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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01AC09 it is the complementary color #FE53F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01AC09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01AC09 shade: #06AC04, #17BE17, #28D02A, #39E23D and #4AF450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01AC09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01AC09 shade: #01AC09, #009A00, #008800, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01AC09 shade: #00AC08, #27AC00, #55AC00, #83AC00 and #ACA700

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01AC09 shade: #00AC08, #00AC37, #00AC65, #00AC93 and #0096AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01AC09 shade matches the following richer shades: #00AC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01AC09 shade: #00AC08, #0E9E15, #1C9022, #2A822F and #38743B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01AC09 shade: #56AC00, #28AC00, #00AC06, #00AC34 and #00AC62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01AC09 shade: #005A04, #008306, #00AC08, #01D50B and #02FD0D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01AC09 shade: #01AC09, #0084AC and #AC003F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01AC09 shade: #01AC09, #0600AC and #AC0600

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01AC09 shade: #01AC09, #0084AC, #AC00A6 and #AC2800

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01AC09 shade: #01AC09, #0050AC, #AC00A6 and #AC5C00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 95 / 33

HEX #01AC09

RGB 1 172 9

HSL 122.81, 0.99%, 0.34%

LAB 61.25, -63.88, 60.73

 

Complementary color

CMYK 0 / 67 / 3 / 0

HEX #FE53F6

RGB 254 83 246

HSL 302.81, 0.99%, 0.66%

LAB 64.89, 81.67, -48.6

 

CMYK 97 / 0 / 98 / 33

HEX #06AC04

RGB 6 172 4

HSL 119.29, 0.95%, 0.35%

LAB 61.27, -63.75, 61.42

 

CMYK 88 / 0 / 88 / 25

HEX #17BE17

RGB 23 190 23

HSL 120, 0.78%, 0.42%

LAB 67.33, -67.23, 63.67

 

CMYK 81 / 0 / 80 / 18

HEX #28D02A

RGB 40 208 42

HSL 120.71, 0.68%, 0.49%

LAB 73.37, -69.85, 64.58

 

CMYK 75 / 0 / 73 / 11

HEX #39E23D

RGB 57 226 61

HSL 121.42, 0.74%, 0.55%

LAB 79.39, -71.75, 64.53

 

CMYK 70 / 0 / 67 / 4

HEX #4AF450

RGB 74 244 80

HSL 122.12, 0.89%, 0.62%

LAB 85.37, -73.11, 63.92

 

CMYK 99 / 0 / 95 / 33

HEX #01AC09

RGB 1 172 9

HSL 122.81, 0.99%, 0.34%

LAB 61.25, -63.88, 60.73

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 100 / 0 / 95 / 33

HEX #00AC08

RGB 0 172 8

HSL 122.79, 1%, 0.34%

LAB 61.24, -63.96, 60.85

 

CMYK 77 / 0 / 100 / 33

HEX #27AC00

RGB 39 172 0

HSL 106.4, 1%, 0.34%

LAB 61.6, -60.79, 62.38

 

CMYK 51 / 0 / 100 / 33

HEX #55AC00

RGB 85 172 0

HSL 90.35, 1%, 0.34%

LAB 62.87, -50.22, 63.93

 

CMYK 24 / 0 / 100 / 33

HEX #83AC00

RGB 131 172 0

HSL 74.3, 1%, 0.34%

LAB 65.22, -33.58, 66.76

 

CMYK 0 / 3 / 100 / 33

HEX #ACA700

RGB 172 167 0

HSL 58.26, 1%, 0.34%

LAB 66.83, -13.48, 69.32

 

CMYK 100 / 0 / 95 / 33

HEX #00AC08

RGB 0 172 8

HSL 122.79, 1%, 0.34%

LAB 61.24, -63.96, 60.85

 

CMYK 100 / 0 / 68 / 33

HEX #00AC37

RGB 0 172 55

HSL 139.19, 1%, 0.34%

LAB 61.46, -61.07, 47.92

 

CMYK 100 / 0 / 41 / 33

HEX #00AC65

RGB 0 172 101

HSL 155.23, 1%, 0.34%

LAB 62.04, -54.09, 26.25

 

CMYK 100 / 0 / 15 / 33

HEX #00AC93

RGB 0 172 147

HSL 171.28, 1%, 0.34%

LAB 63.02, -43.12, 2.38

 

CMYK 100 / 13 / 0 / 33

HEX #0096AC

RGB 0 150 172

HSL 187.67, 1%, 0.34%

LAB 56.87, -25.11, -20.92

 

CMYK 100 / 0 / 95 / 33

HEX #00AC08

RGB 0 172 8

HSL 122.79, 1%, 0.34%

LAB 61.24, -63.96, 60.85

 

CMYK 100 / 0 / 95 / 33

HEX #00AC08

RGB 0 172 8

HSL 122.79, 1%, 0.34%

LAB 61.24, -63.96, 60.85

 

CMYK 91 / 0 / 87 / 38

HEX #0E9E15

RGB 14 158 21

HSL 122.92, 0.84%, 0.34%

LAB 56.68, -58.73, 54.68

 

CMYK 81 / 0 / 76 / 44

HEX #1C9022

RGB 28 144 34

HSL 123.1, 0.67%, 0.34%

LAB 52.18, -52.17, 46.58

 

CMYK 68 / 0 / 64 / 49

HEX #2A822F

RGB 42 130 47

HSL 123.41, 0.51%, 0.34%

LAB 47.83, -43.5, 36.54

 

CMYK 52 / 0 / 49 / 55

HEX #38743B

RGB 56 116 59

HSL 123, 0.35%, 0.34%

LAB 43.72, -32.39, 25.55

 

CMYK 50 / 0 / 100 / 33

HEX #56AC00

RGB 86 172 0

HSL 90, 1%, 0.34%

LAB 62.91, -49.91, 63.98

 

CMYK 77 / 0 / 100 / 33

HEX #28AC00

RGB 40 172 0

HSL 106.05, 1%, 0.34%

LAB 61.62, -60.63, 62.4

 

CMYK 100 / 0 / 97 / 33

HEX #00AC06

RGB 0 172 6

HSL 122.09, 1%, 0.34%

LAB 61.24, -64.01, 61.12

 

CMYK 100 / 0 / 70 / 33

HEX #00AC34

RGB 0 172 52

HSL 138.14, 1%, 0.34%

LAB 61.44, -61.38, 49.12

 

CMYK 100 / 0 / 43 / 33

HEX #00AC62

RGB 0 172 98

HSL 154.19, 1%, 0.34%

LAB 61.99, -54.67, 27.77

 

CMYK 100 / 0 / 96 / 65

HEX #005A04

RGB 0 90 4

HSL 122.67, 1%, 0.18%

LAB 32.53, -40.05, 37.56

 

CMYK 100 / 0 / 95 / 49

HEX #008306

RGB 0 131 6

HSL 122.75, 1%, 0.26%

LAB 47.3, -52.35, 49.55

 

CMYK 100 / 0 / 95 / 33

HEX #00AC08

RGB 0 172 8

HSL 122.79, 1%, 0.34%

LAB 61.24, -63.96, 60.85

 

CMYK 100 / 0 / 95 / 16

HEX #01D50B

RGB 1 213 11

HSL 122.83, 0.99%, 0.42%

LAB 74.58, -75, 71.55

 

CMYK 99 / 0 / 95 / 1

HEX #02FD0D

RGB 2 253 13

HSL 122.63, 0.98%, 0.5%

LAB 87.14, -85.43, 81.69

 

CMYK 99 / 0 / 95 / 33

HEX #01AC09

RGB 1 172 9

HSL 122.81, 0.99%, 0.34%

LAB 61.25, -63.88, 60.73

 

CMYK 100 / 23 / 0 / 33

HEX #0084AC

RGB 0 132 172

HSL 193.95, 1%, 0.34%

LAB 51.25, -15.52, -29.6

 

CMYK 0 / 100 / 63 / 33

HEX #AC003F

RGB 172 0 63

HSL 338.02, 1%, 0.34%

LAB 36.23, 61.51, 16.03

 

CMYK 99 / 0 / 95 / 33

HEX #01AC09

RGB 1 172 9

HSL 122.81, 0.99%, 0.34%

LAB 61.25, -63.88, 60.73

 

CMYK 97 / 100 / 0 / 33

HEX #0600AC

RGB 6 0 172

HSL 242.09, 1%, 0.34%

LAB 20.11, 59, -80.03

 

CMYK 0 / 97 / 100 / 33

HEX #AC0600

RGB 172 6 0

HSL 2.09, 1%, 0.34%

LAB 35.79, 58.9, 50.01

 

CMYK 99 / 0 / 95 / 33

HEX #01AC09

RGB 1 172 9

HSL 122.81, 0.99%, 0.34%

LAB 61.25, -63.88, 60.73

 

CMYK 100 / 23 / 0 / 33

HEX #0084AC

RGB 0 132 172

HSL 193.95, 1%, 0.34%

LAB 51.25, -15.52, -29.6

 

CMYK 0 / 100 / 3 / 33

HEX #AC00A6

RGB 172 0 166

HSL 302.09, 1%, 0.34%

LAB 40.45, 72.26, -42.29

 

CMYK 0 / 77 / 100 / 33

HEX #AC2800

RGB 172 40 0

HSL 13.95, 1%, 0.34%

LAB 38.35, 51.63, 51.16

 

CMYK 99 / 0 / 95 / 33

HEX #01AC09

RGB 1 172 9

HSL 122.81, 0.99%, 0.34%

LAB 61.25, -63.88, 60.73

 

CMYK 100 / 53 / 0 / 33

HEX #0050AC

RGB 0 80 172

HSL 212.09, 1%, 0.34%

LAB 35.43, 16.81, -54.77

 

CMYK 0 / 100 / 3 / 33

HEX #AC00A6

RGB 172 0 166

HSL 302.09, 1%, 0.34%

LAB 40.45, 72.26, -42.29

 

CMYK 0 / 47 / 100 / 33

HEX #AC5C00

RGB 172 92 0

HSL 32.09, 1%, 0.34%

LAB 47.53, 27.68, 56.13

 

Description

Color code: HEX #01AC09 | qconv.com Color code: HEX #01AC09 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 172 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 172 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 95% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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