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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0177D9 it is the complementary color #FE8826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0177D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0177D9 shade: #0677D4, #1789E7, #289BFA, #39ADFF and #4ABFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0177D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0177D9 shade: #0177D9, #0065C6, #0053B3, #0041A0 and #002F8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0177D9 shade: #0177DA, #013DDA, #0102DA, #3A01DA and #7401DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0177D9 shade: #0177DA, #013DDA, #0102DA and #0101DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0177D9 shade matches the following richer shades: #0177DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0177D9 shade: #0177DA, #1276C8, #2474B6, #3672A4 and #487193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0177D9 shade: #01DAC8, #01B2DA, #0178DA, #013EDA and #0104DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0177D9 shade: #004A88, #0061B1, #0177DA, #068DFD and #2FA0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0177D9 shade: #0177D9, #8E01DA and #CFDA01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0177D9 shade: #0177D9, #DA0178 and #78DA01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0177D9 shade: #0177D9, #8E01DA, #DA6201 and #4DDA01

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0177D9 shade: #0177D9, #CF01DA, #DA6201 and #0BDA01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 45 / 0 / 15

HEX #0177D9

RGB 1 119 217

HSL 207.22, 0.99%, 0.43%

LAB 49.75, 9.63, -57.72

 

Complementary color

CMYK 0 / 46 / 85 / 0

HEX #FE8826

RGB 254 136 38

HSL 27.22, 0.99%, 0.57%

LAB 68.62, 38.96, 66.98

 

CMYK 97 / 44 / 0 / 17

HEX #0677D4

RGB 6 119 212

HSL 207.09, 0.94%, 0.43%

LAB 49.48, 7.82, -55.32

 

CMYK 90 / 41 / 0 / 9

HEX #1789E7

RGB 23 137 231

HSL 207.12, 0.82%, 0.5%

LAB 55.93, 4.76, -55.66

 

CMYK 84 / 38 / 0 / 2

HEX #289BFA

RGB 40 155 250

HSL 207.14, 0.95%, 0.57%

LAB 62.33, 2.22, -55.92

 

CMYK 78 / 32 / 0 / 0

HEX #39ADFF

RGB 57 173 255

HSL 204.85, 1%, 0.61%

LAB 68, -4.79, -49.64

 

CMYK 71 / 25 / 0 / 0

HEX #4ABFFF

RGB 74 191 255

HSL 201.22, 1%, 0.65%

LAB 73.5, -12.66, -40.99

 

CMYK 100 / 45 / 0 / 15

HEX #0177D9

RGB 1 119 217

HSL 207.22, 0.99%, 0.43%

LAB 49.75, 9.63, -57.72

 

CMYK 100 / 49 / 0 / 22

HEX #0065C6

RGB 0 101 198

HSL 209.39, 1%, 0.39%

LAB 43.34, 13.51, -57.19

 

CMYK 100 / 54 / 0 / 30

HEX #0053B3

RGB 0 83 179

HSL 212.18, 1%, 0.35%

LAB 36.82, 17.67, -56.66

 

CMYK 100 / 59 / 0 / 37

HEX #0041A0

RGB 0 65 160

HSL 215.63, 1%, 0.31%

LAB 30.2, 22.1, -56.08

 

CMYK 100 / 67 / 0 / 45

HEX #002F8D

RGB 0 47 141

HSL 220, 1%, 0.28%

LAB 23.53, 26.75, -55.38

 

CMYK 100 / 45 / 0 / 15

HEX #0177DA

RGB 1 119 218

HSL 207.37, 0.99%, 0.43%

LAB 49.81, 10.03, -58.18

 

CMYK 100 / 72 / 0 / 15

HEX #013DDA

RGB 1 61 218

HSL 223.41, 0.99%, 0.43%

LAB 34.81, 47.13, -82.67

 

CMYK 100 / 99 / 0 / 15

HEX #0102DA

RGB 1 2 218

HSL 239.72, 0.99%, 0.43%

LAB 27.05, 69.98, -95.59

 

CMYK 73 / 100 / 0 / 15

HEX #3A01DA

RGB 58 1 218

HSL 255.76, 0.99%, 0.43%

LAB 29.37, 71.05, -91.65

 

CMYK 47 / 100 / 0 / 15

HEX #7401DA

RGB 116 1 218

HSL 271.8, 0.99%, 0.43%

LAB 35.59, 74.37, -81.15

 

CMYK 100 / 45 / 0 / 15

HEX #0177DA

RGB 1 119 218

HSL 207.37, 0.99%, 0.43%

LAB 49.81, 10.03, -58.18

 

CMYK 100 / 72 / 0 / 15

HEX #013DDA

RGB 1 61 218

HSL 223.41, 0.99%, 0.43%

LAB 34.81, 47.13, -82.67

 

CMYK 100 / 99 / 0 / 15

HEX #0102DA

RGB 1 2 218

HSL 239.72, 0.99%, 0.43%

LAB 27.05, 69.98, -95.59

 

CMYK 100 / 100 / 0 / 15

HEX #0101DA

RGB 1 1 218

HSL 240, 0.99%, 0.43%

LAB 26.99, 70.17, -95.69

 

CMYK 100 / 45 / 0 / 15

HEX #0177DA

RGB 1 119 218

HSL 207.37, 0.99%, 0.43%

LAB 49.81, 10.03, -58.18

 

CMYK 100 / 45 / 0 / 15

HEX #0177DA

RGB 1 119 218

HSL 207.37, 0.99%, 0.43%

LAB 49.81, 10.03, -58.18

 

CMYK 91 / 41 / 0 / 22

HEX #1276C8

RGB 18 118 200

HSL 207.03, 0.83%, 0.43%

LAB 48.58, 4.19, -49.91

 

CMYK 80 / 36 / 0 / 29

HEX #2474B6

RGB 36 116 182

HSL 207.12, 0.67%, 0.43%

LAB 47.29, -0.13, -41.57

 

CMYK 67 / 30 / 0 / 36

HEX #3672A4

RGB 54 114 164

HSL 207.27, 0.5%, 0.43%

LAB 46.31, -3.02, -32.59

 

CMYK 51 / 23 / 0 / 42

HEX #487193

RGB 72 113 147

HSL 207.2, 0.34%, 0.43%

LAB 46.04, -4.32, -22.93

 

CMYK 100 / 0 / 8 / 15

HEX #01DAC8

RGB 1 218 200

HSL 175.02, 0.99%, 0.43%

LAB 78.65, -47.85, -3.7

 

CMYK 100 / 18 / 0 / 15

HEX #01B2DA

RGB 1 178 218

HSL 191.06, 0.99%, 0.43%

LAB 67.21, -23.65, -30.74

 

CMYK 100 / 45 / 0 / 15

HEX #0178DA

RGB 1 120 218

HSL 207.1, 0.99%, 0.43%

LAB 50.1, 9.4, -57.72

 

CMYK 100 / 72 / 0 / 15

HEX #013EDA

RGB 1 62 218

HSL 223.13, 0.99%, 0.43%

LAB 35.03, 46.53, -82.31

 

CMYK 100 / 98 / 0 / 15

HEX #0104DA

RGB 1 4 218

HSL 239.17, 0.99%, 0.43%

LAB 27.17, 69.6, -95.38

 

CMYK 100 / 46 / 0 / 47

HEX #004A88

RGB 0 74 136

HSL 207.35, 1%, 0.27%

LAB 31.06, 5.68, -40.05

 

CMYK 100 / 45 / 0 / 31

HEX #0061B1

RGB 0 97 177

HSL 207.12, 1%, 0.35%

LAB 40.77, 7.58, -49.09

 

CMYK 100 / 45 / 0 / 15

HEX #0177DA

RGB 1 119 218

HSL 207.37, 0.99%, 0.43%

LAB 49.81, 10.03, -58.18

 

CMYK 98 / 44 / 0 / 1

HEX #068DFD

RGB 6 141 253

HSL 207.21, 0.98%, 0.51%

LAB 58.21, 10.15, -64.19

 

CMYK 81 / 37 / 0 / 1

HEX #2FA0FD

RGB 47 160 253

HSL 207.09, 0.98%, 0.59%

LAB 64.03, 0.96, -54.86

 

CMYK 100 / 45 / 0 / 15

HEX #0177D9

RGB 1 119 217

HSL 207.22, 0.99%, 0.43%

LAB 49.75, 9.63, -57.72

 

CMYK 35 / 100 / 0 / 15

HEX #8E01DA

RGB 142 1 218

HSL 278.99, 0.99%, 0.43%

LAB 39.3, 76.88, -74.91

 

CMYK 5 / 0 / 100 / 15

HEX #CFDA01

RGB 207 218 1

HSL 63.04, 0.99%, 0.43%

LAB 83.66, -23.77, 82.84

 

CMYK 100 / 45 / 0 / 15

HEX #0177D9

RGB 1 119 217

HSL 207.22, 0.99%, 0.43%

LAB 49.75, 9.63, -57.72

 

CMYK 0 / 100 / 45 / 15

HEX #DA0178

RGB 218 1 120

HSL 327.1, 0.99%, 0.43%

LAB 47.34, 75.94, -2.96

 

CMYK 45 / 0 / 100 / 15

HEX #78DA01

RGB 120 218 1

HSL 87.1, 0.99%, 0.43%

LAB 78.54, -56.72, 76.7

 

CMYK 100 / 45 / 0 / 15

HEX #0177D9

RGB 1 119 217

HSL 207.22, 0.99%, 0.43%

LAB 49.75, 9.63, -57.72

 

CMYK 35 / 100 / 0 / 15

HEX #8E01DA

RGB 142 1 218

HSL 278.99, 0.99%, 0.43%

LAB 39.3, 76.88, -74.91

 

CMYK 0 / 55 / 100 / 15

HEX #DA6201

RGB 218 98 1

HSL 26.82, 0.99%, 0.43%

LAB 55.73, 43.26, 64.37

 

CMYK 65 / 0 / 100 / 15

HEX #4DDA01

RGB 77 218 1

HSL 98.99, 0.99%, 0.43%

LAB 77.11, -68.12, 74.97

 

CMYK 100 / 45 / 0 / 15

HEX #0177D9

RGB 1 119 217

HSL 207.22, 0.99%, 0.43%

LAB 49.75, 9.63, -57.72

 

CMYK 5 / 100 / 0 / 15

HEX #CF01DA

RGB 207 1 218

HSL 296.96, 0.99%, 0.43%

LAB 49.92, 85.5, -57.18

 

CMYK 0 / 55 / 100 / 15

HEX #DA6201

RGB 218 98 1

HSL 26.82, 0.99%, 0.43%

LAB 55.73, 43.26, 64.37

 

CMYK 95 / 0 / 100 / 15

HEX #0BDA01

RGB 11 218 1

HSL 117.24, 0.99%, 0.43%

LAB 76.2, -76.15, 73.85

 

Description

Color code: HEX #0177D9 | qconv.com Color code: HEX #0177D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 119 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 119 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 45 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 45% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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