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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #026062 it is the complementary color #FD9F9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #026062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #026062 shade: #07605D, #187270, #298483, #3A9696 and #4BA8A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #026062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #026062 shade: #026062, #004E4F, #003C3C, #002A29 and #001816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #026062 shade: #026163, #024763, #022D63, #021263 and #0B0263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #026062 shade: #026163, #024763, #022D63, #021263 and #020263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #026062 shade matches the following richer shades: #026163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #026062 shade: #026163, #0A5A5B, #125253, #1A4A4B and #234242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #026062 shade: #026331, #02634B, #026263, #024863 and #022E63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #026062 shade: #001213, #013A3B, #026163, #02898C and #03B1B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #026062 shade: #026062, #170263 and #633E02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #026062 shade: #026062, #630262 and #626302

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #026062 shade: #026062, #170263, #630302 and #4E6302

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #026062 shade: #026062, #340263, #630302 and #316302

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 2 / 0 / 62

HEX #026062

RGB 2 96 98

HSL 181.25, 0.96%, 0.2%

LAB 36.48, -22.66, -8.01

 

Complementary color

CMYK 0 / 37 / 38 / 1

HEX #FD9F9D

RGB 253 159 157

HSL 1.25, 0.96%, 0.8%

LAB 74.9, 34.71, 15.81

 

CMYK 93 / 0 / 3 / 62

HEX #07605D

RGB 7 96 93

HSL 177.98, 0.86%, 0.2%

LAB 36.37, -23.95, -5.07

 

CMYK 79 / 0 / 2 / 55

HEX #187270

RGB 24 114 112

HSL 178.67, 0.65%, 0.27%

LAB 43.36, -25.3, -6.24

 

CMYK 69 / 0 / 1 / 48

HEX #298483

RGB 41 132 131

HSL 179.34, 0.53%, 0.34%

LAB 50.23, -26.14, -7.23

 

CMYK 61 / 0 / 0 / 41

HEX #3A9696

RGB 58 150 150

HSL 180, 0.44%, 0.41%

LAB 56.99, -26.66, -8.1

 

CMYK 56 / 1 / 0 / 34

HEX #4BA8A9

RGB 75 168 169

HSL 180.64, 0.39%, 0.48%

LAB 63.64, -26.98, -8.86

 

CMYK 98 / 2 / 0 / 62

HEX #026062

RGB 2 96 98

HSL 181.25, 0.96%, 0.2%

LAB 36.48, -22.66, -8.01

 

CMYK 100 / 1 / 0 / 69

HEX #004E4F

RGB 0 78 79

HSL 180.76, 1%, 0.15%

LAB 29.45, -20.03, -6.58

 

CMYK 100 / 0 / 0 / 76

HEX #003C3C

RGB 0 60 60

HSL 180, 1%, 0.12%

LAB 22.15, -17.12, -5.04

 

CMYK 100 / 0 / 2 / 84

HEX #002A29

RGB 0 42 41

HSL 178.57, 1%, 0.08%

LAB 14.49, -14.09, -3.38

 

CMYK 100 / 0 / 8 / 91

HEX #001816

RGB 0 24 22

HSL 175, 1%, 0.05%

LAB 6.42, -8.38, -1.39

 

CMYK 98 / 2 / 0 / 61

HEX #026163

RGB 2 97 99

HSL 181.24, 0.96%, 0.2%

LAB 36.86, -22.84, -8.06

 

CMYK 98 / 28 / 0 / 61

HEX #024763

RGB 2 71 99

HSL 197.32, 0.96%, 0.2%

LAB 27.9, -7.94, -21.8

 

CMYK 98 / 55 / 0 / 61

HEX #022D63

RGB 2 45 99

HSL 213.4, 0.96%, 0.2%

LAB 19.18, 10.05, -35.69

 

CMYK 98 / 82 / 0 / 61

HEX #021263

RGB 2 18 99

HSL 230.1, 0.96%, 0.2%

LAB 11.6, 29.62, -48.13

 

CMYK 89 / 98 / 0 / 61

HEX #0B0263

RGB 11 2 99

HSL 245.57, 0.96%, 0.2%

LAB 9.12, 38.66, -52.24

 

CMYK 98 / 2 / 0 / 61

HEX #026163

RGB 2 97 99

HSL 181.24, 0.96%, 0.2%

LAB 36.86, -22.84, -8.06

 

CMYK 98 / 28 / 0 / 61

HEX #024763

RGB 2 71 99

HSL 197.32, 0.96%, 0.2%

LAB 27.9, -7.94, -21.8

 

CMYK 98 / 55 / 0 / 61

HEX #022D63

RGB 2 45 99

HSL 213.4, 0.96%, 0.2%

LAB 19.18, 10.05, -35.69

 

CMYK 98 / 82 / 0 / 61

HEX #021263

RGB 2 18 99

HSL 230.1, 0.96%, 0.2%

LAB 11.6, 29.62, -48.13

 

CMYK 98 / 98 / 0 / 61

HEX #020263

RGB 2 2 99

HSL 240, 0.96%, 0.2%

LAB 8.63, 38.44, -53.07

 

CMYK 98 / 2 / 0 / 61

HEX #026163

RGB 2 97 99

HSL 181.24, 0.96%, 0.2%

LAB 36.86, -22.84, -8.06

 

CMYK 98 / 2 / 0 / 61

HEX #026163

RGB 2 97 99

HSL 181.24, 0.96%, 0.2%

LAB 36.86, -22.84, -8.06

 

CMYK 89 / 1 / 0 / 64

HEX #0A5A5B

RGB 10 90 91

HSL 180.74, 0.8%, 0.2%

LAB 34.26, -21.26, -6.97

 

CMYK 78 / 1 / 0 / 67

HEX #125253

RGB 18 82 83

HSL 180.92, 0.64%, 0.2%

LAB 31.32, -18.78, -6.3

 

CMYK 65 / 1 / 0 / 71

HEX #1A4A4B

RGB 26 74 75

HSL 181.22, 0.49%, 0.2%

LAB 28.45, -15.59, -5.44

 

CMYK 47 / 0 / 0 / 74

HEX #234242

RGB 35 66 66

HSL 180, 0.31%, 0.2%

LAB 25.7, -11.46, -3.61

 

CMYK 98 / 0 / 51 / 61

HEX #026331

RGB 2 99 49

HSL 149.07, 0.96%, 0.2%

LAB 36.29, -37.52, 21.48

 

CMYK 98 / 0 / 24 / 61

HEX #02634B

RGB 2 99 75

HSL 165.15, 0.96%, 0.2%

LAB 36.83, -31.34, 6.7

 

CMYK 98 / 1 / 0 / 61

HEX #026263

RGB 2 98 99

HSL 180.62, 0.96%, 0.2%

LAB 37.21, -23.36, -7.54

 

CMYK 98 / 27 / 0 / 61

HEX #024863

RGB 2 72 99

HSL 196.7, 0.96%, 0.2%

LAB 28.24, -8.57, -21.27

 

CMYK 98 / 54 / 0 / 61

HEX #022E63

RGB 2 46 99

HSL 212.78, 0.96%, 0.2%

LAB 19.51, 9.31, -35.17

 

CMYK 100 / 5 / 0 / 93

HEX #001213

RGB 0 18 19

HSL 183.16, 1%, 0.04%

LAB 4.33, -5, -2.42

 

CMYK 98 / 2 / 0 / 77

HEX #013A3B

RGB 1 58 59

HSL 181.03, 0.97%, 0.12%

LAB 21.39, -16.22, -5.51

 

CMYK 98 / 2 / 0 / 61

HEX #026163

RGB 2 97 99

HSL 181.24, 0.96%, 0.2%

LAB 36.86, -22.84, -8.06

 

CMYK 99 / 2 / 0 / 45

HEX #02898C

RGB 2 137 140

HSL 181.3, 0.97%, 0.28%

LAB 51.61, -29.23, -10.48

 

CMYK 98 / 2 / 0 / 29

HEX #03B1B4

RGB 3 177 180

HSL 181.02, 0.97%, 0.36%

LAB 65.56, -35.53, -12.25

 

CMYK 98 / 2 / 0 / 62

HEX #026062

RGB 2 96 98

HSL 181.25, 0.96%, 0.2%

LAB 36.48, -22.66, -8.01

 

CMYK 77 / 98 / 0 / 61

HEX #170263

RGB 23 2 99

HSL 252.99, 0.96%, 0.2%

LAB 10, 39.1, -50.74

 

CMYK 0 / 37 / 98 / 61

HEX #633E02

RGB 99 62 2

HSL 37.11, 0.96%, 0.2%

LAB 29.67, 11.52, 38.67

 

CMYK 98 / 2 / 0 / 62

HEX #026062

RGB 2 96 98

HSL 181.25, 0.96%, 0.2%

LAB 36.48, -22.66, -8.01

 

CMYK 0 / 98 / 1 / 61

HEX #630262

RGB 99 2 98

HSL 300.62, 0.96%, 0.2%

LAB 22.22, 48.47, -29.6

 

CMYK 1 / 0 / 98 / 61

HEX #626302

RGB 98 99 2

HSL 60.62, 0.96%, 0.2%

LAB 40.45, -11.2, 46.56

 

CMYK 98 / 2 / 0 / 62

HEX #026062

RGB 2 96 98

HSL 181.25, 0.96%, 0.2%

LAB 36.48, -22.66, -8.01

 

CMYK 77 / 98 / 0 / 61

HEX #170263

RGB 23 2 99

HSL 252.99, 0.96%, 0.2%

LAB 10, 39.1, -50.74

 

CMYK 0 / 97 / 98 / 61

HEX #630302

RGB 99 3 2

HSL 0.62, 0.96%, 0.2%

LAB 18.89, 39.27, 28.15

 

CMYK 21 / 0 / 98 / 61

HEX #4E6302

RGB 78 99 2

HSL 72.99, 0.96%, 0.2%

LAB 38.81, -20.7, 44.59

 

CMYK 98 / 2 / 0 / 62

HEX #026062

RGB 2 96 98

HSL 181.25, 0.96%, 0.2%

LAB 36.48, -22.66, -8.01

 

CMYK 47 / 98 / 0 / 61

HEX #340263

RGB 52 2 99

HSL 270.93, 0.96%, 0.2%

LAB 13.68, 41.39, -44.55

 

CMYK 0 / 97 / 98 / 61

HEX #630302

RGB 99 3 2

HSL 0.62, 0.96%, 0.2%

LAB 18.89, 39.27, 28.15

 

CMYK 51 / 0 / 98 / 61

HEX #316302

RGB 49 99 2

HSL 90.93, 0.96%, 0.2%

LAB 37.08, -32.63, 42.49

 

Description

Color code: HEX #026062 | qconv.com Color code: HEX #026062 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 96 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 96 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 2 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 2% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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