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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02A2AA it is the complementary color #FD5D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02A2AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #02A2AA shade: #07A2A5, #18B4B8, #29C6CB, #3AD8DE and #4BEAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02A2AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #02A2AA shade: #02A2AA, #009097, #007E84, #006C71 and #005A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #02A2AA shade: #01A3AB, #0175AB, #0147AB, #011AAB and #1701AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #02A2AA shade: #01A3AB, #0175AB, #0147AB, #011AAB and #0101AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #02A2AA shade matches the following richer shades: #01A3AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #02A2AA shade: #01A3AB, #0F969D, #1D8A8F, #2B7D81 and #397073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #02A2AA shade: #01AB56, #01AB84, #01A6AB, #0178AB and #014BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #02A2AA shade: #005559, #017C82, #01A3AB, #02CAD4 and #03F0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #02A2AA shade: #02A2AA, #2901AB and #AB6D01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #02A2AA shade: #02A2AA, #AB01A6 and #A6AB01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #02A2AA shade: #02A2AA, #2901AB, #AB0701 and #84AB01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #02A2AA shade: #02A2AA, #5C01AB, #AB0701 and #51AB01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 5 / 0 / 33

HEX #02A2AA

RGB 2 162 170

HSL 182.86, 0.98%, 0.34%

LAB 60.57, -31.64, -14.17

 

Complementary color

CMYK 0 / 63 / 66 / 1

HEX #FD5D55

RGB 253 93 85

HSL 2.86, 0.98%, 0.66%

LAB 61.1, 60.39, 37.49

 

CMYK 96 / 2 / 0 / 35

HEX #07A2A5

RGB 7 162 165

HSL 181.14, 0.92%, 0.34%

LAB 60.43, -33.04, -11.55

 

CMYK 87 / 2 / 0 / 28

HEX #18B4B8

RGB 24 180 184

HSL 181.5, 0.77%, 0.41%

LAB 66.75, -34.82, -12.67

 

CMYK 80 / 2 / 0 / 20

HEX #29C6CB

RGB 41 198 203

HSL 181.85, 0.66%, 0.48%

LAB 73, -36.21, -13.67

 

CMYK 74 / 3 / 0 / 13

HEX #3AD8DE

RGB 58 216 222

HSL 182.2, 0.71%, 0.55%

LAB 79.21, -37.29, -14.58

 

CMYK 69 / 3 / 0 / 5

HEX #4BEAF1

RGB 75 234 241

HSL 182.53, 0.86%, 0.62%

LAB 85.35, -38.12, -15.4

 

CMYK 99 / 5 / 0 / 33

HEX #02A2AA

RGB 2 162 170

HSL 182.86, 0.98%, 0.34%

LAB 60.57, -31.64, -14.17

 

CMYK 100 / 5 / 0 / 41

HEX #009097

RGB 0 144 151

HSL 182.78, 1%, 0.3%

LAB 54.22, -29.15, -12.92

 

CMYK 100 / 5 / 0 / 48

HEX #007E84

RGB 0 126 132

HSL 182.73, 1%, 0.26%

LAB 47.74, -26.53, -11.62

 

CMYK 100 / 4 / 0 / 56

HEX #006C71

RGB 0 108 113

HSL 182.65, 1%, 0.22%

LAB 41.08, -23.84, -10.28

 

CMYK 100 / 4 / 0 / 63

HEX #005A5E

RGB 0 90 94

HSL 182.55, 1%, 0.18%

LAB 34.23, -21.08, -8.9

 

CMYK 99 / 5 / 0 / 33

HEX #01A3AB

RGB 1 163 171

HSL 182.82, 0.99%, 0.34%

LAB 60.91, -31.83, -14.22

 

CMYK 99 / 32 / 0 / 33

HEX #0175AB

RGB 1 117 171

HSL 199.06, 0.99%, 0.34%

LAB 46.54, -7.24, -36.4

 

CMYK 99 / 58 / 0 / 33

HEX #0147AB

RGB 1 71 171

HSL 215.29, 0.99%, 0.34%

LAB 32.82, 22.57, -58.42

 

CMYK 99 / 85 / 0 / 33

HEX #011AAB

RGB 1 26 171

HSL 231.18, 0.99%, 0.34%

LAB 22.6, 50.26, -75.27

 

CMYK 87 / 99 / 0 / 33

HEX #1701AB

RGB 23 1 171

HSL 247.76, 0.99%, 0.34%

LAB 20.61, 58.68, -78.58

 

CMYK 99 / 5 / 0 / 33

HEX #01A3AB

RGB 1 163 171

HSL 182.82, 0.99%, 0.34%

LAB 60.91, -31.83, -14.22

 

CMYK 99 / 32 / 0 / 33

HEX #0175AB

RGB 1 117 171

HSL 199.06, 0.99%, 0.34%

LAB 46.54, -7.24, -36.4

 

CMYK 99 / 58 / 0 / 33

HEX #0147AB

RGB 1 71 171

HSL 215.29, 0.99%, 0.34%

LAB 32.82, 22.57, -58.42

 

CMYK 99 / 85 / 0 / 33

HEX #011AAB

RGB 1 26 171

HSL 231.18, 0.99%, 0.34%

LAB 22.6, 50.26, -75.27

 

CMYK 99 / 99 / 0 / 33

HEX #0101AB

RGB 1 1 171

HSL 240, 0.99%, 0.34%

LAB 19.92, 58.44, -79.76

 

CMYK 99 / 5 / 0 / 33

HEX #01A3AB

RGB 1 163 171

HSL 182.82, 0.99%, 0.34%

LAB 60.91, -31.83, -14.22

 

CMYK 99 / 5 / 0 / 33

HEX #01A3AB

RGB 1 163 171

HSL 182.82, 0.99%, 0.34%

LAB 60.91, -31.83, -14.22

 

CMYK 90 / 4 / 0 / 38

HEX #0F969D

RGB 15 150 157

HSL 182.96, 0.83%, 0.34%

LAB 56.44, -29.47, -13.01

 

CMYK 80 / 3 / 0 / 44

HEX #1D8A8F

RGB 29 138 143

HSL 182.63, 0.66%, 0.34%

LAB 52.31, -26.95, -11.14

 

CMYK 67 / 3 / 0 / 49

HEX #2B7D81

RGB 43 125 129

HSL 182.79, 0.5%, 0.34%

LAB 47.96, -22.85, -9.44

 

CMYK 50 / 3 / 0 / 55

HEX #397073

RGB 57 112 115

HSL 183.1, 0.34%, 0.34%

LAB 43.79, -17.24, -7.29

 

CMYK 99 / 0 / 50 / 33

HEX #01AB56

RGB 1 171 86

HSL 150, 0.99%, 0.34%

LAB 61.48, -56.45, 33.38

 

CMYK 99 / 0 / 23 / 33

HEX #01AB84

RGB 1 171 132

HSL 166.24, 0.99%, 0.34%

LAB 62.34, -46.64, 9.74

 

CMYK 99 / 3 / 0 / 33

HEX #01A6AB

RGB 1 166 171

HSL 181.76, 0.99%, 0.34%

LAB 61.84, -33.26, -12.81

 

CMYK 99 / 30 / 0 / 33

HEX #0178AB

RGB 1 120 171

HSL 198, 0.99%, 0.34%

LAB 47.47, -9.01, -34.93

 

CMYK 99 / 56 / 0 / 33

HEX #014BAB

RGB 1 75 171

HSL 213.88, 0.99%, 0.34%

LAB 33.94, 19.84, -56.6

 

CMYK 100 / 4 / 0 / 65

HEX #005559

RGB 0 85 89

HSL 182.7, 1%, 0.17%

LAB 32.3, -20.19, -8.67

 

CMYK 99 / 5 / 0 / 49

HEX #017C82

RGB 1 124 130

HSL 182.79, 0.98%, 0.26%

LAB 47.02, -26.14, -11.52

 

CMYK 99 / 5 / 0 / 33

HEX #01A3AB

RGB 1 163 171

HSL 182.82, 0.99%, 0.34%

LAB 60.91, -31.83, -14.22

 

CMYK 99 / 5 / 0 / 17

HEX #02CAD4

RGB 2 202 212

HSL 182.86, 0.98%, 0.42%

LAB 74.19, -37.24, -16.79

 

CMYK 99 / 5 / 0 / 1

HEX #03F0FC

RGB 3 240 252

HSL 182.89, 0.98%, 0.5%

LAB 86.69, -42.33, -19.23

 

CMYK 99 / 5 / 0 / 33

HEX #02A2AA

RGB 2 162 170

HSL 182.86, 0.98%, 0.34%

LAB 60.57, -31.64, -14.17

 

CMYK 76 / 99 / 0 / 33

HEX #2901AB

RGB 41 1 171

HSL 254.12, 0.99%, 0.34%

LAB 21.7, 59.1, -76.73

 

CMYK 0 / 36 / 99 / 33

HEX #AB6D01

RGB 171 109 1

HSL 38.12, 0.99%, 0.34%

LAB 51.38, 17.81, 58.3

 

CMYK 99 / 5 / 0 / 33

HEX #02A2AA

RGB 2 162 170

HSL 182.86, 0.98%, 0.34%

LAB 60.57, -31.64, -14.17

 

CMYK 0 / 99 / 3 / 33

HEX #AB01A6

RGB 171 1 166

HSL 301.76, 0.99%, 0.34%

LAB 40.3, 71.98, -42.54

 

CMYK 3 / 0 / 99 / 33

HEX #A6AB01

RGB 166 171 1

HSL 61.76, 0.99%, 0.34%

LAB 67.45, -18.17, 69.42

 

CMYK 99 / 5 / 0 / 33

HEX #02A2AA

RGB 2 162 170

HSL 182.86, 0.98%, 0.34%

LAB 60.57, -31.64, -14.17

 

CMYK 76 / 99 / 0 / 33

HEX #2901AB

RGB 41 1 171

HSL 254.12, 0.99%, 0.34%

LAB 21.7, 59.1, -76.73

 

CMYK 0 / 96 / 99 / 33

HEX #AB0701

RGB 171 7 1

HSL 2.12, 0.99%, 0.34%

LAB 35.62, 58.53, 49.4

 

CMYK 23 / 0 / 99 / 33

HEX #84AB01

RGB 132 171 1

HSL 73.76, 0.99%, 0.34%

LAB 64.99, -32.69, 66.48

 

CMYK 99 / 5 / 0 / 33

HEX #02A2AA

RGB 2 162 170

HSL 182.86, 0.98%, 0.34%

LAB 60.57, -31.64, -14.17

 

CMYK 46 / 99 / 0 / 33

HEX #5C01AB

RGB 92 1 171

HSL 272.12, 0.99%, 0.34%

LAB 27.4, 62.19, -67.11

 

CMYK 0 / 96 / 99 / 33

HEX #AB0701

RGB 171 7 1

HSL 2.12, 0.99%, 0.34%

LAB 35.62, 58.53, 49.4

 

CMYK 53 / 0 / 99 / 33

HEX #51AB01

RGB 81 171 1

HSL 91.76, 0.99%, 0.34%

LAB 62.4, -51.02, 63.36

 

Description

Color code: HEX #02A2AA | qconv.com Color code: HEX #02A2AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 162 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 162 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 5 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 5% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - UI设计_软件界面_手机UI-UI制造者...
Link: http://www.uimaker.com

54% - 数据可视化大屏UI作品欣赏_UI设计_U...
Link: http://www.uimaker.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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