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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0483D3 it is the complementary color #FB7C2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0483D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0483D3 shade: #0983CE, #1A95E1, #2BA7F4, #3CB9FF and #4DCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0483D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0483D3 shade: #0483D3, #0071C0, #005FAD, #004D9A and #003B87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0483D3 shade: #0482D1, #044AD1, #0413D1, #2C04D1 and #6304D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0483D3 shade: #0482D1, #044AD1, #0413D1 and #0404D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0483D3 shade matches the following richer shades: #0482D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0483D3 shade: #0482D1, #157EC0, #267AAF, #38769D and #49728C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0483D3 shade: #04D1B3, #04B9D1, #0483D1, #044CD1 and #0415D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0483D3 shade: #025081, #0369A9, #0482D1, #059BF9 and #2DABFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0483D3 shade: #0483D3, #7C04D1 and #D1CE04

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0483D3 shade: #0483D3, #D10483 and #83D104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0483D3 shade: #0483D3, #7C04D1, #D15304 and #59D104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0483D3 shade: #0483D3, #B904D1, #D15304 and #1CD104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 38 / 0 / 17

HEX #0483D3

RGB 4 131 211

HSL 203.19, 0.96%, 0.42%

LAB 52.91, 0, -49.27

 

Complementary color

CMYK 0 / 51 / 82 / 2

HEX #FB7C2C

RGB 251 124 44

HSL 23.19, 0.96%, 0.58%

LAB 65.83, 43.91, 62.29

 

CMYK 96 / 36 / 0 / 19

HEX #0983CE

RGB 9 131 206

HSL 202.84, 0.92%, 0.42%

LAB 52.67, -1.76, -46.81

 

CMYK 88 / 34 / 0 / 12

HEX #1A95E1

RGB 26 149 225

HSL 202.91, 0.79%, 0.49%

LAB 59.11, -4.42, -47.26

 

CMYK 82 / 32 / 0 / 4

HEX #2BA7F4

RGB 43 167 244

HSL 202.99, 0.9%, 0.56%

LAB 65.5, -6.59, -47.62

 

CMYK 76 / 27 / 0 / 0

HEX #3CB9FF

RGB 60 185 255

HSL 201.54, 1%, 0.62%

LAB 71.47, -11.09, -44.19

 

CMYK 70 / 20 / 0 / 0

HEX #4DCBFF

RGB 77 203 255

HSL 197.53, 1%, 0.65%

LAB 76.99, -18.56, -35.57

 

CMYK 98 / 38 / 0 / 17

HEX #0483D3

RGB 4 131 211

HSL 203.19, 0.96%, 0.42%

LAB 52.91, 0, -49.27

 

CMYK 100 / 41 / 0 / 25

HEX #0071C0

RGB 0 113 192

HSL 204.69, 1%, 0.38%

LAB 46.47, 3.44, -48.7

 

CMYK 100 / 45 / 0 / 32

HEX #005FAD

RGB 0 95 173

HSL 207.05, 1%, 0.34%

LAB 39.92, 7.24, -48.11

 

CMYK 100 / 50 / 0 / 40

HEX #004D9A

RGB 0 77 154

HSL 210, 1%, 0.3%

LAB 33.22, 11.31, -47.55

 

CMYK 100 / 56 / 0 / 47

HEX #003B87

RGB 0 59 135

HSL 213.78, 1%, 0.26%

LAB 26.38, 15.71, -46.98

 

CMYK 98 / 38 / 0 / 18

HEX #0482D1

RGB 4 130 209

HSL 203.12, 0.96%, 0.42%

LAB 52.5, -0.17, -48.78

 

CMYK 98 / 65 / 0 / 18

HEX #044AD1

RGB 4 74 209

HSL 219.51, 0.96%, 0.42%

LAB 36.98, 35.75, -73.91

 

CMYK 98 / 91 / 0 / 18

HEX #0413D1

RGB 4 19 209

HSL 235.61, 0.96%, 0.42%

LAB 27, 64.01, -90.44

 

CMYK 79 / 98 / 0 / 18

HEX #2C04D1

RGB 44 4 209

HSL 251.71, 0.96%, 0.42%

LAB 27.37, 67.95, -89.8

 

CMYK 53 / 98 / 0 / 18

HEX #6304D1

RGB 99 4 209

HSL 267.8, 0.96%, 0.42%

LAB 32.58, 70.66, -81

 

CMYK 98 / 38 / 0 / 18

HEX #0482D1

RGB 4 130 209

HSL 203.12, 0.96%, 0.42%

LAB 52.5, -0.17, -48.78

 

CMYK 98 / 65 / 0 / 18

HEX #044AD1

RGB 4 74 209

HSL 219.51, 0.96%, 0.42%

LAB 36.98, 35.75, -73.91

 

CMYK 98 / 91 / 0 / 18

HEX #0413D1

RGB 4 19 209

HSL 235.61, 0.96%, 0.42%

LAB 27, 64.01, -90.44

 

CMYK 98 / 98 / 0 / 18

HEX #0404D1

RGB 4 4 209

HSL 240, 0.96%, 0.42%

LAB 25.91, 67.38, -92.27

 

CMYK 98 / 38 / 0 / 18

HEX #0482D1

RGB 4 130 209

HSL 203.12, 0.96%, 0.42%

LAB 52.5, -0.17, -48.78

 

CMYK 98 / 38 / 0 / 18

HEX #0482D1

RGB 4 130 209

HSL 203.12, 0.96%, 0.42%

LAB 52.5, -0.17, -48.78

 

CMYK 89 / 34 / 0 / 25

HEX #157EC0

RGB 21 126 192

HSL 203.16, 0.8%, 0.42%

LAB 50.55, -3.6, -42.18

 

CMYK 78 / 30 / 0 / 31

HEX #267AAF

RGB 38 122 175

HSL 203.21, 0.64%, 0.42%

LAB 48.79, -6.13, -35.14

 

CMYK 64 / 25 / 0 / 38

HEX #38769D

RGB 56 118 157

HSL 203.17, 0.47%, 0.42%

LAB 47.28, -7.47, -26.96

 

CMYK 48 / 19 / 0 / 45

HEX #49728C

RGB 73 114 140

HSL 203.28, 0.31%, 0.42%

LAB 46.1, -6.82, -18.67

 

CMYK 98 / 0 / 14 / 18

HEX #04D1B3

RGB 4 209 179

HSL 171.22, 0.96%, 0.42%

LAB 75.38, -49.74, 2.79

 

CMYK 98 / 11 / 0 / 18

HEX #04B9D1

RGB 4 185 209

HSL 187.02, 0.96%, 0.42%

LAB 68.99, -30.08, -23.06

 

CMYK 98 / 37 / 0 / 18

HEX #0483D1

RGB 4 131 209

HSL 202.83, 0.96%, 0.42%

LAB 52.8, -0.77, -48.31

 

CMYK 98 / 64 / 0 / 18

HEX #044CD1

RGB 4 76 209

HSL 218.93, 0.96%, 0.42%

LAB 37.48, 34.45, -73.09

 

CMYK 98 / 90 / 0 / 18

HEX #0415D1

RGB 4 21 209

HSL 235.02, 0.96%, 0.42%

LAB 27.2, 63.41, -90.11

 

CMYK 98 / 38 / 0 / 49

HEX #025081

RGB 2 80 129

HSL 203.15, 0.97%, 0.26%

LAB 32.56, -1.16, -33.32

 

CMYK 98 / 38 / 0 / 34

HEX #0369A9

RGB 3 105 169

HSL 203.13, 0.97%, 0.34%

LAB 42.74, -0.64, -41.23

 

CMYK 98 / 38 / 0 / 18

HEX #0482D1

RGB 4 130 209

HSL 203.12, 0.96%, 0.42%

LAB 52.5, -0.17, -48.78

 

CMYK 98 / 38 / 0 / 2

HEX #059BF9

RGB 5 155 249

HSL 203.11, 0.96%, 0.5%

LAB 61.92, 0.27, -56.05

 

CMYK 82 / 32 / 0 / 2

HEX #2DABFA

RGB 45 171 250

HSL 203.12, 0.95%, 0.58%

LAB 66.97, -6.54, -48.58

 

CMYK 98 / 38 / 0 / 17

HEX #0483D3

RGB 4 131 211

HSL 203.19, 0.96%, 0.42%

LAB 52.91, 0, -49.27

 

CMYK 41 / 98 / 0 / 18

HEX #7C04D1

RGB 124 4 209

HSL 275.12, 0.96%, 0.42%

LAB 35.94, 72.85, -75.33

 

CMYK 0 / 1 / 98 / 18

HEX #D1CE04

RGB 209 206 4

HSL 59.12, 0.96%, 0.42%

LAB 80.58, -17.03, 80.36

 

CMYK 98 / 38 / 0 / 17

HEX #0483D3

RGB 4 131 211

HSL 203.19, 0.96%, 0.42%

LAB 52.91, 0, -49.27

 

CMYK 0 / 98 / 37 / 18

HEX #D10483

RGB 209 4 131

HSL 322.83, 0.96%, 0.42%

LAB 46.02, 74.76, -11.87

 

CMYK 37 / 0 / 98 / 18

HEX #83D104

RGB 131 209 4

HSL 82.83, 0.96%, 0.42%

LAB 76.34, -49.5, 74.9

 

CMYK 98 / 38 / 0 / 17

HEX #0483D3

RGB 4 131 211

HSL 203.19, 0.96%, 0.42%

LAB 52.91, 0, -49.27

 

CMYK 41 / 98 / 0 / 18

HEX #7C04D1

RGB 124 4 209

HSL 275.12, 0.96%, 0.42%

LAB 35.94, 72.85, -75.33

 

CMYK 0 / 60 / 98 / 18

HEX #D15304

RGB 209 83 4

HSL 23.12, 0.96%, 0.42%

LAB 51.55, 47, 60.58

 

CMYK 57 / 0 / 98 / 18

HEX #59D104

RGB 89 209 4

HSL 95.12, 0.96%, 0.42%

LAB 74.66, -62.31, 72.86

 

CMYK 98 / 38 / 0 / 17

HEX #0483D3

RGB 4 131 211

HSL 203.19, 0.96%, 0.42%

LAB 52.91, 0, -49.27

 

CMYK 11 / 98 / 0 / 18

HEX #B904D1

RGB 185 4 209

HSL 292.98, 0.96%, 0.42%

LAB 45.64, 80.54, -59.1

 

CMYK 0 / 60 / 98 / 18

HEX #D15304

RGB 209 83 4

HSL 23.12, 0.96%, 0.42%

LAB 51.55, 47, 60.58

 

CMYK 87 / 0 / 98 / 18

HEX #1CD104

RGB 28 209 4

HSL 112.98, 0.96%, 0.42%

LAB 73.45, -72.64, 71.39

 

Description

Color code: HEX #0483D3 | qconv.com Color code: HEX #0483D3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 131 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 131 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 38 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 38% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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