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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02B66D it is the complementary color #FD4992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02B66D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02B66D shade: #07B668, #18C87B, #29DA8E, #3AECA1 and #4BFEB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02B66D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02B66D shade: #02B66D, #00A45A, #009247, #008034 and #006E21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02B66D shade: #01B56C, #01B53C, #01B50B, #28B501 and #58B501

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02B66D shade: #01B56C, #01B59D, #019DB5, #016DB5 and #013CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02B66D shade matches the following richer shades: #01B56C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02B66D shade: #01B56C, #10A669, #1F9867, #2E8964 and #3D7A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02B66D shade: #01B50A, #01B53A, #01B56A, #01B59A and #01A0B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02B66D shade: #01643B, #018C54, #01B56C, #02DE85 and #0DFC9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02B66D shade: #02B66D, #0128B5 and #B52201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02B66D shade: #02B66D, #6A01B5 and #B56A01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02B66D shade: #02B66D, #0128B5, #B5014C and #B58E01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02B66D shade: #02B66D, #1001B5, #B5014C and #A6B501

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 40 / 29

HEX #02B66D

RGB 2 182 109

HSL 155.67, 0.98%, 0.36%

LAB 65.41, -55.96, 26.47

 

Complementary color

CMYK 0 / 71 / 42 / 1

HEX #FD4992

RGB 253 73 146

HSL 335.67, 0.98%, 0.64%

LAB 59.64, 72.37, 0.25

 

CMYK 96 / 0 / 43 / 29

HEX #07B668

RGB 7 182 104

HSL 153.26, 0.93%, 0.37%

LAB 65.36, -56.72, 29.03

 

CMYK 88 / 0 / 39 / 22

HEX #18C87B

RGB 24 200 123

HSL 153.75, 0.79%, 0.44%

LAB 71.51, -58.53, 27.23

 

CMYK 81 / 0 / 35 / 15

HEX #29DA8E

RGB 41 218 142

HSL 154.24, 0.71%, 0.51%

LAB 77.62, -59.84, 25.58

 

CMYK 75 / 0 / 32 / 7

HEX #3AECA1

RGB 58 236 161

HSL 154.72, 0.82%, 0.58%

LAB 83.69, -60.78, 24.06

 

CMYK 70 / 0 / 29 / 0

HEX #4BFEB4

RGB 75 254 180

HSL 155.2, 0.99%, 0.65%

LAB 89.71, -61.43, 22.65

 

CMYK 99 / 0 / 40 / 29

HEX #02B66D

RGB 2 182 109

HSL 155.67, 0.98%, 0.36%

LAB 65.41, -55.96, 26.47

 

CMYK 100 / 0 / 45 / 36

HEX #00A45A

RGB 0 164 90

HSL 152.93, 1%, 0.32%

LAB 59.24, -53.39, 28.44

 

CMYK 100 / 0 / 51 / 43

HEX #009247

RGB 0 146 71

HSL 149.18, 1%, 0.29%

LAB 52.96, -50.56, 30.46

 

CMYK 100 / 0 / 59 / 50

HEX #008034

RGB 0 128 52

HSL 144.38, 1%, 0.25%

LAB 46.56, -47.48, 32.45

 

CMYK 100 / 0 / 70 / 57

HEX #006E21

RGB 0 110 33

HSL 138, 1%, 0.22%

LAB 40.02, -44.04, 34.2

 

CMYK 99 / 0 / 40 / 29

HEX #01B56C

RGB 1 181 108

HSL 155.67, 0.99%, 0.36%

LAB 65.07, -55.85, 26.54

 

CMYK 99 / 0 / 67 / 29

HEX #01B53C

RGB 1 181 60

HSL 139.67, 0.99%, 0.36%

LAB 64.47, -63.2, 49.1

 

CMYK 99 / 0 / 94 / 29

HEX #01B50B

RGB 1 181 11

HSL 123.33, 0.99%, 0.36%

LAB 64.22, -66.33, 62.95

 

CMYK 78 / 0 / 99 / 29

HEX #28B501

RGB 40 181 1

HSL 107, 0.99%, 0.36%

LAB 64.56, -63.33, 64.63

 

CMYK 51 / 0 / 99 / 29

HEX #58B501

RGB 88 181 1

HSL 91, 0.99%, 0.36%

LAB 65.85, -52.67, 66.19

 

CMYK 99 / 0 / 40 / 29

HEX #01B56C

RGB 1 181 108

HSL 155.67, 0.99%, 0.36%

LAB 65.07, -55.85, 26.54

 

CMYK 99 / 0 / 13 / 29

HEX #01B59D

RGB 1 181 157

HSL 172, 0.99%, 0.36%

LAB 66.13, -44.13, 1.34

 

CMYK 99 / 13 / 0 / 29

HEX #019DB5

RGB 1 157 181

HSL 188, 0.99%, 0.36%

LAB 59.39, -25.56, -22.16

 

CMYK 99 / 40 / 0 / 29

HEX #016DB5

RGB 1 109 181

HSL 204, 0.99%, 0.36%

LAB 44.63, 1.59, -45.25

 

CMYK 99 / 67 / 0 / 29

HEX #013CB5

RGB 1 60 181

HSL 220.33, 0.99%, 0.36%

LAB 30.82, 34, -67.66

 

CMYK 99 / 0 / 40 / 29

HEX #01B56C

RGB 1 181 108

HSL 155.67, 0.99%, 0.36%

LAB 65.07, -55.85, 26.54

 

CMYK 99 / 0 / 40 / 29

HEX #01B56C

RGB 1 181 108

HSL 155.67, 0.99%, 0.36%

LAB 65.07, -55.85, 26.54

 

CMYK 90 / 0 / 37 / 35

HEX #10A669

RGB 16 166 105

HSL 155.6, 0.82%, 0.36%

LAB 60.25, -50.31, 21.74

 

CMYK 80 / 0 / 32 / 40

HEX #1F9867

RGB 31 152 103

HSL 155.7, 0.66%, 0.36%

LAB 55.81, -43.97, 16.84

 

CMYK 66 / 0 / 27 / 46

HEX #2E8964

RGB 46 137 100

HSL 155.6, 0.5%, 0.36%

LAB 51.14, -36.01, 12.13

 

CMYK 50 / 0 / 20 / 52

HEX #3D7A61

RGB 61 122 97

HSL 155.41, 0.33%, 0.36%

LAB 46.68, -26.19, 7.67

 

CMYK 99 / 0 / 94 / 29

HEX #01B50A

RGB 1 181 10

HSL 123, 0.99%, 0.36%

LAB 64.22, -66.35, 63.08

 

CMYK 99 / 0 / 68 / 29

HEX #01B53A

RGB 1 181 58

HSL 139, 0.99%, 0.36%

LAB 64.45, -63.41, 49.91

 

CMYK 99 / 0 / 41 / 29

HEX #01B56A

RGB 1 181 106

HSL 155, 0.99%, 0.36%

LAB 65.04, -56.24, 27.55

 

CMYK 99 / 0 / 15 / 29

HEX #01B59A

RGB 1 181 154

HSL 171, 0.99%, 0.36%

LAB 66.05, -44.96, 2.88

 

CMYK 99 / 12 / 0 / 29

HEX #01A0B5

RGB 1 160 181

HSL 187, 0.99%, 0.36%

LAB 60.32, -27.08, -20.74

 

CMYK 99 / 0 / 41 / 61

HEX #01643B

RGB 1 100 59

HSL 155.15, 0.98%, 0.2%

LAB 36.81, -35.91, 16.34

 

CMYK 99 / 0 / 40 / 45

HEX #018C54

RGB 1 140 84

HSL 155.83, 0.99%, 0.28%

LAB 51.16, -45.87, 21.1

 

CMYK 99 / 0 / 40 / 29

HEX #01B56C

RGB 1 181 108

HSL 155.67, 0.99%, 0.36%

LAB 65.07, -55.85, 26.54

 

CMYK 99 / 0 / 40 / 13

HEX #02DE85

RGB 2 222 133

HSL 155.73, 0.98%, 0.44%

LAB 78.43, -65.17, 31.24

 

CMYK 95 / 0 / 38 / 1

HEX #0DFC9B

RGB 13 252 155

HSL 155.65, 0.98%, 0.52%

LAB 88, -70.83, 32.85

 

CMYK 99 / 0 / 40 / 29

HEX #02B66D

RGB 2 182 109

HSL 155.67, 0.98%, 0.36%

LAB 65.41, -55.96, 26.47

 

CMYK 99 / 78 / 0 / 29

HEX #0128B5

RGB 1 40 181

HSL 227, 0.99%, 0.36%

LAB 26.33, 46.37, -75.07

 

CMYK 0 / 81 / 99 / 29

HEX #B52201

RGB 181 34 1

HSL 11, 0.99%, 0.36%

LAB 39.53, 56.21, 52.36

 

CMYK 99 / 0 / 40 / 29

HEX #02B66D

RGB 2 182 109

HSL 155.67, 0.98%, 0.36%

LAB 65.41, -55.96, 26.47

 

CMYK 41 / 99 / 0 / 29

HEX #6A01B5

RGB 106 1 181

HSL 275, 0.99%, 0.36%

LAB 30.45, 65.67, -68

 

CMYK 0 / 41 / 99 / 29

HEX #B56A01

RGB 181 106 1

HSL 35, 0.99%, 0.36%

LAB 51.99, 23.92, 59.34

 

CMYK 99 / 0 / 40 / 29

HEX #02B66D

RGB 2 182 109

HSL 155.67, 0.98%, 0.36%

LAB 65.41, -55.96, 26.47

 

CMYK 99 / 78 / 0 / 29

HEX #0128B5

RGB 1 40 181

HSL 227, 0.99%, 0.36%

LAB 26.33, 46.37, -75.07

 

CMYK 0 / 99 / 58 / 29

HEX #B5014C

RGB 181 1 76

HSL 335, 0.99%, 0.36%

LAB 38.49, 64.34, 11.02

 

CMYK 0 / 22 / 99 / 29

HEX #B58E01

RGB 181 142 1

HSL 47, 0.99%, 0.36%

LAB 60.93, 3.97, 65.36

 

CMYK 99 / 0 / 40 / 29

HEX #02B66D

RGB 2 182 109

HSL 155.67, 0.98%, 0.36%

LAB 65.41, -55.96, 26.47

 

CMYK 91 / 99 / 0 / 29

HEX #1001B5

RGB 16 1 181

HSL 245, 0.99%, 0.36%

LAB 21.83, 61.11, -82.57

 

CMYK 0 / 99 / 58 / 29

HEX #B5014C

RGB 181 1 76

HSL 335, 0.99%, 0.36%

LAB 38.49, 64.34, 11.02

 

CMYK 8 / 0 / 99 / 29

HEX #A6B501

RGB 166 181 1

HSL 65, 0.99%, 0.36%

LAB 70.29, -23.16, 71.52

 

Description

Color code: HEX #02B66D | qconv.com Color code: HEX #02B66D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 182 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 182 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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