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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01D6EE it is the complementary color #FE2911. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01D6EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01D6EE shade: #06D6E9, #17E8FC, #28FAFF, #39FFFF and #4AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01D6EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01D6EE shade: #01D6EE, #00C4DB, #00B2C8, #00A0B5 and #008EA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01D6EE shade: #01D6EE, #0196EE, #0156EE, #0116EE and #2B01EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01D6EE shade: #01D6EE, #0196EE, #0156EE, #0116EE and #0101EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01D6EE shade matches the following richer shades: #01D6EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01D6EE shade: #01D6EE, #14C6DB, #27B7C7, #3BA8B4 and #4E98A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01D6EE shade: #01EE87, #01EEC6, #01D6EE, #0197EE and #0158EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01D6EE shade: #008C9C, #00B1C5, #01D6EE, #1BE6FD and #44EBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01D6EE shade: #01D6EE, #4801EE and #EEA701

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01D6EE shade: #01D6EE, #EE01D6 and #D6EE01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01D6EE shade: #01D6EE, #4801EE, #EE1801 and #A7EE01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01D6EE shade: #01D6EE, #8F01EE, #EE1801 and #60EE01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

Complementary color

CMYK 0 / 84 / 93 / 0

HEX #FE2911

RGB 254 41 17

HSL 6.08, 0.99%, 0.53%

LAB 54.76, 75.14, 63.61

 

CMYK 97 / 8 / 0 / 9

HEX #06D6E9

RGB 6 214 233

HSL 185.02, 0.95%, 0.47%

LAB 78.47, -36.2, -21.61

 

CMYK 91 / 8 / 0 / 1

HEX #17E8FC

RGB 23 232 252

HSL 185.24, 0.97%, 0.54%

LAB 84.44, -38.18, -22.62

 

CMYK 84 / 2 / 0 / 0

HEX #28FAFF

RGB 40 250 255

HSL 181.4, 1%, 0.58%

LAB 89.88, -44.55, -15.97

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 100 / 11 / 0 / 14

HEX #00C4DB

RGB 0 196 219

HSL 186.3, 1%, 0.43%

LAB 72.62, -32.27, -22.97

 

CMYK 100 / 11 / 0 / 22

HEX #00B2C8

RGB 0 178 200

HSL 186.6, 1%, 0.39%

LAB 66.53, -29.72, -21.87

 

CMYK 100 / 12 / 0 / 29

HEX #00A0B5

RGB 0 160 181

HSL 186.96, 1%, 0.35%

LAB 60.32, -27.11, -20.75

 

CMYK 100 / 12 / 0 / 36

HEX #008EA2

RGB 0 142 162

HSL 187.41, 1%, 0.32%

LAB 53.98, -24.44, -19.62

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 100 / 37 / 0 / 7

HEX #0196EE

RGB 1 150 238

HSL 202.28, 0.99%, 0.47%

LAB 59.88, -1.05, -53.25

 

CMYK 100 / 64 / 0 / 7

HEX #0156EE

RGB 1 86 238

HSL 218.48, 0.99%, 0.47%

LAB 42.51, 38.97, -81.35

 

CMYK 100 / 91 / 0 / 7

HEX #0116EE

RGB 1 22 238

HSL 234.68, 0.99%, 0.47%

LAB 31.24, 70.91, -100.04

 

CMYK 82 / 100 / 0 / 7

HEX #2B01EE

RGB 43 1 238

HSL 250.63, 0.99%, 0.47%

LAB 31.13, 75.42, -100.19

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 100 / 37 / 0 / 7

HEX #0196EE

RGB 1 150 238

HSL 202.28, 0.99%, 0.47%

LAB 59.88, -1.05, -53.25

 

CMYK 100 / 64 / 0 / 7

HEX #0156EE

RGB 1 86 238

HSL 218.48, 0.99%, 0.47%

LAB 42.51, 38.97, -81.35

 

CMYK 100 / 91 / 0 / 7

HEX #0116EE

RGB 1 22 238

HSL 234.68, 0.99%, 0.47%

LAB 31.24, 70.91, -100.04

 

CMYK 100 / 100 / 0 / 7

HEX #0101EE

RGB 1 1 238

HSL 240, 0.99%, 0.47%

LAB 29.91, 75, -102.26

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 91 / 10 / 0 / 14

HEX #14C6DB

RGB 20 198 219

HSL 186.33, 0.83%, 0.47%

LAB 73.32, -32.62, -21.9

 

CMYK 80 / 8 / 0 / 22

HEX #27B7C7

RGB 39 183 199

HSL 186, 0.67%, 0.47%

LAB 68.33, -30.49, -18.54

 

CMYK 67 / 7 / 0 / 29

HEX #3BA8B4

RGB 59 168 180

HSL 185.95, 0.51%, 0.47%

LAB 63.53, -26.59, -15.23

 

CMYK 51 / 5 / 0 / 37

HEX #4E98A0

RGB 78 152 160

HSL 185.85, 0.34%, 0.47%

LAB 58.62, -20.72, -11.3

 

CMYK 100 / 0 / 43 / 7

HEX #01EE87

RGB 1 238 135

HSL 153.92, 0.99%, 0.47%

LAB 83.39, -70.17, 36.72

 

CMYK 100 / 0 / 17 / 7

HEX #01EEC6

RGB 1 238 198

HSL 169.87, 0.99%, 0.47%

LAB 84.6, -56.52, 6.04

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 100 / 37 / 0 / 7

HEX #0197EE

RGB 1 151 238

HSL 202.03, 0.99%, 0.47%

LAB 60.17, -1.63, -52.8

 

CMYK 100 / 63 / 0 / 7

HEX #0158EE

RGB 1 88 238

HSL 217.97, 0.99%, 0.47%

LAB 43, 37.7, -80.55

 

CMYK 100 / 10 / 0 / 39

HEX #008C9C

RGB 0 140 156

HSL 186.15, 1%, 0.31%

LAB 53.12, -25.48, -17.47

 

CMYK 100 / 10 / 0 / 23

HEX #00B1C5

RGB 0 177 197

HSL 186.09, 1%, 0.39%

LAB 66.12, -30.21, -20.83

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 89 / 9 / 0 / 1

HEX #1BE6FD

RGB 27 230 253

HSL 186.11, 0.98%, 0.55%

LAB 83.92, -36.78, -23.93

 

CMYK 73 / 7 / 0 / 0

HEX #44EBFE

RGB 68 235 254

HSL 186.13, 0.99%, 0.63%

LAB 85.91, -35.68, -21.4

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 70 / 100 / 0 / 7

HEX #4801EE

RGB 72 1 238

HSL 257.97, 0.99%, 0.47%

LAB 33.08, 76.21, -96.9

 

CMYK 0 / 30 / 100 / 7

HEX #EEA701

RGB 238 167 1

HSL 42.03, 0.99%, 0.47%

LAB 73.43, 15.69, 76.89

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 0 / 100 / 10 / 7

HEX #EE01D6

RGB 238 1 214

HSL 306.08, 0.99%, 0.47%

LAB 55.13, 89.94, -46.26

 

CMYK 10 / 0 / 100 / 7

HEX #D6EE01

RGB 214 238 1

HSL 66.08, 0.99%, 0.47%

LAB 89.6, -30.33, 87.48

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 70 / 100 / 0 / 7

HEX #4801EE

RGB 72 1 238

HSL 257.97, 0.99%, 0.47%

LAB 33.08, 76.21, -96.9

 

CMYK 0 / 90 / 100 / 7

HEX #EE1801

RGB 238 24 1

HSL 5.82, 0.99%, 0.47%

LAB 50.49, 73.79, 63.81

 

CMYK 30 / 0 / 100 / 7

HEX #A7EE01

RGB 167 238 1

HSL 77.97, 0.99%, 0.47%

LAB 86.69, -48.58, 83.99

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 40 / 100 / 0 / 7

HEX #8F01EE

RGB 143 1 238

HSL 275.95, 0.99%, 0.47%

LAB 41.27, 80.9, -83.07

 

CMYK 0 / 90 / 100 / 7

HEX #EE1801

RGB 238 24 1

HSL 5.82, 0.99%, 0.47%

LAB 50.49, 73.79, 63.81

 

CMYK 60 / 0 / 100 / 7

HEX #60EE01

RGB 96 238 1

HSL 95.95, 0.99%, 0.47%

LAB 83.78, -70.32, 80.47

 

Description

Color code: HEX #01D6EE | qconv.com Color code: HEX #01D6EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 214 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 214 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 10 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 10% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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