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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #059371 it is the complementary color #FA6C8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #059371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #059371 shade: #0A936C, #1BA57F, #2CB792, #3DC9A5 and #4EDBB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #059371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #059371 shade: #059371, #00815E, #006F4B, #005D38 and #004B25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #059371 shade: #059371, #05934B, #059324, #0C9305 and #329305

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #059371 shade: #059371, #058F93, #056893, #054293 and #051C93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #059371 shade matches the following richer shades: #059371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #059371 shade: #059371, #11876B, #1E7A64, #2A6E5E and #366257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #059371 shade: #059324, #05934A, #059370, #059193 and #056B93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #059371 shade: #024434, #036B52, #059371, #06BB90 and #08E3AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #059371 shade: #059371, #050C93 and #933705

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #059371 shade: #059371, #700593 and #937005

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #059371 shade: #059371, #050C93, #930528 and #938C05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #059371 shade: #059371, #280593, #930528 and #709305

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

Complementary color

CMYK 0 / 57 / 43 / 2

HEX #FA6C8E

RGB 250 108 142

HSL 345.63, 0.93%, 0.7%

LAB 64.16, 57.21, 9.03

 

CMYK 93 / 0 / 27 / 42

HEX #0A936C

RGB 10 147 108

HSL 162.92, 0.87%, 0.31%

LAB 54.04, -42.55, 11.53

 

CMYK 84 / 0 / 23 / 35

HEX #1BA57F

RGB 27 165 127

HSL 163.48, 0.72%, 0.38%

LAB 60.49, -43.99, 9.95

 

CMYK 76 / 0 / 20 / 28

HEX #2CB792

RGB 44 183 146

HSL 164.03, 0.61%, 0.45%

LAB 66.88, -44.96, 8.54

 

CMYK 70 / 0 / 18 / 21

HEX #3DC9A5

RGB 61 201 165

HSL 164.57, 0.56%, 0.51%

LAB 73.21, -45.6, 7.28

 

CMYK 64 / 0 / 16 / 14

HEX #4EDBB8

RGB 78 219 184

HSL 165.11, 0.66%, 0.58%

LAB 79.47, -46, 6.14

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 100 / 0 / 27 / 49

HEX #00815E

RGB 0 129 94

HSL 163.72, 1%, 0.25%

LAB 47.63, -39.27, 10.59

 

CMYK 100 / 0 / 32 / 56

HEX #006F4B

RGB 0 111 75

HSL 160.54, 1%, 0.22%

LAB 41.02, -36.65, 12.56

 

CMYK 100 / 0 / 40 / 64

HEX #005D38

RGB 0 93 56

HSL 156.13, 1%, 0.18%

LAB 34.22, -33.88, 14.66

 

CMYK 100 / 0 / 51 / 71

HEX #004B25

RGB 0 75 37

HSL 149.6, 1%, 0.15%

LAB 27.2, -30.88, 16.91

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 97 / 0 / 49 / 42

HEX #05934B

RGB 5 147 75

HSL 149.58, 0.93%, 0.3%

LAB 53.39, -49.91, 28.9

 

CMYK 97 / 0 / 76 / 42

HEX #059324

RGB 5 147 36

HSL 133.1, 0.93%, 0.3%

LAB 52.98, -55.04, 46.56

 

CMYK 92 / 0 / 97 / 42

HEX #0C9305

RGB 12 147 5

HSL 117.04, 0.93%, 0.3%

LAB 52.9, -56.22, 54.43

 

CMYK 66 / 0 / 97 / 42

HEX #329305

RGB 50 147 5

HSL 100.99, 0.93%, 0.3%

LAB 53.55, -50.53, 55.23

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 97 / 3 / 0 / 42

HEX #058F93

RGB 5 143 147

HSL 181.69, 0.93%, 0.3%

LAB 53.8, -29.74, -11.25

 

CMYK 97 / 29 / 0 / 42

HEX #056893

RGB 5 104 147

HSL 198.17, 0.93%, 0.3%

LAB 41.28, -8.67, -30.49

 

CMYK 97 / 55 / 0 / 42

HEX #054293

RGB 5 66 147

HSL 214.23, 0.93%, 0.3%

LAB 29.5, 16.19, -49.31

 

CMYK 97 / 81 / 0 / 42

HEX #051C93

RGB 5 28 147

HSL 230.28, 0.93%, 0.3%

LAB 19.92, 41.39, -65.06

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 87 / 0 / 21 / 47

HEX #11876B

RGB 17 135 107

HSL 165.76, 0.78%, 0.3%

LAB 50.11, -37.3, 6.55

 

CMYK 75 / 0 / 18 / 52

HEX #1E7A64

RGB 30 122 100

HSL 165.65, 0.61%, 0.3%

LAB 45.79, -31.92, 4.5

 

CMYK 62 / 0 / 15 / 57

HEX #2A6E5E

RGB 42 110 94

HSL 165.88, 0.45%, 0.3%

LAB 41.93, -25.64, 2.56

 

CMYK 45 / 0 / 11 / 62

HEX #366257

RGB 54 98 87

HSL 165, 0.29%, 0.3%

LAB 38.21, -18.18, 1.51

 

CMYK 97 / 0 / 76 / 42

HEX #059324

RGB 5 147 36

HSL 133.1, 0.93%, 0.3%

LAB 52.98, -55.04, 46.56

 

CMYK 97 / 0 / 50 / 42

HEX #05934A

RGB 5 147 74

HSL 149.15, 0.93%, 0.3%

LAB 53.38, -50.09, 29.41

 

CMYK 97 / 0 / 24 / 42

HEX #059370

RGB 5 147 112

HSL 165.21, 0.93%, 0.3%

LAB 54.1, -41.79, 9.33

 

CMYK 97 / 1 / 0 / 42

HEX #059193

RGB 5 145 147

HSL 180.85, 0.93%, 0.3%

LAB 54.44, -30.71, -10.28

 

CMYK 97 / 27 / 0 / 42

HEX #056B93

RGB 5 107 147

HSL 196.9, 0.93%, 0.3%

LAB 42.24, -10.45, -28.99

 

CMYK 97 / 0 / 24 / 73

HEX #024434

RGB 2 68 52

HSL 165.45, 0.94%, 0.14%

LAB 24.94, -23.66, 4.35

 

CMYK 97 / 0 / 23 / 58

HEX #036B52

RGB 3 107 82

HSL 165.58, 0.95%, 0.22%

LAB 39.82, -32.86, 6.69

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 97 / 0 / 23 / 27

HEX #06BB90

RGB 6 187 144

HSL 165.75, 0.94%, 0.38%

LAB 67.72, -49.83, 10.77

 

CMYK 96 / 0 / 23 / 11

HEX #08E3AE

RGB 8 227 174

HSL 165.48, 0.93%, 0.46%

LAB 80.76, -57.99, 13.16

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 97 / 92 / 0 / 42

HEX #050C93

RGB 5 12 147

HSL 237.04, 0.93%, 0.3%

LAB 17.47, 48.67, -69.14

 

CMYK 0 / 63 / 97 / 42

HEX #933705

RGB 147 55 5

HSL 21.13, 0.93%, 0.3%

LAB 35.88, 36.78, 45.41

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 24 / 97 / 0 / 42

HEX #700593

RGB 112 5 147

HSL 285.21, 0.93%, 0.3%

LAB 28.54, 58.88, -50.49

 

CMYK 0 / 24 / 97 / 42

HEX #937005

RGB 147 112 5

HSL 45.21, 0.93%, 0.3%

LAB 49.26, 5.08, 54.63

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 97 / 92 / 0 / 42

HEX #050C93

RGB 5 12 147

HSL 237.04, 0.93%, 0.3%

LAB 17.47, 48.67, -69.14

 

CMYK 0 / 97 / 73 / 42

HEX #930528

RGB 147 5 40

HSL 345.21, 0.93%, 0.3%

LAB 30.56, 53.39, 22.69

 

CMYK 0 / 5 / 97 / 42

HEX #938C05

RGB 147 140 5

HSL 57.04, 0.93%, 0.3%

LAB 57.05, -10.5, 60.39

 

CMYK 97 / 0 / 23 / 42

HEX #059371

RGB 5 147 113

HSL 165.63, 0.93%, 0.3%

LAB 54.12, -41.53, 8.8

 

CMYK 73 / 97 / 0 / 42

HEX #280593

RGB 40 5 147

HSL 254.79, 0.93%, 0.3%

LAB 18.65, 51.86, -67.12

 

CMYK 0 / 97 / 73 / 42

HEX #930528

RGB 147 5 40

HSL 345.21, 0.93%, 0.3%

LAB 30.56, 53.39, 22.69

 

CMYK 24 / 0 / 97 / 42

HEX #709305

RGB 112 147 5

HSL 74.79, 0.93%, 0.3%

LAB 56.41, -29.61, 58.72

 

Description

Color code: HEX #059371 | qconv.com Color code: HEX #059371 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 147 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 147 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 23 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 23% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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