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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05CEE5 it is the complementary color #FA311A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05CEE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05CEE5 shade: #0ACEE0, #1BE0F3, #2CF2FF, #3DFFFF and #4EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05CEE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05CEE5 shade: #05CEE5, #00BCD2, #00AABF, #0098AC and #008699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05CEE5 shade: #04CEE5, #0492E5, #0455E5, #0418E5 and #2D04E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05CEE5 shade: #04CEE5, #0492E5, #0455E5, #0418E5 and #0404E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05CEE5 shade matches the following richer shades: #04CEE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05CEE5 shade: #04CEE5, #17BFD2, #2AB0BF, #3DA1AC and #509299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05CEE5 shade: #04E584, #04E5C0, #04CFE5, #0493E5 and #0457E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05CEE5 shade: #038695, #03AABD, #04CEE5, #19E3FA and #41E8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05CEE5 shade: #05CEE5, #4804E5 and #E5A204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05CEE5 shade: #05CEE5, #E504CF and #CFE504

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05CEE5 shade: #05CEE5, #4804E5, #E51B04 and #A2E504

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05CEE5 shade: #05CEE5, #8B04E5, #E51B04 and #5EE504

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 10 / 0 / 10

HEX #05CEE5

RGB 5 206 229

HSL 186.16, 0.96%, 0.46%

LAB 75.97, -33.72, -23.28

 

Complementary color

CMYK 0 / 80 / 90 / 2

HEX #FA311A

RGB 250 49 26

HSL 6.16, 0.96%, 0.54%

LAB 54.65, 72.36, 60.14

 

CMYK 96 / 8 / 0 / 12

HEX #0ACEE0

RGB 10 206 224

HSL 185.05, 0.91%, 0.46%

LAB 75.82, -35.17, -20.81

 

CMYK 89 / 8 / 0 / 5

HEX #1BE0F3

RGB 27 224 243

HSL 185.28, 0.9%, 0.53%

LAB 81.85, -37.07, -21.8

 

CMYK 83 / 5 / 0 / 0

HEX #2CF2FF

RGB 44 242 255

HSL 183.7, 1%, 0.59%

LAB 87.61, -40.72, -19.38

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 10 / 0 / 10

HEX #05CEE5

RGB 5 206 229

HSL 186.16, 0.96%, 0.46%

LAB 75.97, -33.72, -23.28

 

CMYK 100 / 10 / 0 / 18

HEX #00BCD2

RGB 0 188 210

HSL 186.29, 1%, 0.41%

LAB 69.91, -31.32, -22.21

 

CMYK 100 / 11 / 0 / 25

HEX #00AABF

RGB 0 170 191

HSL 186.6, 1%, 0.37%

LAB 63.76, -28.75, -21.09

 

CMYK 100 / 12 / 0 / 33

HEX #0098AC

RGB 0 152 172

HSL 186.98, 1%, 0.34%

LAB 57.5, -26.12, -19.96

 

CMYK 100 / 12 / 0 / 40

HEX #008699

RGB 0 134 153

HSL 187.45, 1%, 0.3%

LAB 51.09, -23.42, -18.83

 

CMYK 98 / 10 / 0 / 10

HEX #04CEE5

RGB 4 206 229

HSL 186.13, 0.97%, 0.46%

LAB 75.96, -33.74, -23.28

 

CMYK 98 / 36 / 0 / 10

HEX #0492E5

RGB 4 146 229

HSL 202.13, 0.97%, 0.46%

LAB 58.26, -2.02, -50.84

 

CMYK 98 / 63 / 0 / 10

HEX #0455E5

RGB 4 85 229

HSL 218.4, 0.97%, 0.46%

LAB 41.5, 36.28, -77.93

 

CMYK 98 / 90 / 0 / 10

HEX #0418E5

RGB 4 24 229

HSL 234.67, 0.97%, 0.46%

LAB 30.25, 67.95, -96.57

 

CMYK 80 / 98 / 0 / 10

HEX #2D04E5

RGB 45 4 229

HSL 250.93, 0.97%, 0.46%

LAB 30.16, 72.83, -96.68

 

CMYK 98 / 10 / 0 / 10

HEX #04CEE5

RGB 4 206 229

HSL 186.13, 0.97%, 0.46%

LAB 75.96, -33.74, -23.28

 

CMYK 98 / 36 / 0 / 10

HEX #0492E5

RGB 4 146 229

HSL 202.13, 0.97%, 0.46%

LAB 58.26, -2.02, -50.84

 

CMYK 98 / 63 / 0 / 10

HEX #0455E5

RGB 4 85 229

HSL 218.4, 0.97%, 0.46%

LAB 41.5, 36.28, -77.93

 

CMYK 98 / 90 / 0 / 10

HEX #0418E5

RGB 4 24 229

HSL 234.67, 0.97%, 0.46%

LAB 30.25, 67.95, -96.57

 

CMYK 98 / 98 / 0 / 10

HEX #0404E5

RGB 4 4 229

HSL 240, 0.97%, 0.46%

LAB 28.82, 72.33, -98.95

 

CMYK 98 / 10 / 0 / 10

HEX #04CEE5

RGB 4 206 229

HSL 186.13, 0.97%, 0.46%

LAB 75.96, -33.74, -23.28

 

CMYK 98 / 10 / 0 / 10

HEX #04CEE5

RGB 4 206 229

HSL 186.13, 0.97%, 0.46%

LAB 75.96, -33.74, -23.28

 

CMYK 89 / 9 / 0 / 18

HEX #17BFD2

RGB 23 191 210

HSL 186.1, 0.8%, 0.46%

LAB 70.94, -31.98, -20.63

 

CMYK 78 / 8 / 0 / 25

HEX #2AB0BF

RGB 42 176 191

HSL 186.04, 0.64%, 0.46%

LAB 65.99, -29.29, -17.68

 

CMYK 65 / 6 / 0 / 33

HEX #3DA1AC

RGB 61 161 172

HSL 185.95, 0.48%, 0.46%

LAB 61.19, -25.17, -14.28

 

CMYK 48 / 5 / 0 / 40

HEX #509299

RGB 80 146 153

HSL 185.75, 0.31%, 0.46%

LAB 56.65, -19.06, -10.24

 

CMYK 98 / 0 / 42 / 10

HEX #04E584

RGB 4 229 132

HSL 154.13, 0.97%, 0.46%

LAB 80.59, -67.65, 34.57

 

CMYK 98 / 0 / 16 / 10

HEX #04E5C0

RGB 4 229 192

HSL 170.13, 0.97%, 0.46%

LAB 81.77, -54.42, 5.1

 

CMYK 98 / 10 / 0 / 10

HEX #04CFE5

RGB 4 207 229

HSL 185.87, 0.97%, 0.46%

LAB 76.26, -34.22, -22.83

 

CMYK 98 / 36 / 0 / 10

HEX #0493E5

RGB 4 147 229

HSL 201.87, 0.97%, 0.46%

LAB 58.56, -2.6, -50.38

 

CMYK 98 / 62 / 0 / 10

HEX #0457E5

RGB 4 87 229

HSL 217.87, 0.97%, 0.46%

LAB 42, 35, -77.11

 

CMYK 98 / 10 / 0 / 42

HEX #038695

RGB 3 134 149

HSL 186.16, 0.96%, 0.3%

LAB 50.97, -24.67, -16.69

 

CMYK 98 / 10 / 0 / 26

HEX #03AABD

RGB 3 170 189

HSL 186.13, 0.97%, 0.38%

LAB 63.71, -29.31, -20.06

 

CMYK 98 / 10 / 0 / 10

HEX #04CEE5

RGB 4 206 229

HSL 186.13, 0.97%, 0.46%

LAB 75.96, -33.74, -23.28

 

CMYK 90 / 9 / 0 / 2

HEX #19E3FA

RGB 25 227 250

HSL 186.13, 0.96%, 0.54%

LAB 82.94, -36.4, -23.85

 

CMYK 74 / 8 / 0 / 2

HEX #41E8FB

RGB 65 232 251

HSL 186.13, 0.96%, 0.62%

LAB 84.9, -35.48, -21.36

 

CMYK 98 / 10 / 0 / 10

HEX #05CEE5

RGB 5 206 229

HSL 186.16, 0.96%, 0.46%

LAB 75.97, -33.72, -23.28

 

CMYK 69 / 98 / 0 / 10

HEX #4804E5

RGB 72 4 229

HSL 258.13, 0.97%, 0.46%

LAB 32.08, 73.68, -93.43

 

CMYK 0 / 29 / 98 / 10

HEX #E5A204

RGB 229 162 4

HSL 42.13, 0.97%, 0.46%

LAB 71.22, 14.49, 74.55

 

CMYK 98 / 10 / 0 / 10

HEX #05CEE5

RGB 5 206 229

HSL 186.16, 0.96%, 0.46%

LAB 75.97, -33.72, -23.28

 

CMYK 0 / 98 / 10 / 10

HEX #E504CF

RGB 229 4 207

HSL 305.87, 0.97%, 0.46%

LAB 53.22, 87.3, -45.38

 

CMYK 10 / 0 / 98 / 10

HEX #CFE504

RGB 207 229 4

HSL 65.87, 0.97%, 0.46%

LAB 86.66, -28.96, 84.82

 

CMYK 98 / 10 / 0 / 10

HEX #05CEE5

RGB 5 206 229

HSL 186.16, 0.96%, 0.46%

LAB 75.97, -33.72, -23.28

 

CMYK 69 / 98 / 0 / 10

HEX #4804E5

RGB 72 4 229

HSL 258.13, 0.97%, 0.46%

LAB 32.08, 73.68, -93.43

 

CMYK 0 / 88 / 98 / 10

HEX #E51B04

RGB 229 27 4

HSL 6.13, 0.97%, 0.46%

LAB 48.82, 71.04, 61.21

 

CMYK 29 / 0 / 98 / 10

HEX #A2E504

RGB 162 229 4

HSL 77.87, 0.97%, 0.46%

LAB 83.82, -46.61, 81.42

 

CMYK 98 / 10 / 0 / 10

HEX #05CEE5

RGB 5 206 229

HSL 186.16, 0.96%, 0.46%

LAB 75.97, -33.72, -23.28

 

CMYK 39 / 98 / 0 / 10

HEX #8B04E5

RGB 139 4 229

HSL 276, 0.97%, 0.46%

LAB 39.97, 78.4, -80.12

 

CMYK 0 / 88 / 98 / 10

HEX #E51B04

RGB 229 27 4

HSL 6.13, 0.97%, 0.46%

LAB 48.82, 71.04, 61.21

 

CMYK 59 / 0 / 98 / 10

HEX #5EE504

RGB 94 229 4

HSL 96, 0.97%, 0.46%

LAB 80.98, -67.8, 77.96

 

Description

Color code: HEX #05CEE5 | qconv.com Color code: HEX #05CEE5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 206 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 206 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 10 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 10% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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