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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02C907 it is the complementary color #FD36F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02C907. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02C907 shade: #07C902, #18DB15, #29ED28, #3AFF3B and #4BFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02C907. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02C907 shade: #02C907, #00B700, #00A500, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02C907 shade: #02C907, #32C902, #68C902, #9EC902 and #C9BF02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02C907 shade: #02C907, #02C93C, #02C972, #02C9A8 and #02B5C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02C907 shade matches the following richer shades: #02C907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02C907 shade: #02C907, #12B916, #23A826, #339836 and #448745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02C907 shade: #69C902, #34C902, #02C905, #02C93A and #02C96F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02C907 shade: #017804, #01A105, #02C907, #02F208 and #21FC27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02C907 shade: #02C907, #029EC9 and #C9024E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02C907 shade: #02C907, #0502C9 and #C90502

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02C907 shade: #02C907, #029EC9, #C902C6 and #C92D02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02C907 shade: #02C907, #0262C9, #C902C6 and #C96902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

Complementary color

CMYK 0 / 79 / 2 / 1

HEX #FD36F8

RGB 253 54 248

HSL 301.51, 0.98%, 0.6%

LAB 61.91, 90.15, -54.44

 

CMYK 97 / 0 / 99 / 21

HEX #07C902

RGB 7 201 2

HSL 118.49, 0.98%, 0.4%

LAB 70.75, -71.72, 69.35

 

CMYK 89 / 0 / 90 / 14

HEX #18DB15

RGB 24 219 21

HSL 119.09, 0.83%, 0.47%

LAB 76.63, -75.32, 72.02

 

CMYK 83 / 0 / 83 / 7

HEX #29ED28

RGB 41 237 40

HSL 119.7, 0.85%, 0.54%

LAB 82.48, -78.18, 73.5

 

CMYK 77 / 0 / 77 / 0

HEX #3AFF3B

RGB 58 255 59

HSL 120.3, 1%, 0.61%

LAB 88.32, -80.37, 73.98

 

CMYK 71 / 0 / 69 / 0

HEX #4BFF4E

RGB 75 255 78

HSL 121, 1%, 0.65%

LAB 88.72, -76.56, 68.2

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 75 / 0 / 99 / 21

HEX #32C902

RGB 50 201 2

HSL 105.53, 0.98%, 0.4%

LAB 71.18, -67.81, 69.89

 

CMYK 48 / 0 / 99 / 21

HEX #68C902

RGB 104 201 2

HSL 89.25, 0.98%, 0.4%

LAB 72.71, -55.28, 71.74

 

CMYK 21 / 0 / 99 / 21

HEX #9EC902

RGB 158 201 2

HSL 72.96, 0.98%, 0.4%

LAB 75.48, -35.94, 75.09

 

CMYK 0 / 5 / 99 / 21

HEX #C9BF02

RGB 201 191 2

HSL 56.98, 0.98%, 0.4%

LAB 75.87, -12.98, 76.8

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 99 / 0 / 70 / 21

HEX #02C93C

RGB 2 201 60

HSL 137.49, 0.98%, 0.4%

LAB 70.95, -69.06, 56.04

 

CMYK 99 / 0 / 43 / 21

HEX #02C972

RGB 2 201 114

HSL 153.77, 0.98%, 0.4%

LAB 71.56, -61.59, 31.92

 

CMYK 99 / 0 / 16 / 21

HEX #02C9A8

RGB 2 201 168

HSL 170.05, 0.98%, 0.4%

LAB 72.64, -49.44, 4.75

 

CMYK 99 / 10 / 0 / 21

HEX #02B5C9

RGB 2 181 201

HSL 186.03, 0.98%, 0.4%

LAB 67.48, -30.79, -20.96

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 90 / 0 / 88 / 27

HEX #12B916

RGB 18 185 22

HSL 121.44, 0.82%, 0.4%

LAB 65.66, -66.22, 62.4

 

CMYK 79 / 0 / 77 / 34

HEX #23A826

RGB 35 168 38

HSL 121.35, 0.66%, 0.4%

LAB 60.34, -58.58, 53.29

 

CMYK 66 / 0 / 64 / 40

HEX #339836

RGB 51 152 54

HSL 121.78, 0.5%, 0.4%

LAB 55.51, -48.91, 41.99

 

CMYK 50 / 0 / 49 / 47

HEX #448745

RGB 68 135 69

HSL 120.9, 0.33%, 0.4%

LAB 50.67, -35.7, 28.95

 

CMYK 48 / 0 / 99 / 21

HEX #69C902

RGB 105 201 2

HSL 88.94, 0.98%, 0.4%

LAB 72.75, -54.97, 71.79

 

CMYK 74 / 0 / 99 / 21

HEX #34C902

RGB 52 201 2

HSL 104.92, 0.98%, 0.4%

LAB 71.22, -67.5, 69.93

 

CMYK 99 / 0 / 98 / 21

HEX #02C905

RGB 2 201 5

HSL 120.9, 0.98%, 0.4%

LAB 70.73, -71.86, 69.01

 

CMYK 99 / 0 / 71 / 21

HEX #02C93A

RGB 2 201 58

HSL 136.88, 0.98%, 0.4%

LAB 70.93, -69.24, 56.78

 

CMYK 99 / 0 / 45 / 21

HEX #02C96F

RGB 2 201 111

HSL 152.86, 0.98%, 0.4%

LAB 71.51, -62.13, 33.39

 

CMYK 99 / 0 / 97 / 53

HEX #017804

RGB 1 120 4

HSL 121.51, 0.98%, 0.24%

LAB 43.43, -49.1, 46.74

 

CMYK 99 / 0 / 97 / 37

HEX #01A105

RGB 1 161 5

HSL 121.5, 0.99%, 0.32%

LAB 57.57, -60.91, 58.24

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 99 / 0 / 97 / 5

HEX #02F208

RGB 2 242 8

HSL 121.5, 0.98%, 0.48%

LAB 83.72, -82.65, 79.31

 

CMYK 87 / 0 / 85 / 1

HEX #21FC27

RGB 33 252 39

HSL 121.64, 0.97%, 0.56%

LAB 87.04, -83.04, 77.78

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 99 / 21 / 0 / 21

HEX #029EC9

RGB 2 158 201

HSL 192.96, 0.98%, 0.4%

LAB 60.5, -19.1, -31.7

 

CMYK 0 / 99 / 61 / 21

HEX #C9024E

RGB 201 2 78

HSL 337.09, 0.98%, 0.4%

LAB 42.78, 69.05, 16.29

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 98 / 99 / 0 / 21

HEX #0502C9

RGB 5 2 201

HSL 240.9, 0.98%, 0.4%

LAB 24.62, 65.8, -89.76

 

CMYK 0 / 98 / 99 / 21

HEX #C90502

RGB 201 5 2

HSL 0.9, 0.98%, 0.4%

LAB 42.05, 66.5, 55.54

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 99 / 21 / 0 / 21

HEX #029EC9

RGB 2 158 201

HSL 192.96, 0.98%, 0.4%

LAB 60.5, -19.1, -31.7

 

CMYK 0 / 99 / 1 / 21

HEX #C902C6

RGB 201 2 198

HSL 300.9, 0.98%, 0.4%

LAB 47.67, 81.53, -49.32

 

CMYK 0 / 78 / 99 / 21

HEX #C92D02

RGB 201 45 2

HSL 12.96, 0.98%, 0.4%

LAB 44.66, 59.06, 56.66

 

CMYK 99 / 0 / 97 / 21

HEX #02C907

RGB 2 201 7

HSL 121.51, 0.98%, 0.4%

LAB 70.73, -71.82, 68.79

 

CMYK 99 / 51 / 0 / 21

HEX #0262C9

RGB 2 98 201

HSL 211.06, 0.98%, 0.4%

LAB 42.71, 16.75, -59.94

 

CMYK 0 / 99 / 1 / 21

HEX #C902C6

RGB 201 2 198

HSL 300.9, 0.98%, 0.4%

LAB 47.67, 81.53, -49.32

 

CMYK 0 / 48 / 99 / 21

HEX #C96902

RGB 201 105 2

HSL 31.06, 0.98%, 0.4%

LAB 54.58, 32.96, 62.18

 

Description

Color code: HEX #02C907 | qconv.com Color code: HEX #02C907 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 201 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 201 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 97 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 97% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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