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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #052A8E it is the complementary color #FAD571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #052A8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #052A8E shade: #0A2A89, #1B3C9C, #2C4EAF, #3D60C2 and #4E72D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #052A8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #052A8E shade: #052A8E, #00187B, #000668, #000055 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #052A8E shade: #052A8E, #05058E, #2A058E, #4F058E and #74058E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #052A8E shade: #052A8E, #05058E and #05058E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #052A8E shade matches the following richer shades: #052A8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #052A8E shade: #052A8E, #112F82, #1D3576, #293A6A and #35405E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #052A8E shade: #05758E, #05508E, #052C8E, #05078E and #27058E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #052A8E shade: #02123F, #031E66, #052A8E, #0636B6 and #0841DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #052A8E shade: #052A8E, #83058E and #638E05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #052A8E shade: #052A8E, #8E052C and #2C8E05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #052A8E shade: #052A8E, #83058E, #8E6705 and #108E05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #052A8E shade: #052A8E, #8E0570, #8E6705 and #058E22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

Complementary color

CMYK 0 / 15 / 55 / 2

HEX #FAD571

RGB 250 213 113

HSL 43.8, 0.93%, 0.71%

LAB 86.56, 1.16, 53.59

 

CMYK 93 / 69 / 0 / 46

HEX #0A2A89

RGB 10 42 137

HSL 224.88, 0.86%, 0.29%

LAB 22.04, 29.06, -55.33

 

CMYK 83 / 62 / 0 / 39

HEX #1B3C9C

RGB 27 60 156

HSL 224.65, 0.7%, 0.36%

LAB 29.07, 25.48, -55.49

 

CMYK 75 / 55 / 0 / 31

HEX #2C4EAF

RGB 44 78 175

HSL 224.43, 0.6%, 0.43%

LAB 36.14, 22.58, -55.35

 

CMYK 69 / 51 / 0 / 24

HEX #3D60C2

RGB 61 96 194

HSL 224.21, 0.52%, 0.5%

LAB 43.14, 20.26, -55.12

 

CMYK 63 / 46 / 0 / 16

HEX #4E72D5

RGB 78 114 213

HSL 224, 0.62%, 0.57%

LAB 50.05, 18.39, -54.87

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 100 / 80 / 0 / 52

HEX #00187B

RGB 0 24 123

HSL 228.29, 1%, 0.24%

LAB 15.92, 34.9, -56.6

 

CMYK 100 / 94 / 0 / 59

HEX #000668

RGB 0 6 104

HSL 236.54, 1%, 0.2%

LAB 10.03, 37.76, -54.06

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 96 / 96 / 0 / 44

HEX #05058E

RGB 5 5 142

HSL 240, 0.93%, 0.29%

LAB 15.97, 49.53, -68.53

 

CMYK 70 / 96 / 0 / 44

HEX #2A058E

RGB 42 5 142

HSL 256.2, 0.93%, 0.29%

LAB 18.16, 50.64, -64.82

 

CMYK 44 / 96 / 0 / 44

HEX #4F058E

RGB 79 5 142

HSL 272.41, 0.93%, 0.29%

LAB 22.74, 53.62, -57.1

 

CMYK 18 / 96 / 0 / 44

HEX #74058E

RGB 116 5 142

HSL 288.61, 0.93%, 0.29%

LAB 28.84, 58.54, -46.88

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 96 / 96 / 0 / 44

HEX #05058E

RGB 5 5 142

HSL 240, 0.93%, 0.29%

LAB 15.97, 49.53, -68.53

 

CMYK 96 / 96 / 0 / 44

HEX #05058E

RGB 5 5 142

HSL 240, 0.93%, 0.29%

LAB 15.97, 49.53, -68.53

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 87 / 64 / 0 / 49

HEX #112F82

RGB 17 47 130

HSL 224.07, 0.77%, 0.29%

LAB 22.88, 23.18, -49.56

 

CMYK 75 / 55 / 0 / 54

HEX #1D3576

RGB 29 53 118

HSL 223.82, 0.61%, 0.29%

LAB 24.05, 15.34, -40.04

 

CMYK 61 / 45 / 0 / 58

HEX #293A6A

RGB 41 58 106

HSL 224.31, 0.44%, 0.29%

LAB 25.38, 9.36, -30.2

 

CMYK 44 / 32 / 0 / 63

HEX #35405E

RGB 53 64 94

HSL 223.9, 0.28%, 0.29%

LAB 27.39, 4.28, -19.24

 

CMYK 96 / 18 / 0 / 44

HEX #05758E

RGB 5 117 142

HSL 190.95, 0.93%, 0.29%

LAB 45.23, -18.02, -21.36

 

CMYK 96 / 44 / 0 / 44

HEX #05508E

RGB 5 80 142

HSL 207.15, 0.93%, 0.29%

LAB 33.4, 4.48, -39.97

 

CMYK 96 / 69 / 0 / 44

HEX #052C8E

RGB 5 44 142

HSL 222.92, 0.93%, 0.29%

LAB 22.95, 29.46, -56.94

 

CMYK 96 / 95 / 0 / 44

HEX #05078E

RGB 5 7 142

HSL 239.12, 0.93%, 0.29%

LAB 16.19, 48.85, -68.16

 

CMYK 73 / 96 / 0 / 44

HEX #27058E

RGB 39 5 142

HSL 254.89, 0.93%, 0.29%

LAB 17.89, 50.49, -65.29

 

CMYK 97 / 71 / 0 / 75

HEX #02123F

RGB 2 18 63

HSL 224.26, 0.94%, 0.13%

LAB 7.27, 14.12, -30.53

 

CMYK 97 / 71 / 0 / 60

HEX #031E66

RGB 3 30 102

HSL 223.64, 0.94%, 0.21%

LAB 14.99, 22.65, -44.5

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 97 / 70 / 0 / 29

HEX #0636B6

RGB 6 54 182

HSL 223.64, 0.94%, 0.37%

LAB 29.55, 38.43, -70.34

 

CMYK 96 / 71 / 0 / 13

HEX #0841DE

RGB 8 65 222

HSL 224.02, 0.93%, 0.45%

LAB 36.19, 46.3, -82.69

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 8 / 96 / 0 / 44

HEX #83058E

RGB 131 5 142

HSL 295.18, 0.93%, 0.29%

LAB 31.55, 60.96, -42.37

 

CMYK 30 / 0 / 96 / 44

HEX #638E05

RGB 99 142 5

HSL 78.83, 0.93%, 0.29%

LAB 54.04, -32.61, 56.51

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 0 / 96 / 69 / 44

HEX #8E052C

RGB 142 5 44

HSL 342.92, 0.93%, 0.29%

LAB 29.52, 52.28, 18.51

 

CMYK 69 / 0 / 96 / 44

HEX #2C8E05

RGB 44 142 5

HSL 102.92, 0.93%, 0.29%

LAB 51.72, -50.16, 53.66

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 8 / 96 / 0 / 44

HEX #83058E

RGB 131 5 142

HSL 295.18, 0.93%, 0.29%

LAB 31.55, 60.96, -42.37

 

CMYK 0 / 27 / 96 / 44

HEX #8E6705

RGB 142 103 5

HSL 42.92, 0.93%, 0.29%

LAB 46.26, 7.9, 52.2

 

CMYK 89 / 0 / 96 / 44

HEX #108E05

RGB 16 142 5

HSL 115.18, 0.93%, 0.29%

LAB 51.23, -54.42, 53.07

 

CMYK 96 / 70 / 0 / 44

HEX #052A8E

RGB 5 42 142

HSL 223.8, 0.93%, 0.29%

LAB 22.45, 30.82, -57.77

 

CMYK 0 / 96 / 21 / 44

HEX #8E0570

RGB 142 5 112

HSL 313.14, 0.93%, 0.29%

LAB 31.87, 58.55, -22.87

 

CMYK 0 / 27 / 96 / 44

HEX #8E6705

RGB 142 103 5

HSL 42.92, 0.93%, 0.29%

LAB 46.26, 7.9, 52.2

 

CMYK 96 / 0 / 76 / 44

HEX #058E22

RGB 5 142 34

HSL 132.7, 0.93%, 0.29%

LAB 51.26, -53.68, 45.57

 

Description

Color code: HEX #052A8E | qconv.com Color code: HEX #052A8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 42 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 42 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 70 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 70% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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