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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05A3A8 it is the complementary color #FA5C57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05A3A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05A3A8 shade: #0AA3A3, #1BB5B6, #2CC7C9, #3DD9DC and #4EEBEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05A3A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05A3A8 shade: #05A3A8, #009195, #007F82, #006D6F and #005B5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05A3A8 shade: #05A3A8, #0577A8, #054BA8, #051FA8 and #1705A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05A3A8 shade: #05A3A8, #0577A8, #054BA8, #051FA8 and #0505A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05A3A8 shade matches the following richer shades: #05A3A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05A3A8 shade: #05A3A8, #13969A, #21888C, #2F7B7E and #3D6E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05A3A8 shade: #05A853, #05A87F, #05A5A8, #057AA8 and #054EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05A3A8 shade: #025558, #037C80, #05A3A8, #06CAD0 and #08F0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05A3A8 shade: #05A3A8, #2805A8 and #A86905

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05A3A8 shade: #05A3A8, #A805A5 and #A5A805

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05A3A8 shade: #05A3A8, #2805A8, #A80705 and #84A805

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05A3A8 shade: #05A3A8, #5905A8, #A80705 and #53A805

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

Complementary color

CMYK 0 / 63 / 65 / 2

HEX #FA5C57

RGB 250 92 87

HSL 1.84, 0.94%, 0.66%

LAB 60.49, 59.94, 35.51

 

CMYK 94 / 0 / 0 / 36

HEX #0AA3A3

RGB 10 163 163

HSL 180, 0.88%, 0.34%

LAB 60.7, -34.02, -10.02

 

CMYK 85 / 1 / 0 / 29

HEX #1BB5B6

RGB 27 181 182

HSL 180.39, 0.74%, 0.41%

LAB 67.02, -35.7, -11.15

 

CMYK 78 / 1 / 0 / 21

HEX #2CC7C9

RGB 44 199 201

HSL 180.76, 0.64%, 0.48%

LAB 73.28, -37, -12.16

 

CMYK 72 / 1 / 0 / 14

HEX #3DD9DC

RGB 61 217 220

HSL 181.13, 0.69%, 0.55%

LAB 79.49, -37.98, -13.07

 

CMYK 67 / 2 / 0 / 6

HEX #4EEBEF

RGB 78 235 239

HSL 181.49, 0.83%, 0.62%

LAB 85.64, -38.74, -13.9

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 100 / 3 / 0 / 42

HEX #009195

RGB 0 145 149

HSL 181.61, 1%, 0.29%

LAB 54.47, -30.29, -11.39

 

CMYK 100 / 2 / 0 / 49

HEX #007F82

RGB 0 127 130

HSL 181.38, 1%, 0.25%

LAB 47.99, -27.69, -10.05

 

CMYK 100 / 2 / 0 / 56

HEX #006D6F

RGB 0 109 111

HSL 181.08, 1%, 0.22%

LAB 41.35, -25.04, -8.67

 

CMYK 100 / 1 / 0 / 64

HEX #005B5C

RGB 0 91 92

HSL 180.65, 1%, 0.18%

LAB 34.51, -22.31, -7.23

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 97 / 29 / 0 / 34

HEX #0577A8

RGB 5 119 168

HSL 198.04, 0.94%, 0.34%

LAB 47.04, -9.41, -33.85

 

CMYK 97 / 55 / 0 / 34

HEX #054BA8

RGB 5 75 168

HSL 214.23, 0.94%, 0.34%

LAB 33.76, 18.76, -55.1

 

CMYK 97 / 82 / 0 / 34

HEX #051FA8

RGB 5 31 168

HSL 230.43, 0.94%, 0.34%

LAB 23.13, 46.92, -72.58

 

CMYK 86 / 97 / 0 / 34

HEX #1705A8

RGB 23 5 168

HSL 246.63, 0.94%, 0.34%

LAB 20.51, 56.86, -76.94

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 97 / 29 / 0 / 34

HEX #0577A8

RGB 5 119 168

HSL 198.04, 0.94%, 0.34%

LAB 47.04, -9.41, -33.85

 

CMYK 97 / 55 / 0 / 34

HEX #054BA8

RGB 5 75 168

HSL 214.23, 0.94%, 0.34%

LAB 33.76, 18.76, -55.1

 

CMYK 97 / 82 / 0 / 34

HEX #051FA8

RGB 5 31 168

HSL 230.43, 0.94%, 0.34%

LAB 23.13, 46.92, -72.58

 

CMYK 97 / 97 / 0 / 34

HEX #0505A8

RGB 5 5 168

HSL 240, 0.94%, 0.34%

LAB 19.92, 56.6, -77.94

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 88 / 3 / 0 / 40

HEX #13969A

RGB 19 150 154

HSL 181.78, 0.78%, 0.34%

LAB 56.37, -30.19, -11.39

 

CMYK 76 / 3 / 0 / 45

HEX #21888C

RGB 33 136 140

HSL 182.24, 0.62%, 0.34%

LAB 51.64, -26.46, -10.4

 

CMYK 63 / 2 / 0 / 51

HEX #2F7B7E

RGB 47 123 126

HSL 182.28, 0.46%, 0.34%

LAB 47.34, -22.02, -8.6

 

CMYK 46 / 2 / 0 / 56

HEX #3D6E70

RGB 61 110 112

HSL 182.35, 0.29%, 0.34%

LAB 43.23, -15.97, -6.3

 

CMYK 97 / 0 / 51 / 34

HEX #05A853

RGB 5 168 83

HSL 148.71, 0.94%, 0.34%

LAB 60.48, -55.75, 33.66

 

CMYK 97 / 0 / 24 / 34

HEX #05A87F

RGB 5 168 127

HSL 164.91, 0.94%, 0.34%

LAB 61.28, -46.53, 11.03

 

CMYK 97 / 2 / 0 / 34

HEX #05A5A8

RGB 5 165 168

HSL 181.1, 0.94%, 0.34%

LAB 61.45, -33.59, -11.71

 

CMYK 97 / 27 / 0 / 34

HEX #057AA8

RGB 5 122 168

HSL 196.93, 0.94%, 0.34%

LAB 47.98, -11.15, -32.38

 

CMYK 97 / 54 / 0 / 34

HEX #054EA8

RGB 5 78 168

HSL 213.13, 0.94%, 0.34%

LAB 34.62, 16.72, -53.7

 

CMYK 98 / 3 / 0 / 65

HEX #025558

RGB 2 85 88

HSL 182.09, 0.96%, 0.18%

LAB 32.29, -20.36, -8.05

 

CMYK 98 / 3 / 0 / 50

HEX #037C80

RGB 3 124 128

HSL 181.92, 0.95%, 0.26%

LAB 46.97, -26.7, -10.41

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 97 / 3 / 0 / 18

HEX #06CAD0

RGB 6 202 208

HSL 181.78, 0.94%, 0.42%

LAB 74.08, -38.36, -14.79

 

CMYK 97 / 3 / 0 / 3

HEX #08F0F7

RGB 8 240 247

HSL 181.76, 0.94%, 0.5%

LAB 86.55, -43.71, -16.82

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 76 / 97 / 0 / 34

HEX #2805A8

RGB 40 5 168

HSL 252.88, 0.94%, 0.34%

LAB 21.53, 57.33, -75.21

 

CMYK 0 / 38 / 97 / 34

HEX #A86905

RGB 168 105 5

HSL 36.81, 0.94%, 0.34%

LAB 50.02, 18.77, 56.36

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 0 / 97 / 2 / 34

HEX #A805A5

RGB 168 5 165

HSL 301.1, 0.94%, 0.34%

LAB 39.83, 70.9, -42.72

 

CMYK 2 / 0 / 97 / 34

HEX #A5A805

RGB 165 168 5

HSL 61.1, 0.94%, 0.34%

LAB 66.53, -17.03, 68.19

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 76 / 97 / 0 / 34

HEX #2805A8

RGB 40 5 168

HSL 252.88, 0.94%, 0.34%

LAB 21.53, 57.33, -75.21

 

CMYK 0 / 96 / 97 / 34

HEX #A80705

RGB 168 7 5

HSL 0.74, 0.94%, 0.34%

LAB 34.98, 57.78, 47.07

 

CMYK 21 / 0 / 97 / 34

HEX #84A805

RGB 132 168 5

HSL 73.25, 0.94%, 0.34%

LAB 64.1, -31.22, 65.27

 

CMYK 97 / 3 / 0 / 34

HEX #05A3A8

RGB 5 163 168

HSL 181.84, 0.94%, 0.34%

LAB 60.83, -32.64, -12.65

 

CMYK 47 / 97 / 0 / 34

HEX #5905A8

RGB 89 5 168

HSL 270.92, 0.94%, 0.34%

LAB 26.9, 60.51, -66.13

 

CMYK 0 / 96 / 97 / 34

HEX #A80705

RGB 168 7 5

HSL 0.74, 0.94%, 0.34%

LAB 34.98, 57.78, 47.07

 

CMYK 51 / 0 / 97 / 34

HEX #53A805

RGB 83 168 5

HSL 91.29, 0.94%, 0.34%

LAB 61.53, -49.2, 62.15

 

Description

Color code: HEX #05A3A8 | qconv.com Color code: HEX #05A3A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 163 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 163 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 3 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 3% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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