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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #019C38 it is the complementary color #FE63C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #019C38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #019C38 shade: #069C33, #17AE46, #28C059, #39D26C and #4AE47F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #019C38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #019C38 shade: #019C38, #008A25, #007812, #006600 and #005400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #019C38 shade: #009D38, #009D0E, #1D9D00, #479D00 and #729D00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #019C38 shade: #009D38, #009D62, #009D8C, #00839D and #00599D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #019C38 shade matches the following richer shades: #009D38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #019C38 shade: #009D38, #0D903C, #1A833F, #277643 and #336A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #019C38 shade: #1D9D00, #009D0D, #009D37, #009D61 and #009D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #019C38 shade: #004B1A, #007429, #009D38, #00C647 and #01EF55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #019C38 shade: #019C38, #00479D and #9D0008

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #019C38 shade: #019C38, #37009D and #9D3700

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #019C38 shade: #019C38, #00479D, #9D0066 and #9D5600

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #019C38 shade: #019C38, #00189D, #9D0066 and #9D8500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 64 / 39

HEX #019C38

RGB 1 156 56

HSL 141.29, 0.99%, 0.31%

LAB 56.16, -55.98, 41.62

 

Complementary color

CMYK 0 / 61 / 22 / 0

HEX #FE63C7

RGB 254 99 199

HSL 321.29, 0.99%, 0.69%

LAB 65.06, 68.9, -22.08

 

CMYK 96 / 0 / 67 / 39

HEX #069C33

RGB 6 156 51

HSL 138, 0.93%, 0.32%

LAB 56.14, -56.28, 43.83

 

CMYK 87 / 0 / 60 / 32

HEX #17AE46

RGB 23 174 70

HSL 138.68, 0.77%, 0.39%

LAB 62.42, -58.56, 42.39

 

CMYK 79 / 0 / 54 / 25

HEX #28C059

RGB 40 192 89

HSL 139.34, 0.66%, 0.45%

LAB 68.66, -60.12, 40.82

 

CMYK 73 / 0 / 49 / 18

HEX #39D26C

RGB 57 210 108

HSL 140, 0.63%, 0.52%

LAB 74.85, -61.15, 39.26

 

CMYK 68 / 0 / 44 / 11

HEX #4AE47F

RGB 74 228 127

HSL 140.65, 0.74%, 0.59%

LAB 81, -61.8, 37.75

 

CMYK 99 / 0 / 64 / 39

HEX #019C38

RGB 1 156 56

HSL 141.29, 0.99%, 0.31%

LAB 56.16, -55.98, 41.62

 

CMYK 100 / 0 / 73 / 46

HEX #008A25

RGB 0 138 37

HSL 136.09, 1%, 0.27%

LAB 49.87, -52.52, 42.98

 

CMYK 100 / 0 / 85 / 53

HEX #007812

RGB 0 120 18

HSL 129, 1%, 0.24%

LAB 43.47, -48.52, 43.41

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 64 / 38

HEX #009D38

RGB 0 157 56

HSL 141.4, 1%, 0.31%

LAB 56.49, -56.35, 41.99

 

CMYK 100 / 0 / 91 / 38

HEX #009D0E

RGB 0 157 14

HSL 125.35, 1%, 0.31%

LAB 56.23, -59.57, 55.72

 

CMYK 82 / 0 / 100 / 38

HEX #1D9D00

RGB 29 157 0

HSL 108.92, 1%, 0.31%

LAB 56.46, -57.63, 58.21

 

CMYK 55 / 0 / 100 / 38

HEX #479D00

RGB 71 157 0

HSL 92.87, 1%, 0.31%

LAB 57.51, -48.76, 59.49

 

CMYK 27 / 0 / 100 / 38

HEX #729D00

RGB 114 157 0

HSL 76.43, 1%, 0.31%

LAB 59.61, -33.57, 62.02

 

CMYK 100 / 0 / 64 / 38

HEX #009D38

RGB 0 157 56

HSL 141.4, 1%, 0.31%

LAB 56.49, -56.35, 41.99

 

CMYK 100 / 0 / 38 / 38

HEX #009D62

RGB 0 157 98

HSL 157.45, 1%, 0.31%

LAB 57.07, -49.27, 21.27

 

CMYK 100 / 0 / 11 / 38

HEX #009D8C

RGB 0 157 140

HSL 173.5, 1%, 0.31%

LAB 58.04, -38.6, -0.94

 

CMYK 100 / 17 / 0 / 38

HEX #00839D

RGB 0 131 157

HSL 189.94, 1%, 0.31%

LAB 50.3, -20.43, -22.38

 

CMYK 100 / 43 / 0 / 38

HEX #00599D

RGB 0 89 157

HSL 205.99, 1%, 0.31%

LAB 37.08, 4.55, -43.15

 

CMYK 100 / 0 / 64 / 38

HEX #009D38

RGB 0 157 56

HSL 141.4, 1%, 0.31%

LAB 56.49, -56.35, 41.99

 

CMYK 100 / 0 / 64 / 38

HEX #009D38

RGB 0 157 56

HSL 141.4, 1%, 0.31%

LAB 56.49, -56.35, 41.99

 

CMYK 91 / 0 / 58 / 44

HEX #0D903C

RGB 13 144 60

HSL 141.53, 0.83%, 0.31%

LAB 52.24, -50.81, 35.21

 

CMYK 80 / 0 / 52 / 49

HEX #1A833F

RGB 26 131 63

HSL 141.14, 0.67%, 0.31%

LAB 48.02, -44.41, 28.58

 

CMYK 67 / 0 / 43 / 54

HEX #277643

RGB 39 118 67

HSL 141.27, 0.5%, 0.31%

LAB 43.94, -36.26, 21.23

 

CMYK 52 / 0 / 33 / 58

HEX #336A47

RGB 51 106 71

HSL 141.82, 0.35%, 0.31%

LAB 40.36, -26.97, 14.21

 

CMYK 82 / 0 / 100 / 38

HEX #1D9D00

RGB 29 157 0

HSL 108.92, 1%, 0.31%

LAB 56.46, -57.63, 58.21

 

CMYK 100 / 0 / 92 / 38

HEX #009D0D

RGB 0 157 13

HSL 124.97, 1%, 0.31%

LAB 56.23, -59.61, 55.9

 

CMYK 100 / 0 / 65 / 38

HEX #009D37

RGB 0 157 55

HSL 141.02, 1%, 0.31%

LAB 56.48, -56.47, 42.43

 

CMYK 100 / 0 / 38 / 38

HEX #009D61

RGB 0 157 97

HSL 157.07, 1%, 0.31%

LAB 57.05, -49.48, 21.79

 

CMYK 100 / 0 / 11 / 38

HEX #009D8B

RGB 0 157 139

HSL 173.12, 1%, 0.31%

LAB 58.02, -38.89, -0.41

 

CMYK 100 / 0 / 65 / 71

HEX #004B1A

RGB 0 75 26

HSL 140.8, 1%, 0.15%

LAB 27.04, -32.89, 23.06

 

CMYK 100 / 0 / 65 / 55

HEX #007429

RGB 0 116 41

HSL 141.21, 1%, 0.23%

LAB 42.23, -45.02, 32.88

 

CMYK 100 / 0 / 64 / 38

HEX #009D38

RGB 0 157 56

HSL 141.4, 1%, 0.31%

LAB 56.49, -56.35, 41.99

 

CMYK 100 / 0 / 64 / 22

HEX #00C647

RGB 0 198 71

HSL 141.52, 1%, 0.39%

LAB 70.07, -67.12, 50.62

 

CMYK 100 / 0 / 64 / 6

HEX #01EF55

RGB 1 239 85

HSL 141.18, 0.99%, 0.47%

LAB 83.12, -77.55, 59.29

 

CMYK 99 / 0 / 64 / 39

HEX #019C38

RGB 1 156 56

HSL 141.29, 0.99%, 0.31%

LAB 56.16, -55.98, 41.62

 

CMYK 100 / 55 / 0 / 38

HEX #00479D

RGB 0 71 157

HSL 212.87, 1%, 0.31%

LAB 31.67, 16.69, -51.88

 

CMYK 0 / 100 / 95 / 38

HEX #9D0008

RGB 157 0 8

HSL 356.94, 1%, 0.31%

LAB 32.23, 55.86, 42.95

 

CMYK 99 / 0 / 64 / 39

HEX #019C38

RGB 1 156 56

HSL 141.29, 0.99%, 0.31%

LAB 56.16, -55.98, 41.62

 

CMYK 65 / 100 / 0 / 38

HEX #37009D

RGB 55 0 157

HSL 261.02, 1%, 0.31%

LAB 21.01, 56.48, -69.34

 

CMYK 0 / 65 / 100 / 38

HEX #9D3700

RGB 157 55 0

HSL 21.02, 1%, 0.31%

LAB 37.66, 40.51, 49.21

 

CMYK 99 / 0 / 64 / 39

HEX #019C38

RGB 1 156 56

HSL 141.29, 0.99%, 0.31%

LAB 56.16, -55.98, 41.62

 

CMYK 100 / 55 / 0 / 38

HEX #00479D

RGB 0 71 157

HSL 212.87, 1%, 0.31%

LAB 31.67, 16.69, -51.88

 

CMYK 0 / 100 / 35 / 38

HEX #9D0066

RGB 157 0 102

HSL 321.02, 1%, 0.31%

LAB 34.25, 61.23, -12.55

 

CMYK 0 / 45 / 100 / 38

HEX #9D5600

RGB 157 86 0

HSL 32.87, 1%, 0.31%

LAB 43.98, 24.46, 52.84

 

CMYK 99 / 0 / 64 / 39

HEX #019C38

RGB 1 156 56

HSL 141.29, 0.99%, 0.31%

LAB 56.16, -55.98, 41.62

 

CMYK 100 / 85 / 0 / 38

HEX #00189D

RGB 0 24 157

HSL 230.83, 1%, 0.31%

LAB 20.39, 46.69, -70.44

 

CMYK 0 / 100 / 35 / 38

HEX #9D0066

RGB 157 0 102

HSL 321.02, 1%, 0.31%

LAB 34.25, 61.23, -12.55

 

CMYK 0 / 15 / 100 / 38

HEX #9D8500

RGB 157 133 0

HSL 50.83, 1%, 0.31%

LAB 56.03, -2.13, 60.92

 

Description

Color code: HEX #019C38 | qconv.com Color code: HEX #019C38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 156 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 156 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 64 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 64% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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