.42%

LAB 53.44, -23.89, -0.04

 

CMYK 98 / 0 / 72 / 18

HEX #05D03B

RGB 5 208 59

HSL 135.96, 0.95%, 0.42%

LAB 73.19, -71.05, 58.76

 

CMYK 98 / 0 / 46 / 18

HEX #05D071

RGB 5 208 113

HSL 151.92, 0.95%, 0.42%

LAB 73.76, -64.01, 35.28

 

CMYK 98 / 0 / 19 / 18

HEX #05D0A8

RGB 5 208 168

HSL 168.18, 0.95%, 0.42%

LAB 74.81, -52.17, 7.87

 

CMYK 98 / 6 / 0 / 18

HEX #05C3D0

RGB 5 195 208

HSL 183.84, 0.95%, 0.42%

LAB 71.97, -35.15, -17.98

 

CMYK 98 / 32 / 0 / 18

HEX #058DD0

RGB 5 141 208

HSL 199.8, 0.95%, 0.42%

LAB 55.72, -7, -43.11

 

CMYK 98 / 0 / 19 / 50

HEX #038068

RGB 3 128 104

HSL 168.48, 0.95%, 0.26%

LAB 47.57, -35.97, 4.65

 

CMYK 98 / 0 / 18 / 34

HEX #04A889

RGB 4 168 137

HSL 168.66, 0.95%, 0.34%

LAB 61.51, -43.99, 5.79

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 98 / 0 / 18 / 3

HEX #06F8CB

RGB 6 248 203

HSL 168.84, 0.95%, 0.5%

LAB 87.72, -59.05, 7.91

 

CMYK 81 / 0 / 15 / 2

HEX #2FF9D3

RGB 47 249 211

HSL 168.71, 0.94%, 0.58%

LAB 88.48, -55.48, 4.88

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 98 / 98 / 0 / 18

HEX #0505D0

RGB 5 5 208

HSL 240, 0.95%, 0.42%

LAB 25.85, 66.94, -91.79

 

CMYK 0 / 59 / 98 / 18

HEX #D05605

RGB 208 86 5

HSL 23.94, 0.95%, 0.42%

LAB 51.92, 45.25, 60.49

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 19 / 98 / 0 / 18

HEX #A805D0

RGB 168 5 208

HSL 288.18, 0.95%, 0.42%

LAB 42.74, 77.84, -63.35

 

CMYK 0 / 19 / 98 / 18

HEX #D0A805

RGB 208 168 5

HSL 48.18, 0.95%, 0.42%

LAB 70.47, 2.1, 72.86

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 98 / 98 / 0 / 18

HEX #0505D0

RGB 5 5 208

HSL 240, 0.95%, 0.42%

LAB 25.85, 66.94, -91.79

 

CMYK 0 / 98 / 78 / 18

HEX #D0052E

RGB 208 5 46

HSL 347.88, 0.95%, 0.42%

LAB 43.82, 69.03, 37.6

 

CMYK 0 / 0 / 98 / 18

HEX #D0D005

RGB 208 208 5

HSL 60, 0.95%, 0.42%

LAB 81.03, -18.44, 80.57

 

CMYK 98 / 0 / 18 / 18

HEX #05D0AA

RGB 5 208 170

HSL 168.77, 0.95%, 0.42%

LAB 74.85, -51.66, 6.87

 

CMYK 68 / 98 / 0 / 18

HEX #4205D0

RGB 66 5 208

HSL 258.03, 0.95%, 0.42%

LAB 28.96, 68.29, -86.53

 

CMYK 0 / 98 / 78 / 18

HEX #D0052E

RGB 208 5 46

HSL 347.88, 0.95%, 0.42%

LAB 43.82, 69.03, 37.6

 

CMYK 29 / 0 / 98 / 18

HEX #93D005

RGB 147 208 5

HSL 78.03, 0.95%, 0.42%

LAB 76.88, -43.26, 75.58

 

Description

Color code: HEX #05D0AA | qconv.com Color code: HEX #05D0AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 208 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 208 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 18 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 18% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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