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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #07A9C7 it is the complementary color #F85638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #07A9C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #07A9C7 shade: #0CA9C2, #1DBBD5, #2ECDE8, #3FDFFB and #50F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #07A9C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #07A9C7 shade: #07A9C7, #0097B4, #0085A1, #00738E and #00617B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #07A9C7 shade: #07A7C4, #0774C4, #0740C4, #070DC4 and #3307C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #07A9C7 shade: #07A7C4, #0774C4, #0740C4, #070DC4 and #0707C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #07A9C7 shade matches the following richer shades: #07A7C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #07A9C7 shade: #07A7C4, #179BB4, #2890A3, #388593 and #497982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #07A9C7 shade: #07C47C, #07C4AE, #07A8C4, #0775C4 and #0743C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #07A9C7 shade: #046375, #05859D, #07A7C4, #08C9EC and #27D6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #07A9C7 shade: #07A9C7, #4907C4 and #C49507

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #07A9C7 shade: #07A9C7, #C407A8 and #A8C407

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #07A9C7 shade: #07A9C7, #4907C4, #C42307 and #82C407

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #07A9C7 shade: #07A9C7, #8207C4, #C42307 and #49C407

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 15 / 0 / 22

HEX #07A9C7

RGB 7 169 199

HSL 189.38, 0.93%, 0.4%

LAB 63.79, -25.35, -25.5

 

Complementary color

CMYK 0 / 65 / 77 / 3

HEX #F85638

RGB 248 86 56

HSL 9.38, 0.93%, 0.6%

LAB 58.88, 60.34, 50.22

 

CMYK 94 / 13 / 0 / 24

HEX #0CA9C2

RGB 12 169 194

HSL 188.24, 0.88%, 0.4%

LAB 63.63, -26.87, -22.96

 

CMYK 86 / 12 / 0 / 16

HEX #1DBBD5

RGB 29 187 213

HSL 188.48, 0.76%, 0.47%

LAB 69.9, -28.74, -23.85

 

CMYK 80 / 12 / 0 / 9

HEX #2ECDE8

RGB 46 205 232

HSL 188.71, 0.8%, 0.55%

LAB 76.11, -30.24, -24.64

 

CMYK 75 / 11 / 0 / 2

HEX #3FDFFB

RGB 63 223 251

HSL 188.94, 0.96%, 0.62%

LAB 82.27, -31.44, -25.35

 

CMYK 69 / 5 / 0 / 0

HEX #50F1FF

RGB 80 241 255

HSL 184.8, 1%, 0.66%

LAB 87.89, -36.74, -18.91

 

CMYK 96 / 15 / 0 / 22

HEX #07A9C7

RGB 7 169 199

HSL 189.38, 0.93%, 0.4%

LAB 63.79, -25.35, -25.5

 

CMYK 100 / 16 / 0 / 29

HEX #0097B4

RGB 0 151 180

HSL 189.67, 1%, 0.35%

LAB 57.49, -22.86, -24.52

 

CMYK 100 / 17 / 0 / 37

HEX #0085A1

RGB 0 133 161

HSL 190.43, 1%, 0.32%

LAB 51.09, -20.07, -23.47

 

CMYK 100 / 19 / 0 / 44

HEX #00738E

RGB 0 115 142

HSL 191.41, 1%, 0.28%

LAB 44.54, -17.18, -22.43

 

CMYK 100 / 21 / 0 / 52

HEX #00617B

RGB 0 97 123

HSL 192.68, 1%, 0.24%

LAB 37.81, -14.18, -21.4

 

CMYK 96 / 15 / 0 / 23

HEX #07A7C4

RGB 7 167 196

HSL 189.21, 0.93%, 0.4%

LAB 63.07, -25.35, -24.94

 

CMYK 96 / 41 / 0 / 23

HEX #0774C4

RGB 7 116 196

HSL 205.4, 0.93%, 0.4%

LAB 47.65, 3.41, -49.11

 

CMYK 96 / 67 / 0 / 23

HEX #0740C4

RGB 7 64 196

HSL 221.9, 0.93%, 0.4%

LAB 33.34, 37.33, -72.33

 

CMYK 96 / 93 / 0 / 23

HEX #070DC4

RGB 7 13 196

HSL 238.1, 0.93%, 0.4%

LAB 24.7, 62.15, -86.68

 

CMYK 74 / 96 / 0 / 23

HEX #3307C4

RGB 51 7 196

HSL 253.97, 0.93%, 0.4%

LAB 26.28, 64.39, -84

 

CMYK 96 / 15 / 0 / 23

HEX #07A7C4

RGB 7 167 196

HSL 189.21, 0.93%, 0.4%

LAB 63.07, -25.35, -24.94

 

CMYK 96 / 41 / 0 / 23

HEX #0774C4

RGB 7 116 196

HSL 205.4, 0.93%, 0.4%

LAB 47.65, 3.41, -49.11

 

CMYK 96 / 67 / 0 / 23

HEX #0740C4

RGB 7 64 196

HSL 221.9, 0.93%, 0.4%

LAB 33.34, 37.33, -72.33

 

CMYK 96 / 93 / 0 / 23

HEX #070DC4

RGB 7 13 196

HSL 238.1, 0.93%, 0.4%

LAB 24.7, 62.15, -86.68

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 96 / 15 / 0 / 23

HEX #07A7C4

RGB 7 167 196

HSL 189.21, 0.93%, 0.4%

LAB 63.07, -25.35, -24.94

 

CMYK 96 / 15 / 0 / 23

HEX #07A7C4

RGB 7 167 196

HSL 189.21, 0.93%, 0.4%

LAB 63.07, -25.35, -24.94

 

CMYK 87 / 14 / 0 / 29

HEX #179BB4

RGB 23 155 180

HSL 189.55, 0.77%, 0.4%

LAB 58.9, -23.91, -22.34

 

CMYK 75 / 12 / 0 / 36

HEX #2890A3

RGB 40 144 163

HSL 189.27, 0.61%, 0.4%

LAB 55.12, -22.31, -18.42

 

CMYK 62 / 10 / 0 / 42

HEX #388593

RGB 56 133 147

HSL 189.23, 0.45%, 0.4%

LAB 51.52, -19.14, -14.59

 

CMYK 44 / 7 / 0 / 49

HEX #497982

RGB 73 121 130

HSL 189.47, 0.28%, 0.4%

LAB 47.88, -13.75, -10.04

 

CMYK 96 / 0 / 37 / 23

HEX #07C47C

RGB 7 196 124

HSL 157.14, 0.93%, 0.4%

LAB 70.16, -57.72, 24.89

 

CMYK 96 / 0 / 11 / 23

HEX #07C4AE

RGB 7 196 174

HSL 173.02, 0.93%, 0.4%

LAB 71.27, -45.59, -0.49

 

CMYK 96 / 14 / 0 / 23

HEX #07A8C4

RGB 7 168 196

HSL 188.89, 0.93%, 0.4%

LAB 63.37, -25.86, -24.47

 

CMYK 96 / 40 / 0 / 23

HEX #0775C4

RGB 7 117 196

HSL 205.08, 0.93%, 0.4%

LAB 47.95, 2.79, -48.63

 

CMYK 96 / 66 / 0 / 23

HEX #0743C4

RGB 7 67 196

HSL 220.95, 0.93%, 0.4%

LAB 34.08, 35.39, -71.13

 

CMYK 97 / 15 / 0 / 54

HEX #046375

RGB 4 99 117

HSL 189.56, 0.93%, 0.24%

LAB 38.26, -17.31, -17.02

 

CMYK 97 / 15 / 0 / 38

HEX #05859D

RGB 5 133 157

HSL 189.47, 0.94%, 0.32%

LAB 50.97, -21.27, -21.34

 

CMYK 96 / 15 / 0 / 23

HEX #07A7C4

RGB 7 167 196

HSL 189.21, 0.93%, 0.4%

LAB 63.07, -25.35, -24.94

 

CMYK 97 / 15 / 0 / 7

HEX #08C9EC

RGB 8 201 236

HSL 189.21, 0.93%, 0.48%

LAB 74.75, -28.97, -28.91

 

CMYK 84 / 13 / 0 / 3

HEX #27D6F7

RGB 39 214 247

HSL 189.52, 0.93%, 0.56%

LAB 79.18, -30.41, -27.98

 

CMYK 96 / 15 / 0 / 22

HEX #07A9C7

RGB 7 169 199

HSL 189.38, 0.93%, 0.4%

LAB 63.79, -25.35, -25.5

 

CMYK 63 / 96 / 0 / 23

HEX #4907C4

RGB 73 7 196

HSL 260.95, 0.93%, 0.4%

LAB 28.26, 65.44, -80.65

 

CMYK 0 / 24 / 96 / 23

HEX #C49507

RGB 196 149 7

HSL 45.08, 0.93%, 0.4%

LAB 64.36, 6.99, 67.66

 

CMYK 96 / 15 / 0 / 22

HEX #07A9C7

RGB 7 169 199

HSL 189.38, 0.93%, 0.4%

LAB 63.79, -25.35, -25.5

 

CMYK 0 / 96 / 14 / 23

HEX #C407A8

RGB 196 7 168

HSL 308.89, 0.93%, 0.4%

LAB 45.24, 76.12, -35.6

 

CMYK 14 / 0 / 96 / 23

HEX #A8C407

RGB 168 196 7

HSL 68.89, 0.93%, 0.4%

LAB 74.71, -29.48, 74.28

 

CMYK 96 / 15 / 0 / 22

HEX #07A9C7

RGB 7 169 199

HSL 189.38, 0.93%, 0.4%

LAB 63.79, -25.35, -25.5

 

CMYK 63 / 96 / 0 / 23

HEX #4907C4

RGB 73 7 196

HSL 260.95, 0.93%, 0.4%

LAB 28.26, 65.44, -80.65

 

CMYK 0 / 82 / 96 / 23

HEX #C42307

RGB 196 35 7

HSL 8.89, 0.93%, 0.4%

LAB 42.69, 60.41, 53.6

 

CMYK 34 / 0 / 96 / 23

HEX #82C407

RGB 130 196 7

HSL 80.95, 0.93%, 0.4%

LAB 72.39, -44.44, 71.47

 

CMYK 96 / 15 / 0 / 22

HEX #07A9C7

RGB 7 169 199

HSL 189.38, 0.93%, 0.4%

LAB 63.79, -25.35, -25.5

 

CMYK 34 / 96 / 0 / 23

HEX #8207C4

RGB 130 7 196

HSL 279.05, 0.93%, 0.4%

LAB 35.76, 70.51, -68.01

 

CMYK 0 / 82 / 96 / 23

HEX #C42307

RGB 196 35 7

HSL 8.89, 0.93%, 0.4%

LAB 42.69, 60.41, 53.6

 

CMYK 63 / 0 / 96 / 23

HEX #49C407

RGB 73 196 7

HSL 99.05, 0.93%, 0.4%

LAB 70.11, -61.76, 68.69

 

Description

Color code: HEX #07A9C7 | qconv.com Color code: HEX #07A9C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 169 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 169 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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