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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #04A5B7 it is the complementary color #FB5A48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #04A5B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #04A5B7 shade: #09A5B2, #1AB7C5, #2BC9D8, #3CDBEB and #4DEDFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #04A5B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #04A5B7 shade: #04A5B7, #0093A4, #008191, #006F7E and #005D6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #04A5B7 shade: #03A6B8, #0375B8, #0345B8, #0314B8 and #2403B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #04A5B7 shade: #03A6B8, #0375B8, #0345B8, #0314B8 and #0303B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #04A5B7 shade matches the following richer shades: #03A6B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #04A5B7 shade: #03A6B8, #139AA9, #228E9A, #31828B and #40757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #04A5B7 shade: #03B86A, #03B89A, #03A6B8, #0376B8 and #0346B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #04A5B7 shade: #025D68, #028290, #03A6B8, #04CBE1 and #14E3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #04A5B7 shade: #04A5B7, #3A03B8 and #B88203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #04A5B7 shade: #04A5B7, #B803A6 and #A6B803

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #04A5B7 shade: #04A5B7, #3A03B8, #B81503 and #82B803

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #04A5B7 shade: #04A5B7, #7003B8, #B81503 and #4CB803

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 10 / 0 / 28

HEX #04A5B7

RGB 4 165 183

HSL 186.03, 0.96%, 0.37%

LAB 61.96, -28.79, -19.37

 

Complementary color

CMYK 0 / 64 / 71 / 2

HEX #FB5A48

RGB 251 90 72

HSL 6.03, 0.96%, 0.63%

LAB 60.15, 60.34, 43.4

 

CMYK 95 / 7 / 0 / 30

HEX #09A5B2

RGB 9 165 178

HSL 184.62, 0.9%, 0.37%

LAB 61.81, -30.25, -16.79

 

CMYK 87 / 7 / 0 / 23

HEX #1AB7C5

RGB 26 183 197

HSL 184.91, 0.77%, 0.44%

LAB 68.11, -32.08, -17.79

 

CMYK 80 / 7 / 0 / 15

HEX #2BC9D8

RGB 43 201 216

HSL 185.2, 0.69%, 0.51%

LAB 74.35, -33.52, -18.7

 

CMYK 74 / 7 / 0 / 8

HEX #3CDBEB

RGB 60 219 235

HSL 185.49, 0.81%, 0.58%

LAB 80.53, -34.66, -19.51

 

CMYK 70 / 7 / 0 / 0

HEX #4DEDFE

RGB 77 237 254

HSL 185.76, 0.99%, 0.65%

LAB 86.65, -35.55, -20.25

 

CMYK 98 / 10 / 0 / 28

HEX #04A5B7

RGB 4 165 183

HSL 186.03, 0.96%, 0.37%

LAB 61.96, -28.79, -19.37

 

CMYK 100 / 10 / 0 / 36

HEX #0093A4

RGB 0 147 164

HSL 186.22, 1%, 0.32%

LAB 55.63, -26.3, -18.25

 

CMYK 100 / 11 / 0 / 43

HEX #008191

RGB 0 129 145

HSL 186.62, 1%, 0.28%

LAB 49.19, -23.61, -17.07

 

CMYK 100 / 12 / 0 / 51

HEX #006F7E

RGB 0 111 126

HSL 187.14, 1%, 0.25%

LAB 42.57, -20.84, -15.88

 

CMYK 100 / 13 / 0 / 58

HEX #005D6B

RGB 0 93 107

HSL 187.85, 1%, 0.21%

LAB 35.77, -17.97, -14.67

 

CMYK 98 / 10 / 0 / 28

HEX #03A6B8

RGB 3 166 184

HSL 185.97, 0.97%, 0.37%

LAB 62.3, -28.99, -19.41

 

CMYK 98 / 36 / 0 / 28

HEX #0375B8

RGB 3 117 184

HSL 202.21, 0.97%, 0.37%

LAB 47.24, -2.08, -42.84

 

CMYK 98 / 63 / 0 / 28

HEX #0345B8

RGB 3 69 184

HSL 218.12, 0.97%, 0.37%

LAB 33.43, 29.26, -65.14

 

CMYK 98 / 89 / 0 / 28

HEX #0314B8

RGB 3 20 184

HSL 234.36, 0.97%, 0.37%

LAB 23.61, 56.67, -81.4

 

CMYK 80 / 98 / 0 / 28

HEX #2403B8

RGB 36 3 184

HSL 250.94, 0.97%, 0.37%

LAB 23.34, 61.75, -81.81

 

CMYK 98 / 10 / 0 / 28

HEX #03A6B8

RGB 3 166 184

HSL 185.97, 0.97%, 0.37%

LAB 62.3, -28.99, -19.41

 

CMYK 98 / 36 / 0 / 28

HEX #0375B8

RGB 3 117 184

HSL 202.21, 0.97%, 0.37%

LAB 47.24, -2.08, -42.84

 

CMYK 98 / 63 / 0 / 28

HEX #0345B8

RGB 3 69 184

HSL 218.12, 0.97%, 0.37%

LAB 33.43, 29.26, -65.14

 

CMYK 98 / 89 / 0 / 28

HEX #0314B8

RGB 3 20 184

HSL 234.36, 0.97%, 0.37%

LAB 23.61, 56.67, -81.4

 

CMYK 98 / 98 / 0 / 28

HEX #0303B8

RGB 3 3 184

HSL 240, 0.97%, 0.37%

LAB 22.11, 61.27, -83.9

 

CMYK 98 / 10 / 0 / 28

HEX #03A6B8

RGB 3 166 184

HSL 185.97, 0.97%, 0.37%

LAB 62.3, -28.99, -19.41

 

CMYK 98 / 10 / 0 / 28

HEX #03A6B8

RGB 3 166 184

HSL 185.97, 0.97%, 0.37%

LAB 62.3, -28.99, -19.41

 

CMYK 89 / 9 / 0 / 34

HEX #139AA9

RGB 19 154 169

HSL 186, 0.8%, 0.37%

LAB 58.15, -27.31, -17.26

 

CMYK 78 / 8 / 0 / 40

HEX #228E9A

RGB 34 142 154

HSL 186, 0.64%, 0.37%

LAB 54.05, -24.9, -14.88

 

CMYK 65 / 6 / 0 / 45

HEX #31828B

RGB 49 130 139

HSL 186, 0.48%, 0.37%

LAB 50.08, -21.32, -12.13

 

CMYK 48 / 5 / 0 / 52

HEX #40757B

RGB 64 117 123

HSL 186.1, 0.32%, 0.37%

LAB 45.96, -15.9, -8.8

 

CMYK 98 / 0 / 42 / 28

HEX #03B86A

RGB 3 184 106

HSL 154.14, 0.97%, 0.37%

LAB 66.01, -57.21, 28.83

 

CMYK 98 / 0 / 16 / 28

HEX #03B89A

RGB 3 184 154

HSL 170.06, 0.97%, 0.37%

LAB 67, -46.14, 4.26

 

CMYK 98 / 10 / 0 / 28

HEX #03A6B8

RGB 3 166 184

HSL 185.97, 0.97%, 0.37%

LAB 62.3, -28.99, -19.41

 

CMYK 98 / 36 / 0 / 28

HEX #0376B8

RGB 3 118 184

HSL 201.88, 0.97%, 0.37%

LAB 47.54, -2.69, -42.36

 

CMYK 98 / 62 / 0 / 28

HEX #0346B8

RGB 3 70 184

HSL 217.79, 0.97%, 0.37%

LAB 33.69, 28.59, -64.71

 

CMYK 98 / 11 / 0 / 59

HEX #025D68

RGB 2 93 104

HSL 186.47, 0.96%, 0.21%

LAB 35.68, -18.93, -12.95

 

CMYK 99 / 10 / 0 / 44

HEX #028290

RGB 2 130 144

HSL 185.92, 0.97%, 0.29%

LAB 49.49, -24.38, -16.02

 

CMYK 98 / 10 / 0 / 28

HEX #03A6B8

RGB 3 166 184

HSL 185.97, 0.97%, 0.37%

LAB 62.3, -28.99, -19.41

 

CMYK 98 / 10 / 0 / 12

HEX #04CBE1

RGB 4 203 225

HSL 185.97, 0.97%, 0.45%

LAB 74.93, -33.59, -22.7

 

CMYK 92 / 9 / 0 / 2

HEX #14E3FA

RGB 20 227 250

HSL 186, 0.96%, 0.53%

LAB 82.91, -36.59, -23.9

 

CMYK 98 / 10 / 0 / 28

HEX #04A5B7

RGB 4 165 183

HSL 186.03, 0.96%, 0.37%

LAB 61.96, -28.79, -19.37

 

CMYK 68 / 98 / 0 / 28

HEX #3A03B8

RGB 58 3 184

HSL 258.23, 0.97%, 0.37%

LAB 25.03, 62.52, -78.95

 

CMYK 0 / 29 / 98 / 28

HEX #B88203

RGB 184 130 3

HSL 42.1, 0.97%, 0.37%

LAB 58.19, 11.98, 63.3

 

CMYK 98 / 10 / 0 / 28

HEX #04A5B7

RGB 4 165 183

HSL 186.03, 0.96%, 0.37%

LAB 61.96, -28.79, -19.37

 

CMYK 0 / 98 / 10 / 28

HEX #B803A6

RGB 184 3 166

HSL 305.97, 0.97%, 0.37%

LAB 42.78, 74.05, -38.45

 

CMYK 10 / 0 / 98 / 28

HEX #A6B803

RGB 166 184 3

HSL 65.97, 0.97%, 0.37%

LAB 71.14, -24.61, 71.94

 

CMYK 98 / 10 / 0 / 28

HEX #04A5B7

RGB 4 165 183

HSL 186.03, 0.96%, 0.37%

LAB 61.96, -28.79, -19.37

 

CMYK 68 / 98 / 0 / 28

HEX #3A03B8

RGB 58 3 184

HSL 258.23, 0.97%, 0.37%

LAB 25.03, 62.52, -78.95

 

CMYK 0 / 89 / 98 / 28

HEX #B81503

RGB 184 21 3

HSL 5.97, 0.97%, 0.37%

LAB 39.13, 60.03, 51.8

 

CMYK 29 / 0 / 98 / 28

HEX #82B803

RGB 130 184 3

HSL 77.9, 0.97%, 0.37%

LAB 68.78, -39.33, 69.09

 

CMYK 98 / 10 / 0 / 28

HEX #04A5B7

RGB 4 165 183

HSL 186.03, 0.96%, 0.37%

LAB 61.96, -28.79, -19.37

 

CMYK 39 / 98 / 0 / 28

HEX #7003B8

RGB 112 3 184

HSL 276.13, 0.97%, 0.37%

LAB 31.74, 66.61, -67.63

 

CMYK 0 / 89 / 98 / 28

HEX #B81503

RGB 184 21 3

HSL 5.97, 0.97%, 0.37%

LAB 39.13, 60.03, 51.8

 

CMYK 59 / 0 / 98 / 28

HEX #4CB803

RGB 76 184 3

HSL 95.8, 0.97%, 0.37%

LAB 66.39, -57.03, 66.19

 

Description

Color code: HEX #04A5B7 | qconv.com Color code: HEX #04A5B7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 165 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 165 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 10 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 10% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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