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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01AEF4 it is the complementary color #FE510B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01AEF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01AEF4 shade: #06AEEF, #17C0FF, #28D2FF, #39E4FF and #4AF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01AEF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01AEF4 shade: #01AEF4, #009CE1, #008ACE, #0078BB and #0066A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01AEF4 shade: #01ADF3, #016CF3, #012BF3, #1801F3 and #5A01F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01AEF4 shade: #01ADF3, #016CF3, #012BF3 and #0101F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01AEF4 shade matches the following richer shades: #01ADF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01AEF4 shade: #01ADF3, #15A5DF, #289CCB, #3C94B8 and #508CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01AEF4 shade: #01F3B6, #01EFF3, #01AEF3, #016EF3 and #012DF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01AEF4 shade: #0073A1, #0190CA, #01ADF3, #20BEFD and #49CAFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01AEF4 shade: #01AEF4, #7601F3 and #F3D701

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01AEF4 shade: #01AEF4, #F301AE and #AEF301

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01AEF4 shade: #01AEF4, #7601F3, #F34501 and #7EF301

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01AEF4 shade: #01AEF4, #BF01F3, #F34501 and #35F301

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 29 / 0 / 4

HEX #01AEF4

RGB 1 174 244

HSL 197.28, 0.99%, 0.48%

LAB 67.13, -12.41, -45.08

 

Complementary color

CMYK 0 / 68 / 96 / 0

HEX #FE510B

RGB 254 81 11

HSL 17.28, 0.99%, 0.52%

LAB 58.96, 63.34, 67.44

 

CMYK 97 / 27 / 0 / 6

HEX #06AEEF

RGB 6 174 239

HSL 196.74, 0.95%, 0.48%

LAB 66.93, -14.07, -42.67

 

CMYK 91 / 25 / 0 / 0

HEX #17C0FF

RGB 23 192 255

HSL 196.29, 1%, 0.55%

LAB 72.96, -17.53, -41.9

 

CMYK 84 / 18 / 0 / 0

HEX #28D2FF

RGB 40 210 255

HSL 192.56, 1%, 0.58%

LAB 78.32, -25.82, -33.56

 

CMYK 78 / 11 / 0 / 0

HEX #39E4FF

RGB 57 228 255

HSL 188.18, 1%, 0.61%

LAB 83.74, -33.2, -25.23

 

CMYK 71 / 4 / 0 / 0

HEX #4AF6FF

RGB 74 246 255

HSL 182.98, 1%, 0.65%

LAB 89.2, -39.77, -16.95

 

CMYK 100 / 29 / 0 / 4

HEX #01AEF4

RGB 1 174 244

HSL 197.28, 0.99%, 0.48%

LAB 67.13, -12.41, -45.08

 

CMYK 100 / 31 / 0 / 12

HEX #009CE1

RGB 0 156 225

HSL 198.4, 1%, 0.44%

LAB 60.97, -9.37, -44.34

 

CMYK 100 / 33 / 0 / 19

HEX #008ACE

RGB 0 138 206

HSL 199.81, 1%, 0.4%

LAB 54.69, -6.18, -43.61

 

CMYK 100 / 36 / 0 / 27

HEX #0078BB

RGB 0 120 187

HSL 201.5, 1%, 0.37%

LAB 48.29, -2.84, -42.92

 

CMYK 100 / 39 / 0 / 34

HEX #0066A8

RGB 0 102 168

HSL 203.57, 1%, 0.33%

LAB 41.74, 0.71, -42.25

 

CMYK 100 / 29 / 0 / 5

HEX #01ADF3

RGB 1 173 243

HSL 197.36, 0.99%, 0.48%

LAB 66.8, -12.22, -45.06

 

CMYK 100 / 56 / 0 / 5

HEX #016CF3

RGB 1 108 243

HSL 213.47, 0.99%, 0.48%

LAB 48.51, 26.82, -74.34

 

CMYK 100 / 82 / 0 / 5

HEX #012BF3

RGB 1 43 243

HSL 229.59, 0.99%, 0.48%

LAB 34.41, 64.74, -97.59

 

CMYK 90 / 100 / 0 / 5

HEX #1801F3

RGB 24 1 243

HSL 245.7, 0.99%, 0.48%

LAB 31.08, 76.34, -103.13

 

CMYK 63 / 100 / 0 / 5

HEX #5A01F3

RGB 90 1 243

HSL 262.07, 0.99%, 0.48%

LAB 35.33, 78.12, -95.93

 

CMYK 100 / 29 / 0 / 5

HEX #01ADF3

RGB 1 173 243

HSL 197.36, 0.99%, 0.48%

LAB 66.8, -12.22, -45.06

 

CMYK 100 / 56 / 0 / 5

HEX #016CF3

RGB 1 108 243

HSL 213.47, 0.99%, 0.48%

LAB 48.51, 26.82, -74.34

 

CMYK 100 / 82 / 0 / 5

HEX #012BF3

RGB 1 43 243

HSL 229.59, 0.99%, 0.48%

LAB 34.41, 64.74, -97.59

 

CMYK 100 / 100 / 0 / 5

HEX #0101F3

RGB 1 1 243

HSL 240, 0.99%, 0.48%

LAB 30.64, 76.2, -103.88

 

CMYK 100 / 29 / 0 / 5

HEX #01ADF3

RGB 1 173 243

HSL 197.36, 0.99%, 0.48%

LAB 66.8, -12.22, -45.06

 

CMYK 100 / 29 / 0 / 5

HEX #01ADF3

RGB 1 173 243

HSL 197.36, 0.99%, 0.48%

LAB 66.8, -12.22, -45.06

 

CMYK 91 / 26 / 0 / 13

HEX #15A5DF

RGB 21 165 223

HSL 197.23, 0.83%, 0.48%

LAB 63.67, -14.38, -38.98

 

CMYK 80 / 23 / 0 / 20

HEX #289CCB

RGB 40 156 203

HSL 197.3, 0.67%, 0.48%

LAB 60.37, -15.18, -32.99

 

CMYK 67 / 20 / 0 / 28

HEX #3C94B8

RGB 60 148 184

HSL 197.42, 0.51%, 0.48%

LAB 57.66, -14.71, -26.45

 

CMYK 51 / 15 / 0 / 36

HEX #508CA4

RGB 80 140 164

HSL 197.14, 0.34%, 0.48%

LAB 55.22, -12.65, -18.72

 

CMYK 100 / 0 / 25 / 5

HEX #01F3B6

RGB 1 243 182

HSL 164.88, 0.99%, 0.48%

LAB 85.75, -62.3, 16.01

 

CMYK 100 / 2 / 0 / 5

HEX #01EFF3

RGB 1 239 243

HSL 180.99, 0.99%, 0.48%

LAB 86.11, -44.59, -15.38

 

CMYK 100 / 28 / 0 / 5

HEX #01AEF3

RGB 1 174 243

HSL 197.11, 0.99%, 0.48%

LAB 67.09, -12.76, -44.6

 

CMYK 100 / 55 / 0 / 5

HEX #016EF3

RGB 1 110 243

HSL 212.98, 0.99%, 0.48%

LAB 49.04, 25.54, -73.48

 

CMYK 100 / 81 / 0 / 5

HEX #012DF3

RGB 1 45 243

HSL 229.09, 0.99%, 0.48%

LAB 34.71, 63.84, -97.09

 

CMYK 100 / 29 / 0 / 37

HEX #0073A1

RGB 0 115 161

HSL 197.14, 1%, 0.32%

LAB 45.41, -9.98, -32.32

 

CMYK 100 / 29 / 0 / 21

HEX #0190CA

RGB 1 144 202

HSL 197.31, 0.99%, 0.4%

LAB 56.3, -11.09, -38.81

 

CMYK 100 / 29 / 0 / 5

HEX #01ADF3

RGB 1 173 243

HSL 197.36, 0.99%, 0.48%

LAB 66.8, -12.22, -45.06

 

CMYK 87 / 25 / 0 / 1

HEX #20BEFD

RGB 32 190 253

HSL 197.1, 0.98%, 0.56%

LAB 72.38, -16.72, -41.72

 

CMYK 71 / 20 / 0 / 0

HEX #49CAFE

RGB 73 202 254

HSL 197.24, 0.99%, 0.64%

LAB 76.57, -18.89, -35.7

 

CMYK 100 / 29 / 0 / 4

HEX #01AEF4

RGB 1 174 244

HSL 197.28, 0.99%, 0.48%

LAB 67.13, -12.41, -45.08

 

CMYK 51 / 100 / 0 / 5

HEX #7601F3

RGB 118 1 243

HSL 269.01, 0.99%, 0.48%

LAB 38.45, 79.82, -90.66

 

CMYK 0 / 12 / 100 / 5

HEX #F3D701

RGB 243 215 1

HSL 53.06, 0.99%, 0.48%

LAB 85.84, -7.03, 85.77

 

CMYK 100 / 29 / 0 / 4

HEX #01AEF4

RGB 1 174 244

HSL 197.28, 0.99%, 0.48%

LAB 67.13, -12.41, -45.08

 

CMYK 0 / 100 / 28 / 5

HEX #F301AE

RGB 243 1 174

HSL 317.11, 0.99%, 0.48%

LAB 54.17, 86.13, -24.57

 

CMYK 28 / 0 / 100 / 5

HEX #AEF301

RGB 174 243 1

HSL 77.11, 0.99%, 0.48%

LAB 88.5, -48.11, 85.55

 

CMYK 100 / 29 / 0 / 4

HEX #01AEF4

RGB 1 174 244

HSL 197.28, 0.99%, 0.48%

LAB 67.13, -12.41, -45.08

 

CMYK 51 / 100 / 0 / 5

HEX #7601F3

RGB 118 1 243

HSL 269.01, 0.99%, 0.48%

LAB 38.45, 79.82, -90.66

 

CMYK 0 / 72 / 100 / 5

HEX #F34501

RGB 243 69 1

HSL 16.86, 0.99%, 0.48%

LAB 55.39, 64.12, 66.49

 

CMYK 48 / 0 / 100 / 5

HEX #7EF301

RGB 126 243 1

HSL 89.01, 0.99%, 0.48%

LAB 86.28, -64.1, 82.86

 

CMYK 100 / 29 / 0 / 4

HEX #01AEF4

RGB 1 174 244

HSL 197.28, 0.99%, 0.48%

LAB 67.13, -12.41, -45.08

 

CMYK 21 / 100 / 0 / 5

HEX #BF01F3

RGB 191 1 243

HSL 287.11, 0.99%, 0.48%

LAB 48.97, 87.25, -73

 

CMYK 0 / 72 / 100 / 5

HEX #F34501

RGB 243 69 1

HSL 16.86, 0.99%, 0.48%

LAB 55.39, 64.12, 66.49

 

CMYK 78 / 0 / 100 / 5

HEX #35F301

RGB 53 243 1

HSL 107.11, 0.99%, 0.48%

LAB 84.41, -79.54, 80.6

 

Description

Color code: HEX #01AEF4 | qconv.com Color code: HEX #01AEF4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 174 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 174 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 29 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 29% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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