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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04AE3D it is the complementary color #FB51C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04AE3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04AE3D shade: #09AE38, #1AC04B, #2BD25E, #3CE471 and #4DF684

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04AE3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04AE3D shade: #04AE3D, #009C2A, #008A17, #007804 and #006600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04AE3D shade: #03AE3D, #03AE0E, #26AE03, #54AE03 and #82AE03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04AE3D shade: #03AE3D, #03AE6B, #03AE99, #0396AE and #0367AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04AE3D shade matches the following richer shades: #03AE3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04AE3D shade: #03AE3D, #12A041, #209246, #2E834B and #3D7550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04AE3D shade: #25AE03, #03AE0E, #03AE3C, #03AE6A and #03AE98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04AE3D shade: #015E20, #02862E, #03AE3D, #04D74B and #0AFA5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04AE3D shade: #04AE3D, #0353AE and #AE030E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04AE3D shade: #04AE3D, #3C03AE and #AE3C03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04AE3D shade: #04AE3D, #0353AE, #AE0375 and #AE5E03

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04AE3D shade: #04AE3D, #0320AE, #AE0375 and #AE9203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 65 / 32

HEX #04AE3D

RGB 4 174 61

HSL 140.12, 0.96%, 0.35%

LAB 62.2, -60.82, 46.17

 

Complementary color

CMYK 0 / 68 / 23 / 2

HEX #FB51C2

RGB 251 81 194

HSL 320.12, 0.96%, 0.65%

LAB 61.9, 74.36, -24.11

 

CMYK 95 / 0 / 68 / 32

HEX #09AE38

RGB 9 174 56

HSL 137.09, 0.9%, 0.36%

LAB 62.18, -61.13, 48.29

 

CMYK 86 / 0 / 61 / 25

HEX #1AC04B

RGB 26 192 75

HSL 137.71, 0.76%, 0.43%

LAB 68.33, -63.43, 46.94

 

CMYK 80 / 0 / 55 / 18

HEX #2BD25E

RGB 43 210 94

HSL 138.32, 0.66%, 0.5%

LAB 74.45, -65.05, 45.45

 

CMYK 74 / 0 / 50 / 11

HEX #3CE471

RGB 60 228 113

HSL 138.93, 0.76%, 0.56%

LAB 80.54, -66.16, 43.93

 

CMYK 69 / 0 / 46 / 4

HEX #4DF684

RGB 77 246 132

HSL 139.53, 0.9%, 0.63%

LAB 86.58, -66.9, 42.44

 

CMYK 98 / 0 / 65 / 32

HEX #04AE3D

RGB 4 174 61

HSL 140.12, 0.96%, 0.35%

LAB 62.2, -60.82, 46.17

 

CMYK 100 / 0 / 73 / 39

HEX #009C2A

RGB 0 156 42

HSL 136.15, 1%, 0.31%

LAB 56.03, -57.53, 47.4

 

CMYK 100 / 0 / 83 / 46

HEX #008A17

RGB 0 138 23

HSL 130, 1%, 0.27%

LAB 49.78, -53.62, 47.81

 

CMYK 100 / 0 / 97 / 53

HEX #007804

RGB 0 120 4

HSL 122, 1%, 0.24%

LAB 43.42, -49.19, 46.73

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 98 / 0 / 65 / 32

HEX #03AE3D

RGB 3 174 61

HSL 140.35, 0.97%, 0.35%

LAB 62.19, -60.87, 46.16

 

CMYK 98 / 0 / 92 / 32

HEX #03AE0E

RGB 3 174 14

HSL 123.86, 0.97%, 0.35%

LAB 61.93, -64.2, 60.59

 

CMYK 78 / 0 / 98 / 32

HEX #26AE03

RGB 38 174 3

HSL 107.72, 0.97%, 0.35%

LAB 62.25, -61.47, 62.49

 

CMYK 52 / 0 / 98 / 32

HEX #54AE03

RGB 84 174 3

HSL 91.58, 0.97%, 0.35%

LAB 63.48, -51.21, 63.99

 

CMYK 25 / 0 / 98 / 32

HEX #82AE03

RGB 130 174 3

HSL 75.44, 0.97%, 0.35%

LAB 65.77, -34.85, 66.77

 

CMYK 98 / 0 / 65 / 32

HEX #03AE3D

RGB 3 174 61

HSL 140.35, 0.97%, 0.35%

LAB 62.19, -60.87, 46.16

 

CMYK 98 / 0 / 39 / 32

HEX #03AE6B

RGB 3 174 107

HSL 156.49, 0.97%, 0.35%

LAB 62.8, -53.46, 24.06

 

CMYK 98 / 0 / 12 / 32

HEX #03AE99

RGB 3 174 153

HSL 172.63, 0.97%, 0.35%

LAB 63.83, -42.19, 0.21

 

CMYK 98 / 14 / 0 / 32

HEX #0396AE

RGB 3 150 174

HSL 188.42, 0.97%, 0.35%

LAB 56.97, -24.31, -21.91

 

CMYK 98 / 41 / 0 / 32

HEX #0367AE

RGB 3 103 174

HSL 204.91, 0.97%, 0.35%

LAB 42.42, 2.63, -44.68

 

CMYK 98 / 0 / 65 / 32

HEX #03AE3D

RGB 3 174 61

HSL 140.35, 0.97%, 0.35%

LAB 62.19, -60.87, 46.16

 

CMYK 98 / 0 / 65 / 32

HEX #03AE3D

RGB 3 174 61

HSL 140.35, 0.97%, 0.35%

LAB 62.19, -60.87, 46.16

 

CMYK 89 / 0 / 59 / 37

HEX #12A041

RGB 18 160 65

HSL 139.86, 0.8%, 0.35%

LAB 57.71, -55.06, 39.23

 

CMYK 78 / 0 / 52 / 43

HEX #209246

RGB 32 146 70

HSL 140, 0.64%, 0.35%

LAB 53.28, -47.94, 31.45

 

CMYK 65 / 0 / 43 / 49

HEX #2E834B

RGB 46 131 75

HSL 140.47, 0.48%, 0.35%

LAB 48.66, -38.71, 22.95

 

CMYK 48 / 0 / 32 / 54

HEX #3D7550

RGB 61 117 80

HSL 140.36, 0.31%, 0.35%

LAB 44.65, -27.5, 14.83

 

CMYK 79 / 0 / 98 / 32

HEX #25AE03

RGB 37 174 3

HSL 108.07, 0.97%, 0.35%

LAB 62.23, -61.61, 62.47

 

CMYK 98 / 0 / 92 / 32

HEX #03AE0E

RGB 3 174 14

HSL 123.86, 0.97%, 0.35%

LAB 61.93, -64.2, 60.59

 

CMYK 98 / 0 / 66 / 32

HEX #03AE3C

RGB 3 174 60

HSL 140, 0.97%, 0.35%

LAB 62.18, -60.98, 46.59

 

CMYK 98 / 0 / 39 / 32

HEX #03AE6A

RGB 3 174 106

HSL 156.14, 0.97%, 0.35%

LAB 62.79, -53.67, 24.58

 

CMYK 98 / 0 / 13 / 32

HEX #03AE98

RGB 3 174 152

HSL 172.28, 0.97%, 0.35%

LAB 63.8, -42.47, 0.73

 

CMYK 99 / 0 / 66 / 63

HEX #015E20

RGB 1 94 32

HSL 140, 0.98%, 0.19%

LAB 34.22, -38.65, 28.22

 

CMYK 99 / 0 / 66 / 47

HEX #02862E

RGB 2 134 46

HSL 140, 0.97%, 0.27%

LAB 48.59, -50.13, 37.7

 

CMYK 98 / 0 / 65 / 32

HEX #03AE3D

RGB 3 174 61

HSL 140.35, 0.97%, 0.35%

LAB 62.19, -60.87, 46.16

 

CMYK 98 / 0 / 65 / 16

HEX #04D74B

RGB 4 215 75

HSL 140.19, 0.96%, 0.43%

LAB 75.54, -71.56, 55.01

 

CMYK 96 / 0 / 64 / 2

HEX #0AFA5B

RGB 10 250 91

HSL 140.25, 0.96%, 0.51%

LAB 86.6, -79.81, 60.71

 

CMYK 98 / 0 / 65 / 32

HEX #04AE3D

RGB 4 174 61

HSL 140.12, 0.96%, 0.35%

LAB 62.2, -60.82, 46.17

 

CMYK 98 / 52 / 0 / 32

HEX #0353AE

RGB 3 83 174

HSL 211.93, 0.97%, 0.35%

LAB 36.48, 15.74, -54.24

 

CMYK 0 / 98 / 92 / 32

HEX #AE030E

RGB 174 3 14

HSL 356.14, 0.97%, 0.35%

LAB 36.17, 59.95, 44.88

 

CMYK 98 / 0 / 65 / 32

HEX #04AE3D

RGB 4 174 61

HSL 140.12, 0.96%, 0.35%

LAB 62.2, -60.82, 46.17

 

CMYK 66 / 98 / 0 / 32

HEX #3C03AE

RGB 60 3 174

HSL 260, 0.97%, 0.35%

LAB 23.94, 60.18, -74.77

 

CMYK 0 / 66 / 98 / 32

HEX #AE3C03

RGB 174 60 3

HSL 20, 0.97%, 0.35%

LAB 41.59, 44.57, 51.97

 

CMYK 98 / 0 / 65 / 32

HEX #04AE3D

RGB 4 174 61

HSL 140.12, 0.96%, 0.35%

LAB 62.2, -60.82, 46.17

 

CMYK 98 / 52 / 0 / 32

HEX #0353AE

RGB 3 83 174

HSL 211.93, 0.97%, 0.35%

LAB 36.48, 15.74, -54.24

 

CMYK 0 / 98 / 33 / 32

HEX #AE0375

RGB 174 3 117

HSL 320, 0.97%, 0.35%

LAB 38.46, 66.08, -15.33

 

CMYK 0 / 46 / 98 / 32

HEX #AE5E03

RGB 174 94 3

HSL 31.93, 0.97%, 0.35%

LAB 48.27, 27.49, 56.03

 

CMYK 98 / 0 / 65 / 32

HEX #04AE3D

RGB 4 174 61

HSL 140.12, 0.96%, 0.35%

LAB 62.2, -60.82, 46.17

 

CMYK 98 / 82 / 0 / 32

HEX #0320AE

RGB 3 32 174

HSL 229.82, 0.97%, 0.35%

LAB 24.03, 48.35, -74.71

 

CMYK 0 / 98 / 33 / 32

HEX #AE0375

RGB 174 3 117

HSL 320, 0.97%, 0.35%

LAB 38.46, 66.08, -15.33

 

CMYK 0 / 16 / 98 / 32

HEX #AE9203

RGB 174 146 3

HSL 50.18, 0.97%, 0.35%

LAB 61.28, -1.38, 64.97

 

Description

Color code: HEX #04AE3D | qconv.com Color code: HEX #04AE3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 174 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 174 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 65 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 65% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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