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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04FF88 it is the complementary color #FB0077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04FF88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04FF88 shade: #09FF83, #1AFF96, #2BFFA9, #3CFFBC and #4DFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04FF88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04FF88 shade: #04FF88, #00ED75, #00DB62, #00C94F and #00B73C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04FF88 shade: #05FF88, #05FF45, #08FF05, #4BFF05 and #8FFF05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04FF88 shade: #05FF88, #05FFCB, #05EEFF, #05ABFF and #0567FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04FF88 shade matches the following richer shades: #05FF88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04FF88 shade: #05FF88, #19EA87, #2DD686, #41C285 and #55AE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04FF88 shade: #09FF05, #05FF43, #05FF86, #05FFC8 and #05F2FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04FF88 shade: #00B15D, #00DA73, #05FF88, #2EFF9C and #57FFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04FF88 shade: #04FF88, #054BFF and #FF2205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04FF88 shade: #04FF88, #8605FF and #FF8605

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04FF88 shade: #04FF88, #054BFF, #FF057D and #FFB805

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04FF88 shade: #04FF88, #0905FF, #FF057D and #FAFF05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 47 / 0

HEX #04FF88

RGB 4 255 136

HSL 151.55, 1%, 0.51%

LAB 88.6, -75.38, 42.92

 

Complementary color

CMYK 0 / 100 / 53 / 2

HEX #FB0077

RGB 251 0 119

HSL 331.55, 1%, 0.49%

LAB 53.86, 83.06, 7.91

 

CMYK 96 / 0 / 49 / 0

HEX #09FF83

RGB 9 255 131

HSL 149.76, 1%, 0.52%

LAB 88.55, -76.05, 45.24

 

CMYK 90 / 0 / 41 / 0

HEX #1AFF96

RGB 26 255 150

HSL 152.49, 1%, 0.55%

LAB 88.89, -72.23, 36.51

 

CMYK 83 / 0 / 34 / 0

HEX #2BFFA9

RGB 43 255 169

HSL 155.66, 1%, 0.58%

LAB 89.35, -67.53, 27.66

 

CMYK 76 / 0 / 26 / 0

HEX #3CFFBC

RGB 60 255 188

HSL 159.38, 1%, 0.62%

LAB 89.91, -61.97, 18.81

 

CMYK 70 / 0 / 19 / 0

HEX #4DFFCF

RGB 77 255 207

HSL 163.82, 1%, 0.65%

LAB 90.6, -55.62, 10.06

 

CMYK 98 / 0 / 47 / 0

HEX #04FF88

RGB 4 255 136

HSL 151.55, 1%, 0.51%

LAB 88.6, -75.38, 42.92

 

CMYK 100 / 0 / 51 / 7

HEX #00ED75

RGB 0 237 117

HSL 149.62, 1%, 0.46%

LAB 82.84, -72.84, 44.75

 

CMYK 100 / 0 / 55 / 14

HEX #00DB62

RGB 0 219 98

HSL 146.85, 1%, 0.43%

LAB 77.01, -70.05, 46.57

 

CMYK 100 / 0 / 61 / 21

HEX #00C94F

RGB 0 201 79

HSL 143.58, 1%, 0.39%

LAB 71.1, -67.07, 48.29

 

CMYK 100 / 0 / 67 / 28

HEX #00B73C

RGB 0 183 60

HSL 139.67, 1%, 0.36%

LAB 65.12, -63.84, 49.8

 

CMYK 98 / 0 / 47 / 0

HEX #05FF88

RGB 5 255 136

HSL 151.44, 1%, 0.51%

LAB 88.6, -75.36, 42.93

 

CMYK 98 / 0 / 73 / 0

HEX #05FF45

RGB 5 255 69

HSL 135.36, 1%, 0.51%

LAB 87.96, -83.36, 70.34

 

CMYK 97 / 0 / 98 / 0

HEX #08FF05

RGB 8 255 5

HSL 119.28, 1%, 0.51%

LAB 87.77, -85.89, 82.84

 

CMYK 71 / 0 / 98 / 0

HEX #4BFF05

RGB 75 255 5

HSL 103.2, 1%, 0.51%

LAB 88.46, -79.71, 83.69

 

CMYK 44 / 0 / 98 / 0

HEX #8FFF05

RGB 143 255 5

HSL 86.88, 1%, 0.51%

LAB 90.49, -63.31, 86.16

 

CMYK 98 / 0 / 47 / 0

HEX #05FF88

RGB 5 255 136

HSL 151.44, 1%, 0.51%

LAB 88.6, -75.36, 42.93

 

CMYK 98 / 0 / 20 / 0

HEX #05FFCB

RGB 5 255 203

HSL 167.52, 1%, 0.51%

LAB 89.8, -61.75, 10.88

 

CMYK 98 / 7 / 0 / 0

HEX #05EEFF

RGB 5 238 255

HSL 184.08, 1%, 0.51%

LAB 86.21, -40.48, -21.53

 

CMYK 98 / 33 / 0 / 0

HEX #05ABFF

RGB 5 171 255

HSL 200.16, 1%, 0.51%

LAB 66.81, -6.66, -51.57

 

CMYK 98 / 60 / 0 / 0

HEX #0567FF

RGB 5 103 255

HSL 216.48, 1%, 0.51%

LAB 48.2, 34.68, -81.53

 

CMYK 98 / 0 / 47 / 0

HEX #05FF88

RGB 5 255 136

HSL 151.44, 1%, 0.51%

LAB 88.6, -75.36, 42.93

 

CMYK 98 / 0 / 47 / 0

HEX #05FF88

RGB 5 255 136

HSL 151.44, 1%, 0.51%

LAB 88.6, -75.36, 42.93

 

CMYK 89 / 0 / 42 / 8

HEX #19EA87

RGB 25 234 135

HSL 151.58, 0.83%, 0.51%

LAB 82.27, -67.97, 35.29

 

CMYK 79 / 0 / 37 / 16

HEX #2DD686

RGB 45 214 134

HSL 151.6, 0.67%, 0.51%

LAB 76.3, -59.56, 27.95

 

CMYK 66 / 0 / 31 / 24

HEX #41C285

RGB 65 194 133

HSL 151.63, 0.51%, 0.51%

LAB 70.46, -49.31, 20.64

 

CMYK 51 / 0 / 24 / 32

HEX #55AE84

RGB 85 174 132

HSL 151.69, 0.35%, 0.51%

LAB 64.86, -36.74, 13.52

 

CMYK 96 / 0 / 98 / 0

HEX #09FF05

RGB 9 255 5

HSL 119.04, 1%, 0.51%

LAB 87.77, -85.86, 82.84

 

CMYK 98 / 0 / 74 / 0

HEX #05FF43

RGB 5 255 67

HSL 134.88, 1%, 0.51%

LAB 87.95, -83.51, 70.98

 

CMYK 98 / 0 / 47 / 0

HEX #05FF86

RGB 5 255 134

HSL 150.96, 1%, 0.51%

LAB 88.58, -75.68, 43.85

 

CMYK 98 / 0 / 22 / 0

HEX #05FFC8

RGB 5 255 200

HSL 166.8, 1%, 0.51%

LAB 89.73, -62.47, 12.33

 

CMYK 98 / 5 / 0 / 0

HEX #05F2FF

RGB 5 242 255

HSL 183.12, 1%, 0.51%

LAB 87.37, -42.28, -19.77

 

CMYK 100 / 0 / 47 / 31

HEX #00B15D

RGB 0 177 93

HSL 151.53, 1%, 0.35%

LAB 63.54, -57.31, 32.38

 

CMYK 100 / 0 / 47 / 15

HEX #00DA73

RGB 0 218 115

HSL 151.65, 1%, 0.43%

LAB 76.91, -67.12, 38.29

 

CMYK 98 / 0 / 47 / 0

HEX #05FF88

RGB 5 255 136

HSL 151.44, 1%, 0.51%

LAB 88.6, -75.36, 42.93

 

CMYK 82 / 0 / 39 / 0

HEX #2EFF9C

RGB 46 255 156

HSL 151.58, 1%, 0.59%

LAB 89.16, -69.77, 33.93

 

CMYK 66 / 0 / 31 / 0

HEX #57FFAF

RGB 87 255 175

HSL 151.43, 1%, 0.67%

LAB 90.16, -60.99, 25.85

 

CMYK 98 / 0 / 47 / 0

HEX #04FF88

RGB 4 255 136

HSL 151.55, 1%, 0.51%

LAB 88.6, -75.38, 42.92

 

CMYK 98 / 71 / 0 / 0

HEX #054BFF

RGB 5 75 255

HSL 223.2, 1%, 0.51%

LAB 41.66, 51.92, -92.28

 

CMYK 0 / 87 / 98 / 0

HEX #FF2205

RGB 255 34 5

HSL 6.96, 1%, 0.51%

LAB 54.46, 76.63, 66.49

 

CMYK 98 / 0 / 47 / 0

HEX #04FF88

RGB 4 255 136

HSL 151.55, 1%, 0.51%

LAB 88.6, -75.38, 42.92

 

CMYK 47 / 98 / 0 / 0

HEX #8605FF

RGB 134 5 255

HSL 270.96, 1%, 0.51%

LAB 41.84, 83.13, -91.74

 

CMYK 0 / 47 / 98 / 0

HEX #FF8605

RGB 255 134 5

HSL 30.96, 1%, 0.51%

LAB 68.26, 39.89, 74.05

 

CMYK 98 / 0 / 47 / 0

HEX #04FF88

RGB 4 255 136

HSL 151.55, 1%, 0.51%

LAB 88.6, -75.38, 42.92

 

CMYK 98 / 71 / 0 / 0

HEX #054BFF

RGB 5 75 255

HSL 223.2, 1%, 0.51%

LAB 41.66, 51.92, -92.28

 

CMYK 0 / 98 / 51 / 0

HEX #FF057D

RGB 255 5 125

HSL 331.2, 1%, 0.51%

LAB 54.92, 84.01, 5.91

 

CMYK 0 / 28 / 98 / 0

HEX #FFB805

RGB 255 184 5

HSL 42.96, 1%, 0.51%

LAB 79.36, 14.06, 81.39

 

CMYK 98 / 0 / 47 / 0

HEX #04FF88

RGB 4 255 136

HSL 151.55, 1%, 0.51%

LAB 88.6, -75.38, 42.92

 

CMYK 96 / 98 / 0 / 0

HEX #0905FF

RGB 9 5 255

HSL 240.96, 1%, 0.51%

LAB 32.67, 78.49, -107.24

 

CMYK 0 / 98 / 51 / 0

HEX #FF057D

RGB 255 5 125

HSL 331.2, 1%, 0.51%

LAB 54.92, 84.01, 5.91

 

CMYK 2 / 0 / 98 / 0

HEX #FAFF05

RGB 250 255 5

HSL 61.2, 1%, 0.51%

LAB 96.76, -23.57, 93.69

 

Description

Color code: HEX #04FF88 | qconv.com Color code: HEX #04FF88 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 255 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 255 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 47 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 47% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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