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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01BECF it is the complementary color #FE4130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01BECF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01BECF shade: #06BECA, #17D0DD, #28E2F0, #39F4FF and #4AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01BECF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01BECF shade: #01BECF, #00ACBC, #009AA9, #008896 and #007683

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01BECF shade: #01BED0, #0187D0, #014FD0, #0117D0 and #2201D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01BECF shade: #01BED0, #0187D0, #014FD0, #0117D0 and #0101D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01BECF shade matches the following richer shades: #01BED0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01BECF shade: #01BED0, #11B0BF, #22A2AE, #33949D and #44868C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01BECF shade: #01D06F, #01D0A6, #01C2D0, #018BD0 and #0153D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01BECF shade: #00737D, #0099A7, #01BED0, #01E4F9 and #25ECFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01BECF shade: #01BECF, #3801D0 and #D08B01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01BECF shade: #01BECF, #D001C2 and #C2D001

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01BECF shade: #01BECF, #3801D0, #D00E01 and #98D001

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01BECF shade: #01BECF, #7601D0, #D00E01 and #5AD001

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 8 / 0 / 19

HEX #01BECF

RGB 1 190 207

HSL 184.95, 0.99%, 0.41%

LAB 70.41, -33.22, -19.8

 

Complementary color

CMYK 0 / 74 / 81 / 0

HEX #FE4130

RGB 254 65 48

HSL 4.95, 0.99%, 0.59%

LAB 57.14, 69.47, 52.84

 

CMYK 97 / 6 / 0 / 21

HEX #06BECA

RGB 6 190 202

HSL 183.67, 0.94%, 0.41%

LAB 70.27, -34.66, -17.28

 

CMYK 90 / 6 / 0 / 13

HEX #17D0DD

RGB 23 208 221

HSL 183.94, 0.81%, 0.48%

LAB 76.38, -36.58, -18.33

 

CMYK 83 / 6 / 0 / 6

HEX #28E2F0

RGB 40 226 240

HSL 184.2, 0.87%, 0.55%

LAB 82.45, -38.16, -19.29

 

CMYK 78 / 4 / 0 / 0

HEX #39F4FF

RGB 57 244 255

HSL 183.33, 1%, 0.61%

LAB 88.35, -40.61, -18.25

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 8 / 0 / 19

HEX #01BECF

RGB 1 190 207

HSL 184.95, 0.99%, 0.41%

LAB 70.41, -33.22, -19.8

 

CMYK 100 / 9 / 0 / 26

HEX #00ACBC

RGB 0 172 188

HSL 185.11, 1%, 0.37%

LAB 64.27, -30.71, -18.65

 

CMYK 100 / 9 / 0 / 34

HEX #009AA9

RGB 0 154 169

HSL 185.33, 1%, 0.33%

LAB 58.01, -28.13, -17.47

 

CMYK 100 / 9 / 0 / 41

HEX #008896

RGB 0 136 150

HSL 185.6, 1%, 0.29%

LAB 51.62, -25.49, -16.28

 

CMYK 100 / 10 / 0 / 49

HEX #007683

RGB 0 118 131

HSL 185.95, 1%, 0.26%

LAB 45.08, -22.77, -15.06

 

CMYK 100 / 9 / 0 / 18

HEX #01BED0

RGB 1 190 208

HSL 185.22, 0.99%, 0.41%

LAB 70.45, -32.9, -20.29

 

CMYK 100 / 35 / 0 / 18

HEX #0187D0

RGB 1 135 208

HSL 201.16, 0.99%, 0.41%

LAB 53.91, -3.63, -45.99

 

CMYK 100 / 62 / 0 / 18

HEX #014FD0

RGB 1 79 208

HSL 217.39, 0.99%, 0.41%

LAB 38.11, 32.02, -71.47

 

CMYK 100 / 89 / 0 / 18

HEX #0117D0

RGB 1 23 208

HSL 233.62, 0.99%, 0.41%

LAB 27.22, 62.45, -89.5

 

CMYK 84 / 100 / 0 / 18

HEX #2201D0

RGB 34 1 208

HSL 249.57, 0.99%, 0.41%

LAB 26.49, 68.06, -90.69

 

CMYK 100 / 9 / 0 / 18

HEX #01BED0

RGB 1 190 208

HSL 185.22, 0.99%, 0.41%

LAB 70.45, -32.9, -20.29

 

CMYK 100 / 35 / 0 / 18

HEX #0187D0

RGB 1 135 208

HSL 201.16, 0.99%, 0.41%

LAB 53.91, -3.63, -45.99

 

CMYK 100 / 62 / 0 / 18

HEX #014FD0

RGB 1 79 208

HSL 217.39, 0.99%, 0.41%

LAB 38.11, 32.02, -71.47

 

CMYK 100 / 89 / 0 / 18

HEX #0117D0

RGB 1 23 208

HSL 233.62, 0.99%, 0.41%

LAB 27.22, 62.45, -89.5

 

CMYK 100 / 100 / 0 / 18

HEX #0101D0

RGB 1 1 208

HSL 240, 0.99%, 0.41%

LAB 25.51, 67.72, -92.36

 

CMYK 100 / 9 / 0 / 18

HEX #01BED0

RGB 1 190 208

HSL 185.22, 0.99%, 0.41%

LAB 70.45, -32.9, -20.29

 

CMYK 100 / 9 / 0 / 18

HEX #01BED0

RGB 1 190 208

HSL 185.22, 0.99%, 0.41%

LAB 70.45, -32.9, -20.29

 

CMYK 91 / 8 / 0 / 25

HEX #11B0BF

RGB 17 176 191

HSL 185.17, 0.84%, 0.41%

LAB 65.7, -31.09, -18.14

 

CMYK 80 / 7 / 0 / 32

HEX #22A2AE

RGB 34 162 174

HSL 185.14, 0.67%, 0.41%

LAB 60.99, -28.53, -15.76

 

CMYK 68 / 6 / 0 / 38

HEX #33949D

RGB 51 148 157

HSL 185.09, 0.51%, 0.41%

LAB 56.4, -24.74, -13

 

CMYK 51 / 4 / 0 / 45

HEX #44868C

RGB 68 134 140

HSL 185, 0.35%, 0.41%

LAB 52.03, -19.23, -9.71

 

CMYK 100 / 0 / 47 / 18

HEX #01D06F

RGB 1 208 111

HSL 151.88, 0.99%, 0.41%

LAB 73.72, -64.5, 36.22

 

CMYK 100 / 0 / 20 / 18

HEX #01D0A6

RGB 1 208 166

HSL 167.83, 0.99%, 0.41%

LAB 74.74, -52.79, 8.86

 

CMYK 100 / 7 / 0 / 18

HEX #01C2D0

RGB 1 194 208

HSL 184.06, 0.99%, 0.41%

LAB 71.65, -34.79, -18.46

 

CMYK 100 / 33 / 0 / 18

HEX #018BD0

RGB 1 139 208

HSL 200, 0.99%, 0.41%

LAB 55.1, -5.97, -44.1

 

CMYK 100 / 60 / 0 / 18

HEX #0153D0

RGB 1 83 208

HSL 216.23, 0.99%, 0.41%

LAB 39.15, 29.39, -69.77

 

CMYK 100 / 8 / 0 / 51

HEX #00737D

RGB 0 115 125

HSL 184.8, 1%, 0.25%

LAB 43.86, -23.3, -13.32

 

CMYK 100 / 8 / 0 / 35

HEX #0099A7

RGB 0 153 167

HSL 185.03, 1%, 0.33%

LAB 57.63, -28.3, -16.92

 

CMYK 100 / 9 / 0 / 18

HEX #01BED0

RGB 1 190 208

HSL 185.22, 0.99%, 0.41%

LAB 70.45, -32.9, -20.29

 

CMYK 100 / 8 / 0 / 2

HEX #01E4F9

RGB 1 228 249

HSL 185.08, 0.99%, 0.49%

LAB 83.09, -37.83, -23.1

 

CMYK 85 / 7 / 0 / 1

HEX #25ECFD

RGB 37 236 253

HSL 184.72, 0.98%, 0.57%

LAB 85.74, -39.03, -21.16

 

CMYK 100 / 8 / 0 / 19

HEX #01BECF

RGB 1 190 207

HSL 184.95, 0.99%, 0.41%

LAB 70.41, -33.22, -19.8

 

CMYK 73 / 100 / 0 / 18

HEX #3801D0

RGB 56 1 208

HSL 255.94, 0.99%, 0.41%

LAB 27.89, 68.61, -88.33

 

CMYK 0 / 33 / 100 / 18

HEX #D08B01

RGB 208 139 1

HSL 40, 0.99%, 0.41%

LAB 63.24, 17.68, 68.39

 

CMYK 100 / 8 / 0 / 19

HEX #01BECF

RGB 1 190 207

HSL 184.95, 0.99%, 0.41%

LAB 70.41, -33.22, -19.8

 

CMYK 0 / 100 / 7 / 18

HEX #D001C2

RGB 208 1 194

HSL 304.06, 0.99%, 0.41%

LAB 48.67, 82.22, -45.33

 

CMYK 7 / 0 / 100 / 18

HEX #C2D001

RGB 194 208 1

HSL 64.06, 0.99%, 0.41%

LAB 79.94, -24.41, 79.65

 

CMYK 100 / 8 / 0 / 19

HEX #01BECF

RGB 1 190 207

HSL 184.95, 0.99%, 0.41%

LAB 70.41, -33.22, -19.8

 

CMYK 73 / 100 / 0 / 18

HEX #3801D0

RGB 56 1 208

HSL 255.94, 0.99%, 0.41%

LAB 27.89, 68.61, -88.33

 

CMYK 0 / 93 / 100 / 18

HEX #D00E01

RGB 208 14 1

HSL 3.77, 0.99%, 0.41%

LAB 43.84, 67.38, 57.47

 

CMYK 27 / 0 / 100 / 18

HEX #98D001

RGB 152 208 1

HSL 76.23, 0.99%, 0.41%

LAB 77.15, -41.41, 76.31

 

CMYK 100 / 8 / 0 / 19

HEX #01BECF

RGB 1 190 207

HSL 184.95, 0.99%, 0.41%

LAB 70.41, -33.22, -19.8

 

CMYK 43 / 100 / 0 / 18

HEX #7601D0

RGB 118 1 208

HSL 273.91, 0.99%, 0.41%

LAB 34.86, 72.46, -76.56

 

CMYK 0 / 93 / 100 / 18

HEX #D00E01

RGB 208 14 1

HSL 3.77, 0.99%, 0.41%

LAB 43.84, 67.38, 57.47

 

CMYK 57 / 0 / 100 / 18

HEX #5AD001

RGB 90 208 1

HSL 94.2, 0.99%, 0.41%

LAB 74.37, -61.76, 72.95

 

Description

Color code: HEX #01BECF | qconv.com Color code: HEX #01BECF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 190 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 190 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 8 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 8% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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