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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0493F0 it is the complementary color #FB6C0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0493F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0493F0 shade: #0993EB, #1AA5FE, #2BB7FF, #3CC9FF and #4DDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0493F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0493F0 shade: #0493F0, #0081DD, #006FCA, #005DB7 and #004BA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0493F0 shade: #0393F1, #0353F1, #0313F1, #3303F1 and #7303F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0493F0 shade: #0393F1, #0353F1, #0313F1 and #0303F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0493F0 shade matches the following richer shades: #0393F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0493F0 shade: #0393F1, #178FDD, #2B8BC9, #3F86B5 and #5282A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0493F0 shade: #03F1CD, #03D5F1, #0396F1, #0356F1 and #0317F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0493F0 shade: #02619F, #037AC8, #0393F1, #22A6FB and #4BB6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0493F0 shade: #0493F0, #8E03F1 and #F1ED03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0493F0 shade: #0493F0, #F10396 and #96F103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0493F0 shade: #0493F0, #8E03F1, #F15E03 and #66F103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0493F0 shade: #0493F0, #D503F1, #F15E03 and #1FF103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 39 / 0 / 6

HEX #0493F0

RGB 4 147 240

HSL 203.64, 0.97%, 0.48%

LAB 59.14, 1.55, -55.53

 

Complementary color

CMYK 0 / 57 / 94 / 2

HEX #FB6C0F

RGB 251 108 15

HSL 23.64, 0.97%, 0.52%

LAB 62.73, 51, 68.69

 

CMYK 96 / 37 / 0 / 8

HEX #0993EB

RGB 9 147 235

HSL 203.36, 0.93%, 0.48%

LAB 58.9, -0.2, -53.15

 

CMYK 90 / 35 / 0 / 0

HEX #1AA5FE

RGB 26 165 254

HSL 203.42, 0.99%, 0.55%

LAB 65.19, -2.95, -53.59

 

CMYK 83 / 28 / 0 / 0

HEX #2BB7FF

RGB 43 183 255

HSL 200.38, 1%, 0.58%

LAB 70.59, -11.56, -45.58

 

CMYK 76 / 21 / 0 / 0

HEX #3CC9FF

RGB 60 201 255

HSL 196.62, 1%, 0.62%

LAB 76.04, -19.55, -37.07

 

CMYK 70 / 14 / 0 / 0

HEX #4DDBFF

RGB 77 219 255

HSL 192.13, 1%, 0.65%

LAB 81.54, -26.63, -28.56

 

CMYK 98 / 39 / 0 / 6

HEX #0493F0

RGB 4 147 240

HSL 203.64, 0.97%, 0.48%

LAB 59.14, 1.55, -55.53

 

CMYK 100 / 42 / 0 / 13

HEX #0081DD

RGB 0 129 221

HSL 204.98, 1%, 0.43%

LAB 52.86, 4.97, -54.98

 

CMYK 100 / 45 / 0 / 21

HEX #006FCA

RGB 0 111 202

HSL 207.03, 1%, 0.4%

LAB 46.49, 8.7, -54.42

 

CMYK 100 / 49 / 0 / 28

HEX #005DB7

RGB 0 93 183

HSL 209.51, 1%, 0.36%

LAB 39.99, 12.65, -53.87

 

CMYK 100 / 54 / 0 / 36

HEX #004BA4

RGB 0 75 164

HSL 212.56, 1%, 0.32%

LAB 33.38, 16.88, -53.32

 

CMYK 99 / 39 / 0 / 5

HEX #0393F1

RGB 3 147 241

HSL 203.7, 0.98%, 0.48%

LAB 59.19, 1.91, -56.01

 

CMYK 99 / 66 / 0 / 5

HEX #0353F1

RGB 3 83 241

HSL 219.83, 0.98%, 0.48%

LAB 42.09, 42.02, -83.74

 

CMYK 99 / 92 / 0 / 5

HEX #0313F1

RGB 3 19 241

HSL 235.97, 0.98%, 0.48%

LAB 31.43, 72.48, -101.43

 

CMYK 79 / 99 / 0 / 5

HEX #3303F1

RGB 51 3 241

HSL 252.1, 0.98%, 0.48%

LAB 32.08, 75.99, -100.31

 

CMYK 52 / 99 / 0 / 5

HEX #7303F1

RGB 115 3 241

HSL 268.24, 0.98%, 0.48%

LAB 37.95, 78.94, -90.37

 

CMYK 99 / 39 / 0 / 5

HEX #0393F1

RGB 3 147 241

HSL 203.7, 0.98%, 0.48%

LAB 59.19, 1.91, -56.01

 

CMYK 99 / 66 / 0 / 5

HEX #0353F1

RGB 3 83 241

HSL 219.83, 0.98%, 0.48%

LAB 42.09, 42.02, -83.74

 

CMYK 99 / 92 / 0 / 5

HEX #0313F1

RGB 3 19 241

HSL 235.97, 0.98%, 0.48%

LAB 31.43, 72.48, -101.43

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 99 / 39 / 0 / 5

HEX #0393F1

RGB 3 147 241

HSL 203.7, 0.98%, 0.48%

LAB 59.19, 1.91, -56.01

 

CMYK 99 / 39 / 0 / 5

HEX #0393F1

RGB 3 147 241

HSL 203.7, 0.98%, 0.48%

LAB 59.19, 1.91, -56.01

 

CMYK 90 / 35 / 0 / 13

HEX #178FDD

RGB 23 143 221

HSL 203.64, 0.81%, 0.48%

LAB 57.12, -2.58, -48.18

 

CMYK 79 / 31 / 0 / 21

HEX #2B8BC9

RGB 43 139 201

HSL 203.54, 0.65%, 0.48%

LAB 55.27, -6.04, -39.84

 

CMYK 65 / 26 / 0 / 29

HEX #3F86B5

RGB 63 134 181

HSL 203.9, 0.48%, 0.48%

LAB 53.43, -7.35, -31.29

 

CMYK 49 / 19 / 0 / 37

HEX #5282A1

RGB 82 130 161

HSL 203.54, 0.33%, 0.48%

LAB 52.21, -7.44, -21.58

 

CMYK 99 / 0 / 15 / 5

HEX #03F1CD

RGB 3 241 205

HSL 170.92, 0.98%, 0.48%

LAB 85.67, -55.87, 3.92

 

CMYK 99 / 12 / 0 / 5

HEX #03D5F1

RGB 3 213 241

HSL 187.06, 0.98%, 0.48%

LAB 78.44, -33.28, -25.94

 

CMYK 99 / 38 / 0 / 5

HEX #0396F1

RGB 3 150 241

HSL 202.94, 0.98%, 0.48%

LAB 60.05, 0.14, -54.64

 

CMYK 99 / 64 / 0 / 5

HEX #0356F1

RGB 3 86 241

HSL 219.08, 0.98%, 0.48%

LAB 42.8, 40.13, -82.57

 

CMYK 99 / 90 / 0 / 5

HEX #0317F1

RGB 3 23 241

HSL 234.96, 0.98%, 0.48%

LAB 31.77, 71.45, -100.86

 

CMYK 99 / 39 / 0 / 38

HEX #02619F

RGB 2 97 159

HSL 203.69, 0.98%, 0.32%

LAB 39.69, 0.31, -40.17

 

CMYK 99 / 39 / 0 / 22

HEX #037AC8

RGB 3 122 200

HSL 203.76, 0.97%, 0.4%

LAB 49.63, 1.15, -48.25

 

CMYK 99 / 39 / 0 / 5

HEX #0393F1

RGB 3 147 241

HSL 203.7, 0.98%, 0.48%

LAB 59.19, 1.91, -56.01

 

CMYK 86 / 34 / 0 / 2

HEX #22A6FB

RGB 34 166 251

HSL 203.5, 0.96%, 0.56%

LAB 65.42, -4.17, -51.58

 

CMYK 70 / 28 / 0 / 1

HEX #4BB6FC

RGB 75 182 252

HSL 203.73, 0.97%, 0.64%

LAB 70.86, -8.64, -43.5

 

CMYK 98 / 39 / 0 / 6

HEX #0493F0

RGB 4 147 240

HSL 203.64, 0.97%, 0.48%

LAB 59.14, 1.55, -55.53

 

CMYK 41 / 99 / 0 / 5

HEX #8E03F1

RGB 142 3 241

HSL 275.04, 0.98%, 0.48%

LAB 41.48, 81.19, -84.43

 

CMYK 0 / 2 / 99 / 5

HEX #F1ED03

RGB 241 237 3

HSL 58.99, 0.98%, 0.48%

LAB 91.36, -18.71, 89.54

 

CMYK 98 / 39 / 0 / 6

HEX #0493F0

RGB 4 147 240

HSL 203.64, 0.97%, 0.48%

LAB 59.14, 1.55, -55.53

 

CMYK 0 / 99 / 38 / 5

HEX #F10396

RGB 241 3 150

HSL 322.94, 0.98%, 0.48%

LAB 52.91, 83.23, -12.33

 

CMYK 38 / 0 / 99 / 5

HEX #96F103

RGB 150 241 3

HSL 82.94, 0.98%, 0.48%

LAB 86.7, -55.75, 83.47

 

CMYK 98 / 39 / 0 / 6

HEX #0493F0

RGB 4 147 240

HSL 203.64, 0.97%, 0.48%

LAB 59.14, 1.55, -55.53

 

CMYK 41 / 99 / 0 / 5

HEX #8E03F1

RGB 142 3 241

HSL 275.04, 0.98%, 0.48%

LAB 41.48, 81.19, -84.43

 

CMYK 0 / 61 / 99 / 5

HEX #F15E03

RGB 241 94 3

HSL 22.94, 0.98%, 0.48%

LAB 58.71, 53.6, 67.61

 

CMYK 58 / 0 / 99 / 5

HEX #66F103

RGB 102 241 3

HSL 95.04, 0.98%, 0.48%

LAB 84.86, -69.84, 81.24

 

CMYK 98 / 39 / 0 / 6

HEX #0493F0

RGB 4 147 240

HSL 203.64, 0.97%, 0.48%

LAB 59.14, 1.55, -55.53

 

CMYK 12 / 99 / 0 / 5

HEX #D503F1

RGB 213 3 241

HSL 292.94, 0.98%, 0.48%

LAB 52.47, 89.76, -66.04

 

CMYK 0 / 61 / 99 / 5

HEX #F15E03

RGB 241 94 3

HSL 22.94, 0.98%, 0.48%

LAB 58.71, 53.6, 67.61

 

CMYK 87 / 0 / 99 / 5

HEX #1FF103

RGB 31 241 3

HSL 112.94, 0.98%, 0.48%

LAB 83.55, -81.13, 79.64

 

Description

Color code: HEX #0493F0 | qconv.com Color code: HEX #0493F0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 147 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 147 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 39 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 39% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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