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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #055B8E it is the complementary color #FAA471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #055B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #055B8E shade: #0A5B89, #1B6D9C, #2C7FAF, #3D91C2 and #4EA3D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #055B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #055B8E shade: #055B8E, #00497B, #003768, #002555 and #001342

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #055B8E shade: #055B8E, #05368E, #05118E, #1E058E and #43058E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #055B8E shade: #055B8E, #05368E, #05118E and #05058E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #055B8E shade matches the following richer shades: #055B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #055B8E shade: #055B8E, #115882, #1D5576, #29526A and #354F5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #055B8E shade: #058E77, #05808E, #055C8E, #05378E and #05128E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #055B8E shade: #02283F, #034166, #055B8E, #0675B6 and #088EDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #055B8E shade: #055B8E, #53058E and #8E8A05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #055B8E shade: #055B8E, #8E055C and #5C8E05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #055B8E shade: #055B8E, #53058E, #8E3705 and #408E05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #055B8E shade: #055B8E, #7C058E, #8E3705 and #178E05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

Complementary color

CMYK 0 / 34 / 55 / 2

HEX #FAA471

RGB 250 164 113

HSL 22.34, 0.93%, 0.71%

LAB 74.87, 26.7, 39.37

 

CMYK 93 / 34 / 0 / 46

HEX #0A5B89

RGB 10 91 137

HSL 201.73, 0.86%, 0.29%

LAB 36.65, -4.41, -31.73

 

CMYK 83 / 30 / 0 / 39

HEX #1B6D9C

RGB 27 109 156

HSL 201.86, 0.7%, 0.36%

LAB 43.61, -6.66, -32.17

 

CMYK 75 / 27 / 0 / 31

HEX #2C7FAF

RGB 44 127 175

HSL 201.98, 0.6%, 0.43%

LAB 50.46, -8.31, -32.51

 

CMYK 69 / 25 / 0 / 24

HEX #3D91C2

RGB 61 145 194

HSL 202.11, 0.52%, 0.5%

LAB 57.21, -9.56, -32.81

 

CMYK 63 / 23 / 0 / 16

HEX #4EA3D5

RGB 78 163 213

HSL 202.22, 0.62%, 0.57%

LAB 63.85, -10.51, -33.08

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 100 / 41 / 0 / 52

HEX #00497B

RGB 0 73 123

HSL 204.39, 1%, 0.24%

LAB 29.9, 0.77, -33.83

 

CMYK 100 / 47 / 0 / 59

HEX #003768

RGB 0 55 104

HSL 208.27, 1%, 0.2%

LAB 22.76, 4.85, -33.17

 

CMYK 100 / 56 / 0 / 67

HEX #002555

RGB 0 37 85

HSL 213.88, 1%, 0.17%

LAB 15.38, 9.4, -32.55

 

CMYK 100 / 71 / 0 / 74

HEX #001342

RGB 0 19 66

HSL 222.73, 1%, 0.13%

LAB 7.76, 14.53, -31.86

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 96 / 62 / 0 / 44

HEX #05368E

RGB 5 54 142

HSL 218.54, 0.93%, 0.29%

LAB 25.63, 22.51, -52.54

 

CMYK 96 / 88 / 0 / 44

HEX #05118E

RGB 5 17 142

HSL 234.74, 0.93%, 0.29%

LAB 17.4, 45.2, -66.15

 

CMYK 79 / 96 / 0 / 44

HEX #1E058E

RGB 30 5 142

HSL 250.95, 0.93%, 0.29%

LAB 17.17, 50.11, -66.5

 

CMYK 53 / 96 / 0 / 44

HEX #43058E

RGB 67 5 142

HSL 267.15, 0.93%, 0.29%

LAB 21.04, 52.42, -59.96

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 96 / 62 / 0 / 44

HEX #05368E

RGB 5 54 142

HSL 218.54, 0.93%, 0.29%

LAB 25.63, 22.51, -52.54

 

CMYK 96 / 88 / 0 / 44

HEX #05118E

RGB 5 17 142

HSL 234.74, 0.93%, 0.29%

LAB 17.4, 45.2, -66.15

 

CMYK 96 / 96 / 0 / 44

HEX #05058E

RGB 5 5 142

HSL 240, 0.93%, 0.29%

LAB 15.97, 49.53, -68.53

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 87 / 32 / 0 / 49

HEX #115882

RGB 17 88 130

HSL 202.3, 0.77%, 0.29%

LAB 35.42, -4.82, -29.4

 

CMYK 75 / 28 / 0 / 54

HEX #1D5576

RGB 29 85 118

HSL 202.25, 0.61%, 0.29%

LAB 34.12, -6.2, -24.01

 

CMYK 61 / 23 / 0 / 58

HEX #29526A

RGB 41 82 106

HSL 202.15, 0.44%, 0.29%

LAB 33.02, -6.48, -18.19

 

CMYK 44 / 16 / 0 / 63

HEX #354F5E

RGB 53 79 94

HSL 201.95, 0.28%, 0.29%

LAB 32.16, -5.41, -11.88

 

CMYK 96 / 0 / 16 / 44

HEX #058E77

RGB 5 142 119

HSL 169.93, 0.93%, 0.29%

LAB 52.63, -37.78, 3.21

 

CMYK 96 / 10 / 0 / 44

HEX #05808E

RGB 5 128 142

HSL 186.13, 0.93%, 0.29%

LAB 48.79, -23.89, -15.91

 

CMYK 96 / 35 / 0 / 44

HEX #055C8E

RGB 5 92 142

HSL 201.9, 0.93%, 0.29%

LAB 37.19, -3.3, -33.93

 

CMYK 96 / 61 / 0 / 44

HEX #05378E

RGB 5 55 142

HSL 218.1, 0.93%, 0.29%

LAB 25.91, 21.8, -52.08

 

CMYK 96 / 87 / 0 / 44

HEX #05128E

RGB 5 18 142

HSL 234.31, 0.93%, 0.29%

LAB 17.54, 44.76, -65.91

 

CMYK 97 / 37 / 0 / 75

HEX #02283F

RGB 2 40 63

HSL 202.62, 0.94%, 0.13%

LAB 14.9, -2.9, -18.25

 

CMYK 97 / 36 / 0 / 60

HEX #034166

RGB 3 65 102

HSL 202.42, 0.94%, 0.21%

LAB 26.04, -2.68, -26.66

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 97 / 36 / 0 / 29

HEX #0675B6

RGB 6 117 182

HSL 202.16, 0.94%, 0.37%

LAB 47.16, -2.75, -41.82

 

CMYK 96 / 36 / 0 / 13

HEX #088EDE

RGB 8 142 222

HSL 202.43, 0.93%, 0.45%

LAB 56.75, -2.21, -49.33

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 42 / 96 / 0 / 44

HEX #53058E

RGB 83 5 142

HSL 274.16, 0.93%, 0.29%

LAB 23.34, 54.06, -56.09

 

CMYK 0 / 3 / 96 / 44

HEX #8E8A05

RGB 142 138 5

HSL 58.25, 0.93%, 0.29%

LAB 56.03, -11.73, 59.43

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 0 / 96 / 35 / 44

HEX #8E055C

RGB 142 5 92

HSL 321.9, 0.93%, 0.29%

LAB 30.95, 56.16, -11.37

 

CMYK 35 / 0 / 96 / 44

HEX #5C8E05

RGB 92 142 5

HSL 81.9, 0.93%, 0.29%

LAB 53.63, -35.38, 56.02

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 42 / 96 / 0 / 44

HEX #53058E

RGB 83 5 142

HSL 274.16, 0.93%, 0.29%

LAB 23.34, 54.06, -56.09

 

CMYK 0 / 61 / 96 / 44

HEX #8E3705

RGB 142 55 5

HSL 21.9, 0.93%, 0.29%

LAB 34.99, 34.81, 44.4

 

CMYK 55 / 0 / 96 / 44

HEX #408E05

RGB 64 142 5

HSL 94.16, 0.93%, 0.29%

LAB 52.34, -45.03, 54.43

 

CMYK 96 / 36 / 0 / 44

HEX #055B8E

RGB 5 91 142

HSL 202.34, 0.93%, 0.29%

LAB 36.87, -2.67, -34.44

 

CMYK 13 / 96 / 0 / 44

HEX #7C058E

RGB 124 5 142

HSL 292.12, 0.93%, 0.29%

LAB 30.27, 59.81, -44.49

 

CMYK 0 / 61 / 96 / 44

HEX #8E3705

RGB 142 55 5

HSL 21.9, 0.93%, 0.29%

LAB 34.99, 34.81, 44.4

 

CMYK 84 / 0 / 96 / 44

HEX #178E05

RGB 23 142 5

HSL 112.12, 0.93%, 0.29%

LAB 51.31, -53.67, 53.17

 

Description

Color code: HEX #055B8E | qconv.com Color code: HEX #055B8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 91 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 91 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 36 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 36% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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