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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05D5A7 it is the complementary color #FA2A58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05D5A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05D5A7 shade: #0AD5A2, #1BE7B5, #2CF9C8, #3DFFDB and #4EFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05D5A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05D5A7 shade: #05D5A7, #00C394, #00B181, #009F6E and #008D5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05D5A7 shade: #05D5A7, #05D56F, #05D537, #0BD505 and #43D505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05D5A7 shade: #05D5A7, #05CBD5, #0593D5, #055BD5 and #0523D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05D5A7 shade matches the following richer shades: #05D5A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05D5A7 shade: #05D5A7, #17C49D, #28B293, #3AA08A and #4C8E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05D5A7 shade: #05D536, #05D56D, #05D5A5, #05CED5 and #0597D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05D5A7 shade: #038568, #04AD88, #05D5A7, #0BF8C4 and #34F9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05D5A7 shade: #05D5A7, #050CD5 and #D55105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05D5A7 shade: #05D5A7, #A505D5 and #D5A505

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05D5A7 shade: #05D5A7, #050CD5, #D50536 and #D5CE05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05D5A7 shade: #05D5A7, #3D05D5, #D50536 and #9ED505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

Complementary color

CMYK 0 / 83 / 65 / 2

HEX #FA2A58

RGB 250 42 88

HSL 346.73, 0.95%, 0.57%

LAB 54.75, 75.94, 27.72

 

CMYK 95 / 0 / 24 / 16

HEX #0AD5A2

RGB 10 213 162

HSL 164.93, 0.91%, 0.44%

LAB 76.23, -55.45, 13.11

 

CMYK 88 / 0 / 22 / 9

HEX #1BE7B5

RGB 27 231 181

HSL 165.29, 0.81%, 0.51%

LAB 82.23, -57.11, 11.57

 

CMYK 82 / 0 / 20 / 2

HEX #2CF9C8

RGB 44 249 200

HSL 165.66, 0.94%, 0.57%

LAB 88.19, -58.41, 10.17

 

CMYK 76 / 0 / 14 / 0

HEX #3DFFDB

RGB 61 255 219

HSL 168.87, 1%, 0.62%

LAB 90.61, -54.63, 3.84

 

CMYK 69 / 0 / 7 / 0

HEX #4EFFEE

RGB 78 255 238

HSL 174.24, 1%, 0.65%

LAB 91.38, -47.86, -4.86

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 100 / 0 / 24 / 24

HEX #00C394

RGB 0 195 148

HSL 165.54, 1%, 0.38%

LAB 70.29, -52.19, 12.23

 

CMYK 100 / 0 / 27 / 31

HEX #00B181

RGB 0 177 129

HSL 163.73, 1%, 0.35%

LAB 64.18, -49.8, 14

 

CMYK 100 / 0 / 31 / 38

HEX #009F6E

RGB 0 159 110

HSL 161.51, 1%, 0.31%

LAB 57.96, -47.33, 15.85

 

CMYK 100 / 0 / 35 / 45

HEX #008D5B

RGB 0 141 91

HSL 158.72, 1%, 0.28%

LAB 51.62, -44.77, 17.8

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 98 / 0 / 48 / 16

HEX #05D56F

RGB 5 213 111

HSL 150.58, 0.95%, 0.43%

LAB 75.31, -66, 38.24

 

CMYK 98 / 0 / 74 / 16

HEX #05D537

RGB 5 213 55

HSL 134.42, 0.95%, 0.43%

LAB 74.76, -72.8, 61.76

 

CMYK 95 / 0 / 98 / 16

HEX #0BD505

RGB 11 213 5

HSL 118.27, 0.95%, 0.43%

LAB 74.62, -74.74, 72.18

 

CMYK 69 / 0 / 98 / 16

HEX #43D505

RGB 67 213 5

HSL 102.12, 0.95%, 0.43%

LAB 75.32, -68.49, 73.05

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 98 / 5 / 0 / 16

HEX #05CBD5

RGB 5 203 213

HSL 182.88, 0.95%, 0.43%

LAB 74.54, -37.32, -16.81

 

CMYK 98 / 31 / 0 / 16

HEX #0593D5

RGB 5 147 213

HSL 199.04, 0.95%, 0.43%

LAB 57.75, -8.58, -42.72

 

CMYK 98 / 57 / 0 / 16

HEX #055BD5

RGB 5 91 213

HSL 215.19, 0.95%, 0.43%

LAB 41.72, 26.22, -68.45

 

CMYK 98 / 84 / 0 / 16

HEX #0523D5

RGB 5 35 213

HSL 231.35, 0.95%, 0.43%

LAB 29.51, 59.28, -88.59

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 88 / 0 / 20 / 23

HEX #17C49D

RGB 23 196 157

HSL 166.47, 0.79%, 0.43%

LAB 70.94, -49.41, 8.29

 

CMYK 78 / 0 / 17 / 30

HEX #28B293

RGB 40 178 147

HSL 166.52, 0.63%, 0.43%

LAB 65.28, -43.05, 5.68

 

CMYK 64 / 0 / 14 / 37

HEX #3AA08A

RGB 58 160 138

HSL 167.06, 0.47%, 0.43%

LAB 59.78, -34.77, 2.82

 

CMYK 46 / 0 / 10 / 44

HEX #4C8E80

RGB 76 142 128

HSL 167.27, 0.3%, 0.43%

LAB 54.49, -24.64, 0.92

 

CMYK 98 / 0 / 75 / 16

HEX #05D536

RGB 5 213 54

HSL 134.13, 0.95%, 0.43%

LAB 74.75, -72.87, 62.1

 

CMYK 98 / 0 / 49 / 16

HEX #05D56D

RGB 5 213 109

HSL 150, 0.95%, 0.43%

LAB 75.28, -66.32, 39.19

 

CMYK 98 / 0 / 23 / 16

HEX #05D5A5

RGB 5 213 165

HSL 166.15, 0.95%, 0.43%

LAB 76.28, -54.87, 11.57

 

CMYK 98 / 3 / 0 / 16

HEX #05CED5

RGB 5 206 213

HSL 182.02, 0.95%, 0.43%

LAB 75.44, -38.69, -15.46

 

CMYK 98 / 29 / 0 / 16

HEX #0597D5

RGB 5 151 213

HSL 197.88, 0.95%, 0.43%

LAB 58.95, -10.84, -40.84

 

CMYK 98 / 0 / 22 / 48

HEX #038568

RGB 3 133 104

HSL 166.62, 0.96%, 0.27%

LAB 49.25, -38.13, 7.05

 

CMYK 98 / 0 / 21 / 32

HEX #04AD88

RGB 4 173 136

HSL 166.86, 0.95%, 0.35%

LAB 63.09, -46.31, 8.59

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 96 / 0 / 21 / 3

HEX #0BF8C4

RGB 11 248 196

HSL 166.84, 0.94%, 0.51%

LAB 87.58, -60.64, 11.34

 

CMYK 79 / 0 / 17 / 2

HEX #34F9CE

RGB 52 249 206

HSL 166.9, 0.94%, 0.59%

LAB 88.42, -56.29, 7.4

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 98 / 94 / 0 / 16

HEX #050CD5

RGB 5 12 213

HSL 237.98, 0.95%, 0.43%

LAB 27.02, 66.84, -92.75

 

CMYK 0 / 62 / 98 / 16

HEX #D55105

RGB 213 81 5

HSL 21.92, 0.95%, 0.43%

LAB 51.88, 49.37, 60.89

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 23 / 98 / 0 / 16

HEX #A505D5

RGB 165 5 213

HSL 286.15, 0.95%, 0.43%

LAB 42.63, 78.31, -66.44

 

CMYK 0 / 23 / 98 / 16

HEX #D5A505

RGB 213 165 5

HSL 46.15, 0.95%, 0.43%

LAB 70.22, 5.9, 72.92

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 98 / 94 / 0 / 16

HEX #050CD5

RGB 5 12 213

HSL 237.98, 0.95%, 0.43%

LAB 27.02, 66.84, -92.75

 

CMYK 0 / 98 / 75 / 16

HEX #D50536

RGB 213 5 54

HSL 345.87, 0.95%, 0.43%

LAB 44.97, 70.52, 34.43

 

CMYK 0 / 3 / 98 / 16

HEX #D5CE05

RGB 213 206 5

HSL 57.98, 0.95%, 0.43%

LAB 80.91, -15.31, 80.65

 

CMYK 98 / 0 / 22 / 16

HEX #05D5A7

RGB 5 213 167

HSL 166.73, 0.95%, 0.43%

LAB 76.32, -54.38, 10.57

 

CMYK 71 / 98 / 0 / 16

HEX #3D05D5

RGB 61 5 213

HSL 256.15, 0.95%, 0.43%

LAB 29.17, 69.29, -89.09

 

CMYK 0 / 98 / 75 / 16

HEX #D50536

RGB 213 5 54

HSL 345.87, 0.95%, 0.43%

LAB 44.97, 70.52, 34.43

 

CMYK 26 / 0 / 98 / 16

HEX #9ED505

RGB 158 213 5

HSL 75.87, 0.95%, 0.43%

LAB 78.97, -41.24, 77.47

 

Description

Color code: HEX #05D5A7 | qconv.com Color code: HEX #05D5A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 213 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 213 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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