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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #056022 it is the complementary color #FA9FDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #056022. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #056022 shade: #0A601D, #1B7230, #2C8443, #3D9656 and #4EA869

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #056022. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #056022 shade: #056022, #004E0F, #003C00, #002A00 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #056022 shade: #056022, #056009, #196005, #326005 and #4A6005

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #056022 shade: #056022, #05603B, #056053, #055560 and #053C60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #056022 shade matches the following richer shades: #056022

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #056022 shade: #056022, #0D5825, #155028, #1D482B and #263F2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #056022 shade: #186005, #056009, #056022, #05603A and #056053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #056022 shade: #001206, #033914, #056022, #078830 and #09AF3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #056022 shade: #056022, #053160 and #60050C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #056022 shade: #056022, #220560 and #602205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #056022 shade: #056022, #053160, #600543 and #603405

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #056022 shade: #056022, #051560, #600543 and #605005

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

Complementary color

CMYK 0 / 36 / 12 / 2

HEX #FA9FDD

RGB 250 159 221

HSL 319.12, 0.9%, 0.8%

LAB 76.28, 42.48, -17.3

 

CMYK 90 / 0 / 70 / 62

HEX #0A601D

RGB 10 96 29

HSL 133.26, 0.81%, 0.21%

LAB 35.04, -38.72, 30.65

 

CMYK 76 / 0 / 58 / 55

HEX #1B7230

RGB 27 114 48

HSL 134.48, 0.62%, 0.28%

LAB 41.97, -40.26, 29.12

 

CMYK 67 / 0 / 49 / 48

HEX #2C8443

RGB 44 132 67

HSL 135.68, 0.5%, 0.35%

LAB 48.81, -40.97, 27.52

 

CMYK 59 / 0 / 43 / 41

HEX #3D9656

RGB 61 150 86

HSL 136.85, 0.42%, 0.41%

LAB 55.56, -41.22, 25.99

 

CMYK 54 / 0 / 38 / 34

HEX #4EA869

RGB 78 168 105

HSL 138, 0.37%, 0.48%

LAB 62.21, -41.23, 24.58

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 100 / 0 / 81 / 69

HEX #004E0F

RGB 0 78 15

HSL 131.54, 1%, 0.15%

LAB 28.07, -35.34, 29.55

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 0 / 91 / 62

HEX #056009

RGB 5 96 9

HSL 122.64, 0.9%, 0.2%

LAB 34.84, -41.04, 38.09

 

CMYK 74 / 0 / 95 / 62

HEX #196005

RGB 25 96 5

HSL 106.81, 0.9%, 0.2%

LAB 35.17, -38.2, 39.68

 

CMYK 48 / 0 / 95 / 62

HEX #326005

RGB 50 96 5

HSL 90.33, 0.9%, 0.2%

LAB 36.09, -30.83, 40.82

 

CMYK 23 / 0 / 95 / 62

HEX #4A6005

RGB 74 96 5

HSL 74.51, 0.9%, 0.2%

LAB 37.54, -20.85, 42.61

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 0 / 39 / 62

HEX #05603B

RGB 5 96 59

HSL 155.6, 0.9%, 0.2%

LAB 35.43, -33.89, 14.49

 

CMYK 95 / 0 / 14 / 62

HEX #056053

RGB 5 96 83

HSL 171.43, 0.9%, 0.2%

LAB 36.03, -27.33, 0.63

 

CMYK 95 / 11 / 0 / 62

HEX #055560

RGB 5 85 96

HSL 187.25, 0.9%, 0.2%

LAB 32.64, -17.19, -12.56

 

CMYK 95 / 38 / 0 / 62

HEX #053C60

RGB 5 60 96

HSL 203.74, 0.9%, 0.2%

LAB 24.03, -1.71, -25.96

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 85 / 0 / 58 / 65

HEX #0D5825

RGB 13 88 37

HSL 139.2, 0.74%, 0.2%

LAB 32.25, -34.23, 23.27

 

CMYK 74 / 0 / 50 / 69

HEX #155028

RGB 21 80 40

HSL 139.32, 0.58%, 0.2%

LAB 29.54, -28.98, 18.19

 

CMYK 60 / 0 / 40 / 72

HEX #1D482B

RGB 29 72 43

HSL 139.53, 0.43%, 0.2%

LAB 26.93, -22.61, 13

 

CMYK 40 / 0 / 27 / 75

HEX #263F2E

RGB 38 63 46

HSL 139.2, 0.25%, 0.2%

LAB 24.21, -14.07, 7.43

 

CMYK 75 / 0 / 95 / 62

HEX #186005

RGB 24 96 5

HSL 107.47, 0.9%, 0.2%

LAB 35.14, -38.41, 39.64

 

CMYK 95 / 0 / 91 / 62

HEX #056009

RGB 5 96 9

HSL 122.64, 0.9%, 0.2%

LAB 34.84, -41.04, 38.09

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 0 / 40 / 62

HEX #05603A

RGB 5 96 58

HSL 154.95, 0.9%, 0.2%

LAB 35.41, -34.12, 15.07

 

CMYK 95 / 0 / 14 / 62

HEX #056053

RGB 5 96 83

HSL 171.43, 0.9%, 0.2%

LAB 36.03, -27.33, 0.63

 

CMYK 100 / 0 / 67 / 93

HEX #001206

RGB 0 18 6

HSL 140, 1%, 0.04%

LAB 4.03, -7.15, 3.44

 

CMYK 95 / 0 / 65 / 78

HEX #033914

RGB 3 57 20

HSL 138.89, 0.9%, 0.12%

LAB 20.03, -26.44, 18.18

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 0 / 65 / 47

HEX #078830

RGB 7 136 48

HSL 139.07, 0.9%, 0.28%

LAB 49.33, -50.18, 37.62

 

CMYK 95 / 0 / 65 / 31

HEX #09AF3E

RGB 9 175 62

HSL 139.16, 0.9%, 0.36%

LAB 62.56, -60.77, 46.15

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 49 / 0 / 62

HEX #053160

RGB 5 49 96

HSL 210.99, 0.9%, 0.2%

LAB 20.34, 6.04, -31.86

 

CMYK 0 / 95 / 88 / 62

HEX #60050C

RGB 96 5 12

HSL 355.38, 0.9%, 0.2%

LAB 18.46, 38.11, 23.34

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 65 / 95 / 0 / 62

HEX #220560

RGB 34 5 96

HSL 259.12, 0.9%, 0.2%

LAB 11.23, 37.53, -46.67

 

CMYK 0 / 65 / 95 / 62

HEX #602205

RGB 96 34 5

HSL 19.12, 0.9%, 0.2%

LAB 22.45, 26.76, 30.69

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 49 / 0 / 62

HEX #053160

RGB 5 49 96

HSL 210.99, 0.9%, 0.2%

LAB 20.34, 6.04, -31.86

 

CMYK 0 / 95 / 30 / 62

HEX #600543

RGB 96 5 67

HSL 319.12, 0.9%, 0.2%

LAB 20.05, 42.5, -12.13

 

CMYK 0 / 46 / 95 / 62

HEX #603405

RGB 96 52 5

HSL 30.99, 0.9%, 0.2%

LAB 26.6, 16.33, 34.72

 

CMYK 95 / 0 / 65 / 62

HEX #056022

RGB 5 96 34

HSL 139.12, 0.9%, 0.2%

LAB 35.03, -38.62, 28.13

 

CMYK 95 / 78 / 0 / 62

HEX #051560

RGB 5 21 96

HSL 229.45, 0.9%, 0.2%

LAB 12.04, 26.66, -45.39

 

CMYK 0 / 95 / 30 / 62

HEX #600543

RGB 96 5 67

HSL 319.12, 0.9%, 0.2%

LAB 20.05, 42.5, -12.13

 

CMYK 0 / 17 / 95 / 62

HEX #605005

RGB 96 80 5

HSL 49.45, 0.9%, 0.2%

LAB 34.47, -1, 41

 

Description

Color code: HEX #056022 | qconv.com Color code: HEX #056022 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 96 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 96 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 65 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 65% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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