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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02E37A it is the complementary color #FD1C85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02E37A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02E37A shade: #07E375, #18F588, #29FF9B, #3AFFAE and #4BFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02E37A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02E37A shade: #02E37A, #00D167, #00BF54, #00AD41 and #009B2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02E37A shade: #02E37A, #02E33D, #03E302, #40E302 and #7CE302

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02E37A shade: #02E37A, #02E3B6, #02D2E3, #0296E3 and #0259E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02E37A shade matches the following richer shades: #02E37A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02E37A shade: #02E37A, #14D079, #27BE77, #39AB76 and #4C9875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02E37A shade: #02E302, #02E33E, #02E37A, #02E3B6 and #02D4E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02E37A shade: #01914E, #01BA64, #02E37A, #12FC8F and #3AFDA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02E37A shade: #02E37A, #023EE3 and #E32002

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02E37A shade: #02E37A, #7A02E3 and #E37A02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02E37A shade: #02E37A, #023EE3, #E3026B and #E3A702

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02E37A shade: #02E37A, #0902E3, #E3026B and #DBE302

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

Complementary color

CMYK 0 / 89 / 47 / 1

HEX #FD1C85

RGB 253 28 133

HSL 332, 0.98%, 0.55%

LAB 55.49, 82.01, 1.9

 

CMYK 97 / 0 / 48 / 11

HEX #07E375

RGB 7 227 117

HSL 150, 0.94%, 0.46%

LAB 79.77, -69.47, 40.92

 

CMYK 90 / 0 / 44 / 4

HEX #18F588

RGB 24 245 136

HSL 150.41, 0.92%, 0.53%

LAB 85.64, -71.49, 39.16

 

CMYK 84 / 0 / 39 / 0

HEX #29FF9B

RGB 41 255 155

HSL 151.96, 1%, 0.58%

LAB 89.09, -70.36, 34.32

 

CMYK 77 / 0 / 32 / 0

HEX #3AFFAE

RGB 58 255 174

HSL 155.33, 1%, 0.61%

LAB 89.62, -65.12, 25.53

 

CMYK 71 / 0 / 24 / 0

HEX #4BFFC1

RGB 75 255 193

HSL 159.33, 1%, 0.65%

LAB 90.26, -59.05, 16.78

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 100 / 0 / 51 / 18

HEX #00D167

RGB 0 209 103

HSL 149.57, 1%, 0.41%

LAB 73.92, -66.17, 40.42

 

CMYK 100 / 0 / 56 / 25

HEX #00BF54

RGB 0 191 84

HSL 146.39, 1%, 0.37%

LAB 67.95, -63.31, 42.28

 

CMYK 100 / 0 / 62 / 32

HEX #00AD41

RGB 0 173 65

HSL 142.54, 1%, 0.34%

LAB 61.89, -60.23, 44.03

 

CMYK 100 / 0 / 70 / 39

HEX #009B2E

RGB 0 155 46

HSL 137.81, 1%, 0.3%

LAB 55.73, -56.84, 45.48

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 0 / 73 / 11

HEX #02E33D

RGB 2 227 61

HSL 135.73, 0.98%, 0.45%

LAB 79.21, -76.35, 64.19

 

CMYK 99 / 0 / 99 / 11

HEX #03E302

RGB 3 227 2

HSL 119.73, 0.98%, 0.45%

LAB 79.02, -78.8, 76.01

 

CMYK 72 / 0 / 99 / 11

HEX #40E302

RGB 64 227 2

HSL 103.47, 0.98%, 0.45%

LAB 79.63, -73.32, 76.76

 

CMYK 45 / 0 / 99 / 11

HEX #7CE302

RGB 124 227 2

HSL 87.47, 0.98%, 0.45%

LAB 81.42, -58.83, 78.93

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 0 / 20 / 11

HEX #02E3B6

RGB 2 227 182

HSL 168, 0.98%, 0.45%

LAB 80.92, -56.21, 9.17

 

CMYK 99 / 7 / 0 / 11

HEX #02D2E3

RGB 2 210 227

HSL 184.53, 0.98%, 0.45%

LAB 77.07, -36.3, -20.52

 

CMYK 99 / 34 / 0 / 11

HEX #0296E3

RGB 2 150 227

HSL 200.53, 0.98%, 0.45%

LAB 59.32, -5.15, -48.06

 

CMYK 99 / 61 / 0 / 11

HEX #0259E3

RGB 2 89 227

HSL 216.8, 0.98%, 0.45%

LAB 42.31, 32.89, -75.46

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 90 / 0 / 42 / 18

HEX #14D079

RGB 20 208 121

HSL 152.23, 0.82%, 0.45%

LAB 73.96, -61.96, 31.49

 

CMYK 79 / 0 / 37 / 25

HEX #27BE77

RGB 39 190 119

HSL 151.79, 0.66%, 0.45%

LAB 68.45, -54.35, 25.28

 

CMYK 67 / 0 / 31 / 33

HEX #39AB76

RGB 57 171 118

HSL 152.11, 0.5%, 0.45%

LAB 62.76, -44.5, 18.17

 

CMYK 50 / 0 / 23 / 40

HEX #4C9875

RGB 76 152 117

HSL 152.37, 0.33%, 0.45%

LAB 57.34, -32.13, 11.29

 

CMYK 99 / 0 / 99 / 11

HEX #02E302

RGB 2 227 2

HSL 120, 0.98%, 0.45%

LAB 79.02, -78.83, 76.01

 

CMYK 99 / 0 / 73 / 11

HEX #02E33E

RGB 2 227 62

HSL 136, 0.98%, 0.45%

LAB 79.21, -76.27, 63.85

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 0 / 20 / 11

HEX #02E3B6

RGB 2 227 182

HSL 168, 0.98%, 0.45%

LAB 80.92, -56.21, 9.17

 

CMYK 99 / 7 / 0 / 11

HEX #02D4E3

RGB 2 212 227

HSL 184, 0.98%, 0.45%

LAB 77.67, -37.23, -19.62

 

CMYK 99 / 0 / 46 / 43

HEX #01914E

RGB 1 145 78

HSL 152.08, 0.99%, 0.29%

LAB 52.74, -48.89, 26.46

 

CMYK 99 / 0 / 46 / 27

HEX #01BA64

RGB 1 186 100

HSL 152.11, 0.99%, 0.37%

LAB 66.55, -59.08, 32.64

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 93 / 0 / 43 / 1

HEX #12FC8F

RGB 18 252 143

HSL 152.05, 0.98%, 0.53%

LAB 87.84, -72.84, 38.57

 

CMYK 77 / 0 / 36 / 1

HEX #3AFDA2

RGB 58 253 162

HSL 152, 0.98%, 0.61%

LAB 88.81, -66.76, 30.49

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 73 / 0 / 11

HEX #023EE3

RGB 2 62 227

HSL 224, 0.98%, 0.45%

LAB 35.99, 49.73, -85.87

 

CMYK 0 / 86 / 99 / 11

HEX #E32002

RGB 227 32 2

HSL 8, 0.98%, 0.45%

LAB 48.72, 69.61, 61.48

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 46 / 99 / 0 / 11

HEX #7A02E3

RGB 122 2 227

HSL 272, 0.98%, 0.45%

LAB 37.35, 76.64, -83.38

 

CMYK 0 / 46 / 99 / 11

HEX #E37A02

RGB 227 122 2

HSL 32, 0.98%, 0.45%

LAB 61.87, 34.77, 68.56

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 99 / 73 / 0 / 11

HEX #023EE3

RGB 2 62 227

HSL 224, 0.98%, 0.45%

LAB 35.99, 49.73, -85.87

 

CMYK 0 / 99 / 53 / 11

HEX #E3026B

RGB 227 2 107

HSL 332, 0.98%, 0.45%

LAB 48.8, 76.83, 7.38

 

CMYK 0 / 26 / 99 / 11

HEX #E3A702

RGB 227 167 2

HSL 44, 0.98%, 0.45%

LAB 72.21, 10.94, 75.36

 

CMYK 99 / 0 / 46 / 11

HEX #02E37A

RGB 2 227 122

HSL 152, 0.98%, 0.45%

LAB 79.82, -68.8, 38.54

 

CMYK 96 / 99 / 0 / 11

HEX #0902E3

RGB 9 2 227

HSL 241.87, 0.98%, 0.45%

LAB 28.51, 72.22, -98.33

 

CMYK 0 / 99 / 53 / 11

HEX #E3026B

RGB 227 2 107

HSL 332, 0.98%, 0.45%

LAB 48.8, 76.83, 7.38

 

CMYK 4 / 0 / 99 / 11

HEX #DBE302

RGB 219 227 2

HSL 62.13, 0.98%, 0.45%

LAB 87, -23.07, 85.63

 

Description

Color code: HEX #02E37A | qconv.com Color code: HEX #02E37A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 227 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 227 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 46 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 46% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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