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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04D69B it is the complementary color #FB2964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04D69B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04D69B shade: #09D696, #1AE8A9, #2BFABC, #3CFFCF and #4DFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04D69B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04D69B shade: #04D69B, #00C488, #00B275, #00A062 and #008E4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04D69B shade: #04D69B, #04D662, #04D62A, #17D604 and #50D604

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04D69B shade: #04D69B, #04D6D4, #04A0D6, #0467D6 and #042ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04D69B shade matches the following richer shades: #04D69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04D69B shade: #04D69B, #16C593, #27B38C, #39A184 and #4B8F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04D69B shade: #04D62A, #04D663, #04D69B, #04D6D3 and #04A2D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04D69B shade: #028661, #03AE7E, #04D69B, #0AFAB6 and #32FAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04D69B shade: #04D69B, #0415D6 and #D64704

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04D69B shade: #04D69B, #9B04D6 and #D69B04

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04D69B shade: #04D69B, #0415D6, #D60440 and #D6C504

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04D69B shade: #04D69B, #3204D6, #D60440 and #A9D604

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

Complementary color

CMYK 0 / 84 / 60 / 2

HEX #FB2964

RGB 251 41 100

HSL 343.14, 0.96%, 0.57%

LAB 55.09, 77.06, 21.05

 

CMYK 96 / 0 / 30 / 16

HEX #09D696

RGB 9 214 150

HSL 161.27, 0.92%, 0.44%

LAB 76.29, -58.62, 19.54

 

CMYK 89 / 0 / 27 / 9

HEX #1AE8A9

RGB 26 232 169

HSL 161.65, 0.82%, 0.51%

LAB 82.27, -60.33, 17.91

 

CMYK 83 / 0 / 25 / 2

HEX #2BFABC

RGB 43 250 188

HSL 162.03, 0.95%, 0.57%

LAB 88.22, -61.66, 16.41

 

CMYK 76 / 0 / 19 / 0

HEX #3CFFCF

RGB 60 255 207

HSL 165.23, 1%, 0.62%

LAB 90.32, -57.65, 9.61

 

CMYK 70 / 0 / 11 / 0

HEX #4DFFE2

RGB 77 255 226

HSL 170.22, 1%, 0.65%

LAB 91.05, -51.04, 0.88

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 100 / 0 / 31 / 23

HEX #00C488

RGB 0 196 136

HSL 161.63, 1%, 0.38%

LAB 70.36, -55.39, 18.77

 

CMYK 100 / 0 / 34 / 30

HEX #00B275

RGB 0 178 117

HSL 159.44, 1%, 0.35%

LAB 64.26, -52.93, 20.64

 

CMYK 100 / 0 / 39 / 37

HEX #00A062

RGB 0 160 98

HSL 156.75, 1%, 0.31%

LAB 58.06, -50.38, 22.59

 

CMYK 100 / 0 / 44 / 44

HEX #008E4F

RGB 0 142 79

HSL 153.38, 1%, 0.28%

LAB 51.74, -47.68, 24.62

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 98 / 0 / 54 / 16

HEX #04D662

RGB 4 214 98

HSL 146.86, 0.96%, 0.43%

LAB 75.45, -68.37, 44.7

 

CMYK 98 / 0 / 80 / 16

HEX #04D62A

RGB 4 214 42

HSL 130.86, 0.96%, 0.43%

LAB 75.01, -73.99, 66.02

 

CMYK 89 / 0 / 98 / 16

HEX #17D604

RGB 23 214 4

HSL 114.57, 0.96%, 0.43%

LAB 75, -74.39, 72.62

 

CMYK 63 / 0 / 98 / 16

HEX #50D604

RGB 80 214 4

HSL 98.29, 0.96%, 0.43%

LAB 75.95, -66.13, 73.78

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 98 / 0 / 1 / 16

HEX #04D6D4

RGB 4 214 212

HSL 179.43, 0.96%, 0.43%

LAB 77.8, -42.61, -11.38

 

CMYK 98 / 25 / 0 / 16

HEX #04A0D6

RGB 4 160 214

HSL 195.43, 0.96%, 0.43%

LAB 61.67, -15.48, -37.12

 

CMYK 98 / 52 / 0 / 16

HEX #0467D6

RGB 4 103 214

HSL 211.71, 0.96%, 0.43%

LAB 45.06, 18.75, -63.59

 

CMYK 98 / 79 / 0 / 16

HEX #042ED6

RGB 4 46 214

HSL 228, 0.96%, 0.43%

LAB 31.43, 54.27, -85.97

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 89 / 0 / 25 / 23

HEX #16C593

RGB 22 197 147

HSL 162.86, 0.8%, 0.43%

LAB 71.02, -52.32, 13.8

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 65 / 0 / 18 / 37

HEX #39A184

RGB 57 161 132

HSL 163.27, 0.48%, 0.43%

LAB 59.91, -36.93, 6.39

 

CMYK 48 / 0 / 13 / 44

HEX #4B8F7C

RGB 75 143 124

HSL 163.24, 0.31%, 0.43%

LAB 54.65, -26.4, 3.46

 

CMYK 98 / 0 / 80 / 16

HEX #04D62A

RGB 4 214 42

HSL 130.86, 0.96%, 0.43%

LAB 75.01, -73.99, 66.02

 

CMYK 98 / 0 / 54 / 16

HEX #04D663

RGB 4 214 99

HSL 147.14, 0.96%, 0.43%

LAB 75.46, -68.22, 44.24

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 98 / 0 / 1 / 16

HEX #04D6D3

RGB 4 214 211

HSL 179.14, 0.96%, 0.43%

LAB 77.77, -42.9, -10.89

 

CMYK 98 / 24 / 0 / 16

HEX #04A2D6

RGB 4 162 214

HSL 194.86, 0.96%, 0.43%

LAB 62.27, -16.56, -36.19

 

CMYK 99 / 0 / 28 / 47

HEX #028661

RGB 2 134 97

HSL 163.18, 0.97%, 0.27%

LAB 49.41, -40.44, 11.33

 

CMYK 98 / 0 / 28 / 32

HEX #03AE7E

RGB 3 174 126

HSL 163.16, 0.97%, 0.35%

LAB 63.18, -49.23, 14.24

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 96 / 0 / 27 / 2

HEX #0AFAB6

RGB 10 250 182

HSL 163, 0.96%, 0.51%

LAB 87.88, -64.65, 18.99

 

CMYK 80 / 0 / 22 / 2

HEX #32FAC2

RGB 50 250 194

HSL 163.2, 0.95%, 0.59%

LAB 88.42, -59.71, 13.61

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 98 / 90 / 0 / 16

HEX #0415D6

RGB 4 21 214

HSL 235.14, 0.96%, 0.43%

LAB 27.89, 64.78, -91.87

 

CMYK 0 / 67 / 98 / 16

HEX #D64704

RGB 214 71 4

HSL 19.14, 0.96%, 0.43%

LAB 50.47, 53.97, 60.42

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 28 / 98 / 0 / 16

HEX #9B04D6

RGB 155 4 214

HSL 283.14, 0.96%, 0.43%

LAB 41.07, 77.31, -69.62

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 98 / 90 / 0 / 16

HEX #0415D6

RGB 4 21 214

HSL 235.14, 0.96%, 0.43%

LAB 27.89, 64.78, -91.87

 

CMYK 0 / 98 / 70 / 16

HEX #D60440

RGB 214 4 64

HSL 342.86, 0.96%, 0.43%

LAB 45.29, 71.24, 28.8

 

CMYK 0 / 8 / 98 / 16

HEX #D6C504

RGB 214 197 4

HSL 55.14, 0.96%, 0.43%

LAB 78.6, -10.36, 79.1

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 77 / 98 / 0 / 16

HEX #3204D6

RGB 50 4 214

HSL 253.14, 0.96%, 0.43%

LAB 28.43, 69.33, -90.92

 

CMYK 0 / 98 / 70 / 16

HEX #D60440

RGB 214 4 64

HSL 342.86, 0.96%, 0.43%

LAB 45.29, 71.24, 28.8

 

CMYK 21 / 0 / 98 / 16

HEX #A9D604

RGB 169 214 4

HSL 72.86, 0.96%, 0.43%

LAB 79.92, -37.41, 78.59

 

Description

Color code: HEX #04D69B | qconv.com Color code: HEX #04D69B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 214 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 214 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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