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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02F7A1 it is the complementary color #FD085E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02F7A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02F7A1 shade: #07F79C, #18FFAF, #29FFC2, #3AFFD5 and #4BFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02F7A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02F7A1 shade: #02F7A1, #00E58E, #00D37B, #00C168 and #00AF55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02F7A1 shade: #02F7A1, #02F75F, #02F71D, #29F702 and #6BF702

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02F7A1 shade: #02F7A1, #02F7E3, #02C9F7, #0287F7 and #0245F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02F7A1 shade matches the following richer shades: #02F7A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02F7A1 shade: #02F7A1, #16E39B, #2ACE95, #3FBA8F and #53A689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02F7A1 shade: #02F71A, #02F75C, #02F79D, #02F7DE and #02CEF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02F7A1 shade: #01A56C, #02CE86, #02F7A1, #26FCB1 and #4FFDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02F7A1 shade: #02F7A1, #022BF7 and #F73B02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02F7A1 shade: #02F7A1, #9D02F7 and #F79D02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02F7A1 shade: #02F7A1, #022BF7, #F7025C and #F7CE02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02F7A1 shade: #02F7A1, #2302F7, #F7025C and #D6F702

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

Complementary color

CMYK 0 / 97 / 63 / 1

HEX #FD085E

RGB 253 8 94

HSL 338.94, 0.98%, 0.51%

LAB 53.88, 81.47, 23.12

 

CMYK 97 / 0 / 37 / 3

HEX #07F79C

RGB 7 247 156

HSL 157.25, 0.94%, 0.5%

LAB 86.49, -69.11, 30.32

 

CMYK 91 / 0 / 31 / 0

HEX #18FFAF

RGB 24 255 175

HSL 159.22, 1%, 0.55%

LAB 89.3, -67.47, 24.54

 

CMYK 84 / 0 / 24 / 0

HEX #29FFC2

RGB 41 255 194

HSL 162.9, 1%, 0.58%

LAB 89.81, -62.33, 15.56

 

CMYK 77 / 0 / 16 / 0

HEX #3AFFD5

RGB 58 255 213

HSL 167.21, 1%, 0.61%

LAB 90.42, -56.41, 6.67

 

CMYK 71 / 0 / 9 / 0

HEX #4BFFE8

RGB 75 255 232

HSL 172.33, 1%, 0.65%

LAB 91.16, -49.78, -2.07

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 100 / 0 / 38 / 10

HEX #00E58E

RGB 0 229 142

HSL 157.21, 1%, 0.45%

LAB 80.73, -65.88, 29.71

 

CMYK 100 / 0 / 42 / 17

HEX #00D37B

RGB 0 211 123

HSL 154.98, 1%, 0.41%

LAB 74.84, -63.38, 31.6

 

CMYK 100 / 0 / 46 / 24

HEX #00C168

RGB 0 193 104

HSL 152.33, 1%, 0.38%

LAB 68.85, -60.77, 33.53

 

CMYK 100 / 0 / 51 / 31

HEX #00AF55

RGB 0 175 85

HSL 149.14, 1%, 0.34%

LAB 62.77, -57.99, 35.49

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 99 / 0 / 62 / 3

HEX #02F75F

RGB 2 247 95

HSL 142.78, 0.98%, 0.49%

LAB 85.69, -78.72, 58.02

 

CMYK 99 / 0 / 88 / 3

HEX #02F71D

RGB 2 247 29

HSL 126.61, 0.98%, 0.49%

LAB 85.31, -83.48, 78.11

 

CMYK 83 / 0 / 99 / 3

HEX #29F702

RGB 41 247 2

HSL 110.45, 0.98%, 0.49%

LAB 85.5, -81.93, 81.33

 

CMYK 57 / 0 / 99 / 3

HEX #6BF702

RGB 107 247 2

HSL 94.29, 0.98%, 0.49%

LAB 86.83, -70.61, 82.94

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 99 / 0 / 8 / 3

HEX #02F7E3

RGB 2 247 227

HSL 175.1, 0.98%, 0.49%

LAB 88.01, -52.5, -4.18

 

CMYK 99 / 19 / 0 / 3

HEX #02C9F7

RGB 2 201 247

HSL 191.27, 0.98%, 0.49%

LAB 75.14, -25.47, -34.22

 

CMYK 99 / 45 / 0 / 3

HEX #0287F7

RGB 2 135 247

HSL 207.43, 0.98%, 0.49%

LAB 56.14, 11.42, -64.21

 

CMYK 99 / 72 / 0 / 3

HEX #0245F7

RGB 2 69 247

HSL 223.59, 0.98%, 0.49%

LAB 39.55, 52.6, -91.3

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 90 / 0 / 32 / 11

HEX #16E39B

RGB 22 227 155

HSL 158.93, 0.82%, 0.49%

LAB 80.45, -61.77, 22.66

 

CMYK 80 / 0 / 28 / 19

HEX #2ACE95

RGB 42 206 149

HSL 159.15, 0.66%, 0.49%

LAB 74.06, -53.74, 17.03

 

CMYK 66 / 0 / 23 / 27

HEX #3FBA8F

RGB 63 186 143

HSL 159.02, 0.49%, 0.49%

LAB 68.14, -44.16, 12.01

 

CMYK 50 / 0 / 17 / 35

HEX #53A689

RGB 83 166 137

HSL 159.04, 0.33%, 0.49%

LAB 62.44, -32.41, 7.32

 

CMYK 99 / 0 / 89 / 3

HEX #02F71A

RGB 2 247 26

HSL 125.88, 0.98%, 0.49%

LAB 85.31, -83.57, 78.59

 

CMYK 99 / 0 / 63 / 3

HEX #02F75C

RGB 2 247 92

HSL 142.04, 0.98%, 0.49%

LAB 85.66, -79.06, 59.24

 

CMYK 99 / 0 / 36 / 3

HEX #02F79D

RGB 2 247 157

HSL 157.96, 0.98%, 0.49%

LAB 86.49, -69.04, 29.82

 

CMYK 99 / 0 / 10 / 3

HEX #02F7DE

RGB 2 247 222

HSL 173.88, 0.98%, 0.49%

LAB 87.88, -53.84, -1.76

 

CMYK 99 / 17 / 0 / 3

HEX #02CEF7

RGB 2 206 247

HSL 190.04, 0.98%, 0.49%

LAB 76.6, -27.96, -31.97

 

CMYK 99 / 0 / 35 / 35

HEX #01A56C

RGB 1 165 108

HSL 159.15, 0.99%, 0.33%

LAB 59.89, -50.03, 19.59

 

CMYK 99 / 0 / 35 / 19

HEX #02CE86

RGB 2 206 134

HSL 158.82, 0.98%, 0.41%

LAB 73.47, -59.4, 24.08

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 85 / 0 / 30 / 1

HEX #26FCB1

RGB 38 252 177

HSL 158.97, 0.97%, 0.57%

LAB 88.55, -65.18, 22.5

 

CMYK 69 / 0 / 24 / 1

HEX #4FFDC0

RGB 79 253 192

HSL 158.97, 0.98%, 0.65%

LAB 89.73, -57.93, 16.55

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 99 / 83 / 0 / 3

HEX #022BF7

RGB 2 43 247

HSL 229.96, 0.98%, 0.49%

LAB 34.92, 65.94, -99

 

CMYK 0 / 76 / 99 / 3

HEX #F73B02

RGB 247 59 2

HSL 13.96, 0.98%, 0.49%

LAB 54.98, 68.55, 66.5

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 36 / 99 / 0 / 3

HEX #9D02F7

RGB 157 2 247

HSL 277.96, 0.98%, 0.49%

LAB 44.13, 83.94, -83.38

 

CMYK 0 / 36 / 99 / 3

HEX #F79D02

RGB 247 157 2

HSL 37.96, 0.98%, 0.49%

LAB 72.16, 24.78, 76.43

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 99 / 83 / 0 / 3

HEX #022BF7

RGB 2 43 247

HSL 229.96, 0.98%, 0.49%

LAB 34.92, 65.94, -99

 

CMYK 0 / 99 / 63 / 3

HEX #F7025C

RGB 247 2 92

HSL 337.96, 0.98%, 0.49%

LAB 52.5, 80.41, 22.28

 

CMYK 0 / 17 / 99 / 3

HEX #F7CE02

RGB 247 206 2

HSL 49.96, 0.98%, 0.49%

LAB 83.92, -0.75, 84.49

 

CMYK 99 / 0 / 35 / 3

HEX #02F7A1

RGB 2 247 161

HSL 158.94, 0.98%, 0.49%

LAB 86.56, -68.24, 27.89

 

CMYK 86 / 99 / 0 / 3

HEX #2302F7

RGB 35 2 247

HSL 248.08, 0.98%, 0.49%

LAB 32.07, 77.27, -103.73

 

CMYK 0 / 99 / 63 / 3

HEX #F7025C

RGB 247 2 92

HSL 337.96, 0.98%, 0.49%

LAB 52.5, 80.41, 22.28

 

CMYK 13 / 0 / 99 / 3

HEX #D6F702

RGB 214 247 2

HSL 68.08, 0.98%, 0.49%

LAB 92.05, -34.45, 89.24

 

Description

Color code: HEX #02F7A1 | qconv.com Color code: HEX #02F7A1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 247 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 247 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 35 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 35% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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