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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #053B8C it is the complementary color #FAC473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #053B8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #053B8C shade: #0A3B87, #1B4D9A, #2C5FAD, #3D71C0 and #4E83D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #053B8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #053B8C shade: #053B8C, #002979, #001766, #000553 and #000040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #053B8C shade: #043A89, #041689, #170489, #3B0489 and #5F0489

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #053B8C shade: #043A89, #041689 and #040489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #053B8C shade matches the following richer shades: #043A89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #053B8C shade: #043A89, #103C7E, #1C3E72, #274167 and #33435B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #053B8C shade: #048089, #045D89, #043A89, #041689 and #160489

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #053B8C shade: #02183A, #032961, #043A89, #064AB1 and #075BD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #053B8C shade: #053B8C, #6F0489 and #6F8904

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #053B8C shade: #053B8C, #89043A and #3A8904

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #053B8C shade: #053B8C, #6F0489, #895404 and #1F8904

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #053B8C shade: #053B8C, #89047C, #895404 and #048912

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 58 / 0 / 45

HEX #053B8C

RGB 5 59 140

HSL 216, 0.93%, 0.28%

LAB 26.89, 18.13, -49.26

 

Complementary color

CMYK 0 / 22 / 54 / 2

HEX #FAC473

RGB 250 196 115

HSL 36, 0.93%, 0.72%

LAB 82.4, 10.09, 47.65

 

CMYK 93 / 56 / 0 / 47

HEX #0A3B87

RGB 10 59 135

HSL 216.48, 0.86%, 0.28%

LAB 26.57, 16.29, -46.67

 

CMYK 82 / 50 / 0 / 40

HEX #1B4D9A

RGB 27 77 154

HSL 216.38, 0.7%, 0.35%

LAB 33.72, 13.07, -46.72

 

CMYK 75 / 45 / 0 / 32

HEX #2C5FAD

RGB 44 95 173

HSL 216.28, 0.59%, 0.43%

LAB 40.8, 10.64, -46.66

 

CMYK 68 / 41 / 0 / 25

HEX #3D71C0

RGB 61 113 192

HSL 216.18, 0.52%, 0.5%

LAB 47.76, 8.76, -46.56

 

CMYK 63 / 38 / 0 / 17

HEX #4E83D3

RGB 78 131 211

HSL 216.09, 0.6%, 0.57%

LAB 54.61, 7.29, -46.46

 

CMYK 96 / 58 / 0 / 45

HEX #053B8C

RGB 5 59 140

HSL 216, 0.93%, 0.28%

LAB 26.89, 18.13, -49.26

 

CMYK 100 / 66 / 0 / 53

HEX #002979

RGB 0 41 121

HSL 219.67, 1%, 0.24%

LAB 19.91, 22.61, -48.74

 

CMYK 100 / 77 / 0 / 60

HEX #001766

RGB 0 23 102

HSL 226.47, 1%, 0.2%

LAB 13.06, 27.39, -47.7

 

CMYK 100 / 94 / 0 / 67

HEX #000553

RGB 0 5 83

HSL 236.39, 1%, 0.16%

LAB 6.62, 31.05, -45.59

 

CMYK 100 / 100 / 0 / 75

HEX #000040

RGB 0 0 64

HSL 240, 1%, 0.13%

LAB 3.34, 23.39, -37.66

 

CMYK 97 / 58 / 0 / 46

HEX #043A89

RGB 4 58 137

HSL 215.64, 0.94%, 0.28%

LAB 26.33, 17.51, -48.31

 

CMYK 97 / 84 / 0 / 46

HEX #041689

RGB 4 22 137

HSL 231.88, 0.94%, 0.28%

LAB 17.49, 41.14, -62.87

 

CMYK 83 / 97 / 0 / 46

HEX #170489

RGB 23 4 137

HSL 248.57, 0.94%, 0.28%

LAB 15.88, 48.84, -65.53

 

CMYK 57 / 97 / 0 / 46

HEX #3B0489

RGB 59 4 137

HSL 264.81, 0.94%, 0.28%

LAB 19.32, 50.78, -59.71

 

CMYK 31 / 97 / 0 / 46

HEX #5F0489

RGB 95 4 137

HSL 281.05, 0.94%, 0.28%

LAB 24.72, 54.7, -50.63

 

CMYK 97 / 58 / 0 / 46

HEX #043A89

RGB 4 58 137

HSL 215.64, 0.94%, 0.28%

LAB 26.33, 17.51, -48.31

 

CMYK 97 / 84 / 0 / 46

HEX #041689

RGB 4 22 137

HSL 231.88, 0.94%, 0.28%

LAB 17.49, 41.14, -62.87

 

CMYK 97 / 97 / 0 / 46

HEX #040489

RGB 4 4 137

HSL 240, 0.94%, 0.28%

LAB 15.06, 48.47, -66.92

 

CMYK 97 / 58 / 0 / 46

HEX #043A89

RGB 4 58 137

HSL 215.64, 0.94%, 0.28%

LAB 26.33, 17.51, -48.31

 

CMYK 97 / 58 / 0 / 46

HEX #043A89

RGB 4 58 137

HSL 215.64, 0.94%, 0.28%

LAB 26.33, 17.51, -48.31

 

CMYK 87 / 52 / 0 / 51

HEX #103C7E

RGB 16 60 126

HSL 216, 0.77%, 0.28%

LAB 26.3, 12.19, -41.48

 

CMYK 75 / 46 / 0 / 55

HEX #1C3E72

RGB 28 62 114

HSL 216.28, 0.61%, 0.28%

LAB 26.47, 7.23, -33.6

 

CMYK 62 / 37 / 0 / 60

HEX #274167

RGB 39 65 103

HSL 215.63, 0.45%, 0.28%

LAB 27.27, 2.99, -25.27

 

CMYK 44 / 26 / 0 / 64

HEX #33435B

RGB 51 67 91

HSL 216, 0.28%, 0.28%

LAB 28.04, 0.71, -16.29

 

CMYK 97 / 7 / 0 / 46

HEX #048089

RGB 4 128 137

HSL 184.06, 0.94%, 0.28%

LAB 48.6, -25.64, -13.26

 

CMYK 97 / 32 / 0 / 46

HEX #045D89

RGB 4 93 137

HSL 199.85, 0.94%, 0.28%

LAB 37.23, -6.01, -30.84

 

CMYK 97 / 58 / 0 / 46

HEX #043A89

RGB 4 58 137

HSL 215.64, 0.94%, 0.28%

LAB 26.33, 17.51, -48.31

 

CMYK 97 / 84 / 0 / 46

HEX #041689

RGB 4 22 137

HSL 231.88, 0.94%, 0.28%

LAB 17.49, 41.14, -62.87

 

CMYK 84 / 97 / 0 / 46

HEX #160489

RGB 22 4 137

HSL 248.12, 0.94%, 0.28%

LAB 15.82, 48.82, -65.63

 

CMYK 97 / 59 / 0 / 77

HEX #02183A

RGB 2 24 58

HSL 216.43, 0.93%, 0.12%

LAB 8.75, 6.93, -24.53

 

CMYK 97 / 58 / 0 / 62

HEX #032961

RGB 3 41 97

HSL 215.74, 0.94%, 0.2%

LAB 17.77, 12.23, -36.66

 

CMYK 97 / 58 / 0 / 46

HEX #043A89

RGB 4 58 137

HSL 215.64, 0.94%, 0.28%

LAB 26.33, 17.51, -48.31

 

CMYK 97 / 58 / 0 / 31

HEX #064AB1

RGB 6 74 177

HSL 216.14, 0.93%, 0.36%

LAB 34.21, 23.17, -59.72

 

CMYK 97 / 58 / 0 / 15

HEX #075BD9

RGB 7 91 217

HSL 216, 0.94%, 0.44%

LAB 42.06, 27.85, -70.19

 

CMYK 96 / 58 / 0 / 45

HEX #053B8C

RGB 5 59 140

HSL 216, 0.93%, 0.28%

LAB 26.89, 18.13, -49.26

 

CMYK 19 / 97 / 0 / 46

HEX #6F0489

RGB 111 4 137

HSL 288.27, 0.94%, 0.28%

LAB 27.5, 57.01, -45.98

 

CMYK 19 / 0 / 97 / 46

HEX #6F8904

RGB 111 137 4

HSL 71.73, 0.94%, 0.28%

LAB 53.25, -25.2, 56.4

 

CMYK 96 / 58 / 0 / 45

HEX #053B8C

RGB 5 59 140

HSL 216, 0.93%, 0.28%

LAB 26.89, 18.13, -49.26

 

CMYK 0 / 97 / 58 / 46

HEX #89043A

RGB 137 4 58

HSL 335.64, 0.94%, 0.28%

LAB 28.67, 52.03, 7.77

 

CMYK 58 / 0 / 97 / 46

HEX #3A8904

RGB 58 137 4

HSL 95.64, 0.94%, 0.28%

LAB 50.45, -44.91, 52.99

 

CMYK 96 / 58 / 0 / 45

HEX #053B8C

RGB 5 59 140

HSL 216, 0.93%, 0.28%

LAB 26.89, 18.13, -49.26

 

CMYK 19 / 97 / 0 / 46

HEX #6F0489

RGB 111 4 137

HSL 288.27, 0.94%, 0.28%

LAB 27.5, 57.01, -45.98

 

CMYK 0 / 39 / 97 / 46

HEX #895404

RGB 137 84 4

HSL 36.09, 0.94%, 0.28%

LAB 40.68, 16.61, 48.19

 

CMYK 77 / 0 / 97 / 46

HEX #1F8904

RGB 31 137 4

HSL 107.82, 0.94%, 0.28%

LAB 49.73, -51, 52.1

 

CMYK 96 / 58 / 0 / 45

HEX #053B8C

RGB 5 59 140

HSL 216, 0.93%, 0.28%

LAB 26.89, 18.13, -49.26

 

CMYK 0 / 97 / 9 / 46

HEX #89047C

RGB 137 4 124

HSL 305.86, 0.94%, 0.28%

LAB 31.49, 59.36, -31.16

 

CMYK 0 / 39 / 97 / 46

HEX #895404

RGB 137 84 4

HSL 36.09, 0.94%, 0.28%

LAB 40.68, 16.61, 48.19

 

CMYK 97 / 0 / 87 / 46

HEX #048912

RGB 4 137 18

HSL 126.32, 0.94%, 0.28%

LAB 49.45, -53.33, 48.89

 

Description

Color code: HEX #053B8C | qconv.com Color code: HEX #053B8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 59 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 59 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 58 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 58% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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