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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01CA1F it is the complementary color #FE35E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01CA1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01CA1F shade: #06CA1A, #17DC2D, #28EE40, #39FF53 and #4AFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01CA1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01CA1F shade: #01CA1F, #00B80C, #00A600, #009400 and #008200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01CA1F shade: #01CA1F, #19CA01, #4FCA01, #86CA01 and #BCCA01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01CA1F shade: #01CA1F, #01CA55, #01CA8C, #01CAC2 and #019CCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01CA1F shade matches the following richer shades: #01CA1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01CA1F shade: #01CA1F, #11BA2A, #22A936, #329941 and #43884D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01CA1F shade: #51CA01, #1BCA01, #01CA1B, #01CA51 and #01CA87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01CA1F shade: #007812, #00A118, #01CA1F, #01F425 and #20FD41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01CA1F shade: #01CA1F, #0187CA and #CA0136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01CA1F shade: #01CA1F, #1B01CA and #CA1B01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01CA1F shade: #01CA1F, #0187CA, #CA01B0 and #CA4401

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01CA1F shade: #01CA1F, #014BCA, #CA01B0 and #CA8001

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

Complementary color

CMYK 0 / 79 / 12 / 0

HEX #FE35E0

RGB 254 53 224

HSL 308.96, 0.99%, 0.6%

LAB 60.78, 87.22, -42.82

 

CMYK 97 / 0 / 87 / 21

HEX #06CA1A

RGB 6 202 26

HSL 126.12, 0.94%, 0.41%

LAB 71.11, -71.4, 66.34

 

CMYK 90 / 0 / 80 / 14

HEX #17DC2D

RGB 23 220 45

HSL 126.7, 0.81%, 0.48%

LAB 77.02, -74.62, 67.11

 

CMYK 83 / 0 / 73 / 7

HEX #28EE40

RGB 40 238 64

HSL 127.27, 0.85%, 0.55%

LAB 82.9, -77.09, 66.98

 

CMYK 78 / 0 / 67 / 0

HEX #39FF53

RGB 57 255 83

HSL 127.88, 1%, 0.61%

LAB 88.45, -78.66, 65.99

 

CMYK 71 / 0 / 60 / 0

HEX #4AFF66

RGB 74 255 102

HSL 129.28, 1%, 0.65%

LAB 88.89, -74.38, 58.9

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 0 / 93 / 28

HEX #00B80C

RGB 0 184 12

HSL 123.91, 1%, 0.36%

LAB 65.21, -67.17, 63.64

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 88 / 0 / 100 / 21

HEX #19CA01

RGB 25 202 1

HSL 112.84, 0.99%, 0.4%

LAB 71.18, -71, 69.86

 

CMYK 61 / 0 / 100 / 21

HEX #4FCA01

RGB 79 202 1

HSL 96.72, 0.99%, 0.4%

LAB 72.17, -62.46, 71.06

 

CMYK 34 / 0 / 100 / 21

HEX #86CA01

RGB 134 202 1

HSL 80.3, 0.99%, 0.4%

LAB 74.39, -45.59, 73.75

 

CMYK 7 / 0 / 100 / 21

HEX #BCCA01

RGB 188 202 1

HSL 64.18, 0.99%, 0.4%

LAB 77.84, -24.04, 77.88

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 0 / 58 / 21

HEX #01CA55

RGB 1 202 85

HSL 145.07, 0.99%, 0.4%

LAB 71.49, -66.56, 46.02

 

CMYK 100 / 0 / 31 / 21

HEX #01CA8C

RGB 1 202 140

HSL 161.49, 0.99%, 0.4%

LAB 72.32, -56.68, 19.35

 

CMYK 100 / 0 / 4 / 21

HEX #01CAC2

RGB 1 202 194

HSL 177.61, 0.99%, 0.4%

LAB 73.64, -42.68, -7.87

 

CMYK 100 / 23 / 0 / 21

HEX #019CCA

RGB 1 156 202

HSL 193.73, 0.99%, 0.4%

LAB 59.93, -17.71, -33.14

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 91 / 0 / 77 / 27

HEX #11BA2A

RGB 17 186 42

HSL 128.88, 0.83%, 0.4%

LAB 66.06, -65.48, 57.49

 

CMYK 80 / 0 / 68 / 34

HEX #22A936

RGB 34 169 54

HSL 128.89, 0.67%, 0.4%

LAB 60.77, -57.64, 47.67

 

CMYK 67 / 0 / 58 / 40

HEX #329941

RGB 50 153 65

HSL 128.74, 0.51%, 0.4%

LAB 55.93, -48.13, 37.27

 

CMYK 51 / 0 / 43 / 47

HEX #43884D

RGB 67 136 77

HSL 128.7, 0.34%, 0.4%

LAB 51.08, -35.15, 25.13

 

CMYK 60 / 0 / 100 / 21

HEX #51CA01

RGB 81 202 1

HSL 96.12, 0.99%, 0.4%

LAB 72.22, -61.98, 71.13

 

CMYK 87 / 0 / 100 / 21

HEX #1BCA01

RGB 27 202 1

HSL 112.24, 0.99%, 0.4%

LAB 71.2, -70.83, 69.88

 

CMYK 100 / 0 / 87 / 21

HEX #01CA1B

RGB 1 202 27

HSL 127.76, 0.99%, 0.4%

LAB 71.1, -71.56, 66.11

 

CMYK 100 / 0 / 60 / 21

HEX #01CA51

RGB 1 202 81

HSL 143.88, 0.99%, 0.4%

LAB 71.45, -67.08, 47.8

 

CMYK 100 / 0 / 33 / 21

HEX #01CA87

RGB 1 202 135

HSL 160, 0.99%, 0.4%

LAB 72.23, -57.78, 21.87

 

CMYK 100 / 0 / 85 / 53

HEX #007812

RGB 0 120 18

HSL 129, 1%, 0.24%

LAB 43.47, -48.52, 43.41

 

CMYK 100 / 0 / 85 / 37

HEX #00A118

RGB 0 161 24

HSL 128.94, 1%, 0.32%

LAB 57.61, -60.28, 54.75

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 0 / 85 / 4

HEX #01F425

RGB 1 244 37

HSL 128.89, 0.99%, 0.48%

LAB 84.4, -82.42, 75.79

 

CMYK 87 / 0 / 74 / 1

HEX #20FD41

RGB 32 253 65

HSL 128.96, 0.98%, 0.56%

LAB 87.46, -81.92, 71.18

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 33 / 0 / 21

HEX #0187CA

RGB 1 135 202

HSL 200, 0.99%, 0.4%

LAB 53.6, -5.92, -43.08

 

CMYK 0 / 100 / 73 / 21

HEX #CA0136

RGB 202 1 54

HSL 344.18, 0.99%, 0.4%

LAB 42.53, 68.23, 31

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 87 / 100 / 0 / 21

HEX #1B01CA

RGB 27 1 202

HSL 247.76, 0.99%, 0.4%

LAB 25.32, 66.48, -89.16

 

CMYK 0 / 87 / 100 / 21

HEX #CA1B01

RGB 202 27 1

HSL 7.76, 0.99%, 0.4%

LAB 43.28, 63.81, 56.49

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 33 / 0 / 21

HEX #0187CA

RGB 1 135 202

HSL 200, 0.99%, 0.4%

LAB 53.6, -5.92, -43.08

 

CMYK 0 / 100 / 13 / 21

HEX #CA01B0

RGB 202 1 176

HSL 307.76, 0.99%, 0.4%

LAB 46.6, 78.77, -38.14

 

CMYK 0 / 66 / 100 / 21

HEX #CA4401

RGB 202 68 1

HSL 20, 0.99%, 0.4%

LAB 47.87, 51.05, 58.63

 

CMYK 100 / 0 / 85 / 21

HEX #01CA1F

RGB 1 202 31

HSL 128.96, 0.99%, 0.4%

LAB 71.11, -71.38, 65.24

 

CMYK 100 / 63 / 0 / 21

HEX #014BCA

RGB 1 75 202

HSL 217.91, 0.99%, 0.4%

LAB 36.56, 32.3, -70.55

 

CMYK 0 / 100 / 13 / 21

HEX #CA01B0

RGB 202 1 176

HSL 307.76, 0.99%, 0.4%

LAB 46.6, 78.77, -38.14

 

CMYK 0 / 37 / 100 / 21

HEX #CA8001

RGB 202 128 1

HSL 37.91, 0.99%, 0.4%

LAB 59.89, 21.04, 65.81

 

Description

Color code: HEX #01CA1F | qconv.com Color code: HEX #01CA1F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 202 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 202 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 85 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 85% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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