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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02FC51 it is the complementary color #FD03AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02FC51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02FC51 shade: #07FC4C, #18FF5F, #29FF72, #3AFF85 and #4BFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02FC51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02FC51 shade: #02FC51, #00EA3E, #00D82B, #00C618 and #00B405

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02FC51 shade: #02FC51, #02FC0E, #3AFC02, #7DFC02 and #C1FC02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02FC51 shade: #02FC51, #02FC94, #02FCD8, #02DDFC and #0299FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02FC51 shade matches the following richer shades: #02FC51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02FC51 shade: #02FC51, #17E759, #2BD360, #40BE68 and #55A96F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02FC51 shade: #3CFC02, #02FC0A, #02FC4D, #02FC90 and #02FCD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02FC51 shade: #01AA37, #02D344, #02FC51, #2BFC6D and #54FD89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02FC51 shade: #02FC51, #027FFC and #FC021B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02FC51 shade: #02FC51, #4D02FC and #FC4D02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02FC51 shade: #02FC51, #027FFC, #FC02B1 and #FC7F02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02FC51 shade: #02FC51, #0234FC, #FC02B1 and #FCCA02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

Complementary color

CMYK 0 / 99 / 31 / 1

HEX #FD03AE

RGB 253 3 174

HSL 318.96, 0.98%, 0.5%

LAB 56.09, 87.93, -21.45

 

CMYK 97 / 0 / 70 / 1

HEX #07FC4C

RGB 7 252 76

HSL 136.9, 0.98%, 0.51%

LAB 87.09, -81.91, 67.01

 

CMYK 91 / 0 / 63 / 0

HEX #18FF5F

RGB 24 255 95

HSL 138.44, 1%, 0.55%

LAB 88.23, -80.26, 60.91

 

CMYK 84 / 0 / 55 / 0

HEX #29FF72

RGB 41 255 114

HSL 140.47, 1%, 0.58%

LAB 88.55, -76.84, 53.13

 

CMYK 77 / 0 / 48 / 0

HEX #3AFF85

RGB 58 255 133

HSL 142.84, 1%, 0.61%

LAB 88.98, -72.44, 44.91

 

CMYK 71 / 0 / 40 / 0

HEX #4BFF98

RGB 75 255 152

HSL 145.67, 1%, 0.65%

LAB 89.53, -67.1, 36.47

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 100 / 0 / 74 / 8

HEX #00EA3E

RGB 0 234 62

HSL 135.9, 1%, 0.46%

LAB 81.4, -78.28, 66.06

 

CMYK 100 / 0 / 80 / 15

HEX #00D82B

RGB 0 216 43

HSL 131.94, 1%, 0.42%

LAB 75.63, -74.63, 66.32

 

CMYK 100 / 0 / 88 / 22

HEX #00C618

RGB 0 198 24

HSL 127.27, 1%, 0.39%

LAB 69.79, -70.63, 65.57

 

CMYK 100 / 0 / 97 / 29

HEX #00B405

RGB 0 180 5

HSL 121.67, 1%, 0.35%

LAB 63.88, -66.24, 63.41

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 99 / 0 / 94 / 1

HEX #02FC0E

RGB 2 252 14

HSL 122.88, 0.98%, 0.5%

LAB 86.83, -85.15, 81.35

 

CMYK 77 / 0 / 99 / 1

HEX #3AFC02

RGB 58 252 2

HSL 106.56, 0.98%, 0.5%

LAB 87.25, -81.41, 82.82

 

CMYK 50 / 0 / 99 / 1

HEX #7DFC02

RGB 125 252 2

HSL 90.48, 0.98%, 0.5%

LAB 88.92, -67.56, 84.85

 

CMYK 23 / 0 / 99 / 1

HEX #C1FC02

RGB 193 252 2

HSL 74.16, 0.98%, 0.5%

LAB 92.12, -44.83, 88.71

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 99 / 0 / 41 / 1

HEX #02FC94

RGB 2 252 148

HSL 155.04, 0.98%, 0.5%

LAB 87.86, -72.41, 36.12

 

CMYK 99 / 0 / 14 / 1

HEX #02FCD8

RGB 2 252 216

HSL 171.36, 0.98%, 0.5%

LAB 89.2, -57.42, 3.29

 

CMYK 99 / 12 / 0 / 1

HEX #02DDFC

RGB 2 221 252

HSL 187.44, 0.98%, 0.5%

LAB 81.16, -33.6, -27.64

 

CMYK 99 / 39 / 0 / 1

HEX #0299FC

RGB 2 153 252

HSL 203.76, 0.98%, 0.5%

LAB 61.5, 2.5, -58.37

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 90 / 0 / 61 / 9

HEX #17E759

RGB 23 231 89

HSL 139.04, 0.82%, 0.5%

LAB 80.77, -73.93, 55.01

 

CMYK 80 / 0 / 55 / 17

HEX #2BD360

RGB 43 211 96

HSL 138.93, 0.66%, 0.5%

LAB 74.79, -65.1, 44.91

 

CMYK 66 / 0 / 45 / 25

HEX #40BE68

RGB 64 190 104

HSL 139.05, 0.5%, 0.5%

LAB 68.69, -53.35, 33.49

 

CMYK 50 / 0 / 34 / 34

HEX #55A96F

RGB 85 169 111

HSL 138.57, 0.33%, 0.5%

LAB 62.89, -38.72, 22.3

 

CMYK 76 / 0 / 99 / 1

HEX #3CFC02

RGB 60 252 2

HSL 106.08, 0.98%, 0.5%

LAB 87.28, -81.14, 82.86

 

CMYK 99 / 0 / 96 / 1

HEX #02FC0A

RGB 2 252 10

HSL 121.92, 0.98%, 0.5%

LAB 86.83, -85.22, 81.69

 

CMYK 99 / 0 / 69 / 1

HEX #02FC4D

RGB 2 252 77

HSL 138, 0.98%, 0.5%

LAB 87.08, -81.96, 66.64

 

CMYK 99 / 0 / 43 / 1

HEX #02FC90

RGB 2 252 144

HSL 154.08, 0.98%, 0.5%

LAB 87.8, -73.12, 38.01

 

CMYK 99 / 0 / 17 / 1

HEX #02FCD2

RGB 2 252 210

HSL 169.92, 0.98%, 0.5%

LAB 89.06, -58.94, 6.2

 

CMYK 99 / 0 / 68 / 33

HEX #01AA37

RGB 1 170 55

HSL 139.17, 0.99%, 0.34%

LAB 60.81, -60.41, 47.21

 

CMYK 99 / 0 / 68 / 17

HEX #02D344

RGB 2 211 68

HSL 138.95, 0.98%, 0.42%

LAB 74.2, -71.19, 56.39

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 83 / 0 / 57 / 1

HEX #2BFC6D

RGB 43 252 109

HSL 138.95, 0.97%, 0.58%

LAB 87.6, -76.39, 54.25

 

CMYK 67 / 0 / 46 / 1

HEX #54FD89

RGB 84 253 137

HSL 138.82, 0.98%, 0.66%

LAB 88.89, -67.41, 43

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 99 / 50 / 0 / 1

HEX #027FFC

RGB 2 127 252

HSL 210, 0.98%, 0.5%

LAB 54.26, 18.3, -70.01

 

CMYK 0 / 99 / 89 / 1

HEX #FC021B

RGB 252 2 27

HSL 354, 0.98%, 0.5%

LAB 52.75, 79.49, 58.62

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 69 / 99 / 0 / 1

HEX #4D02FC

RGB 77 2 252

HSL 258, 0.98%, 0.5%

LAB 35.3, 79.47, -101.09

 

CMYK 0 / 69 / 99 / 1

HEX #FC4D02

RGB 252 77 2

HSL 18, 0.98%, 0.5%

LAB 58.04, 64.11, 68.48

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 99 / 50 / 0 / 1

HEX #027FFC

RGB 2 127 252

HSL 210, 0.98%, 0.5%

LAB 54.26, 18.3, -70.01

 

CMYK 0 / 99 / 30 / 1

HEX #FC02B1

RGB 252 2 177

HSL 318, 0.98%, 0.5%

LAB 56, 88.11, -23.36

 

CMYK 0 / 50 / 99 / 1

HEX #FC7F02

RGB 252 127 2

HSL 30, 0.98%, 0.5%

LAB 66.43, 42.18, 73.14

 

CMYK 99 / 0 / 68 / 1

HEX #02FC51

RGB 2 252 81

HSL 138.96, 0.98%, 0.5%

LAB 87.11, -81.6, 65.18

 

CMYK 99 / 79 / 0 / 1

HEX #0234FC

RGB 2 52 252

HSL 228, 0.98%, 0.5%

LAB 36.92, 63.32, -98.47

 

CMYK 0 / 99 / 30 / 1

HEX #FC02B1

RGB 252 2 177

HSL 318, 0.98%, 0.5%

LAB 56, 88.11, -23.36

 

CMYK 0 / 20 / 99 / 1

HEX #FCCA02

RGB 252 202 2

HSL 48, 0.98%, 0.5%

LAB 83.41, 3.44, 84.35

 

Description

Color code: HEX #02FC51 | qconv.com Color code: HEX #02FC51 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 252 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 252 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 68 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 68% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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