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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0287D9 it is the complementary color #FD7826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0287D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0287D9 shade: #0787D4, #1899E7, #29ABFA, #3ABDFF and #4BCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0287D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0287D9 shade: #0287D9, #0075C6, #0063B3, #0051A0 and #003F8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0287D9 shade: #0287D9, #024DD9, #0213D9, #2B02D9 and #6502D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0287D9 shade: #0287D9, #024DD9, #0213D9 and #0202D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0287D9 shade matches the following richer shades: #0287D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0287D9 shade: #0287D9, #1382C7, #257EB5, #377AA3 and #497692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0287D9 shade: #02D9B5, #02C3D9, #028AD9, #0250D9 and #0217D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0287D9 shade: #015487, #016DB0, #0287D9, #089FFC and #30AFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0287D9 shade: #0287D9, #7B02D9 and #D9D102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0287D9 shade: #0287D9, #D9028A and #8AD902

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0287D9 shade: #0287D9, #7B02D9, #D95002 and #5FD902

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0287D9 shade: #0287D9, #BC02D9, #D95002 and #1ED902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

Complementary color

CMYK 0 / 53 / 85 / 1

HEX #FD7826

RGB 253 120 38

HSL 22.88, 0.98%, 0.57%

LAB 65.32, 46.46, 64.2

 

CMYK 97 / 36 / 0 / 17

HEX #0787D4

RGB 7 135 212

HSL 202.54, 0.94%, 0.43%

LAB 54.16, -1.91, -47.84

 

CMYK 90 / 34 / 0 / 9

HEX #1899E7

RGB 24 153 231

HSL 202.61, 0.81%, 0.5%

LAB 60.56, -4.62, -48.3

 

CMYK 84 / 32 / 0 / 2

HEX #29ABFA

RGB 41 171 250

HSL 202.68, 0.95%, 0.57%

LAB 66.9, -6.86, -48.69

 

CMYK 77 / 26 / 0 / 0

HEX #3ABDFF

RGB 58 189 255

HSL 200.1, 1%, 0.61%

LAB 72.57, -13.45, -42.47

 

CMYK 71 / 19 / 0 / 0

HEX #4BCFFF

RGB 75 207 255

HSL 196, 1%, 0.65%

LAB 78.08, -20.88, -33.89

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 100 / 41 / 0 / 22

HEX #0075C6

RGB 0 117 198

HSL 204.55, 1%, 0.39%

LAB 48.01, 3.34, -49.69

 

CMYK 100 / 45 / 0 / 30

HEX #0063B3

RGB 0 99 179

HSL 206.82, 1%, 0.35%

LAB 41.5, 7.1, -49.1

 

CMYK 100 / 49 / 0 / 37

HEX #0051A0

RGB 0 81 160

HSL 209.63, 1%, 0.31%

LAB 34.85, 11.12, -48.54

 

CMYK 100 / 55 / 0 / 45

HEX #003F8D

RGB 0 63 141

HSL 213.19, 1%, 0.28%

LAB 28.06, 15.46, -47.98

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 99 / 65 / 0 / 15

HEX #024DD9

RGB 2 77 217

HSL 219.07, 0.98%, 0.43%

LAB 38.43, 36.81, -76.13

 

CMYK 99 / 91 / 0 / 15

HEX #0213D9

RGB 2 19 217

HSL 235.26, 0.98%, 0.43%

LAB 28.08, 66.16, -93.28

 

CMYK 80 / 99 / 0 / 15

HEX #2B02D9

RGB 43 2 217

HSL 251.44, 0.98%, 0.43%

LAB 28.29, 70.24, -92.9

 

CMYK 53 / 99 / 0 / 15

HEX #6502D9

RGB 101 2 217

HSL 267.63, 0.98%, 0.43%

LAB 33.6, 72.85, -83.92

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 99 / 65 / 0 / 15

HEX #024DD9

RGB 2 77 217

HSL 219.07, 0.98%, 0.43%

LAB 38.43, 36.81, -76.13

 

CMYK 99 / 91 / 0 / 15

HEX #0213D9

RGB 2 19 217

HSL 235.26, 0.98%, 0.43%

LAB 28.08, 66.16, -93.28

 

CMYK 99 / 99 / 0 / 15

HEX #0202D9

RGB 2 2 217

HSL 240, 0.98%, 0.43%

LAB 26.92, 69.74, -95.22

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 90 / 35 / 0 / 22

HEX #1382C7

RGB 19 130 199

HSL 203, 0.83%, 0.43%

LAB 52.09, -3.43, -43.75

 

CMYK 80 / 30 / 0 / 29

HEX #257EB5

RGB 37 126 181

HSL 202.92, 0.66%, 0.43%

LAB 50.28, -6.39, -36.28

 

CMYK 66 / 25 / 0 / 36

HEX #377AA3

RGB 55 122 163

HSL 202.78, 0.5%, 0.43%

LAB 48.73, -7.93, -28.22

 

CMYK 50 / 19 / 0 / 43

HEX #497692

RGB 73 118 146

HSL 203.01, 0.33%, 0.43%

LAB 47.56, -7.32, -19.99

 

CMYK 99 / 0 / 17 / 15

HEX #02D9B5

RGB 2 217 181

HSL 169.95, 0.98%, 0.43%

LAB 77.86, -52.52, 5.3

 

CMYK 99 / 10 / 0 / 15

HEX #02C3D9

RGB 2 195 217

HSL 186.14, 0.98%, 0.43%

LAB 72.26, -32.38, -22.43

 

CMYK 99 / 36 / 0 / 15

HEX #028AD9

RGB 2 138 217

HSL 202.05, 0.98%, 0.43%

LAB 55.28, -1.93, -48.88

 

CMYK 99 / 63 / 0 / 15

HEX #0250D9

RGB 2 80 217

HSL 218.23, 0.98%, 0.43%

LAB 39.17, 34.87, -74.91

 

CMYK 99 / 89 / 0 / 15

HEX #0217D9

RGB 2 23 217

HSL 234.14, 0.98%, 0.43%

LAB 28.47, 64.96, -92.63

 

CMYK 99 / 38 / 0 / 47

HEX #015487

RGB 1 84 135

HSL 202.84, 0.99%, 0.27%

LAB 34.18, -1.31, -34.44

 

CMYK 99 / 38 / 0 / 31

HEX #016DB0

RGB 1 109 176

HSL 202.97, 0.99%, 0.35%

LAB 44.35, -0.41, -42.79

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 97 / 37 / 0 / 1

HEX #089FFC

RGB 8 159 252

HSL 202.87, 0.98%, 0.51%

LAB 63.24, -0.86, -55.6

 

CMYK 81 / 31 / 0 / 1

HEX #30AFFC

RGB 48 175 252

HSL 202.65, 0.97%, 0.59%

LAB 68.25, -7.81, -47.64

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 43 / 99 / 0 / 15

HEX #7B02D9

RGB 123 2 217

HSL 273.77, 0.98%, 0.43%

LAB 36.49, 74.65, -79.06

 

CMYK 0 / 4 / 99 / 15

HEX #D9D102

RGB 217 209 2

HSL 57.77, 0.98%, 0.43%

LAB 82.03, -15.12, 81.91

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 0 / 99 / 36 / 15

HEX #D9028A

RGB 217 2 138

HSL 322.05, 0.98%, 0.43%

LAB 47.79, 77.26, -13.3

 

CMYK 36 / 0 / 99 / 15

HEX #8AD902

RGB 138 217 2

HSL 82.05, 0.98%, 0.43%

LAB 79.06, -50.32, 77.36

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 43 / 99 / 0 / 15

HEX #7B02D9

RGB 123 2 217

HSL 273.77, 0.98%, 0.43%

LAB 36.49, 74.65, -79.06

 

CMYK 0 / 63 / 99 / 15

HEX #D95002

RGB 217 80 2

HSL 21.77, 0.98%, 0.43%

LAB 52.39, 51.21, 62.21

 

CMYK 56 / 0 / 99 / 15

HEX #5FD902

RGB 95 217 2

HSL 94.05, 0.98%, 0.43%

LAB 77.32, -63.54, 75.25

 

CMYK 99 / 38 / 0 / 15

HEX #0287D9

RGB 2 135 217

HSL 202.88, 0.98%, 0.43%

LAB 54.4, -0.14, -50.28

 

CMYK 13 / 99 / 0 / 15

HEX #BC02D9

RGB 188 2 217

HSL 291.91, 0.98%, 0.43%

LAB 46.64, 82.44, -62.06

 

CMYK 0 / 63 / 99 / 15

HEX #D95002

RGB 217 80 2

HSL 21.77, 0.98%, 0.43%

LAB 52.39, 51.21, 62.21

 

CMYK 86 / 0 / 99 / 15

HEX #1ED902

RGB 30 217 2

HSL 112.19, 0.98%, 0.43%

LAB 76.01, -74.72, 73.66

 

Description

Color code: HEX #0287D9 | qconv.com Color code: HEX #0287D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 135 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 135 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 38 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 38% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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