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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04EB19 it is the complementary color #FB14E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04EB19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04EB19 shade: #09EB14, #1AFD27, #2BFF3A, #3CFF4D and #4DFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04EB19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04EB19 shade: #04EB19, #00D906, #00C700, #00B500 and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04EB19 shade: #03EC18, #2DEC03, #6BEC03, #AAEC03 and #E9EC03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04EB19 shade: #03EC18, #03EC57, #03EC96, #03ECD4 and #03C4EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04EB19 shade matches the following richer shades: #03EC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04EB19 shade: #03EC18, #16D828, #2AC538, #3DB148 and #519E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04EB19 shade: #6CEC03, #2EEC03, #03EC16, #03EC54 and #03EC92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04EB19 shade: #029A10, #02C314, #03EC18, #1DFB31 and #46FC56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04EB19 shade: #04EB19, #03AAEC and #EC034D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04EB19 shade: #04EB19, #1603EC and #EC1603

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04EB19 shade: #04EB19, #03AAEC, #EC03D8 and #EC4503

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04EB19 shade: #04EB19, #0364EC, #EC03D8 and #EC8B03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 89 / 8

HEX #04EB19

RGB 4 235 25

HSL 125.45, 0.97%, 0.47%

LAB 81.57, -80.39, 75.57

 

Complementary color

CMYK 0 / 92 / 8 / 2

HEX #FB14E6

RGB 251 20 230

HSL 305.45, 0.97%, 0.53%

LAB 58.72, 92.87, -49.49

 

CMYK 96 / 0 / 91 / 8

HEX #09EB14

RGB 9 235 20

HSL 122.92, 0.93%, 0.48%

LAB 81.58, -80.37, 76.31

 

CMYK 90 / 0 / 85 / 1

HEX #1AFD27

RGB 26 253 39

HSL 123.44, 0.98%, 0.55%

LAB 87.3, -83.76, 77.99

 

CMYK 83 / 0 / 77 / 0

HEX #2BFF3A

RGB 43 255 58

HSL 124.25, 1%, 0.58%

LAB 88.13, -82.06, 74.02

 

CMYK 76 / 0 / 70 / 0

HEX #3CFF4D

RGB 60 255 77

HSL 125.23, 1%, 0.62%

LAB 88.46, -78.81, 68.21

 

CMYK 70 / 0 / 62 / 0

HEX #4DFF60

RGB 77 255 96

HSL 126.4, 1%, 0.65%

LAB 88.9, -74.55, 61.43

 

CMYK 98 / 0 / 89 / 8

HEX #04EB19

RGB 4 235 25

HSL 125.45, 0.97%, 0.47%

LAB 81.57, -80.39, 75.57

 

CMYK 100 / 0 / 97 / 15

HEX #00D906

RGB 0 217 6

HSL 121.66, 1%, 0.43%

LAB 75.85, -76.19, 73.07

 

CMYK 100 / 0 / 100 / 22

HEX #00C700

RGB 0 199 0

HSL 120, 1%, 0.39%

LAB 70.07, -71.51, 69.01

 

CMYK 100 / 0 / 100 / 29

HEX #00B500

RGB 0 181 0

HSL 120, 1%, 0.35%

LAB 64.2, -66.63, 64.31

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 99 / 0 / 90 / 7

HEX #03EC18

RGB 3 236 24

HSL 125.41, 0.97%, 0.47%

LAB 81.88, -80.72, 75.98

 

CMYK 81 / 0 / 99 / 7

HEX #2DEC03

RGB 45 236 3

HSL 109.18, 0.97%, 0.47%

LAB 82.14, -78.49, 78.56

 

CMYK 55 / 0 / 99 / 7

HEX #6BEC03

RGB 107 236 3

HSL 93.22, 0.97%, 0.47%

LAB 83.51, -66.89, 80.23

 

CMYK 28 / 0 / 99 / 7

HEX #AAEC03

RGB 170 236 3

HSL 77, 0.97%, 0.47%

LAB 86.28, -46.62, 83.59

 

CMYK 1 / 0 / 99 / 7

HEX #E9EC03

RGB 233 236 3

HSL 60.77, 0.97%, 0.47%

LAB 90.47, -21.55, 88.6

 

CMYK 99 / 0 / 90 / 7

HEX #03EC18

RGB 3 236 24

HSL 125.41, 0.97%, 0.47%

LAB 81.88, -80.72, 75.98

 

CMYK 99 / 0 / 63 / 7

HEX #03EC57

RGB 3 236 87

HSL 141.63, 0.97%, 0.47%

LAB 82.22, -76.41, 57.46

 

CMYK 99 / 0 / 36 / 7

HEX #03EC96

RGB 3 236 150

HSL 157.85, 0.97%, 0.47%

LAB 83.03, -66.63, 28.71

 

CMYK 99 / 0 / 10 / 7

HEX #03ECD4

RGB 3 236 212

HSL 173.82, 0.97%, 0.47%

LAB 84.36, -52.01, -1.67

 

CMYK 99 / 17 / 0 / 7

HEX #03C4EC

RGB 3 196 236

HSL 190.3, 0.97%, 0.47%

LAB 73.26, -26.62, -31.21

 

CMYK 99 / 0 / 90 / 7

HEX #03EC18

RGB 3 236 24

HSL 125.41, 0.97%, 0.47%

LAB 81.88, -80.72, 75.98

 

CMYK 99 / 0 / 90 / 7

HEX #03EC18

RGB 3 236 24

HSL 125.41, 0.97%, 0.47%

LAB 81.88, -80.72, 75.98

 

CMYK 90 / 0 / 81 / 15

HEX #16D828

RGB 22 216 40

HSL 125.57, 0.82%, 0.47%

LAB 75.72, -73.84, 67.26

 

CMYK 79 / 0 / 72 / 23

HEX #2AC538

RGB 42 197 56

HSL 125.42, 0.65%, 0.47%

LAB 69.97, -65.28, 56.63

 

CMYK 66 / 0 / 59 / 31

HEX #3DB148

RGB 61 177 72

HSL 125.69, 0.49%, 0.47%

LAB 64.08, -53.78, 43.56

 

CMYK 49 / 0 / 44 / 38

HEX #519E58

RGB 81 158 88

HSL 125.45, 0.32%, 0.47%

LAB 58.89, -38.99, 29.36

 

CMYK 54 / 0 / 99 / 7

HEX #6CEC03

RGB 108 236 3

HSL 92.96, 0.97%, 0.47%

LAB 83.54, -66.63, 80.27

 

CMYK 81 / 0 / 99 / 7

HEX #2EEC03

RGB 46 236 3

HSL 108.93, 0.97%, 0.47%

LAB 82.15, -78.38, 78.58

 

CMYK 99 / 0 / 91 / 7

HEX #03EC16

RGB 3 236 22

HSL 124.89, 0.97%, 0.47%

LAB 81.88, -80.77, 76.28

 

CMYK 99 / 0 / 64 / 7

HEX #03EC54

RGB 3 236 84

HSL 140.86, 0.97%, 0.47%

LAB 82.19, -76.73, 58.67

 

CMYK 99 / 0 / 38 / 7

HEX #03EC92

RGB 3 236 146

HSL 156.82, 0.97%, 0.47%

LAB 82.96, -67.41, 30.65

 

CMYK 99 / 0 / 90 / 40

HEX #029A10

RGB 2 154 16

HSL 125.53, 0.97%, 0.31%

LAB 55.24, -58.52, 54.48

 

CMYK 99 / 0 / 90 / 24

HEX #02C314

RGB 2 195 20

HSL 125.6, 0.98%, 0.39%

LAB 68.82, -69.87, 65.47

 

CMYK 99 / 0 / 90 / 7

HEX #03EC18

RGB 3 236 24

HSL 125.41, 0.97%, 0.47%

LAB 81.88, -80.72, 75.98

 

CMYK 88 / 0 / 80 / 2

HEX #1DFB31

RGB 29 251 49

HSL 125.41, 0.97%, 0.55%

LAB 86.74, -82.57, 75.14

 

CMYK 72 / 0 / 66 / 1

HEX #46FC56

RGB 70 252 86

HSL 125.27, 0.97%, 0.63%

LAB 87.77, -75.7, 64.17

 

CMYK 98 / 0 / 89 / 8

HEX #04EB19

RGB 4 235 25

HSL 125.45, 0.97%, 0.47%

LAB 81.57, -80.39, 75.57

 

CMYK 99 / 28 / 0 / 7

HEX #03AAEC

RGB 3 170 236

HSL 197, 0.97%, 0.47%

LAB 65.61, -13.04, -43.1

 

CMYK 0 / 99 / 67 / 7

HEX #EC034D

RGB 236 3 77

HSL 340.94, 0.97%, 0.47%

LAB 50.02, 77.08, 27.74

 

CMYK 98 / 0 / 89 / 8

HEX #04EB19

RGB 4 235 25

HSL 125.45, 0.97%, 0.47%

LAB 81.57, -80.39, 75.57

 

CMYK 91 / 99 / 0 / 7

HEX #1603EC

RGB 22 3 236

HSL 244.89, 0.97%, 0.47%

LAB 30.14, 74.33, -100.74

 

CMYK 0 / 91 / 99 / 7

HEX #EC1603

RGB 236 22 3

HSL 4.89, 0.97%, 0.47%

LAB 49.99, 73.57, 62.82

 

CMYK 98 / 0 / 89 / 8

HEX #04EB19

RGB 4 235 25

HSL 125.45, 0.97%, 0.47%

LAB 81.57, -80.39, 75.57

 

CMYK 99 / 28 / 0 / 7

HEX #03AAEC

RGB 3 170 236

HSL 197, 0.97%, 0.47%

LAB 65.61, -13.04, -43.1

 

CMYK 0 / 99 / 8 / 7

HEX #EC03D8

RGB 236 3 216

HSL 305.15, 0.97%, 0.47%

LAB 54.92, 89.74, -47.74

 

CMYK 0 / 71 / 99 / 7

HEX #EC4503

RGB 236 69 3

HSL 17, 0.97%, 0.47%

LAB 54.13, 61.94, 64.72

 

CMYK 98 / 0 / 89 / 8

HEX #04EB19

RGB 4 235 25

HSL 125.45, 0.97%, 0.47%

LAB 81.57, -80.39, 75.57

 

CMYK 99 / 58 / 0 / 7

HEX #0364EC

RGB 3 100 236

HSL 215.02, 0.97%, 0.47%

LAB 45.89, 29.3, -74.69

 

CMYK 0 / 99 / 8 / 7

HEX #EC03D8

RGB 236 3 216

HSL 305.15, 0.97%, 0.47%

LAB 54.92, 89.74, -47.74

 

CMYK 0 / 41 / 99 / 7

HEX #EC8B03

RGB 236 139 3

HSL 35.02, 0.97%, 0.47%

LAB 66.75, 29.63, 72.11

 

Description

Color code: HEX #04EB19 | qconv.com Color code: HEX #04EB19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 235 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 235 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 89 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 89% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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