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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #027FA0 it is the complementary color #FD805F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #027FA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #027FA0 shade: #077F9B, #1891AE, #29A3C1, #3AB5D4 and #4BC7E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #027FA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #027FA0 shade: #027FA0, #006D8D, #005B7A, #004967 and #003754

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #027FA0 shade: #0180A1, #0155A1, #0129A1, #0401A1 and #2F01A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #027FA0 shade: #0180A1, #0155A1, #0129A1 and #0101A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #027FA0 shade matches the following richer shades: #0180A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #027FA0 shade: #0180A1, #0E7894, #1C7087, #296979 and #36616C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #027FA0 shade: #01A16C, #01A196, #0181A1, #0156A1 and #012CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #027FA0 shade: #003F4F, #015F78, #0180A1, #02A0CA and #02C0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #027FA0 shade: #027FA0, #4101A1 and #A18101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #027FA0 shade: #027FA0, #A10181 and #81A101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #027FA0 shade: #027FA0, #4101A1, #A12101 and #61A101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #027FA0 shade: #027FA0, #7101A1, #A12101 and #31A101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 21 / 0 / 37

HEX #027FA0

RGB 2 127 160

HSL 192.53, 0.98%, 0.32%

LAB 49.17, -17.09, -25.87

 

Complementary color

CMYK 0 / 49 / 62 / 1

HEX #FD805F

RGB 253 128 95

HSL 12.53, 0.98%, 0.68%

LAB 67.39, 44.99, 39.69

 

CMYK 95 / 18 / 0 / 39

HEX #077F9B

RGB 7 127 155

HSL 191.35, 0.91%, 0.32%

LAB 49, -18.68, -23.21

 

CMYK 86 / 17 / 0 / 32

HEX #1891AE

RGB 24 145 174

HSL 191.6, 0.76%, 0.39%

LAB 55.58, -20.67, -24.02

 

CMYK 79 / 16 / 0 / 24

HEX #29A3C1

RGB 41 163 193

HSL 191.84, 0.65%, 0.46%

LAB 62.1, -22.2, -24.72

 

CMYK 73 / 15 / 0 / 17

HEX #3AB5D4

RGB 58 181 212

HSL 192.08, 0.64%, 0.53%

LAB 68.53, -23.36, -25.35

 

CMYK 68 / 14 / 0 / 9

HEX #4BC7E7

RGB 75 199 231

HSL 192.31, 0.76%, 0.6%

LAB 74.9, -24.26, -25.91

 

CMYK 99 / 21 / 0 / 37

HEX #027FA0

RGB 2 127 160

HSL 192.53, 0.98%, 0.32%

LAB 49.17, -17.09, -25.87

 

CMYK 100 / 23 / 0 / 45

HEX #006D8D

RGB 0 109 141

HSL 193.62, 1%, 0.28%

LAB 42.55, -14.18, -24.92

 

CMYK 100 / 25 / 0 / 52

HEX #005B7A

RGB 0 91 122

HSL 195.25, 1%, 0.24%

LAB 35.77, -11.04, -23.95

 

CMYK 100 / 29 / 0 / 60

HEX #004967

RGB 0 73 103

HSL 197.48, 1%, 0.2%

LAB 28.76, -7.71, -23.02

 

CMYK 100 / 35 / 0 / 67

HEX #003754

RGB 0 55 84

HSL 200.71, 1%, 0.16%

LAB 21.48, -4.12, -22.12

 

CMYK 99 / 20 / 0 / 37

HEX #0180A1

RGB 1 128 161

HSL 192.38, 0.99%, 0.32%

LAB 49.52, -17.32, -25.91

 

CMYK 99 / 47 / 0 / 37

HEX #0155A1

RGB 1 85 161

HSL 208.5, 0.99%, 0.32%

LAB 36.13, 8.91, -47.07

 

CMYK 99 / 75 / 0 / 37

HEX #0129A1

RGB 1 41 161

HSL 225, 0.99%, 0.32%

LAB 24.21, 38.61, -66.54

 

CMYK 98 / 99 / 0 / 37

HEX #0401A1

RGB 4 1 161

HSL 241.13, 0.99%, 0.32%

LAB 18.46, 55.89, -76.12

 

CMYK 71 / 99 / 0 / 37

HEX #2F01A1

RGB 47 1 161

HSL 257.25, 0.99%, 0.32%

LAB 20.82, 56.83, -72.11

 

CMYK 99 / 20 / 0 / 37

HEX #0180A1

RGB 1 128 161

HSL 192.38, 0.99%, 0.32%

LAB 49.52, -17.32, -25.91

 

CMYK 99 / 47 / 0 / 37

HEX #0155A1

RGB 1 85 161

HSL 208.5, 0.99%, 0.32%

LAB 36.13, 8.91, -47.07

 

CMYK 99 / 75 / 0 / 37

HEX #0129A1

RGB 1 41 161

HSL 225, 0.99%, 0.32%

LAB 24.21, 38.61, -66.54

 

CMYK 99 / 99 / 0 / 37

HEX #0101A1

RGB 1 1 161

HSL 240, 0.99%, 0.32%

LAB 18.37, 55.86, -76.27

 

CMYK 99 / 20 / 0 / 37

HEX #0180A1

RGB 1 128 161

HSL 192.38, 0.99%, 0.32%

LAB 49.52, -17.32, -25.91

 

CMYK 99 / 20 / 0 / 37

HEX #0180A1

RGB 1 128 161

HSL 192.38, 0.99%, 0.32%

LAB 49.52, -17.32, -25.91

 

CMYK 91 / 19 / 0 / 42

HEX #0E7894

RGB 14 120 148

HSL 192.54, 0.83%, 0.32%

LAB 46.53, -17.02, -22.9

 

CMYK 79 / 17 / 0 / 47

HEX #1C7087

RGB 28 112 135

HSL 192.9, 0.66%, 0.32%

LAB 43.63, -16.01, -19.63

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 50 / 10 / 0 / 58

HEX #36616C

RGB 54 97 108

HSL 192.22, 0.33%, 0.32%

LAB 38.58, -11.64, -10.88

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 99 / 0 / 7 / 37

HEX #01A196

RGB 1 161 150

HSL 175.88, 0.99%, 0.32%

LAB 59.62, -37.41, -4.29

 

CMYK 99 / 20 / 0 / 37

HEX #0181A1

RGB 1 129 161

HSL 192, 0.99%, 0.32%

LAB 49.83, -17.86, -25.42

 

CMYK 99 / 47 / 0 / 37

HEX #0156A1

RGB 1 86 161

HSL 208.13, 0.99%, 0.32%

LAB 36.43, 8.24, -46.58

 

CMYK 99 / 73 / 0 / 37

HEX #012CA1

RGB 1 44 161

HSL 223.88, 0.99%, 0.32%

LAB 24.89, 36.72, -65.42

 

CMYK 100 / 20 / 0 / 69

HEX #003F4F

RGB 0 63 79

HSL 192.15, 1%, 0.15%

LAB 24.06, -11.42, -14.78

 

CMYK 99 / 21 / 0 / 53

HEX #015F78

RGB 1 95 120

HSL 192.61, 0.98%, 0.24%

LAB 37.02, -14.11, -20.78

 

CMYK 99 / 20 / 0 / 37

HEX #0180A1

RGB 1 128 161

HSL 192.38, 0.99%, 0.32%

LAB 49.52, -17.32, -25.91

 

CMYK 99 / 21 / 0 / 21

HEX #02A0CA

RGB 2 160 202

HSL 192.6, 0.98%, 0.4%

LAB 61.15, -19.81, -31.25

 

CMYK 99 / 21 / 0 / 5

HEX #02C0F3

RGB 2 192 243

HSL 192.7, 0.98%, 0.48%

LAB 72.35, -22.26, -36.39

 

CMYK 99 / 21 / 0 / 37

HEX #027FA0

RGB 2 127 160

HSL 192.53, 0.98%, 0.32%

LAB 49.17, -17.09, -25.87

 

CMYK 60 / 99 / 0 / 37

HEX #4101A1

RGB 65 1 161

HSL 264, 0.99%, 0.32%

LAB 22.72, 57.78, -68.91

 

CMYK 0 / 20 / 99 / 37

HEX #A18101

RGB 161 129 1

HSL 48, 0.99%, 0.32%

LAB 55.36, 1.97, 60.47

 

CMYK 99 / 21 / 0 / 37

HEX #027FA0

RGB 2 127 160

HSL 192.53, 0.98%, 0.32%

LAB 49.17, -17.09, -25.87

 

CMYK 0 / 99 / 20 / 37

HEX #A10181

RGB 161 1 129

HSL 312, 0.99%, 0.32%

LAB 36.34, 65.07, -26.33

 

CMYK 20 / 0 / 99 / 37

HEX #81A101

RGB 129 161 1

HSL 72, 0.99%, 0.32%

LAB 61.79, -29.23, 63.96

 

CMYK 99 / 21 / 0 / 37

HEX #027FA0

RGB 2 127 160

HSL 192.53, 0.98%, 0.32%

LAB 49.17, -17.09, -25.87

 

CMYK 60 / 99 / 0 / 37

HEX #4101A1

RGB 65 1 161

HSL 264, 0.99%, 0.32%

LAB 22.72, 57.78, -68.91

 

CMYK 0 / 80 / 99 / 37

HEX #A12101

RGB 161 33 1

HSL 12, 0.99%, 0.32%

LAB 35.34, 50.41, 48.08

 

CMYK 40 / 0 / 99 / 37

HEX #61A101

RGB 97 161 1

HSL 84, 0.99%, 0.32%

LAB 59.92, -41.82, 61.71

 

CMYK 99 / 21 / 0 / 37

HEX #027FA0

RGB 2 127 160

HSL 192.53, 0.98%, 0.32%

LAB 49.17, -17.09, -25.87

 

CMYK 30 / 99 / 0 / 37

HEX #7101A1

RGB 113 1 161

HSL 282, 0.99%, 0.32%

LAB 29.68, 62.4, -57.2

 

CMYK 0 / 80 / 99 / 37

HEX #A12101

RGB 161 33 1

HSL 12, 0.99%, 0.32%

LAB 35.34, 50.41, 48.08

 

CMYK 70 / 0 / 99 / 37

HEX #31A101

RGB 49 161 1

HSL 102, 0.99%, 0.32%

LAB 58.17, -55.55, 59.59

 

Description

Color code: HEX #027FA0 | qconv.com Color code: HEX #027FA0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 127 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 127 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 21 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 21% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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