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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04EAB8 it is the complementary color #FB1547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04EAB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04EAB8 shade: #09EAB3, #1AFCC6, #2BFFD9, #3CFFEC and #4DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04EAB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04EAB8 shade: #04EAB8, #00D8A5, #00C692, #00B47F and #00A26C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04EAB8 shade: #03ECB9, #03EC7A, #03EC3C, #09EC03 and #48EC03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04EAB8 shade: #03ECB9, #03DFEC, #03A1EC, #0362EC and #0323EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04EAB8 shade matches the following richer shades: #03ECB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04EAB8 shade: #03ECB9, #16D8AE, #2AC5A3, #3DB198 and #519E8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04EAB8 shade: #03EC39, #03EC77, #03ECB5, #03E4EC and #03A6EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04EAB8 shade: #029A79, #02C399, #03ECB9, #1DFBCB and #46FCD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04EAB8 shade: #04EAB8, #030BEC and #EC5803

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04EAB8 shade: #04EAB8, #B503EC and #ECB503

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04EAB8 shade: #04EAB8, #030BEC, #EC0339 and #ECE403

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04EAB8 shade: #04EAB8, #4103EC, #EC0339 and #AEEC03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 21 / 8

HEX #04EAB8

RGB 4 234 184

HSL 166.96, 0.97%, 0.47%

LAB 83.09, -58.37, 11.21

 

Complementary color

CMYK 0 / 92 / 72 / 2

HEX #FB1547

RGB 251 21 71

HSL 346.96, 0.97%, 0.53%

LAB 53.49, 78.83, 36.26

 

CMYK 96 / 0 / 24 / 8

HEX #09EAB3

RGB 9 234 179

HSL 165.33, 0.93%, 0.48%

LAB 83, -59.43, 13.7

 

CMYK 90 / 0 / 21 / 1

HEX #1AFCC6

RGB 26 252 198

HSL 165.66, 0.97%, 0.55%

LAB 88.88, -61.15, 12.17

 

CMYK 83 / 0 / 15 / 0

HEX #2BFFD9

RGB 43 255 217

HSL 169.25, 1%, 0.58%

LAB 90.34, -56.69, 4.46

 

CMYK 76 / 0 / 7 / 0

HEX #3CFFEC

RGB 60 255 236

HSL 174.15, 1%, 0.62%

LAB 91.02, -50.38, -4.37

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 98 / 0 / 21 / 8

HEX #04EAB8

RGB 4 234 184

HSL 166.96, 0.97%, 0.47%

LAB 83.09, -58.37, 11.21

 

CMYK 100 / 0 / 24 / 15

HEX #00D8A5

RGB 0 216 165

HSL 165.83, 1%, 0.42%

LAB 77.18, -56.18, 12.85

 

CMYK 100 / 0 / 26 / 22

HEX #00C692

RGB 0 198 146

HSL 164.24, 1%, 0.39%

LAB 71.19, -53.83, 14.57

 

CMYK 100 / 0 / 29 / 29

HEX #00B47F

RGB 0 180 127

HSL 162.33, 1%, 0.35%

LAB 65.1, -51.43, 16.37

 

CMYK 100 / 0 / 33 / 36

HEX #00A26C

RGB 0 162 108

HSL 160, 1%, 0.32%

LAB 58.9, -48.94, 18.25

 

CMYK 99 / 0 / 22 / 7

HEX #03ECB9

RGB 3 236 185

HSL 166.87, 0.97%, 0.47%

LAB 83.71, -58.91, 11.57

 

CMYK 99 / 0 / 48 / 7

HEX #03EC7A

RGB 3 236 122

HSL 150.64, 0.97%, 0.47%

LAB 82.6, -71.66, 42.07

 

CMYK 99 / 0 / 75 / 7

HEX #03EC3C

RGB 3 236 60

HSL 134.68, 0.97%, 0.47%

LAB 82.02, -78.89, 67.35

 

CMYK 96 / 0 / 99 / 7

HEX #09EC03

RGB 9 236 3

HSL 118.45, 0.97%, 0.47%

LAB 81.87, -80.94, 78.23

 

CMYK 69 / 0 / 99 / 7

HEX #48EC03

RGB 72 236 3

HSL 102.23, 0.97%, 0.47%

LAB 82.58, -74.62, 79.1

 

CMYK 99 / 0 / 22 / 7

HEX #03ECB9

RGB 3 236 185

HSL 166.87, 0.97%, 0.47%

LAB 83.71, -58.91, 11.57

 

CMYK 99 / 6 / 0 / 7

HEX #03DFEC

RGB 3 223 236

HSL 183.35, 0.97%, 0.47%

LAB 81.21, -39.49, -19.06

 

CMYK 99 / 32 / 0 / 7

HEX #03A1EC

RGB 3 161 236

HSL 199.31, 0.97%, 0.47%

LAB 62.98, -8.05, -47.24

 

CMYK 99 / 58 / 0 / 7

HEX #0362EC

RGB 3 98 236

HSL 215.54, 0.97%, 0.47%

LAB 45.37, 30.58, -75.54

 

CMYK 99 / 85 / 0 / 7

HEX #0323EC

RGB 3 35 236

HSL 231.76, 0.97%, 0.47%

LAB 32.43, 66.05, -96.92

 

CMYK 99 / 0 / 22 / 7

HEX #03ECB9

RGB 3 236 185

HSL 166.87, 0.97%, 0.47%

LAB 83.71, -58.91, 11.57

 

CMYK 99 / 0 / 22 / 7

HEX #03ECB9

RGB 3 236 185

HSL 166.87, 0.97%, 0.47%

LAB 83.71, -58.91, 11.57

 

CMYK 90 / 0 / 19 / 15

HEX #16D8AE

RGB 22 216 174

HSL 167.01, 0.82%, 0.47%

LAB 77.48, -53.21, 8.51

 

CMYK 79 / 0 / 17 / 23

HEX #2AC5A3

RGB 42 197 163

HSL 166.84, 0.65%, 0.47%

LAB 71.6, -46.77, 6.01

 

CMYK 66 / 0 / 14 / 31

HEX #3DB198

RGB 61 177 152

HSL 167.07, 0.49%, 0.47%

LAB 65.52, -38.38, 3.31

 

CMYK 49 / 0 / 11 / 38

HEX #519E8D

RGB 81 158 141

HSL 166.75, 0.32%, 0.47%

LAB 60, -28.1, 1.55

 

CMYK 99 / 0 / 76 / 7

HEX #03EC39

RGB 3 236 57

HSL 133.91, 0.97%, 0.47%

LAB 82, -79.11, 68.29

 

CMYK 99 / 0 / 50 / 7

HEX #03EC77

RGB 3 236 119

HSL 149.87, 0.97%, 0.47%

LAB 82.56, -72.13, 43.46

 

CMYK 99 / 0 / 23 / 7

HEX #03ECB5

RGB 3 236 181

HSL 165.84, 0.97%, 0.47%

LAB 83.62, -59.87, 13.53

 

CMYK 99 / 3 / 0 / 7

HEX #03E4EC

RGB 3 228 236

HSL 182.06, 0.97%, 0.47%

LAB 82.68, -41.74, -16.85

 

CMYK 99 / 30 / 0 / 7

HEX #03A6EC

RGB 3 166 236

HSL 198.03, 0.97%, 0.47%

LAB 64.44, -10.84, -44.94

 

CMYK 99 / 0 / 21 / 40

HEX #029A79

RGB 2 154 121

HSL 166.97, 0.97%, 0.31%

LAB 56.59, -42.49, 7.75

 

CMYK 99 / 0 / 22 / 24

HEX #02C399

RGB 2 195 153

HSL 166.94, 0.98%, 0.39%

LAB 70.42, -50.89, 9.7

 

CMYK 99 / 0 / 22 / 7

HEX #03ECB9

RGB 3 236 185

HSL 166.87, 0.97%, 0.47%

LAB 83.71, -58.91, 11.57

 

CMYK 88 / 0 / 19 / 2

HEX #1DFBCB

RGB 29 251 203

HSL 167.03, 0.97%, 0.55%

LAB 88.72, -59.42, 9.35

 

CMYK 72 / 0 / 16 / 1

HEX #46FCD4

RGB 70 252 212

HSL 166.81, 0.97%, 0.63%

LAB 89.71, -54.12, 6.18

 

CMYK 98 / 0 / 21 / 8

HEX #04EAB8

RGB 4 234 184

HSL 166.96, 0.97%, 0.47%

LAB 83.09, -58.37, 11.21

 

CMYK 99 / 95 / 0 / 7

HEX #030BEC

RGB 3 11 236

HSL 237.94, 0.97%, 0.47%

LAB 30.19, 72.87, -100.65

 

CMYK 0 / 63 / 99 / 7

HEX #EC5803

RGB 236 88 3

HSL 21.89, 0.97%, 0.47%

LAB 56.9, 54.44, 66.18

 

CMYK 98 / 0 / 21 / 8

HEX #04EAB8

RGB 4 234 184

HSL 166.96, 0.97%, 0.47%

LAB 83.09, -58.37, 11.21

 

CMYK 23 / 99 / 0 / 7

HEX #B503EC

RGB 181 3 236

HSL 285.84, 0.97%, 0.47%

LAB 46.9, 84.6, -72.49

 

CMYK 0 / 23 / 99 / 7

HEX #ECB503

RGB 236 181 3

HSL 45.84, 0.97%, 0.47%

LAB 76.61, 7.47, 78.75

 

CMYK 98 / 0 / 21 / 8

HEX #04EAB8

RGB 4 234 184

HSL 166.96, 0.97%, 0.47%

LAB 83.09, -58.37, 11.21

 

CMYK 99 / 95 / 0 / 7

HEX #030BEC

RGB 3 11 236

HSL 237.94, 0.97%, 0.47%

LAB 30.19, 72.87, -100.65

 

CMYK 0 / 99 / 76 / 7

HEX #EC0339

RGB 236 3 57

HSL 346.09, 0.97%, 0.47%

LAB 49.73, 76.3, 39.31

 

CMYK 0 / 3 / 99 / 7

HEX #ECE403

RGB 236 228 3

HSL 57.94, 0.97%, 0.47%

LAB 88.6, -16.42, 87.33

 

CMYK 98 / 0 / 21 / 8

HEX #04EAB8

RGB 4 234 184

HSL 166.96, 0.97%, 0.47%

LAB 83.09, -58.37, 11.21

 

CMYK 72 / 99 / 0 / 7

HEX #4103EC

RGB 65 3 236

HSL 255.97, 0.97%, 0.47%

LAB 32.36, 75.21, -96.97

 

CMYK 0 / 99 / 76 / 7

HEX #EC0339

RGB 236 3 57

HSL 346.09, 0.97%, 0.47%

LAB 49.73, 76.3, 39.31

 

CMYK 26 / 0 / 99 / 7

HEX #AEEC03

RGB 174 236 3

HSL 75.97, 0.97%, 0.47%

LAB 86.5, -45.13, 83.86

 

Description

Color code: HEX #04EAB8 | qconv.com Color code: HEX #04EAB8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 234 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 234 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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