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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02DD85 it is the complementary color #FD227A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02DD85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02DD85 shade: #07DD80, #18EF93, #29FFA6, #3AFFB9 and #4BFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02DD85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02DD85 shade: #02DD85, #00CB72, #00B95F, #00A74C and #009539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02DD85 shade: #02DE85, #02DE4A, #02DE0F, #30DE02 and #6BDE02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02DD85 shade: #02DE85, #02DEC1, #02BFDE, #0284DE and #0249DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02DD85 shade matches the following richer shades: #02DE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02DD85 shade: #02DE85, #14CC82, #26B97E, #38A77B and #4A9577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02DD85 shade: #02DE0D, #02DE47, #02DE82, #02DEBD and #02C4DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02DD85 shade: #018C54, #01B56D, #02DE85, #0DFC9C and #35FCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02DD85 shade: #02DD85, #0231DE and #DE2A02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02DD85 shade: #02DD85, #8202DE and #DE8202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02DD85 shade: #02DD85, #0231DE, #DE025D and #DEAE02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02DD85 shade: #02DD85, #1402DE, #DE025D and #CBDE02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 40 / 13

HEX #02DD85

RGB 2 221 133

HSL 155.89, 0.98%, 0.44%

LAB 78.12, -64.83, 30.83

 

Complementary color

CMYK 0 / 87 / 52 / 1

HEX #FD227A

RGB 253 34 122

HSL 335.89, 0.98%, 0.56%

LAB 55.51, 80.27, 8.51

 

CMYK 97 / 0 / 42 / 13

HEX #07DD80

RGB 7 221 128

HSL 153.93, 0.94%, 0.45%

LAB 78.06, -65.61, 33.29

 

CMYK 90 / 0 / 38 / 6

HEX #18EF93

RGB 24 239 147

HSL 154.33, 0.87%, 0.52%

LAB 83.98, -67.5, 31.53

 

CMYK 84 / 0 / 35 / 0

HEX #29FFA6

RGB 41 255 166

HSL 155.05, 1%, 0.58%

LAB 89.27, -68.28, 29.07

 

CMYK 77 / 0 / 27 / 0

HEX #3AFFB9

RGB 58 255 185

HSL 158.68, 1%, 0.61%

LAB 89.82, -62.83, 20.22

 

CMYK 71 / 0 / 20 / 0

HEX #4BFFCC

RGB 75 255 204

HSL 163, 1%, 0.65%

LAB 90.49, -56.58, 11.45

 

CMYK 99 / 0 / 40 / 13

HEX #02DD85

RGB 2 221 133

HSL 155.89, 0.98%, 0.44%

LAB 78.12, -64.83, 30.83

 

CMYK 100 / 0 / 44 / 20

HEX #00CB72

RGB 0 203 114

HSL 153.69, 1%, 0.4%

LAB 72.18, -62.34, 32.73

 

CMYK 100 / 0 / 49 / 27

HEX #00B95F

RGB 0 185 95

HSL 150.81, 1%, 0.36%

LAB 66.15, -59.65, 34.67

 

CMYK 100 / 0 / 54 / 35

HEX #00A74C

RGB 0 167 76

HSL 147.31, 1%, 0.33%

LAB 60.03, -56.79, 36.62

 

CMYK 100 / 0 / 62 / 42

HEX #009539

RGB 0 149 57

HSL 142.95, 1%, 0.29%

LAB 53.8, -53.68, 38.47

 

CMYK 99 / 0 / 40 / 13

HEX #02DE85

RGB 2 222 133

HSL 155.73, 0.98%, 0.44%

LAB 78.43, -65.17, 31.24

 

CMYK 99 / 0 / 67 / 13

HEX #02DE4A

RGB 2 222 74

HSL 139.64, 0.98%, 0.44%

LAB 77.73, -73.77, 57.81

 

CMYK 99 / 0 / 93 / 13

HEX #02DE0F

RGB 2 222 15

HSL 123.55, 0.98%, 0.44%

LAB 77.45, -77.28, 73.49

 

CMYK 78 / 0 / 99 / 13

HEX #30DE02

RGB 48 222 2

HSL 107.45, 0.98%, 0.44%

LAB 77.8, -74.21, 75.18

 

CMYK 52 / 0 / 99 / 13

HEX #6BDE02

RGB 107 222 2

HSL 91.36, 0.98%, 0.44%

LAB 79.26, -62.04, 76.96

 

CMYK 99 / 0 / 40 / 13

HEX #02DE85

RGB 2 222 133

HSL 155.73, 0.98%, 0.44%

LAB 78.43, -65.17, 31.24

 

CMYK 99 / 0 / 13 / 13

HEX #02DEC1

RGB 2 222 193

HSL 172.09, 0.98%, 0.44%

LAB 79.67, -51.39, 1.54

 

CMYK 99 / 14 / 0 / 13

HEX #02BFDE

RGB 2 191 222

HSL 188.45, 0.98%, 0.44%

LAB 71.25, -28.81, -26.71

 

CMYK 99 / 41 / 0 / 13

HEX #0284DE

RGB 2 132 222

HSL 204.55, 0.98%, 0.44%

LAB 53.8, 3.59, -54.04

 

CMYK 99 / 67 / 0 / 13

HEX #0249DE

RGB 2 73 222

HSL 220.64, 0.98%, 0.44%

LAB 37.94, 41.23, -79.81

 

CMYK 99 / 0 / 40 / 13

HEX #02DE85

RGB 2 222 133

HSL 155.73, 0.98%, 0.44%

LAB 78.43, -65.17, 31.24

 

CMYK 99 / 0 / 40 / 13

HEX #02DE85

RGB 2 222 133

HSL 155.73, 0.98%, 0.44%

LAB 78.43, -65.17, 31.24

 

CMYK 90 / 0 / 36 / 20

HEX #14CC82

RGB 20 204 130

HSL 155.87, 0.82%, 0.44%

LAB 72.86, -58.8, 25.37

 

CMYK 79 / 0 / 32 / 27

HEX #26B97E

RGB 38 185 126

HSL 155.92, 0.66%, 0.44%

LAB 66.99, -51.11, 19.56

 

CMYK 66 / 0 / 26 / 35

HEX #38A77B

RGB 56 167 123

HSL 156.22, 0.5%, 0.44%

LAB 61.57, -41.89, 13.77

 

CMYK 50 / 0 / 20 / 42

HEX #4A9577

RGB 74 149 119

HSL 156, 0.34%, 0.44%

LAB 56.37, -30.77, 8.77

 

CMYK 99 / 0 / 94 / 13

HEX #02DE0D

RGB 2 222 13

HSL 123, 0.98%, 0.44%

LAB 77.45, -77.32, 73.71

 

CMYK 99 / 0 / 68 / 13

HEX #02DE47

RGB 2 222 71

HSL 138.82, 0.98%, 0.44%

LAB 77.7, -74.06, 58.96

 

CMYK 99 / 0 / 41 / 13

HEX #02DE82

RGB 2 222 130

HSL 154.91, 0.98%, 0.44%

LAB 78.38, -65.73, 32.7

 

CMYK 99 / 0 / 15 / 13

HEX #02DEBD

RGB 2 222 189

HSL 171, 0.98%, 0.44%

LAB 79.57, -52.45, 3.52

 

CMYK 99 / 12 / 0 / 13

HEX #02C4DE

RGB 2 196 222

HSL 187.09, 0.98%, 0.44%

LAB 72.74, -31.25, -24.42

 

CMYK 99 / 0 / 40 / 45

HEX #018C54

RGB 1 140 84

HSL 155.83, 0.99%, 0.28%

LAB 51.16, -45.87, 21.1

 

CMYK 99 / 0 / 40 / 29

HEX #01B56D

RGB 1 181 109

HSL 156, 0.99%, 0.36%

LAB 65.09, -55.65, 26.03

 

CMYK 99 / 0 / 40 / 13

HEX #02DE85

RGB 2 222 133

HSL 155.73, 0.98%, 0.44%

LAB 78.43, -65.17, 31.24

 

CMYK 95 / 0 / 38 / 1

HEX #0DFC9C

RGB 13 252 156

HSL 155.9, 0.98%, 0.52%

LAB 88.02, -70.64, 32.37

 

CMYK 79 / 0 / 32 / 1

HEX #35FCAC

RGB 53 252 172

HSL 155.88, 0.97%, 0.6%

LAB 88.62, -64.95, 25.17

 

CMYK 99 / 0 / 40 / 13

HEX #02DD85

RGB 2 221 133

HSL 155.89, 0.98%, 0.44%

LAB 78.12, -64.83, 30.83

 

CMYK 99 / 78 / 0 / 13

HEX #0231DE

RGB 2 49 222

HSL 227.18, 0.98%, 0.44%

LAB 32.88, 55.28, -88.17

 

CMYK 0 / 81 / 99 / 13

HEX #DE2A02

RGB 222 42 2

HSL 10.91, 0.98%, 0.44%

LAB 48.5, 66.03, 60.79

 

CMYK 99 / 0 / 40 / 13

HEX #02DD85

RGB 2 221 133

HSL 155.89, 0.98%, 0.44%

LAB 78.12, -64.83, 30.83

 

CMYK 41 / 99 / 0 / 13

HEX #8202DE

RGB 130 2 222

HSL 274.91, 0.98%, 0.44%

LAB 37.96, 76.33, -79.48

 

CMYK 0 / 41 / 99 / 13

HEX #DE8202

RGB 222 130 2

HSL 34.91, 0.98%, 0.44%

LAB 62.93, 28.52, 68.89

 

CMYK 99 / 0 / 40 / 13

HEX #02DD85

RGB 2 221 133

HSL 155.89, 0.98%, 0.44%

LAB 78.12, -64.83, 30.83

 

CMYK 99 / 78 / 0 / 13

HEX #0231DE

RGB 2 49 222

HSL 227.18, 0.98%, 0.44%

LAB 32.88, 55.28, -88.17

 

CMYK 0 / 99 / 58 / 13

HEX #DE025D

RGB 222 2 93

HSL 335.18, 0.98%, 0.44%

LAB 47.45, 74.79, 13.98

 

CMYK 0 / 22 / 99 / 13

HEX #DEAE02

RGB 222 174 2

HSL 46.91, 0.98%, 0.44%

LAB 73.42, 5.05, 75.95

 

CMYK 99 / 0 / 40 / 13

HEX #02DD85

RGB 2 221 133

HSL 155.89, 0.98%, 0.44%

LAB 78.12, -64.83, 30.83

 

CMYK 91 / 99 / 0 / 13

HEX #1402DE

RGB 20 2 222

HSL 244.91, 0.98%, 0.44%

LAB 28.02, 71.09, -96.26

 

CMYK 0 / 99 / 58 / 13

HEX #DE025D

RGB 222 2 93

HSL 335.18, 0.98%, 0.44%

LAB 47.45, 74.79, 13.98

 

CMYK 9 / 0 / 99 / 13

HEX #CBDE02

RGB 203 222 2

HSL 65.18, 0.98%, 0.44%

LAB 84.45, -27.33, 83.21

 

Description

Color code: HEX #02DD85 | qconv.com Color code: HEX #02DD85 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 221 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 221 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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