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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07C49F it is the complementary color #F83B60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07C49F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07C49F shade: #0CC49A, #1DD6AD, #2EE8C0, #3FFAD3 and #50FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07C49F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07C49F shade: #07C49F, #00B28C, #00A079, #008E66 and #007C53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07C49F shade: #07C49F, #07C46C, #07C439, #08C407 and #3BC407

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07C49F shade: #07C49F, #07B6C4, #0783C4, #0750C4 and #071DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07C49F shade matches the following richer shades: #07C49F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07C49F shade: #07C49F, #17B495, #28A38B, #389381 and #498277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07C49F shade: #07C439, #07C46C, #07C49E, #07B8C4 and #0785C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07C49F shade: #04755F, #059D7F, #07C49F, #08ECC0 and #27F7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07C49F shade: #07C49F, #0707C4 and #C45307

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07C49F shade: #07C49F, #9E07C4 and #C49E07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07C49F shade: #07C49F, #0707C4, #C4072D and #C4C407

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07C49F shade: #07C49F, #4007C4, #C4072D and #8BC407

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

Complementary color

CMYK 0 / 76 / 61 / 3

HEX #F83B60

RGB 248 59 96

HSL 348.25, 0.93%, 0.6%

LAB 56.02, 71.59, 24.56

 

CMYK 94 / 0 / 21 / 23

HEX #0CC49A

RGB 12 196 154

HSL 166.3, 0.88%, 0.41%

LAB 70.8, -50.7, 9.7

 

CMYK 86 / 0 / 19 / 16

HEX #1DD6AD

RGB 29 214 173

HSL 166.7, 0.76%, 0.48%

LAB 76.9, -52.26, 8.22

 

CMYK 80 / 0 / 17 / 9

HEX #2EE8C0

RGB 46 232 192

HSL 167.1, 0.8%, 0.55%

LAB 82.97, -53.46, 6.87

 

CMYK 75 / 0 / 16 / 2

HEX #3FFAD3

RGB 63 250 211

HSL 167.49, 0.95%, 0.61%

LAB 88.98, -54.37, 5.64

 

CMYK 69 / 0 / 10 / 0

HEX #50FFE6

RGB 80 255 230

HSL 171.43, 1%, 0.66%

LAB 91.21, -49.65, -0.95

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 100 / 0 / 21 / 30

HEX #00B28C

RGB 0 178 140

HSL 167.19, 1%, 0.35%

LAB 64.75, -47.46, 8.75

 

CMYK 100 / 0 / 24 / 37

HEX #00A079

RGB 0 160 121

HSL 165.38, 1%, 0.31%

LAB 58.53, -45.04, 10.5

 

CMYK 100 / 0 / 28 / 44

HEX #008E66

RGB 0 142 102

HSL 163.1, 1%, 0.28%

LAB 52.18, -42.55, 12.34

 

CMYK 100 / 0 / 33 / 51

HEX #007C53

RGB 0 124 83

HSL 160.16, 1%, 0.24%

LAB 45.69, -39.97, 14.28

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 96 / 0 / 45 / 23

HEX #07C46C

RGB 7 196 108

HSL 152.06, 0.93%, 0.4%

LAB 69.9, -60.8, 32.85

 

CMYK 96 / 0 / 71 / 23

HEX #07C439

RGB 7 196 57

HSL 135.87, 0.93%, 0.4%

LAB 69.34, -67.68, 55.5

 

CMYK 96 / 0 / 96 / 23

HEX #08C407

RGB 8 196 7

HSL 119.68, 0.93%, 0.4%

LAB 69.15, -70.22, 67.5

 

CMYK 70 / 0 / 96 / 23

HEX #3BC407

RGB 59 196 7

HSL 103.49, 0.93%, 0.4%

LAB 69.77, -64.67, 68.27

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 96 / 7 / 0 / 23

HEX #07B6C4

RGB 7 182 196

HSL 184.44, 0.93%, 0.4%

LAB 67.64, -32.73, -17.96

 

CMYK 96 / 33 / 0 / 23

HEX #0783C4

RGB 7 131 196

HSL 200.63, 0.93%, 0.4%

LAB 52.13, -5.66, -41.98

 

CMYK 96 / 59 / 0 / 23

HEX #0750C4

RGB 7 80 196

HSL 216.83, 0.93%, 0.4%

LAB 37.42, 26.82, -65.64

 

CMYK 96 / 85 / 0 / 23

HEX #071DC4

RGB 7 29 196

HSL 233.02, 0.93%, 0.4%

LAB 26.48, 56.76, -83.72

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 87 / 0 / 17 / 29

HEX #17B495

RGB 23 180 149

HSL 168.15, 0.77%, 0.4%

LAB 65.74, -44.89, 5.22

 

CMYK 75 / 0 / 15 / 36

HEX #28A38B

RGB 40 163 139

HSL 168.29, 0.61%, 0.4%

LAB 60.35, -38.62, 3.03

 

CMYK 62 / 0 / 12 / 42

HEX #389381

RGB 56 147 129

HSL 168.13, 0.45%, 0.4%

LAB 55.37, -31.41, 1.54

 

CMYK 44 / 0 / 8 / 49

HEX #498277

RGB 73 130 119

HSL 168.42, 0.28%, 0.4%

LAB 50.35, -21.56, 0.1

 

CMYK 96 / 0 / 71 / 23

HEX #07C439

RGB 7 196 57

HSL 135.87, 0.93%, 0.4%

LAB 69.34, -67.68, 55.5

 

CMYK 96 / 0 / 45 / 23

HEX #07C46C

RGB 7 196 108

HSL 152.06, 0.93%, 0.4%

LAB 69.9, -60.8, 32.85

 

CMYK 96 / 0 / 19 / 23

HEX #07C49E

RGB 7 196 158

HSL 167.94, 0.93%, 0.4%

LAB 70.87, -49.85, 7.63

 

CMYK 96 / 6 / 0 / 23

HEX #07B8C4

RGB 7 184 196

HSL 183.81, 0.93%, 0.4%

LAB 68.25, -33.68, -17.04

 

CMYK 96 / 32 / 0 / 23

HEX #0785C4

RGB 7 133 196

HSL 200, 0.93%, 0.4%

LAB 52.74, -6.83, -41.03

 

CMYK 97 / 0 / 19 / 54

HEX #04755F

RGB 4 117 95

HSL 168.32, 0.93%, 0.24%

LAB 43.62, -33.57, 4.31

 

CMYK 97 / 0 / 19 / 38

HEX #059D7F

RGB 5 157 127

HSL 168.16, 0.94%, 0.32%

LAB 57.73, -42.01, 5.98

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 97 / 0 / 19 / 7

HEX #08ECC0

RGB 8 236 192

HSL 168.42, 0.93%, 0.48%

LAB 83.89, -57.07, 8.15

 

CMYK 84 / 0 / 17 / 3

HEX #27F7CE

RGB 39 247 206

HSL 168.17, 0.93%, 0.56%

LAB 87.68, -56.53, 6.32

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 0 / 58 / 96 / 23

HEX #C45307

RGB 196 83 7

HSL 24.13, 0.93%, 0.4%

LAB 49.42, 42.16, 57.52

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 19 / 96 / 0 / 23

HEX #9E07C4

RGB 158 7 196

HSL 287.94, 0.93%, 0.4%

LAB 40.26, 74.16, -60.48

 

CMYK 0 / 19 / 96 / 23

HEX #C49E07

RGB 196 158 7

HSL 47.94, 0.93%, 0.4%

LAB 66.68, 2.12, 69.32

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 0 / 96 / 77 / 23

HEX #C4072D

RGB 196 7 45

HSL 347.94, 0.93%, 0.4%

LAB 41.34, 65.84, 34.76

 

CMYK 0 / 0 / 96 / 23

HEX #C4C407

RGB 196 196 7

HSL 60, 0.93%, 0.4%

LAB 76.82, -17.61, 76.8

 

CMYK 96 / 0 / 19 / 23

HEX #07C49F

RGB 7 196 159

HSL 168.25, 0.93%, 0.4%

LAB 70.89, -49.6, 7.12

 

CMYK 67 / 96 / 0 / 23

HEX #4007C4

RGB 64 7 196

HSL 258.1, 0.93%, 0.4%

LAB 27.37, 64.95, -82.14

 

CMYK 0 / 96 / 77 / 23

HEX #C4072D

RGB 196 7 45

HSL 347.94, 0.93%, 0.4%

LAB 41.34, 65.84, 34.76

 

CMYK 29 / 0 / 96 / 23

HEX #8BC407

RGB 139 196 7

HSL 78.1, 0.93%, 0.4%

LAB 72.88, -41.07, 72.07

 

Description

Color code: HEX #07C49F | qconv.com Color code: HEX #07C49F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 196 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 196 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 19 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 19% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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