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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01C4C3 it is the complementary color #FE3B3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01C4C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01C4C3 shade: #06C4BE, #17D6D1, #28E8E4, #39FAF7 and #4AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01C4C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01C4C3 shade: #01C4C3, #00B2B0, #00A09D, #008E8A and #007C77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01C4C3 shade: #00C5C4, #00C58F, #00C55A, #00C525 and #11C500

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01C4C3 shade: #00C5C4, #0091C5, #005CC5, #0027C5 and #0000C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01C4C3 shade matches the following richer shades: #00C5C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01C4C3 shade: #00C5C4, #11B5B4, #21A5A5, #319595 and #418585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01C4C3 shade: #00C559, #00C58E, #00C5C2, #0094C5 and #0060C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01C4C3 shade: #007373, #009C9C, #00C5C4, #01EEED and #1BFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01C4C3 shade: #01C4C3, #2500C5 and #C57300

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01C4C3 shade: #01C4C3, #C200C5 and #C5C200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01C4C3 shade: #01C4C3, #2500C5, #C50004 and #A1C500

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01C4C3 shade: #01C4C3, #6000C5, #C50004 and #66C500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 1 / 23

HEX #01C4C3

RGB 1 196 195

HSL 179.69, 0.99%, 0.39%

LAB 71.84, -39.71, -11.09

 

Complementary color

CMYK 0 / 77 / 76 / 0

HEX #FE3B3C

RGB 254 59 60

HSL 359.69, 0.99%, 0.61%

LAB 56.61, 71.61, 46.12

 

CMYK 97 / 0 / 3 / 23

HEX #06C4BE

RGB 6 196 190

HSL 178.11, 0.94%, 0.4%

LAB 71.72, -41.05, -8.55

 

CMYK 89 / 0 / 2 / 16

HEX #17D6D1

RGB 23 214 209

HSL 178.43, 0.81%, 0.46%

LAB 77.8, -42.87, -9.76

 

CMYK 83 / 0 / 2 / 9

HEX #28E8E4

RGB 40 232 228

HSL 178.75, 0.81%, 0.53%

LAB 83.84, -44.35, -10.85

 

CMYK 77 / 0 / 1 / 2

HEX #39FAF7

RGB 57 250 247

HSL 179.07, 0.95%, 0.6%

LAB 89.84, -45.54, -11.85

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 99 / 0 / 1 / 23

HEX #01C4C3

RGB 1 196 195

HSL 179.69, 0.99%, 0.39%

LAB 71.84, -39.71, -11.09

 

CMYK 100 / 0 / 1 / 30

HEX #00B2B0

RGB 0 178 176

HSL 179.33, 1%, 0.35%

LAB 65.73, -37.32, -9.78

 

CMYK 100 / 0 / 2 / 37

HEX #00A09D

RGB 0 160 157

HSL 178.88, 1%, 0.31%

LAB 59.5, -34.87, -8.42

 

CMYK 100 / 0 / 3 / 44

HEX #008E8A

RGB 0 142 138

HSL 178.31, 1%, 0.28%

LAB 53.15, -32.36, -7.02

HEX #008E8A

CMYK 100 / 0 / 4 / 51

HEX #007C77

RGB 0 124 119

HSL 177.58, 1%, 0.24%

LAB 46.64, -29.81, -5.57

HEX #007C77

CMYK 100 / 0 / 1 / 23

HEX #00C5C4

RGB 0 197 196

HSL 179.7, 1%, 0.39%

LAB 72.17, -39.89, -11.14

 

CMYK 100 / 0 / 27 / 23

HEX #00C58F

RGB 0 197 143

HSL 163.55, 1%, 0.39%

LAB 70.81, -54.16, 15.66

 

CMYK 100 / 0 / 54 / 23

HEX #00C55A

RGB 0 197 90

HSL 147.41, 1%, 0.39%

LAB 69.94, -64.33, 41.83

 

CMYK 100 / 0 / 81 / 23

HEX #00C525

RGB 0 197 37

HSL 131.27, 1%, 0.39%

LAB 69.52, -69.73, 62.26

 

CMYK 91 / 0 / 100 / 23

HEX #11C500

RGB 17 197 0

HSL 114.82, 1%, 0.39%

LAB 69.51, -70.19, 68.6

 

CMYK 100 / 0 / 1 / 23

HEX #00C5C4

RGB 0 197 196

HSL 179.7, 1%, 0.39%

LAB 72.17, -39.89, -11.14

 

CMYK 100 / 26 / 0 / 23

HEX #0091C5

RGB 0 145 197

HSL 195.84, 1%, 0.39%

LAB 56.37, -13.54, -35.89

 

CMYK 100 / 53 / 0 / 23

HEX #005CC5

RGB 0 92 197

HSL 211.98, 1%, 0.39%

LAB 40.71, 19.01, -60.87

 

CMYK 100 / 80 / 0 / 23

HEX #0027C5

RGB 0 39 197

HSL 228.12, 1%, 0.39%

LAB 28.07, 52.26, -81.66

 

CMYK 100 / 100 / 0 / 23

HEX #0000C5

RGB 0 0 197

HSL 240, 1%, 0.39%

LAB 23.77, 65.21, -88.82

 

CMYK 100 / 0 / 1 / 23

HEX #00C5C4

RGB 0 197 196

HSL 179.7, 1%, 0.39%

LAB 72.17, -39.89, -11.14

 

CMYK 100 / 0 / 1 / 23

HEX #00C5C4

RGB 0 197 196

HSL 179.7, 1%, 0.39%

LAB 72.17, -39.89, -11.14

 

CMYK 91 / 0 / 1 / 29

HEX #11B5B4

RGB 17 181 180

HSL 179.63, 0.83%, 0.39%

LAB 66.87, -36.87, -10.28

 

CMYK 80 / 0 / 0 / 35

HEX #21A5A5

RGB 33 165 165

HSL 180, 0.67%, 0.39%

LAB 61.61, -32.87, -9.76

 

CMYK 67 / 0 / 0 / 42

HEX #319595

RGB 49 149 149

HSL 180, 0.51%, 0.39%

LAB 56.4, -27.97, -8.42

 

CMYK 51 / 0 / 0 / 48

HEX #418585

RGB 65 133 133

HSL 180, 0.34%, 0.39%

LAB 51.37, -21.4, -6.62

 

CMYK 100 / 0 / 55 / 23

HEX #00C559

RGB 0 197 89

HSL 147.11, 1%, 0.39%

LAB 69.93, -64.48, 42.29

 

CMYK 100 / 0 / 28 / 23

HEX #00C58E

RGB 0 197 142

HSL 163.25, 1%, 0.39%

LAB 70.79, -54.39, 16.16

 

CMYK 100 / 0 / 2 / 23

HEX #00C5C2

RGB 0 197 194

HSL 179.09, 1%, 0.39%

LAB 72.11, -40.49, -10.14

HEX #00C5C2

CMYK 100 / 25 / 0 / 23

HEX #0094C5

RGB 0 148 197

HSL 194.92, 1%, 0.39%

LAB 57.28, -15.19, -34.47

HEX #0094C5

CMYK 100 / 51 / 0 / 23

HEX #0060C5

RGB 0 96 197

HSL 210.76, 1%, 0.39%

LAB 41.84, 16.38, -59.04

HEX #0060C5

CMYK 100 / 0 / 0 / 55

HEX #007373

RGB 0 115 115

HSL 180, 1%, 0.23%

LAB 43.51, -26.71, -7.85

 

CMYK 100 / 0 / 0 / 39

HEX #009C9C

RGB 0 156 156

HSL 180, 1%, 0.31%

LAB 58.2, -33.31, -9.79

 

CMYK 100 / 0 / 1 / 23

HEX #00C5C4

RGB 0 197 196

HSL 179.7, 1%, 0.39%

LAB 72.17, -39.89, -11.14

 

CMYK 100 / 0 / 0 / 7

HEX #01EEED

RGB 1 238 237

HSL 179.75, 0.99%, 0.47%

LAB 85.64, -45.9, -12.93

 

CMYK 89 / 0 / 0 / 1

HEX #1BFDFC

RGB 27 253 252

HSL 179.73, 0.98%, 0.55%

LAB 90.56, -47.37, -13.41

 

CMYK 99 / 0 / 1 / 23

HEX #01C4C3

RGB 1 196 195

HSL 179.69, 0.99%, 0.39%

LAB 71.84, -39.71, -11.09

 

CMYK 81 / 100 / 0 / 23

HEX #2500C5

RGB 37 0 197

HSL 251.27, 1%, 0.39%

LAB 25.03, 65.64, -86.69

 

CMYK 0 / 42 / 100 / 23

HEX #C57300

RGB 197 115 0

HSL 35.03, 1%, 0.39%

LAB 56.22, 25.92, 63.31

 

CMYK 99 / 0 / 1 / 23

HEX #01C4C3

RGB 1 196 195

HSL 179.69, 0.99%, 0.39%

LAB 71.84, -39.71, -11.09

 

CMYK 2 / 100 / 0 / 23

HEX #C200C5

RGB 194 0 197

HSL 299.09, 1%, 0.39%

LAB 46.31, 80.43, -50.98

 

CMYK 0 / 2 / 100 / 23

HEX #C5C200

RGB 197 194 0

HSL 59.09, 1%, 0.39%

LAB 76.35, -16.25, 77.2

 

CMYK 99 / 0 / 1 / 23

HEX #01C4C3

RGB 1 196 195

HSL 179.69, 0.99%, 0.39%

LAB 71.84, -39.71, -11.09

 

CMYK 81 / 100 / 0 / 23

HEX #2500C5

RGB 37 0 197

HSL 251.27, 1%, 0.39%

LAB 25.03, 65.64, -86.69

 

CMYK 0 / 100 / 98 / 23

HEX #C50004

RGB 197 0 4

HSL 358.78, 1%, 0.39%

LAB 41.02, 66, 53.89

 

CMYK 18 / 0 / 100 / 23

HEX #A1C500

RGB 161 197 0

HSL 70.96, 1%, 0.39%

LAB 74.51, -32.92, 74.65

 

CMYK 99 / 0 / 1 / 23

HEX #01C4C3

RGB 1 196 195

HSL 179.69, 0.99%, 0.39%

LAB 71.84, -39.71, -11.09

 

CMYK 51 / 100 / 0 / 23

HEX #6000C5

RGB 96 0 197

HSL 269.24, 1%, 0.39%

LAB 30.68, 68.39, -77.13

 

CMYK 0 / 100 / 98 / 23

HEX #C50004

RGB 197 0 4

HSL 358.78, 1%, 0.39%

LAB 41.02, 66, 53.89

 

CMYK 48 / 0 / 100 / 23

HEX #66C500

RGB 102 197 0

HSL 88.93, 1%, 0.39%

LAB 71.39, -54.43, 70.89

 

Description

Color code: HEX #01C4C3 | qconv.com Color code: HEX #01C4C3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 196 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 196 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 1 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 1% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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