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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #053451 it is the complementary color #FACBAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #053451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #053451 shade: #0A344C, #1B465F, #2C5872, #3D6A85 and #4E7C98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #053451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #053451 shade: #053451, #00223E, #00102B, #000018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #053451 shade: #053451, #051F51, #050B51, #130551 and #280551

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #053451 shade: #053451, #051F51, #050B51 and #050551

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #053451 shade matches the following richer shades: #053451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #053451 shade: #053451, #0C324A, #133143, #1A2F3C and #212D35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #053451 shade: #055144, #054951, #053551, #052151 and #050C51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #053451 shade: #000203, #021B2A, #053451, #074D78 and #0A669F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #053451 shade: #053451, #300551 and #514E05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #053451 shade: #053451, #510535 and #355105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #053451 shade: #053451, #300551, #512105 and #265105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #053451 shade: #053451, #470551, #512105 and #0F5105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

Complementary color

CMYK 0 / 19 / 30 / 2

HEX #FACBAE

RGB 250 203 174

HSL 22.89, 0.88%, 0.83%

LAB 85.04, 12.58, 20.74

 

CMYK 87 / 32 / 0 / 70

HEX #0A344C

RGB 10 52 76

HSL 201.82, 0.77%, 0.17%

LAB 20.21, -4.33, -18.76

 

CMYK 72 / 26 / 0 / 63

HEX #1B465F

RGB 27 70 95

HSL 202.06, 0.56%, 0.24%

LAB 27.95, -5.83, -19.11

 

CMYK 61 / 23 / 0 / 55

HEX #2C5872

RGB 44 88 114

HSL 202.29, 0.44%, 0.31%

LAB 35.46, -6.72, -19.41

 

CMYK 54 / 20 / 0 / 48

HEX #3D6A85

RGB 61 106 133

HSL 202.5, 0.37%, 0.38%

LAB 42.75, -7.3, -19.68

 

CMYK 49 / 18 / 0 / 40

HEX #4E7C98

RGB 78 124 152

HSL 202.7, 0.32%, 0.45%

LAB 49.86, -7.71, -19.96

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 100 / 45 / 0 / 76

HEX #00223E

RGB 0 34 62

HSL 207.1, 1%, 0.12%

LAB 12.56, 0.68, -21.27

 

CMYK 100 / 63 / 0 / 83

HEX #00102B

RGB 0 16 43

HSL 217.67, 1%, 0.08%

LAB 4.92, 4.23, -19.67

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 94 / 62 / 0 / 68

HEX #051F51

RGB 5 31 81

HSL 219.47, 0.88%, 0.17%

LAB 13.27, 12.74, -33.26

 

CMYK 94 / 86 / 0 / 68

HEX #050B51

RGB 5 11 81

HSL 235.26, 0.88%, 0.17%

LAB 7.82, 27.25, -42.22

 

CMYK 77 / 94 / 0 / 68

HEX #130551

RGB 19 5 81

HSL 251.05, 0.88%, 0.17%

LAB 7.6, 31.76, -42.56

 

CMYK 51 / 94 / 0 / 68

HEX #280551

RGB 40 5 81

HSL 267.63, 0.88%, 0.17%

LAB 10.21, 34, -38.15

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 94 / 62 / 0 / 68

HEX #051F51

RGB 5 31 81

HSL 219.47, 0.88%, 0.17%

LAB 13.27, 12.74, -33.26

 

CMYK 94 / 86 / 0 / 68

HEX #050B51

RGB 5 11 81

HSL 235.26, 0.88%, 0.17%

LAB 7.82, 27.25, -42.22

 

CMYK 94 / 94 / 0 / 68

HEX #050551

RGB 5 5 81

HSL 240, 0.88%, 0.17%

LAB 6.64, 30.62, -44.18

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 84 / 32 / 0 / 71

HEX #0C324A

RGB 12 50 74

HSL 203.23, 0.72%, 0.17%

LAB 19.45, -3.54, -18.6

 

CMYK 72 / 27 / 0 / 74

HEX #133143

RGB 19 49 67

HSL 202.5, 0.56%, 0.17%

LAB 18.97, -4.46, -14.58

 

CMYK 57 / 22 / 0 / 76

HEX #1A2F3C

RGB 26 47 60

HSL 202.94, 0.4%, 0.17%

LAB 18.27, -3.98, -10.84

 

CMYK 38 / 15 / 0 / 79

HEX #212D35

RGB 33 45 53

HSL 204, 0.23%, 0.17%

LAB 17.72, -2.69, -6.79

 

CMYK 94 / 0 / 16 / 68

HEX #055144

RGB 5 81 68

HSL 169.74, 0.88%, 0.17%

LAB 30.24, -24.7, 1.65

 

CMYK 94 / 10 / 0 / 68

HEX #054951

RGB 5 73 81

HSL 186.32, 0.88%, 0.17%

LAB 27.82, -15.99, -10.32

 

CMYK 94 / 35 / 0 / 68

HEX #053551

RGB 5 53 81

HSL 202.11, 0.88%, 0.17%

LAB 20.72, -3.48, -21.31

 

CMYK 94 / 59 / 0 / 68

HEX #052151

RGB 5 33 81

HSL 217.89, 0.88%, 0.17%

LAB 13.91, 11.2, -32.22

 

CMYK 94 / 85 / 0 / 68

HEX #050C51

RGB 5 12 81

HSL 234.47, 0.88%, 0.17%

LAB 8.03, 26.64, -41.87

 

CMYK 100 / 33 / 0 / 99

HEX #000203

RGB 0 2 3

HSL 200, 1%, 0.01%

LAB 0.45, -0.38, -0.56

 

CMYK 95 / 36 / 0 / 84

HEX #021B2A

RGB 2 27 42

HSL 202.5, 0.91%, 0.09%

LAB 8.69, -3.25, -12.98

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 94 / 36 / 0 / 53

HEX #074D78

RGB 7 77 120

HSL 202.83, 0.89%, 0.25%

LAB 31.14, -2.64, -29.98

 

CMYK 94 / 36 / 0 / 38

HEX #0A669F

RGB 10 102 159

HSL 202.95, 0.88%, 0.33%

LAB 41.33, -2.45, -37.56

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 41 / 94 / 0 / 68

HEX #300551

RGB 48 5 81

HSL 273.95, 0.88%, 0.17%

LAB 11.49, 35.16, -36.01

 

CMYK 0 / 4 / 94 / 68

HEX #514E05

RGB 81 78 5

HSL 57.63, 0.88%, 0.17%

LAB 32.28, -7.42, 38.59

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 0 / 94 / 35 / 68

HEX #510535

RGB 81 5 53

HSL 322.11, 0.88%, 0.17%

LAB 16.08, 36.94, -8.65

 

CMYK 35 / 0 / 94 / 68

HEX #355105

RGB 53 81 5

HSL 82.11, 0.88%, 0.17%

LAB 31, -22.55, 36.61

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 41 / 94 / 0 / 68

HEX #300551

RGB 48 5 81

HSL 273.95, 0.88%, 0.17%

LAB 11.49, 35.16, -36.01

 

CMYK 0 / 59 / 94 / 68

HEX #512105

RGB 81 33 5

HSL 22.11, 0.88%, 0.17%

LAB 19.42, 20.71, 26.56

 

CMYK 53 / 0 / 94 / 68

HEX #265105

RGB 38 81 5

HSL 93.95, 0.88%, 0.17%

LAB 30.18, -28.53, 35.58

 

CMYK 94 / 36 / 0 / 68

HEX #053451

RGB 5 52 81

HSL 202.89, 0.88%, 0.17%

LAB 20.37, -2.79, -21.87

 

CMYK 12 / 94 / 0 / 68

HEX #470551

RGB 71 5 81

HSL 292.11, 0.88%, 0.17%

LAB 15.71, 39.23, -28.96

 

CMYK 0 / 59 / 94 / 68

HEX #512105

RGB 81 33 5

HSL 22.11, 0.88%, 0.17%

LAB 19.42, 20.71, 26.56

 

CMYK 81 / 0 / 94 / 68

HEX #0F5105

RGB 15 81 5

HSL 112.11, 0.88%, 0.17%

LAB 29.41, -34.82, 34.61

 

Description

Color code: HEX #053451 | qconv.com Color code: HEX #053451 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 52 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 52 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 36 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 36% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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