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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0578C6 it is the complementary color #FA8739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0578C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0578C6 shade: #0A78C1, #1B8AD4, #2C9CE7, #3DAEFA and #4EC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0578C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0578C6 shade: #0578C6, #0066B3, #0054A0, #00428D and #00307A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0578C6 shade: #0578C6, #0544C6, #0510C6, #2E05C6 and #6205C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0578C6 shade: #0578C6, #0544C6, #0510C6 and #0505C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0578C6 shade matches the following richer shades: #0578C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0578C6 shade: #0578C6, #1575B6, #2672A5, #366F95 and #476B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0578C6 shade: #05C6AD, #05ADC6, #0579C6, #0545C6 and #0512C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0578C6 shade: #034776, #04609E, #0578C6, #0690EF and #25A3F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0578C6 shade: #0578C6, #7905C6 and #C6C605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0578C6 shade: #0578C6, #C60579 and #79C605

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0578C6 shade: #0578C6, #7905C6, #C65205 and #52C605

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0578C6 shade: #0578C6, #B305C6, #C65205 and #18C605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

Complementary color

CMYK 0 / 46 / 77 / 2

HEX #FA8739

RGB 250 135 57

HSL 24.25, 0.95%, 0.6%

LAB 67.98, 38.45, 58.91

 

CMYK 95 / 38 / 0 / 24

HEX #0A78C1

RGB 10 120 193

HSL 203.93, 0.9%, 0.4%

LAB 48.7, -0.12, -45.72

 

CMYK 87 / 35 / 0 / 17

HEX #1B8AD4

RGB 27 138 212

HSL 204, 0.77%, 0.47%

LAB 55.24, -2.78, -46.12

 

CMYK 81 / 32 / 0 / 9

HEX #2C9CE7

RGB 44 156 231

HSL 204.06, 0.8%, 0.54%

LAB 61.72, -4.92, -46.44

 

CMYK 76 / 30 / 0 / 2

HEX #3DAEFA

RGB 61 174 250

HSL 204.13, 0.95%, 0.61%

LAB 68.14, -6.65, -46.7

 

CMYK 69 / 25 / 0 / 0

HEX #4EC0FF

RGB 78 192 255

HSL 201.36, 1%, 0.65%

LAB 73.89, -12.65, -40.37

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 100 / 43 / 0 / 30

HEX #0066B3

RGB 0 102 179

HSL 205.81, 1%, 0.35%

LAB 42.4, 5.17, -47.66

 

CMYK 100 / 48 / 0 / 37

HEX #0054A0

RGB 0 84 160

HSL 208.5, 1%, 0.31%

LAB 35.75, 9.11, -47.09

 

CMYK 100 / 53 / 0 / 45

HEX #00428D

RGB 0 66 141

HSL 211.91, 1%, 0.28%

LAB 28.95, 13.36, -46.52

 

CMYK 100 / 61 / 0 / 52

HEX #00307A

RGB 0 48 122

HSL 216.39, 1%, 0.24%

LAB 22.01, 17.96, -45.93

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 97 / 66 / 0 / 22

HEX #0544C6

RGB 5 68 198

HSL 220.41, 0.95%, 0.4%

LAB 34.49, 35.45, -71.62

 

CMYK 97 / 92 / 0 / 22

HEX #0510C6

RGB 5 16 198

HSL 236.58, 0.95%, 0.4%

LAB 25.2, 61.88, -87.02

 

CMYK 77 / 97 / 0 / 22

HEX #2E05C6

RGB 46 5 198

HSL 252.75, 0.95%, 0.4%

LAB 26.06, 65.1, -85.55

 

CMYK 51 / 97 / 0 / 22

HEX #6205C6

RGB 98 5 198

HSL 268.91, 0.95%, 0.4%

LAB 31.31, 67.99, -76.68

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 97 / 66 / 0 / 22

HEX #0544C6

RGB 5 68 198

HSL 220.41, 0.95%, 0.4%

LAB 34.49, 35.45, -71.62

 

CMYK 97 / 92 / 0 / 22

HEX #0510C6

RGB 5 16 198

HSL 236.58, 0.95%, 0.4%

LAB 25.2, 61.88, -87.02

 

CMYK 97 / 97 / 0 / 22

HEX #0505C6

RGB 5 5 198

HSL 240, 0.95%, 0.4%

LAB 24.38, 64.41, -88.39

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 88 / 36 / 0 / 29

HEX #1575B6

RGB 21 117 182

HSL 204.22, 0.79%, 0.4%

LAB 47.31, -2.02, -41.56

 

CMYK 77 / 31 / 0 / 35

HEX #2672A5

RGB 38 114 165

HSL 204.09, 0.63%, 0.4%

LAB 45.86, -5.05, -33.92

 

CMYK 64 / 26 / 0 / 42

HEX #366F95

RGB 54 111 149

HSL 204, 0.47%, 0.4%

LAB 44.69, -6.46, -26.26

 

CMYK 46 / 19 / 0 / 48

HEX #476B84

RGB 71 107 132

HSL 204.59, 0.3%, 0.4%

LAB 43.54, -5.65, -17.84

 

CMYK 97 / 0 / 13 / 22

HEX #05C6AD

RGB 5 198 173

HSL 172.23, 0.95%, 0.4%

LAB 71.85, -46.77, 0.9

 

CMYK 97 / 13 / 0 / 22

HEX #05ADC6

RGB 5 173 198

HSL 187.77, 0.95%, 0.4%

LAB 64.96, -27.76, -23.15

 

CMYK 97 / 39 / 0 / 22

HEX #0579C6

RGB 5 121 198

HSL 203.94, 0.95%, 0.4%

LAB 49.23, 1.05, -47.73

 

CMYK 97 / 65 / 0 / 22

HEX #0545C6

RGB 5 69 198

HSL 220.1, 0.95%, 0.4%

LAB 34.73, 34.8, -71.22

 

CMYK 97 / 91 / 0 / 22

HEX #0512C6

RGB 5 18 198

HSL 235.96, 0.95%, 0.4%

LAB 25.39, 61.3, -86.71

 

CMYK 97 / 40 / 0 / 54

HEX #034776

RGB 3 71 118

HSL 204.52, 0.95%, 0.24%

LAB 28.99, 0.19, -32.14

 

CMYK 97 / 39 / 0 / 38

HEX #04609E

RGB 4 96 158

HSL 204.16, 0.95%, 0.32%

LAB 39.34, 0.63, -40.13

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 97 / 40 / 0 / 6

HEX #0690EF

RGB 6 144 239

HSL 204.46, 0.95%, 0.48%

LAB 58.24, 3.01, -56.42

 

CMYK 85 / 35 / 0 / 2

HEX #25A3F9

RGB 37 163 249

HSL 204.34, 0.95%, 0.56%

LAB 64.51, -2.98, -51.93

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 39 / 97 / 0 / 22

HEX #7905C6

RGB 121 5 198

HSL 276.06, 0.95%, 0.4%

LAB 34.5, 70.16, -71.3

 

CMYK 0 / 0 / 97 / 22

HEX #C6C605

RGB 198 198 5

HSL 60, 0.95%, 0.4%

LAB 77.52, -17.76, 77.6

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 0 / 97 / 39 / 22

HEX #C60579

RGB 198 5 121

HSL 323.94, 0.95%, 0.4%

LAB 43.5, 71.38, -9.73

 

CMYK 39 / 0 / 97 / 22

HEX #79C605

RGB 121 198 5

HSL 83.94, 0.95%, 0.4%

LAB 72.54, -48.51, 71.61

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 39 / 97 / 0 / 22

HEX #7905C6

RGB 121 5 198

HSL 276.06, 0.95%, 0.4%

LAB 34.5, 70.16, -71.3

 

CMYK 0 / 59 / 97 / 22

HEX #C65205

RGB 198 82 5

HSL 23.94, 0.95%, 0.4%

LAB 49.56, 43.38, 58.23

 

CMYK 59 / 0 / 97 / 22

HEX #52C605

RGB 82 198 5

HSL 96.06, 0.95%, 0.4%

LAB 71, -60.3, 69.74

 

CMYK 97 / 39 / 0 / 22

HEX #0578C6

RGB 5 120 198

HSL 204.25, 0.95%, 0.4%

LAB 48.94, 1.66, -48.2

 

CMYK 10 / 97 / 0 / 22

HEX #B305C6

RGB 179 5 198

HSL 294.09, 0.95%, 0.4%

LAB 43.9, 77.79, -55.58

 

CMYK 0 / 59 / 97 / 22

HEX #C65205

RGB 198 82 5

HSL 23.94, 0.95%, 0.4%

LAB 49.56, 43.38, 58.23

 

CMYK 88 / 0 / 97 / 22

HEX #18C605

RGB 24 198 5

HSL 114.09, 0.95%, 0.4%

LAB 69.89, -69.88, 68.38

 

Description

Color code: HEX #0578C6 | qconv.com Color code: HEX #0578C6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 120 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 120 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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