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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04EB88 it is the complementary color #FB1477. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04EB88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04EB88 shade: #09EB83, #1AFD96, #2BFFA9, #3CFFBC and #4DFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04EB88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04EB88 shade: #04EB88, #00D975, #00C762, #00B54F and #00A33C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04EB88 shade: #03EC88, #03EC49, #03EC0B, #3AEC03 and #79EC03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04EB88 shade: #03EC88, #03ECC7, #03D2EC, #0393EC and #0354EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04EB88 shade matches the following richer shades: #03EC88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04EB88 shade: #03EC88, #16D885, #2AC582, #3DB180 and #519E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04EB88 shade: #03EC0B, #03EC49, #03EC87, #03ECC5 and #03D4EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04EB88 shade: #029A59, #02C370, #03EC88, #1DFB9C and #46FCAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04EB88 shade: #04EB88, #0339EC and #EC2A03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04EB88 shade: #04EB88, #8703EC and #EC8703

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04EB88 shade: #04EB88, #0339EC, #EC0368 and #ECB503

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04EB88 shade: #04EB88, #1303EC, #EC0368 and #DCEC03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 42 / 8

HEX #04EB88

RGB 4 235 136

HSL 154.29, 0.97%, 0.47%

LAB 82.5, -68.92, 35.06

 

Complementary color

CMYK 0 / 92 / 53 / 2

HEX #FB1477

RGB 251 20 119

HSL 334.29, 0.97%, 0.53%

LAB 54.39, 81.52, 8.66

 

CMYK 96 / 0 / 44 / 8

HEX #09EB83

RGB 9 235 131

HSL 152.39, 0.93%, 0.48%

LAB 82.44, -69.66, 37.47

 

CMYK 90 / 0 / 41 / 1

HEX #1AFD96

RGB 26 253 150

HSL 152.78, 0.98%, 0.55%

LAB 88.29, -71.57, 35.72

 

CMYK 83 / 0 / 34 / 0

HEX #2BFFA9

RGB 43 255 169

HSL 155.66, 1%, 0.58%

LAB 89.35, -67.53, 27.66

 

CMYK 76 / 0 / 26 / 0

HEX #3CFFBC

RGB 60 255 188

HSL 159.38, 1%, 0.62%

LAB 89.91, -61.97, 18.81

 

CMYK 70 / 0 / 19 / 0

HEX #4DFFCF

RGB 77 255 207

HSL 163.82, 1%, 0.65%

LAB 90.6, -55.62, 10.06

 

CMYK 98 / 0 / 42 / 8

HEX #04EB88

RGB 4 235 136

HSL 154.29, 0.97%, 0.47%

LAB 82.5, -68.92, 35.06

 

CMYK 100 / 0 / 46 / 15

HEX #00D975

RGB 0 217 117

HSL 152.35, 1%, 0.43%

LAB 76.62, -66.46, 36.94

 

CMYK 100 / 0 / 51 / 22

HEX #00C762

RGB 0 199 98

HSL 149.55, 1%, 0.39%

LAB 70.68, -63.75, 38.85

 

CMYK 100 / 0 / 56 / 29

HEX #00B54F

RGB 0 181 79

HSL 146.19, 1%, 0.35%

LAB 64.65, -60.86, 40.73

 

CMYK 100 / 0 / 63 / 36

HEX #00A33C

RGB 0 163 60

HSL 142.09, 1%, 0.32%

LAB 58.53, -57.73, 42.48

 

CMYK 99 / 0 / 42 / 7

HEX #03EC88

RGB 3 236 136

HSL 154.25, 0.97%, 0.47%

LAB 82.8, -69.28, 35.46

 

CMYK 99 / 0 / 69 / 7

HEX #03EC49

RGB 3 236 73

HSL 138.03, 0.97%, 0.47%

LAB 82.1, -77.82, 62.88

 

CMYK 99 / 0 / 95 / 7

HEX #03EC0B

RGB 3 236 11

HSL 122.06, 0.97%, 0.47%

LAB 81.86, -81.01, 77.54

 

CMYK 75 / 0 / 99 / 7

HEX #3AEC03

RGB 58 236 3

HSL 105.84, 0.97%, 0.47%

LAB 82.32, -76.86, 78.79

 

CMYK 49 / 0 / 99 / 7

HEX #79EC03

RGB 121 236 3

HSL 89.61, 0.97%, 0.47%

LAB 84, -63.02, 80.83

 

CMYK 99 / 0 / 42 / 7

HEX #03EC88

RGB 3 236 136

HSL 154.25, 0.97%, 0.47%

LAB 82.8, -69.28, 35.46

 

CMYK 99 / 0 / 16 / 7

HEX #03ECC7

RGB 3 236 199

HSL 170.47, 0.97%, 0.47%

LAB 84.04, -55.43, 4.69

 

CMYK 99 / 11 / 0 / 7

HEX #03D2EC

RGB 3 210 236

HSL 186.7, 0.97%, 0.47%

LAB 77.38, -33.44, -24.88

 

CMYK 99 / 38 / 0 / 7

HEX #0393EC

RGB 3 147 236

HSL 202.92, 0.97%, 0.47%

LAB 58.92, 0.01, -53.68

 

CMYK 99 / 64 / 0 / 7

HEX #0354EC

RGB 3 84 236

HSL 219.14, 0.97%, 0.47%

LAB 41.87, 39.53, -81.28

 

CMYK 99 / 0 / 42 / 7

HEX #03EC88

RGB 3 236 136

HSL 154.25, 0.97%, 0.47%

LAB 82.8, -69.28, 35.46

 

CMYK 99 / 0 / 42 / 7

HEX #03EC88

RGB 3 236 136

HSL 154.25, 0.97%, 0.47%

LAB 82.8, -69.28, 35.46

 

CMYK 90 / 0 / 38 / 15

HEX #16D885

RGB 22 216 133

HSL 154.33, 0.82%, 0.47%

LAB 76.66, -62.34, 28.91

 

CMYK 79 / 0 / 34 / 23

HEX #2AC582

RGB 42 197 130

HSL 154.06, 0.65%, 0.47%

LAB 70.9, -54.4, 22.76

 

CMYK 66 / 0 / 28 / 31

HEX #3DB180

RGB 61 177 128

HSL 154.66, 0.49%, 0.47%

LAB 64.96, -44.11, 15.75

 

CMYK 49 / 0 / 21 / 38

HEX #519E7D

RGB 81 158 125

HSL 154.29, 0.32%, 0.47%

LAB 59.6, -31.88, 9.99

 

CMYK 99 / 0 / 95 / 7

HEX #03EC0B

RGB 3 236 11

HSL 122.06, 0.97%, 0.47%

LAB 81.86, -81.01, 77.54

 

CMYK 99 / 0 / 69 / 7

HEX #03EC49

RGB 3 236 73

HSL 138.03, 0.97%, 0.47%

LAB 82.1, -77.82, 62.88

 

CMYK 99 / 0 / 43 / 7

HEX #03EC87

RGB 3 236 135

HSL 153.99, 0.97%, 0.47%

LAB 82.79, -69.46, 35.94

 

CMYK 99 / 0 / 17 / 7

HEX #03ECC5

RGB 3 236 197

HSL 169.96, 0.97%, 0.47%

LAB 83.99, -55.94, 5.67

 

CMYK 99 / 10 / 0 / 7

HEX #03D4EC

RGB 3 212 236

HSL 186.18, 0.97%, 0.47%

LAB 77.97, -34.39, -23.98

 

CMYK 99 / 0 / 42 / 40

HEX #029A59

RGB 2 154 89

HSL 154.34, 0.97%, 0.31%

LAB 55.93, -49.93, 24.67

 

CMYK 99 / 0 / 43 / 24

HEX #02C370

RGB 2 195 112

HSL 154.2, 0.98%, 0.39%

LAB 69.62, -59.91, 30.43

 

CMYK 99 / 0 / 42 / 7

HEX #03EC88

RGB 3 236 136

HSL 154.25, 0.97%, 0.47%

LAB 82.8, -69.28, 35.46

 

CMYK 88 / 0 / 38 / 2

HEX #1DFB9C

RGB 29 251 156

HSL 154.32, 0.97%, 0.55%

LAB 87.8, -69.62, 32.1

 

CMYK 72 / 0 / 31 / 1

HEX #46FCAE

RGB 70 252 174

HSL 154.29, 0.97%, 0.63%

LAB 88.91, -62.58, 24.6

 

CMYK 98 / 0 / 42 / 8

HEX #04EB88

RGB 4 235 136

HSL 154.29, 0.97%, 0.47%

LAB 82.5, -68.92, 35.06

 

CMYK 99 / 76 / 0 / 7

HEX #0339EC

RGB 3 57 236

HSL 226.09, 0.97%, 0.47%

LAB 35.99, 55.63, -91

 

CMYK 0 / 82 / 99 / 7

HEX #EC2A03

RGB 236 42 3

HSL 10.04, 0.97%, 0.47%

LAB 51.26, 69.94, 63.36

 

CMYK 98 / 0 / 42 / 8

HEX #04EB88

RGB 4 235 136

HSL 154.29, 0.97%, 0.47%

LAB 82.5, -68.92, 35.06

 

CMYK 43 / 99 / 0 / 7

HEX #8703EC

RGB 135 3 236

HSL 273.99, 0.97%, 0.47%

LAB 40.04, 79.53, -84.01

 

CMYK 0 / 43 / 99 / 7

HEX #EC8703

RGB 236 135 3

HSL 33.99, 0.97%, 0.47%

LAB 65.88, 31.72, 71.55

 

CMYK 98 / 0 / 42 / 8

HEX #04EB88

RGB 4 235 136

HSL 154.29, 0.97%, 0.47%

LAB 82.5, -68.92, 35.06

 

CMYK 99 / 76 / 0 / 7

HEX #0339EC

RGB 3 57 236

HSL 226.09, 0.97%, 0.47%

LAB 35.99, 55.63, -91

 

CMYK 0 / 99 / 56 / 7

HEX #EC0368

RGB 236 3 104

HSL 333.99, 0.97%, 0.47%

LAB 50.57, 78.56, 11.97

 

CMYK 0 / 23 / 99 / 7

HEX #ECB503

RGB 236 181 3

HSL 45.84, 0.97%, 0.47%

LAB 76.61, 7.47, 78.75

 

CMYK 98 / 0 / 42 / 8

HEX #04EB88

RGB 4 235 136

HSL 154.29, 0.97%, 0.47%

LAB 82.5, -68.92, 35.06

 

CMYK 92 / 99 / 0 / 7

HEX #1303EC

RGB 19 3 236

HSL 244.12, 0.97%, 0.47%

LAB 30.06, 74.3, -100.87

 

CMYK 0 / 99 / 56 / 7

HEX #EC0368

RGB 236 3 104

HSL 333.99, 0.97%, 0.47%

LAB 50.57, 78.56, 11.97

 

CMYK 7 / 0 / 99 / 7

HEX #DCEC03

RGB 220 236 3

HSL 64.12, 0.97%, 0.47%

LAB 89.49, -26.92, 87.44

 

Description

Color code: HEX #04EB88 | qconv.com Color code: HEX #04EB88 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 235 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 235 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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